The Amorous Adventures of Moll Flanders
The Amorous Adventures of Moll Flanders is a 1965 British historical comedy film directed by Terence Young and starring Kim Novak, Richard Johnson, and Angela Lansbury. It is based on the 1722 novel Moll Flanders by Daniel Defoe.
|The Amorous Adventures of Moll Flanders|
|Directed by||Terence Young|
|Produced by||Marcel Hellman|
Vittorio De Sica
|Edited by||Frederick Wilson|
|Music by||John Addison|
|Distributed by||Paramount Pictures|
|Box office||$2,000,000 (US/ Canada rentals)|
This section's plot summary may be too long or excessively detailed. (February 2019)
In 18th century England, an orphan, Moll Flanders, grows up to become a servant for the town's mayor, who has two grown sons. Moll both seduces and is seduced by the eldest son before being abandoned by him and marrying the younger son, a drunken fool who dies, making her a young widow.
Moll is employed by Lady Blystone to be a servant. She meets a bandit, Jemmy, who mistakes her for the lady of the house and begins to woo her, pretending to be a sea captain. Moll rebuffs the advances of the actual Mrs. Blystone's husband, only to be sacked from her job when they are spotted together.
A banker marries Moll but on their wedding night she flees from him when a gang of thieves (Jemmy and cohorts) appear once more. She chases after Jemmy, eventually ending up in a town and beginning her life of thievery. Moll ends up in jail and finds Jemmy there as well. Their executions are at hand when the banker, finding her there, dies of a sudden heart attack from surprise. As the banker's only inheritor and now a wealthy widow, Moll buys "freedom" (in the form of transportation) for herself, her true love, and her friends, and she and Jemmy have a shipboard wedding on their way to America.
As a child, Moll lives in an orphanage after a short stint travelling with a group of Romani before being taken in by a wealthy family as a servant. Surrounded by the wealthy children and their tutors, Moll assimilates to the family and learns many skills and knowledge of a more upper-class woman, including music and manners.
Both of the sons become enamored of Moll, and she reciprocates the amorous feelings of the older brother. He promises her wealth and marriage while they seek privacy in the family's barn. The younger brother, upon seeing the two exit the barn together, becomes jealous and instigates a fight with his older brother. As their relationship progresses, the older brother gives Moll gold as reciprocation for their continued physical relationship.
One day, two thieves on horseback come across Moll while she swims naked in a pond. They attempt to steal her clothes, before she notices them and her screams alert the younger brother nearby, who chases the thieves away.
Later, the younger brother tries to confess his love to Moll, though she tries avoiding him. Finally, he proposes to her, to his parents' dismay. At first, Moll does not want to accept the proposal, and she turns to the older brother for help. He, however, pushes her to accept, arguing that their past relationship cannot come to light and that she might already be pregnant, which would cause problems for her if she was not married. Reluctantly, Moll agrees to the younger brother's marriage proposal, and they are wed.
The younger brother makes a terrible husband to Moll, and she is miserable for the entire extent of their marriage. He turns out to be a drunken fool, who eventually dies after falling from his carriage into a pond. His death leaves Moll destitute, as all of his wealth went back to his parents.
Now a poor widow, Moll begins to look for work. She meets and becomes the servant of Mrs. Blystone, and she moves to London to live in the Blystone estate. On her carriage ride to the city, Moll meets a banker, a widower, who also lives in London. The same two thieves from earlier in the film appear, plotting to hold up carriages travelling along the road. The thieves pretend to have been in a carriage accident themselves, forcing Moll's carriage to stop before demanding money and valuables from the passengers. Moll pretends to be pregnant in order to avoid theft; the thieves, not recognizing Moll and believing her to be a pregnant widow, extend mercy to her and take very little from the group. Secretly, however, one of the thieves takes a hatbox belonging to Moll's employer, and labelled as the property of Mrs. Blystone, leading the thieves to believe that Moll is the wealthy Mrs. Blystone.
Once in London, the banker follows Moll to the Blystone estate, expressing concern for Moll's safety because she's travelling alone and, he learns, spending the night alone in the house. He convinces Moll to allow him to accompany her for the night, becoming extremely angry when she suggests that it would be improper, causing her to relent and agree to let him stay. The banker uses the same technique when Moll expresses discomfort at the idea of sharing a bed with him. During the night, the two become drunk and sleep together. The banker leaves early the next morning, but is caught by the Blystones. Later, realizing that the banker has left a ring by her bedside, Moll writes him a note and goes to his house to deliver it, only to discover the banker ill in bed. He rejects the note and the ring.
