Stephen Wickham

Stephen Wickham is an Australian photographer, painter and printmaker.

BiographyEdit

Stephen Wickham was born in 1950 in Melbourne. He studied at Prahran College of Advanced Education in 1972. In 1974 he was awarded a Diploma of Art from the National Gallery Art School of Victoria, then undertook a Graduate Diploma of Education at Melbourne University. He was granted a Masters of Arts (Visual Arts) from Monash University (Gippsland) in 1986.

Wickham has exhibited regularly since the 1980s and has received a number of major commissions for artworks from the Royal Automobile Club of Victoria (2013), the Victorian Tapestry Workshop (2007); the Department of Conservation, Lands & Environment for a poster series (1991); The Robert Holmes à Court Collection, Heytesbury Holdings, Perth, for photographs for Utopia, A Picture Story (1990). He is a member of the Print Council of Australia and was Vice President (1991–1995) of the Australian Print Workshop.

ExhibitionsEdit

SoloEdit

  • 2017 Non-Objective: Painting, Deakin University Downtown Gallery. Victoria.
  • 2013 Stephen Wickham @ Factory 49, Factory 49, Marrickville, New South Wales
  • 2011 12 Snow as Ash: From Stefan to Georg Weisz, Exhibition Gallery, Deakin University, Victoria
  • 2011 Dark Mantras as Dark Matter, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2009 Peppie Vs Godzilla: Part Ι & II, Shell Regional Arts Program, Geelong Art Gallery, Victoria
  • 2008 Dark Mantra, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2007 Peppie Vs Godzilla, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2004 Another Apocryphal History of Modernity, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2004 ...from Stefan Weisz for Georg Weisz... Icon Museum of Art, Deakin University, Victoria[1]
  • 2001 ...from Stefan Weisz for Elizabeth, Emil, George Weisz, and Margaret Lasica... Stephen McLaughlan Gallery,
  • 1999 Dark Mantras, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 1998 Arcadian Mists, Byron + Mapp Gallery, Sydney, New South Wales
  • 1998 Whispers from The Hindu Love Gods, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 1997 Creatio ex Nihlo, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 1995 Recent Painting, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 1994 Works on Paper, William Mora Gallery, Richmond, Victoria
  • 1994 Photographs, William Mora Gallery, Richmond, Victoria
  • 1993 The Final Homage to Ivan Kljun and Meditations on the Thoughts of Francis Fukuyama, Powell Street Gallery,
  • South Yarra, Victoria
  • 1991 Photographs from Ubirr, Australian Centre for Photography, Paddington, New South Wales
  • 1991 Photographs from Ubirr, (accompanying texts by Charles Green), William Mora Gallery, Richmond, Victoria
  • 1990 Homage to Ivan Kljun, Powell Street Graphics, South Yarra, Victoria
  • 1990 Selected Works on Paper, Monash University College, Gippsland, Victoria
  • 1988 Arcadia Burning, William Mora Gallery, Richmond, Victoria
  • 1988 From the Russian Suite, Powell Street Graphics, South Yarra, Victoria
  • 1984 Winter at Mount Buffalo, Visibility Gallery, Melbourne, Victoria[2]
  • 1982 Sites for A Contemporary Ritual, Queensland College of Arts, Queensland

