The Buttertones are a rock band from Los Angeles, formed in 2012.[1] Their music draws upon and straddles multiple genres, including surf rock, garage rock, doo-wop, and post-punk rock,[2][3] and has been described as 'cinematic rock'.[4]
The Buttertones | |
|---|---|
| Origin | Los Angeles, California, United States |
| Genres | |
| Years active | 2012–present |
| Labels | Innovative Leisure (2016–2020) |
| Members | Richard Araiza Modeste Cobián Karly Low Brandon Gold Mimi Pretend |
| Past members | Dakota Böttcher Sean Redman London Guzmán |
| Website | www |
History edit
Formation and early years edit
The initial band formation consisted of Richard, Sean and Cobi, who met at Musicians Institute in Hollywood in 2011 (Richard originally from New Mexico, Sean from Washington, and Cobi from Puerto Rico).[5] Bonding over their interest in mid-twentieth century music, they first began playing music together at Redman's Hollywood apartment.[6] The band's name mirrors that of doo-wop groups such as The Cleftones, and reflects their attempt to seamlessly blend an array of sounds[7] Their self-titled debut was "an eight-track effort steeped in expertly executed surf riffs and rolling percussion",[3] released as a cassette on L.A.'s garage-pop Lolipop label in 2013.
The trio were subsequently joined by Dakota and London (both from California), after which they self-released their second album, American Brunch, in 2015. Through their first two albums, The Buttertones principally cultivated a musical following in Los Angeles, playing 'practically every venue' and becoming 'a household name in the 20-something Echo Park/Silver Lake/Los Feliz crowd.'[7]
The band have cited a diverse range of musical influences on their sound, including The Clash, The Cramps, The Gun Club, The Birthday Party and Scott Walker,[8] explaining that 'from the moment a sound speaks to us, we tend to integrate it into our music, as long as it's coherent with a whole. We don't really have sound aesthetics or stable influences. We don't care about labels.'[9]
Gravedigging (2017) edit
The Buttertones' third album, Gravedigging (and their debut for Innovative Leisure) was released on March 31, 2017. The album was recorded at Jazzcats studio in Long Beach in the spring of 2016, and was produced by Jonny Bell of Crystal Antlers. Gravedigging is the most collaborative of the band's albums, with songwriting and vocals from guitarist Dakota Böttcher on 'I Ran Away'.[10]
The release of Gravedigging garnered the band an increase in publicity: 'from a band who has so far threatened without actually nailing a bona fide tail on the donkey...Gravedigging might well be an early contender for soundtrack of the year.'[11] The album was met with generally positive reviews upon its release. It has been described as 'refreshing and innovative',[12] 'stylish, dark, and a lot of fun',[13] and as 'more of a series of cinematic vignettes than anything else...As each song has its own micro-theme, Araiza's voice seems to adopt a character to suit each song's story.'[14]
Midnight in a Moonless Dream (2018) edit
The Buttertones released their fourth studio album, Midnight in a Moonless Dream, via Innovative Leisure on May 4, 2018.[15] Recorded at Jazzcats Studio with Gravedigging producer Jonny Bell, the album reflects the band's attempt to craft a darker sound, to experiment vocally and instrumentally, and to step outside the surf rock genre.[16][17] All songs on the album are sung by Richard Araiza, with the exception of "Don't Cry Alone", which is sung by Dakota Böttcher.
The album release was accompanied by an appearance at Coachella Music and Arts Festival, European and North American tours, and the release of a further single, "Madame Supreme", in October 2018.
Jazzhound (2020) edit
The Buttertones began the year as opening act for The Reverend Horton Heat, and announced the release of their fifth album, Jazzhound, on April 10, 2020. The album was their first following the departure of guitarist Dakota Böttcher, with drummer Cobi switching instruments to take his place. A "reverb-soaked post-punk gem", Jazzhound was described by Ones to Watch as a "coming-of-age not defined by a particular generational shift...The Buttertones make the rare sort of music that simply does not go out of style."[18]
Sexual assault allegations edit
On July 15, 2020, Clementine Creevy of Cherry Glazerr posted a statement on Instagram in which she accused Sean Redman of statutory rape and sexual misconduct: " I was 14 and he was 20...He also insisted on not using protection and gave me HPV. That was the first time I had sex." Creevy also made reference to having witnessed "a culture of predatory, misogynistic, and abusive behavior towards women by Sean, some of his bandmates in the Buttertones, and other men in their circle."[19]
Creevy's statement became part of a wider movement against the sexual misconduct of artists and staff affiliated with Burger Records, and one which led to the downfall and closure of the record label.[20]
In response to Creevy's allegations, the band quickly cut ties with Redman, stating that 'We do not condone Sean's behavior and he is no longer a member of The Buttertones'. Label Innovative Leisure announced that it would be dropping the band immediately.[21] Saxophonist London Guzman also stated that he was no longer a member of the band, leaving Richard and Cobi as the two remaining members.
