Talk:Theatrical producer

Wiki Education Foundation-supported course assignment

This article is or was the subject of a Wiki Education Foundation-supported course assignment. Further details are available on the course page.

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Difference between a Theatrical Producer and an Impresario?

The articles don't even link to each other, but they seem like they're the same thing. - Immigrant laborer (talk) 21:46, 24 June 2024 (UTC)

Wiki Education assignment: Theatre and Technology

This article was the subject of a Wiki Education Foundation-supported course assignment, between 21 January 2025 and 6 May 2025. Further details are available on the course page. Student editor(s): JustOkWriter (article contribs). Peer reviewers: Captain Angel.

— Assignment last updated by Captain Angel (talk) 21:32, 30 April 2025 (UTC)

Theater and technology

1. Clarity and Organization

Strengths:

• The article is well-organized into clear sections (History, Terminology, Role, etc.).
• Transitions between sections are logical, and the flow is easy to follow.

Suggestions:

• The “History” section could be expanded slightly to include a broader timeline of how the producer's role evolved into the modern commercial model (e.g., 19th-century theatre, Broadway evolution).
• Adding subheadings under “Role” could break it up for easier reading (e.g., “Financial Duties,” “Creative Collaboration,” “Legal Responsibilities”).

2. Content Accuracy and Completeness

Strengths:

• The article accurately describes the responsibilities of a theatrical producer and differentiates between types (independent, line, artistic).
• The inclusion of ancient Greece is a strong historical anchor.

Suggestions:

• Consider expanding the distinction between non-profit vs. commercial producers, and including a brief overview of international variations beyond the U.S. and U.K.
• Add more contemporary examples of successful producers or notable productions to bring the content to life.

3. Sources and Citations

Strengths:

• The article uses reliable sources, including Britannica and Oxford University Press.

Suggestions:

• Add inline citations for more specific claims (e.g., when describing the producer’s involvement with unions or legal responsibilities).
• Consider updating with a few more recent industry sources, like interviews or trade publications.

Over all, This article is a solid, informative overview of the role of a theatrical producer. With minor edits for depth, flow, and referencing, it could serve as an excellent introduction to the topic for students, theatre professionals, or curious readers. Marlin A NJIT (talk) 17:32, 6 May 2025 (UTC)