The Black Stallion (film)
The Black Stallion is a 1979 American adventure film based on the 1941 classic children's novel of the same name by Walter Farley. The film starts in 1946, five years after the book was published. It tells the story of Alec Ramsey, who is shipwrecked on a deserted island with a wild Arabian stallion whom he befriends. After being rescued, they are set on entering a race challenging two champion horses.
|The Black Stallion|
|Directed by||Carroll Ballard|
|Based on||The Black Stallion|
by Walter Farley
|Edited by||Robert Dalva|
|Music by||Carmine Coppola|
|Distributed by||United Artists|
|Box office||$37.8 million|
The film is adapted by Melissa Mathison, Jeanne Rosenberg and William D. Wittliff. It was directed by Carroll Ballard. The film stars Kelly Reno, Teri Garr, Hoyt Axton, Mickey Rooney, and the Arabian horse Cass Ole. The film features music by Carmine Coppola, the father of Hollywood producer Francis Ford Coppola, who was the executive producer of the film. In 2002, The Black Stallion was included in the annual selection of 25 motion pictures to be added to the National Film Registry of the Library of Congress, being deemed "culturally, historically, or aesthetically significant".
In the summer of 1946, Alec Ramsey is travelling by steamer off the coast of North Africa, where he sees a wild black stallion being forced into a makeshift stable and heavily restrained by ropes leading to his halter. Captivated by the horse, Alec later sneaks to the horse to feed him some sugar cubes, but he is caught by the horse's supposed owner, who tells him in Arabic to stay away from Shetan. After shoving the boy away, he gluttonously helps himself to the sugar.
Later in his bunk, Alec's father shows Alec his winnings from a card game and gives him a pocket knife and a small statue of Bucephalus, and tells the story of how Alexander the Great became Bucephalus' master. Later that night, Alec is thrown out of his bunk; the ship has caught fire and begun to sink. In the chaos, Alec grabs his knife and makes his way to the black stallion and manages to free him. The stallion then jumps into the sea. Alec himself is thrown overboard by the waves. In the water, he swims toward the stallion and manages to grab hold of the ropes of the stallion's restraints just as the ship explodes, rendering him unconscious.
Alec wakes on the shore of a deserted island and starts to explore. He finds the stallion caught in his restraints with the ropes stuck between the rocks. With his knife, Alec manages to free the stallion once again and the stallion runs away. For a time, the two keep their distance. Alec discovers means to survive by catching fish and seaweed. As Alec suddenly faces a cobra eye to eye, the Black comes to the rescue and kills the snake, only to run off again.
By now, Alec decides to try to get closer to the horse and offer him some seaweed. The hungry stallion finds himself unable to resist, but visibly struggles with his distrust for humans. Eventually, the hunger wins and he takes Alec's offer; their bond has been sealed and the two are now inseparable. After many times falling off the horse, Alec manages to ride the stallion, and they both travel the beaches, united as one. One day, a fishing ship arrives, rescuing both Alec and the stallion.
Back home in America, Alec is given a hero's welcome. The Black has a temporary home in Alec's back yard, but a garbage man not knowing that there is a wild horse in the back yard is chased by the Black, who races off down the street after being spooked by a passing car. Alec chases after him through every part of town, but loses track of him. The next day, Alec meets Snoe (and Napoleon) who tell him where the Black is. Alec finds the stallion in the barn of Henry Dailey, a retired racehorse jockey, who apparently spent all night catching the Black. Alec arranges for the Black to stay at the barn.
When Alec wonders how fast the Black is, Alec and Henry decide to train the Black for the racetrack, while Henry teaches Alec how to be a jockey. The Black surprises Henry with his speed. Henry immediately starts plotting a plan to get the Black into the match race between the country's current two champions. To do that, he sets up a secret demonstration at night where the press can witness his speed, keeping the identity of Alec and the Black secret. The news spreads about the mystery horse and the Black is entered into the race. However, Alec's mother disapproves of this, fearing that her son would be taking a huge risk as a jockey, before she relents and allows him to ride the horse in the upcoming race.
The race is the most anticipated horseracing event of the year. Before the two champions and the Black enter the starting gate, the Black gets into a fight with one of his opponents, wounding his leg. Alec does not see the wound until he is in the gate. As he dismounts, the bell rings and the horses take off. Alec desperately tries to stay on his horse and trying to stop him. He falls behind, but the Black won't stop. When Alec regains his balance, the Black is well on his way to catch up with his opponents. Alec now encourages the Black to run as fast as he can, remembering the wild rides on the island, as they catch up. The Black eventually wins by two lengths.
- Kelly Reno as Alec Ramsay
- Mickey Rooney as Henry Dailey
- Teri Garr as Mrs. Ramsay, Alec's mother
- Hoyt Axton as Mr. Ramsay, Alec's father
- Clarence Muse as Snoe
- Michael Higgins as Jim Neville
- Ed McNamara as Jake
- Doghmi Larbi as Arab
- John Burton as Jockey No. 1
- John Buchanan as Jockey No. 2
- Kristen Vigard as Becky
- Fausto Tozzi as Rescue Captain
- John Karlsen as Archeologist
- Leopoldo Trieste as Priest
- Frank Cousins as African Chieftain
- Don Hudson as Zaurog
- Marne Maitland as Drake Captain
- Tom Dahlgren as Veterinarian
Cass Ole, a champion Arabian stallion, was featured in most of the movie's scenes, with Fae Jur, another black Arabian stallion, being his main double. Fae Jur's main scene is the one where Alec is trying to gain the trust of the Black on the beach. Two other stunt doubles were used for running, fighting and swimming scenes.
El Mokhtar, an Egyptian Arabian racehorse, was the producers' first choice to portray the Black, but they were unable to secure his services for the film from his owners, who declined any offers. He does appear in The Black Stallion Returns, alongside Cass Ole, by which time the studio bought out the syndicate of owners in order to secure El Mokhtar's services.
Awards and honorsEdit
The film received two nominations for the Academy Awards:
- Mickey Rooney was nominated for Best Actor in a Supporting Role.
- Robert Dalva was nominated for Best Film Editing.
Golden Globe AwardsEdit
British Academy AwardsEdit
LA Film Critics AwardsEdit
The film received two awards from the Los Angeles Film Critics Association Awards for Best Cinematography (Caleb Deschanel) and Best Music (Carmine Coppola).
Also, the film is recognized by American Film Institute:
The film was followed in 1983 by a sequel, The Black Stallion Returns, which also starred Reno. There was also a television series called The Adventures of the Black Stallion which aired from 1990 to 1993 and starred Mickey Rooney and Richard Ian Cox. In 2003, a 50-minute prequel called The Young Black Stallion, was shot and released for IMAX theaters.
- "The Black Stallion, Box Office Information". The Numbers. Retrieved January 28, 2012.
- "Complete National Film Registry Listing | Film Registry | National Film Preservation Board | Programs at the Library of Congress | Library of Congress". Library of Congress, Washington, D.C. 20540 USA. Retrieved 2020-05-20.
- Cannady, Sheryl (2002-12-17). "Librarian of Congress Adds 25 Films to National Film Registry". Library of Congress. Retrieved 2017-02-04.
- "Junior". Internet Movie Database. Retrieved 2011-02-02.
- "AFI's 100 Years...100 Cheers" (PDF). American Film Institute. Retrieved 2016-08-20.
- Further reading
- The Black Stallion essay by Keith Phipps at National Film Registry. 
- The Black Stallion essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 ISBN 0826429777, pages 758-759 
- The Black Stallion: Nirvana on Horseback an essay by Michael Sragow at the Criterion Collection
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