Meanwhile, the thieves plot to woo the young "Mrs. Blystone" (i.e., Moll) in order to gain her fortune. At the same time, the Blystones privately discuss their own financial predicament, as Mr. Blystone reveals to his wife that he is not really a count. While the Blystones are away one day, one of the thieves, Jemmy, in disguise, comes to the Blythstone estate under the guise of returning the stolen hatbox. Believing Jemmy to be a rich sea captain, Moll flirts with him as the Blystone servant before attempting to disguise herself as Mrs. Blystone to fool Jemmy. She changes into one of Mrs. Blystone's dresses, and Jemmy does not realize that the person he believes to be Mrs. Blystone is actually a servant. He invites Moll to meet him for dinner later, and Moll happily accepts. The Blystones return as Jemmy is leaving the house, and they believe him to be a man inquiring about their mortgage whom Moll turned away from the estate.
Later on their date, Moll (as "Mrs. Blystone") and Jemmy (as the "captain") are eating dinner, when Jemmy steps away for a moment to borrow money from his colleague, and Moll is approached by several men. Jemmy returns to find Moll being hassled by the men and he starts a fight, which spreads to the rest of the bar. After the date, Moll is caught returning home in Mrs. Blystone's dress by Mr. Blystone, who attempts to blackmail her with sex in exchange for his silence, an offer Moll angrily refuses.
Moll and Jemmy continue on another date wherein Jemmy leads Moll on a tour of a ship he pretends is his. As they continue to talk about the "captain's" work, Jemmy leads Moll to believe that he owns five ships. They have dinner together on the ship, and they attempt to have sex, though their antics are frequently interrupted by Jemmy's thief colleague. They are interrupted once more when the ship accidentally becomes untied from the dock and begins to drift to sea. Following this chaos, Moll goes home after sharing a kiss with Jemmy.
On another date, Jemmy takes Moll to the fair and a ball, where they dance. Moll finally reveals to Jemmy that she is not Mrs. Blystone and is, in fact, a poor servant. Jemmy is so enraged that he storms out of the ball. They argue, and Jemmy accidentally reveals to Moll that he was also lying about his wealth and status in order to marry rich. They yell at and insult each other before kissing and reconciling by talking about their shared dream of marrying into wealth. They spend the night together, but in the morning, Jemmy is gone, leaving Moll with only a note. He returns soon after following a change of heart, but only to say goodbye and leave again.
Moll returns to the Blystone estate, where Mr. Blystone continues to attempt to seduce Moll. After Mrs. Blystone leaves the house one night for an event, Mr. Blystone stays behind, bursting into Moll's bedroom pretending to chase a rat. When Moll shows no patience for him, he feigns illness before attempting to force himself on Moll. A chase and fight ensue. Mr. Blystone manages to pin Moll onto her bed, but Mrs. Blystone, who had suspected her husband's adultery and had only pretended to leave, breaks into the room in anger. Believing Moll to have been a part of the adultery, Mrs. Blystone fires her and banishes her from the estate.
Following her expulsion from the Blystone estate, Moll finds the banker again, and they are hastily married by a drunk priest.
During a less than earth shaking evening with banker, now her husband of convenience, Moll looks to the window into the night to see Jemmy and his gang of bandits causing a ruckus below. At the sight of her true love, Moll calls out his name and runs out to join them, effectively running out on the banker. Jemmy takes her to live with the Governess, a con-woman he has associated with for a while. It is shortly after this Moll starts up her criminal career as a means of making her own way and paying for room and board, pawing stolen silver with The Governess. She begins apprehensively, taking a silver cup from the street and working her way up to stealing fabrics off store shelves with a hook lined cloak. As she learns new tricks and tips on how to steal and not get caught, Moll eventually develops a taste for the con world and even grows to enjoy it, taking pleasure in the costumes she adorns. In one specific encounter, she is dressed like a young Spanish woman, complete with a red dress and brown wig. As she takes a ride in a carriage with a nobleman, she seduces him to the point of not noticing the several small items she takes off his body, including a brooch and gold ring. During their criminal career, both Moll and Jemmy are good at evading the law. However, in a series of unfortunate events involving the clocktower chiming and inattentiveness, Moll, Jemmy, Jemmys' 'assistant' and The Governess are carried off to Newgate Prison to eventually be hanged for their crimes.
The banker finds his wife in prison to be executed and immediately dies of a heart attack.
Faithfulness to Defoe's textEdit
Instead of numerous husbands and lovers, Moll has far fewer in this film adaptation. There is also no appearance of any children in this film, whereas in the book Moll had many children with her husbands and lovers. One of the biggest variances in the movie versus the original book is the lack of Moll Flanders' adventures to America before her escape from jail. This includes a largely important subplot in the book where Moll has a marital relationship to her half-brother (unbeknownst to them both) in Virginia and discovers her mother alive and well, living with him. Through her mother, Moll discovers that she and her husband are blood related, and this issue of incest plagues Moll in the book to severe sickness and her eventual return to England.
