"The Holly and the Ivy" is a traditional British folk Christmas carol, listed as number 514 in the Roud Folk Song Index. The song can be traced only as far as the early nineteenth century, but the lyrics reflect an association between holly and Christmas dating at least as far as medieval times. The lyrics and melody varied significantly in traditional communities, but the song has since become standardised. The version which is now popular was collected in 1909 by the English folk song collector Cecil Sharp in the market town of Chipping Campden in Gloucestershire, England, from a woman named Mary Clayton.
|The Holly and the Ivy|
|Text||English traditional carol|
|Meter||126.96.36.199 with refrain|
The following are taken from Sharp's English Folk-Carols (1911), the publication that first established the current words and melody:
1. The holly and the ivy,
4. The holly bears a prickle,
An early mention of the carol's title occurs in William Hone's 1823 work Ancient Mysteries Described, which includes "The holly and the ivy, now are both well grown" among an alphabetical list of "Christmas Carols, now annually printed" that were in the author's possession.
The complete words of the carol are found in a book review dating from 1849, in which the reviewer suggested using the text of "The Holly and the Ivy" in place of one of the readings found in the book under discussion. The anonymous reviewer introduced the lyrics of carol thus:
Instead of passages from Bernard Barton, however, and Mary Howitt, we think we could have gathered more from the seventeenth century poets; and especially might larger use have been made of that touchingly simple class of religious ballads, which under the name of carols, &c., is so rife throughout the rural districts, and the humbler quarters of England's great towns. Many of these are only orally preserved, but with a little trouble a large number might be recovered. We have before us at this time a collection of carols printed in the cheapest form, at Birmingham, uniting for the most part extreme simplicity, with distinct doctrinal teaching, a combination which constitutes the excellence of a popular religious literature. From this little volume we will extract one which might well take the place of the passage from Milton for Christmas Day. It is called the "Holly and the Ivy."
The words of the carol were included in Sylvester's 1861 collection A Garland of Christmas Carols where it is claimed to originate from "an old broadside, printed a century and a half since" [i.e. around 1711]: Husk's 1864 Songs of the Nativity also includes the carol, stating:
This carol appears to have nearly escaped the notice of collectors, as it has been reprinted by one alone, who states his copy to have been taken from "an old broadside, printed a century and a half since," i.e. about 1710. It is still retained on the broadsides printed at Birmingham.
Early English Lyrics by Chambers and Sidgwick, published in 1907, repeats Husk's statement.
There have been many variants collected from traditional singers and early printed versions which differ significantly from the now popular version. The most popular traditional variant seems to have been "The Holly Bears a Berry", whilst the more familiar "The Holly and the Ivy" variant was sung with a variety of tunes and lyrics.
|Variant||Wadsworth (1814–1818)||Bloomer (1817–1827)||Wrighton (1812–1830)||The Theologian (1849)||Sylvester (1861)||Husk (1864)|
|verse 1 line 2: Now are both well grown||X||X||X||X||X||X|
|chorus line 1: The rising of the sun, the sun,||X|
|chorus line 2:
|chorus line 3: The playing of the merry groan [sic]||X|
|chorus line 4: Sweet singing of the choir
|chorus line 4: The singing in the choir
The popular melody for the carol was first published in Cecil Sharp's 1911 collection English Folk-Carols. Sharp states that he heard the tune sung by "Mrs. Mary Clayton, at Chipping Campden", a quaint town in the Cotswolds. Sharp's manuscript transcription of Clayton's singing of the third verse, dated "Jan 13th 1909", is archived in the Cecil Sharp Manuscript Collection at Clare College, Cambridge and viewable online. The melody is notable in being confined to the notes of the hexachord.
The words have traditionally been sung to countless folk melodies, including three further tunes having been collected in Gloucestershire alone. Some traditional recordings have been made which demonstrate this melodic variety; these include one sung by Peter Jones of Ross-on-Wye, Herefordshire, and another performed by Bessie Wallace of Camborne, Cornwall in the early 1930s and recorded by James Madison Carpenter, which is publicly available on the Vaughan Williams Memorial Library website. The "Sans Day Carol", considered a variant of the song, is associated with a different tune.
