Spirit: Stallion of the Cimarron
Spirit: Stallion of the Cimarron is a 2002 American animated adventure film Spirit is the seventh overall film produced by DreamWorks Animation and distributed by DreamWorks Pictures. The film was directed by Kelly Asbury and Lorna Cook in their directional debuts, and written by John Fusco. It was nominated for the Academy Award for Best Animated Feature.
|Spirit: Stallion of the Cimarron|
Theatrical release poster
|Screenplay by||John Fusco|
|Music by||Hans Zimmer|
|Edited by||Clare De Chenu|
|Distributed by||DreamWorks Pictures|
|Box office||$122.6 million|
In contrast to the way animals are portrayed in an anthropomorphic style in other animated features, Spirit and his fellow horses communicate with each other through sounds and body language like real horses. Spirit's thoughts are narrated by his voice actor Matt Damon, but otherwise, he has no vocal dialogue. Spirit: Stallion of the Cimarron was released in theaters on May 24, 2002, and earned $122.6 million on an $80 million budget.
In the 19th-century American West, a young Kiger Mustang colt, Spirit, is born to a herd of horses. Spirit soon grows into a stallion and assumes the role of leader of the herd, whose duty is to keep the herd safe. Spirit is a courageous leader but has great curiosity. One night, upon spotting a strange light near his herd, the stallion decides to investigate the location, where he finds restrained, docile horses and their human wranglers sleeping around a campfire. They wake up, and seeing him as a magnificent specimen, chase and capture him, taking him to a US cavalry post.
At this time, the US army is fighting the Indian Wars and taking over the soon-to-be western United States. Frightened and confused, Spirit finds himself enslaved among other horses. Then, he encounters "The Colonel", who decides to have the mustang tamed, refusing to believe the idea of Spirit being too stubborn, but Spirit manages to fight off all attempts to tame him. To weaken Spirit, the Colonel orders him tied to a post for three days with no food or water. Meanwhile, a Lakota Native American named Little Creek is also brought into the fort and held captive. Spirit is later supposedly broken in by the Colonel, who speaks his idea of how any wild horse can be tamed. However, Spirit gets a second wind and finally throws him off. Frustrated, the Colonel attempts to shoot him before Little Creek (who frees himself from his bounds with a knife) saves Spirit from being shot as they, along with the rest of the horses, escape from the post. Little Creek's mare, Rain, meets them along with other natives who capture Spirit again.
After returning to the Lakota village, Little Creek tries to tame Spirit with kindness, but Spirit refuses to be ridden. Little Creek ties Spirit and Rain together and, when he tries to leave, she insists on staying, then shows him her world. Spirit begins to warm up to Little Creek and falls in love with Rain. At the end of their time together, Little Creek tries again to ride him, but Spirit is still unwilling. He then decides that Spirit will never be tamed and frees him. As Spirit asks Rain to come with him to his herd, a cavalry regiment led by the Colonel attacks the village. During the vicious battle, the Colonel tries to shoot Little Creek, but Spirit runs into the Colonel and his horse, deflecting the shot and saving Little Creek's life. However, Rain is shot by the Colonel, knocking her into the river. Spirit dives into the river to try to rescue Rain but is unsuccessful and they both plummet over a waterfall. Spirit finds Rain dying from her injuries and stays by her side until the army captures him. Watching Spirit being pulled away, Little Creek arrives, vowing to free him to satisfy his life-debt and follows the men after tending to Rain.
Spirit is loaded onto a train and taken to a work site on the Transcontinental Railroad, where he is put to work pulling a steam locomotive. Realizing that the track will infringe on his homeland, Spirit breaks free from the sledge and breaks the chains holding the other horses. They escape, and the locomotive falls off its wooden sledge and rolls down the hill chasing Spirit in a heavily damaged condition, once the badly damaged locomotive and Spirit got back to the work site, the locomotive demolishes two wooden storage sheds and then slamming into another locomotive cause a massive fire explosion from its boiler/water heater causing to set the entire forest a blaze. Once Spirit sees all this, he scurries off into the burning forest, leaving the work site behind. But after running for quite a while, the chain caught Spirit of a trunk of a fallen tree. Little Creek appears in time and saves Spirit from the ensuing wildfire and together they jump and threw themselves into the water of the small river to safety.
The next morning, the Colonel and his men find Spirit and Little Creek, and a chase ensues through the Grand Canyon. Eventually, they are trapped by a gorge. Little Creek gives up, but Spirit manages to successfully leap across the canyon. Spirit's move amazes the Colonel; he humbly accepts defeat, stops his men from shooting the two, and allows Spirit and Little Creek to leave. Spirit returns to the rebuilt Lakota village with Little Creek and finds Rain nursed back to health. Little Creek decides to name Spirit the "Spirit-Who-Could-Not-Be-Broken" and sets him and Rain free. The two horses return to Spirit's homeland, eventually reuniting with Spirit's herd.
- Matt Damon as Spirit
- James Cromwell as The Colonel. He is loosely based on George Armstrong Custer.
