Terrazzo is a composite material, poured in place or precast, which is used for floor and wall treatments. It consists of chips of marble, quartz, granite, glass, or other suitable material, poured with a cementitious binder (for chemical binding), polymeric (for physical binding), or a combination of both. Metal strips divide sections, or changes in color or material in a pattern. Additional chips may be sprinkled atop the mix before it sets. After it is cured it is ground and polished smooth or otherwise finished to produce a uniformly textured surface.
Although the history of terrazzo can be traced back to the ancient mosaics of Egypt, its predecessors come from Italy. The form of terrazzo used today derives partly from the 18th century pavimento alla Veneziana (Venetian pavement) and the cheaper seminato. Pavimento alla Veneziana had workers place marble fragments next to each other in a mortar base. Terrazzo is also related to the technique seminato for which workers tossed larger marble chips into the cement that was then ground and polished. Together, these methods create the generic form of terrazzo that involves pieces of stone that are bonded to a cement bed. Terrazzo was first introduced in the United States in the late 1890s, but did not achieve popularity until the 1920s. Until then it was hand polished with a long handled tool called galleras. Due to its likelihood of cracking, terrazzo was used at a small scale in comparison to the large expanses we see today. Two inventions resulted in its rise in popularity: divider strips and the electric grinding machine. The invention of divider strips by L. Del Turco and Bros. in 1924 contained the cracking of terrazzo by allowing the material greater space to expand and shrink after installation. This invention made terrazzo a durable and reliable material in addition to allowing for further design work within the floor. Installers use the dividing strips as guides when they work with different colored terrazzo. The electric grinding machine and mechanization of the production process cut down on costs and time making terrazzo an affordable flooring option.
Art Deco and Moderne styles from the 1920s to 1940s favored terrazzo with the dividers allowing for straight or curved lines that increased the decorative potential. The popularity of terrazzo lead to an increase in installers in the 1920s. The National Terrazzo and Mosaic Organization was formed in 1931 to further professionalize the practice of terrazzo installation. One of the most well known examples of terrazzo is the Hollywood Walk of Fame. Created in 1958, the walk honors celebrities in the form of a terrazzo star that displays their name.
Archaeological use of the termEdit
Archaeologists have adopted the term terrazzo to describe the floors of early Neolithic buildings (PPN A and B, ca. 9,000–8,000 BC) in Western Asia constructed of burnt lime and clay, colored red with ochre and polished. The embedded crushed limestone gives it a slightly mottled appearance. The use of fire to produce burnt lime, which was also used for the hafting of implements, predates production of fired pottery by almost a thousand years. In the early Neolithic settlement of Çayönü in eastern Turkey about 90 m2 (970 sq ft) of terrazzo floors have been uncovered. The floors of the PPN B settlement of Nevalı Çori measure about 80 m2 (860 sq ft). They are 15 cm (5.9 in) thick, and contain about 10–15% lime.
These floors are almost impenetrable to moisture and very durable, but their construction involved a high input of energy. Gourdin and Kingery (1975) estimate that the production of any given amount of lime requires about five times that amount of wood.[clarification needed] Recent experiments by Affonso and Pernicka have shown that only twice the amount is needed, but that would still amount to 4.5 metric tonnes of dry wood for the floors in Çayönü. Other sites with terrazzo floors include Nevalı Çori, Göbekli Tepe, Jericho, and Kastros (Cyprus).
Terrazzo artisans create walls, floors, patios, and panels by exposing marble chips and other fine aggregates on the surface of finished concrete or epoxy-resin. Much of the preliminary work of terrazzo workers is similar to that of cement masons. Marble-chip, cementitious terrazzo requires three layers of materials. First, cement masons or terrazzo workers build a solid, level concrete foundation that is 3 to 4 inches (76 to 102 mm) deep. After the forms are removed from the foundation, workers add a 1 inch (25 mm) layer of sandy concrete. Before this layer sets, terrazzo workers partially embed metal divider strips in the concrete wherever there is to be a joint or change of color in the terrazzo. For the final layer, terrazzo workers blend and place into each of the panels a fine marble chip mixture that may be color-pigmented. While the mixture is still wet, workers toss additional marble chips of various colors into each panel and roll a weighted roller (100–125 pounds (45–57 kg)) over the entire surface.