GroupEdit

  • 2019 XXV + Celebrate. Stephen McLaughlan Gallery, Melbourne, Victoria.
  • 2019 Annual group exhibition. Factory 49, Sydney, New South Wales.
  • 2019 New Modern. RNOP Melbourne.
  • 2019 The Road Paintings. 5 Walls Projects, Victoria.
  • 2019 Sights Unseen. Moreland City Council art collection. Melbourne, Victoria.
  • 2018 Beyond the Field (Still). Contemporary Art Tasmania.
  • 2018 De Natured. Stephen McLaughlan Gallery, Melbourne, Victoria.
  • 2018 '50 years after The Field”. Factory 49, Sydney, New South Wales.
  • 2018 LEGACY, Your collection. Our Story. Monash Gallery of Art, Victoria.
  • 2018 Wyndham Art Prize. Wyndham City Art Gallery.
  • 2018 #Abstraction 2018. Deakin University, Langford 120, Stephen McLaughlan Gallery, 5 Walls Projects, Victoria.
  • 2018 Print Exhibition, Factory 49, Sydney, New South Wales.
  • 2018 Edge. Langford 120, Melbourne, Victoria.
  • 2017 The Void-Visible. Abstraction & Non-Objective Art. Deakin University Gallery. Victoria.[3]
  • 2017 Reductive-Non-Objective Private Gallery. Kiosk Show Katoomba Falls. NSW.
  • 2017 VCA ART 150 Scholarship, Margaret Lawrence Gallery, VCA, Melbourne.
  • 2017 Wyndham Art Prize. Wyndham City Art Gallery.
  • 2017 Ad Hoc. Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2016-17 Visions of Utopia, Wollongong Art Gallery, Penrith art Centre.
  • 2016 Nearly Monochrome, 5 Walls Projects, Footscray Victoria.
  • 2016 0+1. Digital Prints, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2016 Neo-0-10 #2. Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2016 Annual Group Exhibition, Factory 49, Sydney, New South Wales
  • 2016 McClelland Collection, McClelland Gallery, Victoria
  • 2016 Limited Edition, Burnie Regional Art Gallery
  • 2015 Geelong Acquisitive Print Awards. Geelong Gallery
  • 2015 Grid: Matrix Module Myth. Langford 120, Melbourne, Victoria.
  • 2015 NEO-0-10 works on paper. McLaughlan Gallery, Melbourne, Victoria. 2015 Print Award. Geelong Gallery, Geelong, Victoria
  • 2015 Fremantle Arts Centre Print Award. Fremantle Western Australia
  • 2015 10th Annual Group Exhibition, Factory 49, Marrickville, New South Wales 2015 The Burnie Print Prize. Burnie Regional Art Gallery
  • 2015 Digital Reductive. 5 Walls Projects, Footscray Victoria.
  • 2014-2015 ELEMENTA. La Trobe regional Gallery and Gippsland Art Gallery Collection Exhibition. 2014 Gold Coast Art Prize 2014, The Art Centre Gold Coast, Queensland.
  • 2014 Works on Paper 2014. Charles Nodrum Gallery, Melbourne, Victoria
  • 2014 Abstraction 13, Charles Nodrum Gallery, Melbourne, Victoria
  • 2014 Paper @ Factory 49. Factory 49, Sydney, New South Wales
  • 2014 Annual Group Exhibition, Factory 49, Sydney, New South Wales
  • 2014 National Works on Paper Awards. MPRG, Victoria
  • 2014 Swan Hill Print and Drawing Award. Swan Hill Regional Art Gallery, Victoria
  • 2014 Dark: More than Black. Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2013 14 SNO 100. SNO Contemporary Art Projects, Sydney, New South Wales
  • 2013 14 Splash! From the Permanent Collections. New England Regional Art Museum, New South Wales
  • 2013 Squaring up. Langford 120, 120 Langford Street, Melbourne, Victoria
  • 2013 Black Echo, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2013 Abstraction 12, Charles Nodrum Gallery, Melbourne, Victoria