At the beginning of the movie, Moll is depicted as a seductress that is looking to better her standing in the world through an advantageous marriage. This conflicts with the original depiction of Moll within Defoe's book, which has her start out with a childlike innocence towards sex and the manipulations of men. It is the older brother that is the seducer/corrupter in the book. It is due to the combination of his manipulations, and Moll's inflated sense of pride in her appearance, that results in their relationship. "It is true, I had my Head full of Pride, but knowing nothing of the Wickedness of the times, I had not one Thought of my own Safety or of my Virtue about me. ..." Moll's ability to seduce men evolves over time, and out of necessity after being widowed or abandoned multiple times, rather than being an inherent aspect of her personality as the movie suggests.
In the movie, after successfully buying their freedom, Moll, Jemmy, and several other Newgate inmates board a ship for America and to a fresh start. Jemmy and Moll are wed and it appears that all lessons are learned and penitence is considered. However, Moll and Jemmy are back to their thieving and conniving ways, stealing a pocket watch off one of the crewmen while their wedding ceremony is taking place, making it known that despite their time spent in prison, no lessons have been learned. This coincides with the lack of spiritual nature in the film, which is a major aspect of the book.
In Defoe's book, Moll is led to repentance during her time in Newgate when she sees Jemmy in jail, and reflects upon how her actions have harmed others. She confesses her sins, and an abridged version of her life story, to a minister that visits her while she is in jail. It is her act of confession and penitence that persuades the minister to speak on her behalf for her freedom. In the movie it is the inherited fortune from her deceased husband that allows her to buy her way out of prison, but in the book it is her penitence that grants her freedom from Newgate, allowing her the chance to turn her life around in America. She lives out the rest of her life in America with her husband Jemmy, stating that "we resolve to live out the remainder of our years in sincere penitence for the wicked lives we have lived."
In the original text, Moll is shown as trying to gain her own independence. From a young age she mentions she wants to be a 'gentlewoman,' not knowing the word's true meaning (prostitute), thinking that she would be providing for herself through honest work. Throughout the text, she attempts to gain social status and wealth through various marriages and cons, all of which end up failing in the end. She then turns to stealing in order to gain wealth, but is eventually caught. She then repents her sins and convinces a minister of this, leading to her being released and sent to the Colonies with her Lancashire husband. Once in the Colonies, Moll learns that her mother left her a plantation, which her son oversees for her. In the end, Moll and her husband (Jemmy) return to London to live out their final years, using the inheritance which Moll's mother left her and the money her son makes on the plantation. This sets Moll up as a very independent female character because she and her husband profit off of what comes from Moll's side and her inheritance. Instead of Moll being reliant on her husband's money, which was the norm of the time period, she instead provides funds for their mutual growth and life.
In the film, Moll's independence is fairly similar to her independence in the text. She wants from a young age to be someone who provides for herself. As a result, she attempts to woo several men who she believes to be very wealthy so she can marry them and live comfortably. Each attempt goes horribly wrong. She eventually results to stealing to try to make money for herself. This is not that different from the book. But when Moll gets caught, she isn't released because of her repentance. She is released because her current husband sees her and dies from shock, leaving Moll with an inheritance which she uses to buy herself and several other prisoner's freedom. She and the released prisoners then make their way on a ship heading to the Colonies which Moll then marries Jemmy who she marries for love. They both then go right back to stealing instead of repenting for their sins at the end of the film.
- Kim Novak – Moll Flanders
- Claire Ufland – Young Moll
- Richard Johnson – Jemmy
- Angela Lansbury – Lady Blystone
- Leo McKern – Squint
- Vittorio De Sica – The Count
- George Sanders – The Banker
- Lilli Palmer – Dutchy
- Peter Butterworth – Grunt
- Noel Howlett – Bishop
- Dandy Nichols – Orphanage Superintendent
- Cecil Parker – The Mayor
- Barbara Couper – The Mayor's wife
- Daniel Massey – Elder Brother
- Derren Nesbitt – Younger Brother
- Ingrid Hafner – Elder Sister
- June Watts – Younger Sister
- Anthony Dawson – Officer of Dragoons
- Judith Furse – Miss Glowber
- Richard Wattis – Jeweller
- Hugh Griffith – Prison Governor
In 1954 Vanessa Brown, who had played the Girl in The Seven Year Itch on Broadway, announced she would star in a film version to be produced by her husband, Richard Franklin, and based on a script by Roland Kibee. Later Marcel Hellman of Associated British was going to produce a version based on this, starring Richard Todd as the highwayman with Michael Anderson to direct.