Holly, especially the variety found in Europe, is commonly referenced at Christmas time, and is often referred to by the name Christ's thorn. Since medieval times the plant has carried a Christian symbolism, as expressed in this popular Christmas carol "The Holly and the Ivy", in which the holly represents Jesus and the ivy represents His mother, the Virgin Mary. Angie Mostellar discusses the Christian use of holly at Christmas, stating that:
Christians have identified a wealth of symbolism in its form. The sharpness of the leaves help to recall the crown of thorns worn by Jesus; the red berries serve as a reminder of the drops of blood that were shed for salvation; and the shape of the leaves, which resemble flames, can serve to reveal God's burning love for His people. Combined with the fact that holly maintains its bright colors during the Christmas season, it naturally came to be associated with the Christian holiday.
As such, holly and ivy have been a mainstay of British Advent and Christmas decorations for Church use since at least the fifteenth and sixteenth centuries, when they were mentioned regularly in churchwardens’ accounts (Roud 2004).
Holly and ivy figure in the lyrics of the "Sans Day Carol". The music was first published by Cecil Sharp. Sir Henry Walford Davies wrote a popular choral arrangement that is often performed at the Festival of Nine Lessons and Carols and by choirs around the world. Henry VIII wrote a love song Green Groweth the Holly which alludes to holly and ivy resisting winter blasts and not changing their green hue So I am and ever hath been Unto my lady true.
Hone's 1823 Ancient Mysteries Described, which lists the carol's title as mentioned above, also describes (p 94) a British Museum manuscript: The same volume contains a song on the Holly and the Ivy which I mention because there is an old Carol on the same subject still printed. The MS begins with,
Nay, my nay, hyt shal not be I wys,
Let holy hafe the maystry, as the maner ys:
Holy stond in the hall, faire to behold,
Ivy stond without the dore, she ys ful sore acold,
Nay, my nay etc
Holy and hys mery men, they dawnseyn and they syng,
Ivy and hur maydyns, they wepen and they wryng.
Nay, my nay etc
"The Holly and the Ivy" is also related to an older carol described by Sharp as: "The Contest of the Ivy and the Holly", a contest between the traditional emblems of woman and man respectively.
Holly stands in the hall, fair to behold:
Ivy stands without the door, she is full sore a cold.
Nay, ivy, nay, it shall not be I wis;
Let holly have the mastery, as the manner is.
Holly and his merry men, they dance and they sing,
Ivy and her maidens, they weep and they wring.
Nay, ivy, nay, etc
Ivy hath chapped fingers, she caught them from the cold,
So might they all have, aye, that with ivy hold.
Nay, ivy, nay, etc
Holly hath berries red as any rose,
The forester, the hunter, keep them from the does.
Nay, ivy, nay, etc
Ivy hath berries black as any sloe;
There come the owl and eat him as she go.
Nay, ivy, nay, etc
Holly hath birds a fair full flock,
The nightingale, the popinjay, the gentle laverock.
Nay, ivy, nay, etc
Good ivy, what birds hast thou?
None but the owlet that cries how, how.
Nay, ivy, nay, etc
Recorded versions (partial list)Edit
- 1958: Petula Clark for one of the first British stereo releases, on the EP A Christmas Carol
- 1969: The Young Tradition on The Holly Bears the Crown, not released until 1995
- 1972: Steeleye Span, originally as the B-side of the Christmas single Gaudete
- 1982: George Winston (instrumental) on December
- 1985: Yes vocalist Jon Anderson on 3 Ships
- 1986: Choir of St John's College, Cambridge on Christmas Carols from St. John's
- 1987: Maddy Prior with The Carnival Band on A Tapestry of Carols
- 1988: Mannheim Steamroller (instrumental) on A Fresh Aire Christmas
- 1991: Therese Schroeder-Sheker - In Dulci Jubilo
- 1994: Natalie Cole - Holly & Ivy
- 1997: Roger Whittaker in his compilation album Happy Holidays from Roger Whittaker
- 2003: Mediaeval Baebes on their 2003 compilation Mistletoe and Wine and a re-recorded version on the 2013 Christmas album Of Kings And Angels
- 2004: Andrew Peterson Instrumental version on Behold the Lamb of God
- 2008: Sound of the Rockies - Sing We Noel
- 2008: Loreena Mckennit on A Midwinter Night's Dream
- 2008: Kate Rusby on Sweet Bells
- 2010: Annie Lennox on A Christmas Cornucopia (2010 and 2020)
- 2011: Hawk Nelson on the EP Christmas
- 2014: Deborah Voigt and the Mormon Tabernacle Choir - Let The Season In
- 2014: Los Campesinos! on their Christmas EP A Los Campesinos! Christmas
- 2017: Ola Gjeilo performed by Choir of Royal Holloway on their album Winter Songs
- Sharp, Cecil J. (1911). English Folk-Carols. London: Novello.