Return (2022) edit
The Buttertones returned to making music in 2022, sharing two new singles - 'Nite Time is my Time' and 'Angel Hands' - and announcing live shows in Anaheim, Las Vegas and Texas. Alongside Richard and Cobi, there were three new musicians on bass, drums and keyboard.
Discography edit
Studio albums edit
- Buttertones (2013)
- American Brunch (2015)
- Gravedigging (2017)
- Midnight in a Moonless Dream (2018)
- Jazzhound (2020)
EPs edit
- For the Head and for the Feet (2015)
Singles edit
- Stray Dog Strut b/w Shut Up Sugar (2016)
- Madame Supreme b/w Shut Out (2018)
- Nite Time is My Time (2022)
- Angel Hands (2022)
- Fingerwoman Found (2024)
- You're Gonna Die (2024)
References edit
- ^ "The Buttertones | VK". m.vk.com. Retrieved April 26, 2020.
- ^ Price, Dillon (March 31, 2017), "Album Reviews: The Buttertones 'Gravediggin'", Sound Renaissance.
- ^ a b Manning, Emily (March 30, 2017), "l.a. band the buttertones on the new sound and vintage style", i-d vice
- ^ "The Buttertones Release New Track". Paste Magazine. April 20, 2018. Retrieved December 3, 2018.
- ^ "TWarm Up : l'univers ténébreux du gang des Buttertones". konbini.com. April 10, 2017. Retrieved July 11, 2017.
- ^ "The Buttertones", Innovative Leisure.
- ^ a b (September 26, 2015), "The Buttertones: All Different Flavours", Flaunt Magazine.
- ^ "A Dark Journey of Romantic Yearning: An Interview with the Buttertones". powmagazine.org. Retrieved May 11, 2018.
- ^ "Vous reprendrez bien un peu de Buttertones ?". gonzai.com. May 23, 2018. Retrieved May 23, 2018.
- ^ Feuer, Daiana (March 23, 2017), "The Buttertones: We Plead the Fifth", L.A. Record.
- ^ "Album Review: The Buttertones - Gravedigging". godisinthetvzine.co.uk. March 27, 2017. Retrieved July 11, 2017.
- ^ "Album Review: The Buttertones - Gravedigging". newnoisemagazine.com. June 13, 2017. Retrieved July 11, 2017.
- ^ "The Buttertones 'Gravedigging' - GIGsoup". gigsoupmusic.com. March 22, 2017. Retrieved July 11, 2017.
- ^ "Album Review: The Buttertones - Gravedigging". kxsc.org. April 2, 2017. Retrieved July 11, 2017.
- ^ "Daily Dose: The Buttertones "Baby C4"". Paste Magazine. Retrieved March 9, 2018.
- ^ "Buttertones respect those who came before". San Francisco Chronicle. April 12, 2018. Retrieved May 3, 2018.
- ^ "TuneIn Sessions: The Buttertones". TuneIn. Retrieved May 9, 2018.
- ^ "The Buttertones Come of Age in Fade Away Gently". Ones To Watch. Retrieved December 15, 2022.
- ^ "Cherry Glazerr's Clem Creevy accuses ex-bandmate & Buttertones bassist of statutory rape". Brooklyn Vegan. Retrieved July 15, 2020.
- ^ "The Women who Brought Down Burger Records". LA Times. January 24, 2021. Retrieved December 13, 2022.
- ^ "Burger Records Employees, Artists Accused of Rampant Sexual Misconduct". Consequence of Sound. July 21, 2020. Retrieved July 21, 2020.