Sly on tour with Peter Tosh, 1979
|Birth name||Lowell Fillmore Dunbar|
|Born||10 May 1952|
|Associated acts||Sly and Robbie|
Dunbar began playing at 15 in a band called The Yardbrooms. His first appearance on a recording was on the Dave and Ansell Collins album Double Barrel. Dunbar joined a band Ansell Collins called Skin, Flesh and Bones.
Speaking on his influences, Sly explains “My mentor was the drummer for The Skatalites, Lloyd Knibb. And I used to listen a lot to the drummer for Booker T. & the M.G.'s, Al Jackson Jr., and a lot of Philadelphia. And there are other drummers in Jamaica, like Santa and Carly from The Wailers Band, Winston Bennett, Paul Douglas, Mikey Boo. I respect all these drummers and have learnt a lot from them. From them, I listened and created my own style. They played some things I copied, other things I recreated."
In 1972, Dunbar met and became friends with Robbie Shakespeare, who was then bass guitarist for the Hippy Boys. Shakespeare recommended Dunbar to Bunny Lee as a possible session drummer for the Aggrovators. Dunbar and Shakespeare decided to continue performing together. They worked with Peter Tosh and his band until 1981, recording five albums.
Dunbar noted about the Mighty Diamonds' song "Right Time": "When that tune first come out, because of that double tap on the rim nobody believe it was me on the drums, they thought it was some sort of sound effect we was using. Then when it go to number 1 and stay there, everybody started trying for that style and it soon become established." According to The Independent, the entire album Right Time was "revolutionary", the breakthrough album of "masters of groove and propulsion" Dunbar and Shakespeare, with "Sly's radical drumming matching the singers' insurrectionary lyrics blow-for-blow."
Dunbar and Shakespeare formed their Taxi Records label in 1980. It has seen releases from many international successful artists, including Black Uhuru, Chaka Demus and Pliers, Ini Kamoze, Beenie Man and Red Dragon.
Dunbar plays drums on several noteworthy tracks produced by Lee Perry including "Night Doctor", Junior Murvin's "Police and Thieves", and Bob Marley's "Punky Reggae Party" 12" track (although the track was produced by Perry, Dunbar's drum track was actually recorded at Joe Gibbs Duhaney Park studio).
Sly and Robbie also played on Bob Dylan's albums Infidels and Empire Burlesque (using recordings from the Infidels sessions). Other sessions include their appearance on three Grace Jones albums, and work with Herbie Hancock, Joe Cocker, Serge Gainsbourg and the Rolling Stones.
Dunbar appeared in the 2011 documentary “Reggae Got Soul: The Story of Toots and the Maytals” which was featured on BBC and described as “The untold story of one of the most influential artists ever to come out of Jamaica”.
In 1979, Brian Eno remarked of Sly Dunbar: " (...) So when you buy a reggae record, there's a 90 percent chance the drummer is Sly Dunbar. You get the impression that Sly Dunbar is chained to a studio seat somewhere in Jamaica, but in fact what happens is that his drum tracks are so interesting, they get used again and again."
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- "Red Bull Music Academy". Redbullmusicacademy.com. Retrieved 13 October 2019.
- Bradley, Lloyd (2001). This is Reggae Music: The Story of Jamaica's Music. Grove Press. p. 479. ISBN 0-8021-3828-4.
- Murray, Charles Shaar (12 March 1999). "The rhythm kings Drum and bass are at the heart of popular music and for 20 years Sly Dunbar and Robbie Shakespeare have been acknowledged the best. But who are their own favourites?". The Independent. Archived from the original on 22 October 2012. Retrieved 17 December 2008.
- "The Usual Suspects Part III: Sly Dunbar interviewed by Dermot Hussey". Midnightraverblog.com. Retrieved 31 January 2014.
- Coleman, Nick (31 May 2009). "Album: Larry McDonald, Drumquestra (MCPR)". The Independent. London.
- "BBC Four - Toots and the Maytals: Reggae Got Soul". BBC. Retrieved 13 October 2019.
- "Toots & The Maytals - Reggae Got Soul - Documentary Trailer". YouTube. Retrieved 13 October 2019.
- "Downbeat – PRO SESSION – The Studio As Compositional Tool". Music.hyperreal.org. Retrieved 27 June 2014.