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The End of Violence

The End of Violence is a 1997 drama film by the German director Wim Wenders. The film's cast includes Bill Pullman, Andie MacDowell, Gabriel Byrne, Traci Lind, Rosalind Chao, and Loren Dean, among others. It also features a soundtrack marked with the signature sounds of Wenders regulars Jon Hassell, Ry Cooder, and Bono. The film was praised by a select few critics for its cinematography, but performed poorly in the box office. It was entered into the 1997 Cannes Film Festival.[1]

The End of Violence
The End of Violence.jpg
Theatrical release poster
Directed byWim Wenders
Produced byNicholas Klein
Deepak Nayar
Wim Wenders
Written byNicholas Klein
Wim Wenders
StarringBill Pullman
Andie MacDowell
Gabriel Byrne
Traci Lind
Rosalind Chao
Music byRy Cooder
CinematographyPascal Rabaud
Edited byPeter Przygodda
Distributed byMetro-Goldwyn-Mayer
Release date
  • September 12, 1997 (1997-09-12)
Running time
122 minutes
CountryUnited States
Budget$5 million
Box office$386,673

The movie had a budget of $5 million, but only received $386,673 in its domestic box office.

Like many other of Wenders' American movies, the film was shot in multiple locations, for instance the Griffith Observatory in Griffith Park and the Santa Monica Pier.

A scene in the film shows a live recreation of the painting Nighthawks by Edward Hopper.


Movie producer Mike Max meditates on the paranoia of fear of attack, in the movie business and life in general, as his wife Page announces she is leaving him. He receives a document via email from a NASA employee he met earlier at a conference. Before opening it he is kidnapped and almost killed, a scene captured by surveillance cameras and witnessed by computer scientist Ray Bering on surveillance footage scene in his laboratory at the Griffith Observatory. However, it soon turns out the two men have been shot, Max has escaped and now is accused of killing them. He takes shelter with, and goes to work for, the Mexican gardeners who find him and they help him investigate who is trying to kill him and why. Bering, who originally sent Max the email and recognized Max in the surveillance footage, has a conversation with an intelligence agent who makes it clear that anyone who gets in the way of a new “anti-crime” satellite surveillance program not yet approved by Congress will be dealt with terminally. Detective Dean Brock suspects Max is not a killer and on a tip meets with Bering, who is assassinated by a gunshot as they begin to speak. Max gives up his business and money to his wife and the movie ends as he meditates on how a real attack has freed him from paranoia.



The End of Violence received some negative reviews from critics. It currently holds a 29% rating on Rotten Tomatoes based on 34 reviews. Writing in Time Out New York, Andrew Johnston (critic) observed: "Many of Wenders's best films have been road movies and Violence qualifies as one thanks to all the time the characters spend on L.A.'s freeways. Like Robert Altman's Short Cuts (which it resembles in a lot of ways), it cleverly exploits its Southern California locale and offers a truly challenging analysis of American life."[2]

See alsoEdit


  1. ^ "Festival de Cannes: The End of Violence". Retrieved 2009-09-21.
  2. ^ Johnston, Andrew (September 11–18, 1997). "The End of Violence". Time Out New York: 81.CS1 maint: date format (link)

External linksEdit