  • 2013 SNO 99, SNO Contemporary Art Projects, Sydney, New South Wales
  • 2013 Factory 49 @ Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2013 Annual Group Exhibition, Factory 49, Sydney, New South Wales
  • 2013 All breathing in heaven, Geelong Gallery, Geelong, Victoria
  • 2013 2013 Geelong acquisitive print awards, Geelong Gallery, Geelong, Victoria
  • 2012/13 Gold Coast Art Prize 2012, The Art Centre Gold Coast, Queensland
  • 2012 Abstraction 11, Charles Nodrum Gallery, Melbourne, Victoria
  • 2012 Geelong Contemporary Art Prize, Geelong Gallery, Geelong, Victoria
  • 2012 Five decades of abstraction, Geelong Gallery, Geelong, Victoria
  • 2012 Non-objective – present. Langford 120, 120 Langford Street, Melbourne, Victoria
  • 2012 Recent Acquisitions, Burnie Regional Art Gallery, New South Wales
  • 2011 and now, regarding that modernist remark abstraction, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2011 My Australia, Kuandu Museum of Fine Arts, Taipei National University of the Arts, Taiwan
  • 2011 Contemporary Landscapes, Colour Factory Gallery, Melbourne, Victoria
  • 2011 Beyond Big Land, Geelong Gallery, Geelong, Victoria
  • 2011 New Romantics, Gippsland Art Gallery, Victoria
  • 2011 New Romantics, MARS Gallery, Melbourne, Victoria
  • 2010/11 The Naked Face: Self-portraits, The Ian Potter Centre, National Gallery of Victoria, Victoria
  • 2010/11 Beyond Big Land, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2010 2010 Fletcher Jones Art Prize, Geelong Gallery, Victoria
  • 2010 Contemporary woven tapestries from the Victorian Tapestry Workshop and ceramic work by members of Ceramics Victoria, Walker Street Gallery, Dandenong, Victoria
  • 2010 52 — a print exchange portfolio, Shell Regional Arts Program, Geelong Gallery, Victoria
  • 2009 QUIET!, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2009 2009 Geelong Acquisitive Print Awards, Geelong Gallery, Victoria
  • 2009 Contemporary Woven Tapestries, Central Goldfields Art Gallery, Victoria
  • 2009 Abstraction 2009, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2008 Small Tapestries: 2009 Collection, Victorian Tapestry Workshop, Melbourne, Victoria
  • 2008 Bias Bound, Victorian Tapestry Workshop, Stephen Mc Laughlan Gallery, Melbourne, Victoria
  • 2008 Salon 2008: Photographic, Stephen Mc Laughlan Gallery, Melbourne, Victoria
  • 2008 von Guerard to von Stumer — aspect of a collection, Geelong Gallery, Victoria
  • 2007 Stephen Mc Laughlan at FOURTYFIVEDOWNSTAIRS, FOURTYFIVEDOWNSTAIRS, Melbourne, Victoria
  • 2007 Sci-Fi 2007, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2006 Twelfth Anniversary Exhibition, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2006 John Leslie Art Prize 2006, Gippsland Art Gallery, Sale, Victoria
  • 2006 White mantle: the winter landscape in Australian art, Geelong Gallery, Victoria[4]
  • 2006 Sylvan Shades, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2006 Swan Hill Print & Drawing Prize, Swan Hill Art Gallery, Victoria
  • 2005 bestiary, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2004 Imagining the Future, Lab 3000 Digital Design Biennale 2004, Melbourne Museum, Victoria
  • 2004 Between Three Silences, Ord Minett Foyer Gallery, Melbourne, Victoria
  • 2004 Robert Jacks Drawing Prize, Bendigo Art Gallery, Victoria