- Daniel Studi as Little Creek
- Chopper Bernet as Sgt. Adams
- Jeff LeBeau as Murphy and the Railroad Foreman
- Richard McGonagle as Bill
- Matt Levin as Joe
- Robert Cait as Jake
- John Rubano as the Soldier
- Adam Paul as Pete
- Charles Napier as Roy
- Zahn McClarnon and Michael Horse as Little Creek's friends
- Meredith Wells as a Lakota girl
- Donald Fullilove as Train Pull Foreman
- Rodger Bumpass, Jack Angel, Bob Bergen, Philip Proctor, Paul Eiding, Corey Burton, David Cowgill, Robert Clotworthy, Chris Sanders, Stephen J. Anderson and Jim Cummings as Colonel's Soldiers
Writer John Fusco, best known for his work in the Western and Native American genres (such as the films Young Guns and Young Guns II), was hired by DreamWorks to create an original screenplay based on an idea by Jeffrey Katzenberg. Fusco began by writing and submitting a novel to the studio and then adapted his own work into screenplay format. He remained on the project as the main writer over the course of four years, working closely with Katzenberg, the directors, and artists.
Animation and designEdit
Spirit: Stallion of the Cimarron was made over the course of four years using a conscious blend of traditional hand-drawn animation and computer animation. Katzenberg said that the animation was the most difficult piece of production he worked on for a movie: "I literally spent the first few weeks with my door shut, telling everyone, 'Go away; I've got to concentrate.' It was quite daunting because when I first started to draw horses, I suddenly realized how little I knew." The team at DreamWorks Animation, under his guidance, used a horse named "Donner" as the model for Spirit and brought the horse to the animation studio in Glendale, California for the animators to study. Sound designer Tim Chau was dispatched to stables outside Los Angeles to record the sounds of real horses; the final product features real hoof beats and horse vocals that were used to express their vocalizations in the film. None of the animal characters in the film speak English beyond occasional reflective narration from the protagonist mustang, voiced by Matt Damon in the film. Many of the animators who worked on Spirit also worked on Shrek 2, as their influence can be seen for the character Donkey. The production team, consisting of Kelly Asbury, Lorna Cook, Mireille Soria, Jeffrey Katzenberg, Kathy Altieri, Luc Desmarchelier, Ron Lukas, and story supervisor Ronnie del Carmen took a trip to the western United States to view scenic places they could use as inspiration for locations in the film. The homeland of the mustangs and Lakotas is based on Glacier National Park, Yellowstone National Park, Yosemite National Park, and the Grand Teton mountain range; the cavalry outpost was also based on Monument Valley.
|“||Traveling to all those different places, we were reminded that this is a magnificent country, so in some respects, it was a way for us to honor and to celebrate the grandeur in our own backyard. Geographically, we kind of threw convention out the window. We took the best from nature and gave it our own spin, and ultimately it served the story well.||”|
|— Lorna Cook, CinemaReview.com|
The instrumental score was composed by Hans Zimmer with songs by Bryan Adams in both the English and French versions of the album. The opening theme song for the film, "Here I Am" was written by Bryan Adams, Gretchen Peters, and Hans Zimmer. It was produced by Jimmy Jam and Terry Lewis. Another song, not included in the film itself (although it can be heard in the ending credits), is "Don't Let Go", which is sung by Bryan Adams with Sarah McLachlan on harmonies and piano. It was written by Bryan Adams, Gavin Greenaway, Robert John "Mutt" Lange, and Gretchen Peters. Many of the songs and arrangements were set in the American West, with themes based on love, landscapes, brotherhood, struggles, and journeys. Garth Brooks was originally supposed to write and record songs for the film but the deal fell through. The Italian versions of the songs were sung by Zucchero. The Spanish versions of the tracks on the album were sung by Erik Rubín (Hispanic America) and Raúl (Spain). The Brazilian version of the movie soundtrack was sung in Portuguese by Paulo Ricardo. The Norwegian versions of the songs were sung by Vegard Ylvisåker of the Norwegian comedy duo Ylvis.
Based on 126 reviews collected by review aggregator Rotten Tomatoes, Spirit: Stallion of the Cimarron has an overall approval rating of 69% and a weighted average score of 6.4/10. The site's critical consensus reads: "A visually stunning film that may be too predictable and politically correct for adults, but should serve children well." Review aggregator Metacritic gave the film a score of 52 based on 29 reviews, indicating "mixed or average reviews". Critic Roger Ebert, said in his review of the film, "Uncluttered by comic supporting characters and cute sidekicks, Spirit is more pure and direct than most of the stories we see in animation – a fable I suspect younger viewers will strongly identify with." Leonard Maltin of Hot Ticket called it "one of the most beautiful and exciting animated features ever made". Clay Smith of Access Hollywood considered the film "An Instant Classic". Jason Solomons described the film as "a crudely drawn DreamWorks animation about a horse that saves the West by bucking a US Army General". USA Today's Claudia Puig gave it 3 stars out of 4, writing that the filmmakers' "most significant achievement is fashioning a movie that will touch the hearts of both children and adults, as well as bring audiences to the edge of their seats." Dave Kehr of the New York Times criticized the way in which the film portrayed Spirit and Little Creek as "pure cliches" and suggested that the film could have benefited from a comic relief character. The film was screened out of competition at the 2002 Cannes Film Festival. Rain was the first animated horse to receive an honorary registration certificate from the American Paint Horse Association (APHA).