In the 1970s, polymer-based terrazzo was introduced and is called thin-set terrazzo. Initially polyester and vinyl ester resins were used as the binder resin. Today, most of the terrazzo installed is epoxy terrazzo. The advantages of this material over cementitious terrazzo include a wider selection of colors, 1⁄4 to 3⁄8 inch (6.4 to 9.5 mm) installation thickness, lighter weight, faster installation, impermeable finish, higher strength, and less susceptibility to cracking. The disadvantage of epoxy resin–based terrazzo is that it can only be used for interior, not exterior, applications. Epoxy-based terrazzo will lose its color and slightly peel when used outdoors, whereas cement-based terrazzo will not. In addition to marble aggregate blends, other aggregates have been used, such as mother of pearl and abalone shell. Recycled aggregates include: glass, porcelain, concrete, and metal. Shapes and medallions can be fabricated on site by bending divider strips, or off site by water-jet cutting.
When the terrazzo is thoroughly cured, helpers grind it with a terrazzo grinder, which is somewhat like a floor polisher, only much heavier. Slight depressions left by the grinding are filled with a matching grout material and hand-troweled for a smooth, uniform surface; it is then cleaned, polished, and sealed.
Types and systemsEdit
Terrazzo installation includes both bonded and unbonded methods. Bonded systems include: bonded underbed, monolithic, chemically bonded, and the most recent, thin set method (epoxy-resin). Bonded terrazzo is applied over a sand-cement mortar underbed which sits on top of a concrete slab. The sand-cement layer allows for variations in the finished concrete slab that it sits on. Monolithic terrazzo is applied directly over an extremely flat and high quality concrete sub-floor. Thin-set terrazzo does not require a concrete sub-floor. Instead, a flexible membrane can be installed so that cracks do not appear on the surface. Unbonded includes the sand cushion method which uses wire reinforcing, an isolation sheet, and sand dusting that absorbs any movement from the concrete slab.
Relation to mosaicsEdit
Although terrazzo derives from the mosaic artform, it does not place individual pieces in a decorative pattern. Instead, small pieces are thrown into the mortar base creating a more uniform surface appearance. Decorative patterns are created by using dividers which creates lines between different colored terrazzo mixtures.
Cracking is the most common form of failure and is typically caused by the structural system that supports the terrazzo topping rather than the material itself. Contact with alkalis or acids can deteriorate the bonding agents used in terrazzo. If a large portion of the flooring must be replaced due to cracking, it must first be cut out, after which the structural subsurface should be examined before attempting to find a compatible replacement. Replacement terrazzo must achieve a continuous look by having the same colored marble chips as the rest of the floor. There are common terrazzo formulas that can be acquired. Otherwise, a "braketing" system can be used which attempts to recreate the original formula by mixing and matching different chips.
- Johnson, Walter (1995). Twentieth Century Materials: History and Conservation. New York: McGraw Hill. p. 203.
- Del Turco, L., and Bros., Inc. (1924). Modern Mosaic and Terrazzo Floors; a Handbook on the Improvement of Laying Terrazzo Floors with Metal Dividers. Harrison, NJ: Del Turco, L., and Bros., Inc. pp. 6–7.
- Jester, Thomas (1995). Twentieth Century Materials: History and Conservation. New York: McGraw Hill. p. 204.
- Jester, Thomas (1995). Twentieth Century Materials: History and Conservation. New York: McGraw Hill. p. 205.
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- Affonso, Maria Thais Crepaldi; Pernicka, Ernst (2001). "Neolithic Lime Plasters and Pozzolanic Reactions: Are They Occasional Occurrences?". In Boehmer, Rainer Michael; Maran, Joseph. Lux orientis: Archäologie Zwischen Asien und Europa. Festschrift für Harald Hauptmann zum 65. Geburtstag. Internationale Archäologie: Studia honoraria Volume 12. Rahden/Westfallen, Germany: Verlag Marie Leidorf. pp. 9–13. ISBN 9783896463920. OCLC 646779465. Retrieved 15 June 2013.
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- Jester, Thomas (1995). Twentieth Century Materials: History and Conservation. New York: McGraw Hill. p. 207.
- Media related to Terrazzo at Wikimedia Commons