  • 2004 Print & Drawing Acquisitive Awards, Swan Hill Regional Art Gallery, Victoria
  • 2004 A Humble Gesture, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2003 Robert Jacks Drawing Prize, Bendigo Art Gallery, Victoria
  • 2004 City of Banyule Works on Paper Art Award, City of Banyule, Ivanhoe, Victoria
  • 2004 Darebin–La Trobe Acquisitive Art Prize, Bundoora Homestead Art Centre & La Trobe University Museum of
  • Art, Bundoora, Victoria
  • 2004 National Photographic Purchase Award, Albury Regional Art Gallery, Victoria
  • 2004 National Works on Paper, Mornington Peninsula Regional Gallery, Victoria
  • 2004 Sleeps with Angels — Sex & Death, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2004 Summer Salon, Centre for Contemporary Photography, Melbourne, Victoria
  • 2002 Figure Out, Mass Gallery, Melbourne, Victoria
  • 2002 2002 Nikon Summer Salon, Centre for Contemporary Photography, Melbourne, Victoria
  • 2002 Abstract Painting — Salon 2002, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2001 The Eighteenth McGregor Prize for Photography, University of Southern Queensland, Queensland
  • 2001 Nikon Summer Salon, Centre for Contemporary Photography, Melbourne, Victoria
  • 2001 Summer Stock, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 2000 Gallery Artists, Byron + Mapp Gallery, Sydney, New South Wales
  • 2000 National Works on Paper, Mornington Peninsula Art Centre, Victoria
  • 2000 Some Photographs, Stephen McLaughlan Gallery, Melbourne, Victoria[5]
  • 1999 Christmas Show, Australian Galleries, Works on Paper Gallery, Sydney, New South Wales 1999 7th International Works on Paper Fair, Sydney, New South Wales
  • 1999 4th Anniversary Exhibition, Byron + Mapp, Sydney, New South Wales
  • 1999 Contemporary Australian Works on Paper presented by Australian Galleries, Smith & Stoneley, Queensland
  • 1999 Contemporary Australian Works on Paper, Australian Galleries, Works on Paper Gallery, Sydney, New South Wales
  • 1999 Visy Board Art Prize, Barossa Valley, South Australia
  • 1999 Selected Works from Goddard de Fiddes Gallery Perth, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 1999 Summer Salon 1999, Centre for Contemporary Photography, Melbourne, Victoria
  • 1998 Double Dialogues, Deakin University Theatreworks, Victoria
  • 1998 Selected Works on Paper, Australian Galleries, Works on Paper Gallery, Sydney, New South Wales
  • 1998 Geelong Contemporary Art Prize, Geelong Gallery, Victoria
  • 1998 Works on Paper, 1998, Stephen McLaughlan, Melbourne, Victoria
  • 1998 National Works on Paper, Mornington Peninsula Regional Gallery, Victoria
  • 1998 13 Artists Recent Works on Paper, Australian Galleries, Sydney, New South Wales
  • 1998 Pictures from the Collection, Byron + Mapp Gallery, Sydney, New South Wales
  • 1998 9 x 5 by Twenty-Five, George Adams Gallery, Melbourne, Victoria
  • 1998 Summer Stock, Stephen McLaughlan Gallery, Melbourne, Victoria
  • 1998 Summer Salon 1998, Centre for Contemporary Photography, Melbourne, Victoria
  • 1997 13th Biennial Spring Festival of Drawing, Mornington Peninsula Regional Gallery, Victoria
  • 1997 2D/3D, Artis Gallery, Auckland, New Zealand
  • 1996/97 Non- Objective Presence, Australian Galleries, Sydney, New South Wales & Melbourne, Victoria
  • 1996 Two Australian Painters: Allan Mitelman and Stephen Wickham, Artis Gallery, Auckland, New Zealand
