The Hit (1984 film)

The Hit is a 1984 British road crime film directed by Stephen Frears and starring John Hurt, Terence Stamp, Laura del Sol and Tim Roth. It was Stamp's first starring role in over a decade and Roth won an Evening Standard Award for Most Promising Newcomer. The title music is provided by Eric Clapton and Roger Waters.[3] Spanish flamenco guitarist Paco de Lucia performed the soundtrack music. The film was released by The Criterion Collection on DVD in April 2009 and on Blu-ray in October 2020.

The Hit
TheHitposter.jpg
Theatrical release poster
Directed byStephen Frears
Written byPeter Prince
Produced byJeremy Thomas
StarringJohn Hurt
Tim Roth
Laura del Sol
Terence Stamp
CinematographyMike Molloy
Edited byMick Audsley
Music byPaco de Lucía
Title theme:
Roger Waters
Eric Clapton
Production
companies
Distributed byPalace Pictures
Release dates
  • 12 September 1984 (1984-09-12) (Toronto)
  • 8 March 1985 (1985-03-08) (United States)
Running time
98 minutes[1]
CountryUnited Kingdom
LanguagesEnglish
Spanish
Box office$876,775[2]

PlotEdit

London gangster Willie Parker gives evidence against his criminal compatriots in return for a very generous offer from the police.

Ten years later, Parker is living in comfortable retirement in Spain. Four Spanish youths kidnap him and deliver him to British hit man Braddock and his sidekick Myron, hired by the kingpin that Parker helped put away. In the course of the kidnapping the youths run down a Spanish policeman who has been assigned to guard Parker. Three of the youths are then killed by a bomb in a briefcase, which they believe to contain their pay-off, handed to them by Braddock.

Braddock is a world-weary professional killer while Myron is his perky but volatile young apprentice. Parker quickly adopts a carefree demeanour, later explaining that he's had ten years to accept death as a simple part of life.

Braddock, who has the key to an apartment in Madrid where the owner is away, orders Myron to drive there but when the three walk in they find the place occupied by an acquaintance of the owner. He is Harry, a middle-aged Australian with a young apparently non-English speaking Spanish girlfriend Maggie, who comes home as they are talking. Parker mischievously announces his identity to them, causing Braddock to take the girl with them as insurance. Harry gives them the keys to the owner's white Mercedes which is brought to the underground garage where the group leave their previous car. As they are about to start Parker makes a comment that causes Braddock to doubt that Harry will keep quiet and he goes back up to the flat and kills him.

The group head toward the French border intending to reach Paris, where the kingpin against whom Parker testified is apparently awaiting their arrival. All the while, Parker sows seeds of discord between the two hit men. The Spanish police, led by senior inspector, follow quite closely the trail of bodies.

Stopping at a roadside bar to buy beers, Myron is laughed at by four youths, so he attacks them and then runs for the car. Myron has developed sympathy for Maggie and feels protective of her. Braddock himself has a confrontation with her when they are alone in which she reveals she understands English and also bites his hand, drawing blood, from which he appears to derive some form of masochistic or self-penitential gratification.

Braddock drives up a track leading to a wood by a river where they can rest up. Leaving Myron with Parker he takes Maggie with him to get petrol for the car. Maggie tries to alert the station attendant to her plight, allowing in Braddock to kill the young man. Braddock chases after the girl but is unable or unwilling to shoot her. They return to find Myron has fallen asleep and allowed Parker to slip away. Braddock finds him gazing at a waterfall and confronts him about his lack of concern over his impending death. Parker reminds Braddock that death is inevitable for all and quotes John Donne's poem "Death Be Not Proud".

The next day, with ten miles to the border, Braddock stops the car at an isolated hillside and announces that he's scrapped the plans to go to Paris. He relieves Myron of his gun and flings it into the scrub. Suddenly afraid, Parker insists that he can't die until he gets to Paris. Braddock shoots him in the back as he flees. He then turns the pistol on Myron and kills him. Maggie surprises him and they wrestle violently. During the struggle, Braddock fires the last shot into the air and knocks Maggie unconscious. He leaves her alive and drives to a secluded spot where he changes into hiking clothes and walks off through the forest.

The police find Maggie and the two bodies. As Braddock attempts to cross the border on foot, Maggie identifies him to the police, who shoot him dead as he tries to escape. The police attempt to question the dying Braddock but he only winks at Maggie before he dies.

CastEdit

ReceptionEdit

At review aggregator Rotten Tomatoes, the film is certified "fresh" with an overall approval rating of 88% from 16 reviews, with an average rating of 7.9/10.[4] On Metacritic, The Hit has a rank of 75 out of a 100 based on 9 critics, indicating "generally favorable reviews".[5] Wes Anderson ranked it the fifth best British film.[6] Vincent Canby of The New York Times wrote about the actors: "These guys don't have to use guns. All they have to do is open their mouths and bore each other to death".[7]

ReferencesEdit

  1. ^ "The Hit (18)". British Board of Film Classification. 25 June 1984. Retrieved 29 July 2021.
  2. ^ "The Hit". Box Office Mojo. IMDb. Retrieved 29 July 2021.
  3. ^ Holger Kaminski. "Pink Floyd a Tree Full of Secrets: The definitive Pink Floyd rarities compilation – Volume 6 (CD11 – CD12) Soundtracks 1970 – 1988". Hokafloyd.com. Archived from the original on 11 January 2010. Retrieved 13 September 2010.
  4. ^ "The Hit". Rotten Tomatoes. Fandango Media. Retrieved 7 March 2022.
  5. ^ "The Hit (1984)". Metacritic. CBS Interactive. Retrieved 29 July 2021.
  6. ^ "100 Best British Film Contributors: Directors". Time Out. 17 February 2017.
  7. ^ Canby, Vincent (8 March 1985). "Screen: Terrence Stamp in 'The Hit'". The New York Times. p. 18.

External linksEdit