Interest in an adaptation of the novel was re-activated by the success of Tom Jones. In May 1964 Paramount announced they would make the film with Marcel Hellman producing and Terence Young directing. Roland Kibee and Denis Canan wrote the script and the intent was to make a "Tom Jones type comedy"; the dialogues contain Americanisms, such as liquors instead of spirits.
The lead role was originally considered for Diane Cilento, who had gathered critical acclaim from her role in Tom Jones, but she had other commitments. Had Cilento appeared in the film, Sean Connery would have played the male lead.
Kim Novak's casting was announced in August 1964.
Richard Johnson was selected to play the highwayman over 140 other actors seen for the role.
After filming ended, Novak and Johnson married in March 1965.
The difficulty of finding authentic locations meant the setting of the story was moved from the seventeenth to the eighteenth century to use Queen Anne buildings. The film's period adviser was Vyvyan Holland, son of Oscar Wilde. (He performed a similar role on Tom Jones.)
The productions filmed in Kent at Chilham – the square doubles as the village where Moll grew up, Chilham Castle features as the Mayor's House and St Mary's Church is used for the scenes where Moll marries Younger Brother.
In September a fire broke out at Childham Castle.
Young said "I think it's a damn good film despite the critics." He added that there were "fifty nine cuts" made for the US release "which I suppose were made in the interests of American morality."
The Amorous Adventures of Moll Flanders was one of the 13 most popular films in the UK in 1965.
Kim Novak took a three-year break from motion pictures after this film, though her 1965 scenes in Eye of the Devil were deleted and reshot with Deborah Kerr. She returned to the screen in 1968's The Legend of Lylah Clare.
- Parke, Catherine N. "Adaptations of Defoe's Moll Flanders". pp. 52–69. Robert Mayer (ed. and introd.). Eighteenth-Century Fiction on Screen. Cambridge, England: Cambridge UP, 2002. xiv, 226 pp.
- Tibbetts, John C., and James M. Welsh, eds. The Encyclopedia of Novels Into Film (2nd ed. 2005) pp 132–133.
- This figure consists of anticipated rentals accruing distributors in North America. See "Top Grossers of 1965", Variety, 5 January 1966 p 36
- "The Amorous Adventures of Moll Flanders (1965)". bfi: Film & TV Database. British Film Institute. Archived from the original on 13 January 2009. Retrieved 7 November 2012.
- Defoe, Daniel (1989). Moll Flanders. England: Penguin Classics. pp. 61, 427. ISBN 978-0140860849.
- Schallert, Edwin (3 August 1956). "Drama: Lollobrigida Probable for 'Les Girls'; Trevor Howard 'Interpol' Star". Los Angeles Times. p. 23.
- Hopper, Hedda (19 April 1954). "Looking at Hollywood: Vanessa Brown Will Star in Defoe's 'Moll Flanders'". Chicago Daily Tribune. p. b13.
- "Richard Todd Wanted for 'Moll Flanders'". Los Angeles Times. 25 February 1956. p. A6.
- A.H. WEILER (7 June 1964). "LOCAL VIEW: TEAMWORK: Garfein, Gazzara To Film Willingham Novel -- Focus on 'Moll Flanders'". New York Times. p. X9.
- SCHEUER, PHILIP K (29 May 1964). "David Miller Signs to Direct 'Sylvia': He'll Spread Love Around; A Female 'Tom Jones' Next". Los Angeles Times. p. D7.
- "Archived copy". Archived from the original on 25 April 2012. Retrieved 9 October 2011.CS1 maint: archived copy as title (link)
- Hopper, Hedda (22 August 1964). "Looking at Hollywood: Jerry Lewis to Play Five Roles in Movie". Chicago Tribune. p. 15.
- "Stage Star to Star in Novak Film". Los Angeles Times. 21 September 1964. p. C17.
- "Kim Novak to Marry". New York Times. 13 March 1965. p. 16.
- "Moll Flanders in the Temple". The Observer. 20 September 1964. p. 4.
- Kent Film Office. "Kent Film Office The Amorous Adventures of Moll Flanders Article".
- "Kim Novak Flees Fire on Film Set". The Washington Post, Times Herald. 10 September 1964. p. D22.
- GEORGE GENT (16 January 1966). "Breaking Away From His Bondage to Bond: Breaks With Bond". New York Times. p. X19.
- "Most Popular Film Star". The Times. London. 31 December 1965. p. 13 – via The Times Digital Archive.