  • 1996 The XLR8 Summer Salon 1996, Centre for Contemporary Photography, Melbourne, Victoria
  • 1995 The Situation Now: A Survey of Local Non-Objective Art, La Trobe University Art Museum, Victoria
  • 1995 9x5 Exhibition, Anti-Grand Prix Exhibition, Robert Lindsay Gallery, Melbourne, Victoria
  • 1995 Staff Exhibition, Victorian College of the Arts Gallery, Melbourne, Victoria
  • 1995 Out of Stock, Artis Gallery, Auckland, New Zealand
  • 1995 The 1995 Postcard Show, Linden Gallery, St Kilda, Victoria
  • 1994 No-Name Big Little Picture Show, Centre for Contemporary Photography, Melbourne, Victoria
  • 1994 Arts Works 6, Gallery 101 Collins Street, Melbourne, Victoria
  • 1994 Silent Objects: Non-Objective Art from Melbourne, Centre for Contemporary Art, Hamilton and Artis Gallery, Auckland, New Zealand
  • 1994 Bezalel Arts, Caulfield Arts Complex, Victoria
  • 1994 Recent Acquisitions, McClelland Gallery, Langwarrin, Victoria
  • 1993 An Exhibition of Contemporary Jewish Art, Westpac Gallery, Melbourne, Victoria
  • 1992 PaperWorks 3 — Scotland, Seagate Gallery, Dundee, UK
  • 1992 Then ... and Now, Box Hill Community Arts Centre, Box Hill, Victoria
  • 1992 Melbourne Art, Melbourne Artists, Melbourne Savage Club Invitation Art Prize, McClelland Gallery, Langwarrin, Victoria
  • 1990 A.Z. Gallery, Tokyo, Japan
  • 1990 It All Starts Here, Powell Street Gallery, South Yarra, Victoria
  • 1989 Henri Worland Memorial Print Award, Warrnambool Arts Centre, Victoria
  • 1988 8th Print Biennale, Mornington Peninsula Arts Centre, Victoria
  • 1987 Australian Contemporary Photographers, National Gallery of Victoria, Melbourne, Victoria 1987 Six Victorian Artists, Albury Regional Art Gallery, Victoria
  • 1987 A Group Show, Print Council of Australia, North Melbourne, Victoria
  • 1987 Henri Worland Memorial Print Award, Warrnambool Arts Centre, Victoria
  • 1986 Australian Landscape Photographed, National Gallery of Victoria, Melbourne, Victoria 1987 Invitation Print Exhibition, Reconnaissance, Melbourne, Victoria
  • 1987 Six Victorian Printmakers, Darling Downs Institute of Advanced Education, Queensland
  • 1987 7th Print Biennale, Mornington Peninsula Arts Centre, Victoria
  • 1987 Members Prints, Print Council of Australia, North Melbourne, Victoria
  • 1987 Prints To Cuba, Australian Artists Exchange to Cuba, Cuba, United States of America
  • 1985 Proofs Exhibition, McClelland Gallery, Langwarrin, Victoria
  • 1985 Exchange Exhibition USA, Print Council of Australia, North Melbourne, Victoria
  • 1984 Emerging Victorian Printmakers, Mitchelton Exhibition, Latrobe University Gallery & Benalla Art Gallery
  • 1984 Sculptors As Craftsmen, Meat Market Craft Centre, Melbourne, Victoria
  • 1984 6th Print Biennale, Mornington Peninsula Arts Centre, Victoria
  • 1983 Proof Exhibition, Victorian Print Workshop, Fitzroy, Victoria
  • 1982 Landscape Australia, National Gallery of Vi== Department ==of Photography, Victoria
  • 1980 Forty Australian Artists, Adelaide Festival of Arts, South Australia
  • 1980 Air Show, Contemporary Art Space, Adelaide, South Australia
  • 1979 Selected Works from The Mitchell Endowment, National Gallery of Victoria, Melbourne, Victoria
  • 1975 Recent Acquisitions, National Gallery of Victoria, Department of Photography, Melbourne, Victoria