When the film opened on Memorial Day Weekend 2002, the film earned $17,770,036 on the Friday-Sunday period, and $23,213,736 through the four-day weekend for a $6,998 average from 3,317 theaters. The film overall opened in fourth place behind Star Wars: Episode II – Attack of the Clones, Spider-Man, and Insomnia. In its second weekend, the film retreated 36% to $11,303,814 for a $3,362 average from expanding to 3,362 theaters and finishing in fifth place for the weekend. In its third weekend, the film decreased 18% to $9,303,808 for a $2,767 average from 3,362 theaters. The film closed on September 12, 2002, after earning $73,280,117 in the United States and Canada with an additional $49,283,422 overseas for a worldwide total of $122,563,539, against an $80 million budget.
|ASCAP Film and Television Music Awards||Top Box Office||Hans Zimmer
|Academy Awards||Best Animated Feature||Jeffrey Katzenberg||Nominated|
|Annie Awards||Animated Theatrical Feature||Nominated|
|Individual Achievement in Storyboarding||Ronnie Del Carmen||Won|
|Individual Achievement in Production Design||Luc Desmarchelier||Won|
|Individual Achievement in Character Design||Carlos Grangel||Won|
|Individual Achievement in Effects Animation||Yancy Landquist||Won|
|Critics Choice Awards||Best Animated Feature||Nominated|
|Genesis Awards||Feature Film'||Won|
|Golden Globes||Best Original Song – Motion Picture||Hans Zimmer (music)
Bryan Adams (lyrics)
Gretchen Peters (lyrics)
for the song "Here I Am"
|Kids' Choice Awards||Favorite Voice from an Animated Movie||Matt Damon||Nominated|
|Golden Reel Award||Best Sound Editing in Animated Features||Tim Chau (supervising sound editor)
Carmen Baker (supervising sound editor)
Jim Brookshire (supervising dialogue editor/supervising adr editor)
Nils C. Jensen (sound editor)
Albert Gasser (sound editor)
David Kern (sound editor)
Piero Mura (sound editor)
Bruce Tanis (sound editor)
|Best Sound Editing in Animated Features – Music||Slamm Andrews (music editor/scoring editor)
Robb Boyd (music editor)
|Online Film Critics Society Awards||Best Animated Feature||Nominated|
|Phoenix Film Critics Society Awards||Best Animated Film||Nominated|
|Golden Satellite Awards||Best Motion Picture, Animated or Mixed Media||Nominated|
|Visual Effects Society Awards||Best Character Animation in an Animated Motion Picture||James Baxter||Nominated|
|Western Heritage Awards||Theatrical Motion Picture||Mireille Soria (producer)
Jeffrey Katzenberg (producer)
Kelly Asbury (director)
Lorna Cook (director)
John Fusco (writer)
Matt Damon (principal actor)
James Cromwell (principal actor)
Daniel Studi (principal actor)
|World Soundtrack Awards||Best Original Song Written for a Film||Hans Zimmer
Bryan Adams (lyricist/performer)
R.J. Lange (lyricist)
for the song "This Is Where I Belong"
|Best Original Song Written for a Film||Hans Zimmer
Bryan Adams (lyricist/performer)
Gretchen Peters (lyricist)
for the song "Here I Am"
|Young Artist Awards||Best Family Feature Film – Animation||Won|
Spirit: Stallion of the Cimarron was released on VHS and DVD on November 19, 2002. It was re-released on DVD on May 18, 2010. The film was released on Blu-ray in Germany on April 3, 2014, in Australia on April 4 and in the United States and Canada on May 13, 2014. The film was re-issued by 20th Century Fox Home Entertainment on Blu-ray and DVD on October 19, 2014.
In July 2014, the film's distribution rights were purchased by DreamWorks Animation from Paramount Pictures (owners of the pre-2005 DreamWorks Pictures catalog) and transferred to 20th Century Fox before reverting to Universal Studios in 2018.
Two video games based on the film were released on October 28, 2002, by THQ: the PC game Spirit: Stallion of the Cimarron — Forever Free and the Game Boy Advance game Spirit: Stallion of the Cimarron — Search For Homeland.
A computer-animated television series based on the film, titled Spirit Riding Free, premiered on Netflix on May 5, 2017. The series follows all the daring adventures when Spirit, who is the offspring of the original, meets a girl named Lucky whose courage matches his own.
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Fusco fell in love with American paint ponies and began a program to restore original Native American herds. This expertise made him a natural to write the script for Spirit: Stallion of the Cimarron, a DreamWorks animated film. It's scheduled to open on Memorial Day.
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