- The Holly & Ivy. Birmingham: H. Wadsworth. n.d.; see also http://www.mustrad.org.uk/articles/birming4.htm
- The Holly & Ivy; Twelve Articles. Birmingham: D. Wrighton. n.d.
- Herald Angels; The Holly & Ivy. Birmingham: T. Bloomer. n.d.
- Hone, William (2 January 2020). Ancient mysteries described: especially the English miracle plays, founded on apocryphal New testament story, extant among the unpublished manuscripts in the British museum: including notices of ecclesiastical shows. London: W. Hone. pp. 97–99.
- Review of Rivington, Sertum Ecclesiae, the Church's Flowers, from The Theologian and Ecclesiastic vol. vii, January to June 1849, pp. 198–200
- Sylvester, Joshua, ed. (1861). A Garland of Christmas Carols, Ancient and Modern. London: John Camden Hotten. p. 148.
- Husk, William Henry (ed.) (1864). Songs of the Nativity. London: John Camden Hotten. p. 85.
|first=has generic name (help)
- Chambers, E.K.; Frank Sidgwick (1907). Early English lyrics : amorous, divine, moral & trivial. London: A.H. Bullen. p. 374.
- Sharp (1911), p. 63
- "The Holly & the Ivy. Xmas Carol. Mrs. M. A. Clayton at Chipping Campden. Jan 13th 1909" (manuscript facsimile)
- "From the Gloucestershire Traditions online library".
- "The Holly and the Ivy (Roud Folksong Index S178225)". The Vaughan Williams Memorial Library. Retrieved 5 December 2020.
- "The Holly and the Ivy (Roud Folksong Index S380642)". The Vaughan Williams Memorial Library. Retrieved 5 December 2020.
- "Holly and the Ivy, The (VWML Song Index SN16706)". The Vaughan Williams Memorial Library. Retrieved 5 December 2020.
- Warren, Nathan Boughton (1868). The holidays: Christmas, Easter, and Whitsuntide: their social festivities, customs, and carols. Cambridge, MA: Hurd and Houghton. pp. 182–183.
- Bramley, Henry Ramsden; Stainer, John (c. 1871). Christmas Carols New and Old. London: Novello, Ewer and Co.
- Old English Carols set to music: traditional and original. London: Alexander Shapcott. c. 1875. pp. 7–8.
- Sanford Niles, ed. (1895). Christmas History and Customs. School Education Company. p. 24.
In Germany and Scandinavia the holly, or holy tree, is called "Christ's thorn," from its use in church decorations, and because it bears berries at Christmas-tide.
- Mosteller, Angie (2008). Christmas. Itasca Books. pp. 86–87, 89. ISBN 9781607910084.
- Struthers, Jane (4 October 2010). The Book of Christmas. Ebury Publishing. p. 218. ISBN 9781448148936.
The British native holly (Ilex aquifolim) has tremendous religious significance at Christmas. Its prickly leave are evocative of the crown of thorns that was placed on Jesus Christ's head at His crucifixion, and its scarlet berries are synonymous with drops of His blood.
- Ciesla, William M. (2002). Non-wood Forest Products from Temperate Broad-leaved Trees. Food and Agriculture Organization of the United Nations. p. 13. ISBN 9789251048559.
Holly is still a popular Christmas decoration among Christian cultures.
- The Holly and the Ivy lyrics
- "Annie Lennox Releases the 10th Anniversary Re-issue of a Christmas Cornucopia Today". UMusic.ca. Universal Music Canada Inc. Retrieved 14 December 2020.
|Wikisource has original text related to this article:|
- Free sheet music for piano from Cantorion.org
- Hymns Without Words Archived 14 December 2013 at the Wayback Machine free recording for download suitable for services
- Steve Roud on superstitions
- "Notes on 'The Contest of the Holy and the Ivy'"
- Hymns and Carols of Christmas
- Ancient Mysteries Described Especially the English Miracle Plays, Founded on Apocryphal New Testament Story, Extant Among the Unpublished Manuscripts in the British Museum, Including Notices of Ecclesiastical Shows, the Festivals of Fools and Asses, the English Boy-bishop, the Descent Into Hell, the Lord Mayor's Show, the Guildhall Giants, Christmas Carols, Etc By William Hone, George Cruikshank
- Holly and Ivy Songs