CollectionsEdit

  • 2018 Penrith Regional Gallery, Home of The Lewers Bequest. Paintings.
  • 2018 Wollongong Art Gallery. Painting.
  • 2018 Penrith Regional Gallery, Home of The Lewers Bequest. Paintings.
  • 2018 Wollongong Art Gallery. Painting.
  • 2017 Deakin University. Painting.
  • 2017 State of Library of Victoria, Photographs, lithographs.
  • 2016 Deakin University, Works on paper.
  • 2016 Deakin University, Photographs.
  • 2015 RACV Collection. Photographs.
  • 2014 Geelong Gallery. Painting.
  • 2014 MAMA. Murray Art Museum Albury. Photographs.
  • 2014 Counihan Gallery, Brunswick. Silver Prints.
  • 2013 Deakin University, Painting
  • 2012 La Trobe Regional Gallery. Colour Photographs.
  • 2011 The Arts Centre Gold Coast. Painting and photographs.
  • 2010 Burnie Regional Art Gallery Print Collection, Dry point Etching.
  • 2009 The Peter Mac Art Collection, Painting installation.
  • 2009 Warrnambool Art Gallery, Multi-coloured lithograph and etchings.
  • 2008 Australian Embassy Washington DC, Colour photographs.
  • 2008 McClelland Gallery, Suite of drawings.
  • 2005 Deakin University, Colour photographs.
  • 2004 Monash Gallery of Art, Colour photographs.
  • 2003 National Gallery of Australia, Lithographs.
  • 2003 Australia Print Workshop Archive 2, Lithographs.
  • 2003 Works on paper New England Regional Art Museum. Works on paper.
  • 2001 Geelong Gallery, Works on paper.
  • 2001 Ballarat Fine Art Gallery, Photographs.
  • 2001 State of Library of Victoria, Colour photographs.
  • 1998 Museum of Modern Art at Heide, Lithographs.
  • 1998 National Library of Australia, Photographs.
  • 1998 Art Bank, Paintings.
  • 1996 National Gallery of Australia, Multi-coloured lithographs.
  • 1995 University of Melbourne Art Collection, Etchings.
  • 1995 New England Regional Art Museum. Works on paper.
  • 1995 McClelland Gallery, Etchings.
  • 1994 State Library of Victoria Picture Collection, Ciba-chrome prints.
  • 1994 Council of Adult Education, Melbourne, Multi-coloured lithograph.
  • 1994 McClelland Gallery, Etchings.
  • 1993 Benalla Regional Art Gallery, Etchings and SX-70 polaroids.
  • 1993 National Gallery of Victoria, Etchings.
  • 1993 McClelland Gallery, Suite of drawings.
  • 1993 State Library of Victoria Picture Collection, Silver prints, polaroids and assemblages.
  • 1993 Horsham Regional Art Centre, Silver prints.
  • 1993 Camberwell Grammar Art Collection, Drawing
  • 1990 Victorian College of the Arts Collection, Lithographs
  • 1989 State Library of Victoria Picture Collection, Ciba-chrome photographs & silver prints
  • 1988 Overseas Telecommunications Corporation, Lithographs.
  • 1987 Art Bank, Etchings.
  • 1987 National Gallery of Victoria, Department of Photography, Ciba-chrome photographs.[6]
  • 1987 Victorian Print Workshop, Etchings.
  • 1986 Art Bank, Lithographs.
  • 1986 City of Waverley Collection, Etchings.
  • 1986 Commission for The Future, Lithographs.
  • 1986 Print Council of Australia, Member print.
  • 1985 City of Box Hill Art Collection, Lithograph.
  • 1984 Albury Regional Art Gallery, Silver prints.
  • 1984 City of Box Hill Art Collection, Silver prints.
  • 1984 Box Hill College of TAFE, Silver prints.
  • 1983 National Gallery of Victoria, Department of Photography, Silver prints.
  • 1983 Victorian Print Workshop, Lithographs.
  • 1982 National Gallery of Victoria, Department of Photography, Kodak instant photographs.
  • 1978 National Gallery of Victoria, Michelle Endowment, Painting.

AwardsEdit

  • 1975 National Gallery of Victoria, Department of Photography, Silver prints.
  • 2007 Artist in Residence, Victorian Tapestry Workshop, Melbourne, Victoria
  • 1996 Landscape Photography Prize, Centre for Contemporary Photography Summer Salon, Melbourne, Victoria
  • 1974 Hugh Ramsay Drawing Prize, National Gallery School, Melbourne, Victoria
  • 1974 Special Jury Prize for Portraiture, Trustees of the National Gallery of Victoria, Melbourne, Victoria

PublicationsEdit

  • Green, C. & Wickham, S.,“Abstract”, West, Dr. Rex Butler (Editor), 1991
  • Heathcote, C. R. (Christopher Robin); Willis, Leanne, (Introduction by.) (Author of introduction); Wickham, Stephen, 1953-, (Introduction by.) (Author of introduction) (2017), The Void. Visible : Abstraction and Non-Objective Art, Deakin University - Art Gallery, ISBN 978-0-9944025-9-2CS1 maint: multiple names: authors list (link)
  • Wickham, Stephen; Icon Museum of Art (2004), Stephen Wickham : "... from Stefan Weisz for Georg Weisz ...", Icon Museum of Art, Deakin University, ISBN 978-0-7300-2615-0

BibliographyEdit

  • Allen, C., ‘Face Facts’, The Australian, 8 January 2011
  • Allen, C., ‘Memories, references and conceits’, Australian Art Monthly, March 1997
  • Backhouse, M., ‘Art Galleries’, The Age, 29 April 2006
  • Beaumont, L., ‘Uncommon threads’ The Age A2, 9 August 2008
  • Bellamy, L., ‘Artist’s four-legged muse’, The Age Metro, 11 April 2005
  • National Gallery of Victoria; Boddington, Jennie, 1922-2015; Art Gallery of Ballarat (1985), Australian landscape photographed : an exhibition of photographs from the collection of the National Gallery of Victoria, National Gallery of VictoriaCS1 maint: multiple names: authors list (link)
  • Boddington, Jennie, 1922-; National Gallery of Victoria (1987), Australian contemporary photographers : John Anthong Delacour, Peter Elliston, Jillian Gibb, Ruth Maddison, David Stephenson and Stephen Wickham, National Gallery of Victoria, retrieved 25 January 2020CS1 maint: multiple names: authors list (link)
  • Boddington, J., Winter At Mount Buffalo, Catalogue Essay, Visibility Gallery, 1984
  • Brody, Annemarie; Gooch, Rodney; Robert Holmes à Court Collection; CAAMA Shop (1990), Utopia : a picture story : 88 silk batiks from the Robert Holmes a Court Collection, Heytesbury Holdings Ltd. for the Robert Holmes a Court Collection, ISBN 978-0-646-00909-4
  • Crombie, Isobel; Byron, Sandra; National Gallery of Victoria (1990), Twenty contemporary Australian photographers : from the Hallmark Cards Australian Photographic Collection, National Gallery of Victoria, ISBN 978-0-7241-0142-9
  • Catalano, G., ‘Moves To The Periphery Of Taste’, The Age, 27 April 1990
  • Catalano, G., ‘Review’, The Age, 3 August 1988
  • Cawthorne, Z., ‘Purple Patch’, Herald Sun, 8 February 1997
  • Crawford, A., ‘Between Three Silences’, The Sunday Age, 31 October 2004
  • Faust, B., ‘Landscape Art Flourishes In The Wilderness’, The Age, 20 June 1984
  • Faust, B., ‘Wit, Mystery And Magic’, The Age, 24 June 1987
  • Gaston, Vivien Margaret; Gaston, Vivien Margaret; National Gallery of Victoria, (host institution) (2010), The naked face : self-portraits (1st ed.), National Gallery of Victoria, ISBN 978-0-7241-0334-8
  • Grishin, Sasha; Lowensteins Arts Management Collection (2013), Accounting for taste : the Lowensteins Arts Management Collection, Macmillan Art Publishing, ISBN 978-1-921394-80-5
  • Green, Charles (1988), "Seduction in the landscape. [Artistic works by John Wolseley and Stephen Wickham]", Art and Australia, 26 (2): 290–295, ISSN 0004-301X
  • Gregg, S., New Romantics: Darkness and Light in Australian Art, Australian Scholarly Publishing, 2011
  • Hanson, D., ‘Out there, Man’, The Age, 9 March 2007
  • Harper, J., ‘Gallery Godzilla’, The Geelong Advertiser, 3 February 2009
  • Harris, R., ‘Photos Developing as Collectibles’, The Age, 27 November 1995
  • * Wickham, Stephen; Icon Museum of Art (2004), Stephen Wickham : "... from Stefan Weisz for Georg Weisz ...", Icon Museum of Art, Deakin University, ISBN 978-0-7300-2615-0
  • Mornington Peninsula Regional Gallery (2000), 2000 national works on paper : Mornington Peninsula Regional Gallery 6 August - 24 September 2000, Mornington Peninsula Regional Gallery, ISBN 978-0-9585894-5-1
  • Heathcote, C., ‘A Fresh Direction’, Art Monthly, March 1993
  • Heathcote, C., ‘A Show at the Cutting Edge’, The Age, 1 July 1992
  • Heathcote, C., ‘Audacious Works are a Fine Farewell to Powell Street Gallery’, The Age, 24 March 1993
  • Heathcote, C., ‘Australian artists and environmental awareness’, Australian Art Monthly, no. 125 November 1999
  • Heathcote, C., ‘Following a Bright Vanguard’, The Age, 26 October 1994
  • Heathcote, C., ‘from Stefan Weisz for Elizabeth, Emil, Georg Weisz and Margaret Lasica....’, Artlink, vol. 20 no. 3, September 201
  • Heathcote, C., ‘Imagined Worlds Provide the Inspiration for a New Movement’, The Age, 9 December 1992
  • Heathcote, C., ‘New Abstract Works from Rival Traditions’, The Age, 5 August 1992
  • Heathcote, C., ‘Mankind, Morality and What it's all About’, The Age, 20 July 1994
  • Heathcote, C., ‘Margaret Stewart Endowment Part 2’, The Age, 2 July 1993
  • Heathcote, C., ‘Rumours Meet Their Match’, The Age, 8 June 1994
  • Heathcote, Christopher, 1959-; La Trobe University. Art Museum (1995), The situation now : a survey of local non-objective art, La Trobe University Art MuseumCS1 maint: multiple names: authors list (link)
  • Heathcote, C., ‘When Antonioni Met Rothko’, Quadrant, January–February 2012
  • Hemensley, C., ‘Everything and Nothing’, Photofile, Spring 1984
  • Kempson, R., ‘The born-again Antipodeans’, Art Monthly (letters to editor), April 1997
  • Jewish Festival of the Arts (2nd : 1993 : Melbourne, Vic.) (1993), An Exhibition of contemporary art by Jewish artists in Australia, 4 March - 27 March 1993, [The Jewish Festival of the Arts], retrieved 25 January 2020
  • Makin, J., ‘Critic’s Choice’, Herald Sun, 11 June 2007
  • Christofides, Andrew; McGillick, Paul; Wollongong City Gallery; Lewers Bequest and Penrith Regional Art Gallery (2016), Visions of Utopia, Wollongong Wollongong Art Gallery, ISBN 978-0-9758372-8-3
  • McLeod, D. & Karoich, S., Emerging Victorian Printmakers, Catalogue Essay, Mitchelton Exhibition, Latrobe University Gallery & Benalla Art Gallery, 1984
  • Mitchelton print exhibition, [Mitchelton print exhibition : Australian Gallery File], retrieved 25 January 2020
  • Modra, P., ‘Peppie Vs Godzilla Part I & 2’, The Sunday Age, February 2009
  • McCulloch, Alan; McCulloch, Susan; McCulloch Childs, Emily; Miegunyah Press (2006), The new McCulloch's encyclopedia of Australian art (4th ed.), AUS Art Editions ; Carlton, Victoria, Australia : The Miegunyah Press, ISBN 978-0-522-85317-9
  • McNamara T. J., ‘Diffidence from across the ditch’, New Zealand Herald, 10 October 1996
  • McNamara, T. J., ‘Perspective on Art’, New Zealand Herald, September 1994
  • Nelson, R., ‘Nostalgic journey through the landscape’, The Age, 16 June 2001
  • Reynolds, R., ‘Abstract work enthuses buffs’, Geelong Advertiser, 28 July 2010
  • Rooney, R. ‘Borgelt’, The Australian, February 1997
  • Rooney, R., ‘Fullbrook, Thomas, Wickham’, The Australian, 23 June 1995
  • Smee, S., ‘Abstract: alive and cliquing’, Sydney Morning Herald, December 1996
  • Smith, Bernard; Heathcote, Christopher, 1959-; Smith, Terry (Terence Edwin), 1944- (2001), Australian painting, 1788-2000 (4th ed.), Oxford University Press, ISBN 978-0-19-551554-1CS1 maint: multiple names: authors list (link)
  • Smee, S., ‘Abstract: alive and cliquing’, Sydney Morning Herald, December 1996
  • Strong, G., ‘A Balanced View of Landscape’, The Age, 17 February 1982
  • Verbeek, Ann; Print Council of Australia (1988), Directory 1988 : Australian artists producing prints, Print Council of Australia, ISBN 978-0-909227-11-1
  • Deakin University (2017), Deakin University Art Collection : A Selection of Works, Deakin University, ISBN 978-0-9944025-6-1
  • Webb, P., ‘Art that multiplies rather than abstracts’, The Age, 19 February 1999
  • Webb, P., ‘Box Office, Visual Arts,’ The Age 'Melbourne Magazine', September 2009
  • Webb, P., ‘Patterns of control and chance’, The Age, 21 May 2008
  • Webb, P., ‘Visual Arts’, The Sunday Age: Preview, 13 May 2007
  • Young, Michael, (curator,); Australia Council. Crafts Board (sponsor.); Meat Market Craft Centre (Vic.) (host institution) (1984), Sculptors as craftsmen, Meat Market Craft Centre, ISBN 978-0-7241-5644-3CS1 maint: multiple names: authors list (link)
  • Zimmer, J., ‘The wonderful resilience of the non-objective ideal’, Art Monthly, May 1997

ReferencesEdit

  1. ^ Crawford, A., ‘From Stefan Weisz for George Weisz’, The Sunday Age, 6 June 2004
  2. ^ Faust, B., ‘Landscape Art Flourishes In The Wilderness’, The Age, 20 June 1984
  3. ^ Willis, L., Deakin University Collection. A Selection of Works. 2017.
  4. ^ Sullivan, L., White Mantle: The Winter Landscape in Australian Art, Geelong Gallery, 2006
  5. ^ Makin, J., ‘Some Photographs (Critic’s Choice)’, Herald Sun, September 2000
  6. ^ "South Buffalo | Stephen WICKHAM | NGV | View Work". www.ngv.vic.gov.au. Retrieved 25 January 2020.

External linksEdit