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The Sinfonietta (subtitled “Military Sinfonietta” or “Sokol Festival”) is a very expressive and festive, late work for large orchestra (of which 25 are brass players) by the Czech composer Leoš Janáček. It is dedicated “To the Czechoslovak Army” and Janáček said it was intended to express “contemporary free man, his spiritual beauty and joy, his strength, courage and determination to fight for victory.”[2] It started by Janáček listening to a brass band, becoming inspired to write some fanfares of his own. When the organisers of the Sokol Gymnastic Festival approached him for a commission, he developed the material into the Sinfonietta. He later dropped the word military. The first performance was in Prague on 26 June 1926 under Václav Talich.

Sinfonietta
"Military Sinfonietta"
"Sokol Festival"
by Leoš Janáček
Leos Janácek (1926).jpg
Leos Janácek in 1926
PeriodPost-romanticism[1]
Composed1926
DedicationTo the Czechoslovak Army
Duration20–25 minutes
MovementsFive
ScoringOrchestra
Premiere
Date26 June 1926 (1926-06-26)
LocationPrague
ConductorVáclav Talich

The typical performance duration is 20–25 minutes.

Contents

StructureEdit

Sinfonietta is typical of Janáček's tight construction in that the material of each movement derive from the opening motif. It features several variants based on Janáček's original fanfare.

 

The piece is in five movements, all of which have descriptive subtitles:

  1. Allegretto — Allegro maestoso (Fanfare)
  2. Andante — Allegretto (The Castle, Brno)
  3. Moderato (The Queen's Monastery, Brno)
  4. Allegretto (The Street Leading to the Castle)
  5. Andante con moto (The Town Hall, Brno)

The first movement is scored only for brass and percussion. The second movement begins with a rapid ostinato from the wind but later has a more lyrical episode. The third begins quietly in the strings but is interrupted by a stern figure in the trombones, leading to another fast dance-like passage. In the fourth movement, Janáček celebrates the newly liberated Czechoslovakia with a joyous trumpet fanfare. The finale begins in the key of E minor with a calm retrograde version of the opening melody. However, this quickly moves into a triumphant finale, the return of the opening fanfare decorated with swirling figures in the strings and wind.

OrchestrationEdit

The score calls for the following orchestra with expanded brass section:

*) The nine C trumpets, the bass trumpets, and tenor tubas are heard only in the first and last movements.

ArrangementsEdit

 
Fanfares of the Sinfonietta, Janáček's autograph score

The work was transcribed for symphonic wind ensemble by Don Patterson in 1994. This work was also used by the progressive rock band "Emerson, Lake & Palmer" for their piece entitled "Knife-Edge"

  1. Arrangement suitable for: orchestra
    • arrangement for: brass ensemble
    • arrangement by: Rolf Smedwig
    • performed by: Empire Brass
  2. Arrangement suitable for: orchestra
    • arrangement for: brass band
    • arrangement by: Steven Hamstra
    • performed by: Brass Band De Wâldsang, co Rieks van der Velde
  3. Arrangement suitable for: orchestra
    • arrangement for: brass sextet
    • arrangement by: František Jílek
    • performed by: Brno Czech Brass Sextet
  4. Arrangement suitable for: orchestra
    • arrangement for: wind orchestra
    • arrangement by: Karel Bělohoubek
    • performed by: Czech Army Central Band, co Vladimír Válek
  5. Arrangement suitable for: orchestra
    • arrangement for: wind orchestra
    • arrangement by: Hynek Sluka
    • performed by: Prague Castle Guard and Police Wind Orchestra, co Miroslav Hanzal
  6. Arrangement suitable for: orchestra
    • arrangement for: wind ensemble
    • arrangement by: Merlin Patterson
    • performed by: University of Houston Wind Ensemble, co Eddie Green
  7. Arrangement suitable for: orchestra
    • arrangement for: organ
    • arrangement by: Josh Perschbacher
    • performed by: org Josh Perschbacher
  8. Arrangement suitable for: orchestra
    • arrangement for: symphonic wind band
    • arrangement by: Simon Scheiwiller
    • performed by: Banda Municipal de Barcelona, co Salvador Brotons

Selected recordingsEdit

MediaEdit

Appearances and references in other workEdit

A rearrangement of the opening of the Sinfonietta was used by the progressive rock band Emerson, Lake & Palmer for its song “Knife-Edge” on their debut album.

The opening of the fourth movement (usually no more than about 40 seconds of it) was used as the theme tune for the UK Granada Television series Crown Court during the 1970s and 1980s, although it was never heard in full in any episode. It would be during this opening that the court reporter, Peter Wheeler, would, as a voice-over, either set the scene for a new fictional, yet legally accurate case (in terms of the laws of England and Wales) or else describe the proceedings that had occurred in previous episodes.

The third movement, Moderato (The Queen's Monastery), was the inspiration and soundtrack for the animated film The Queen's Monastery by Emma Calder.[3][4]

Haruki Murakami's novel 1Q84 begins with the Sinfonietta playing on a taxi's radio. The work then appears several times later in the novel as a recurring theme connecting the two main characters. The popularity of the novel has led to an increase in sales of recordings of the Sinfonietta in Japan.[5]

ReferencesEdit

  1. ^ "Sinfonietta for orchestra". AllMusic. Retrieved 2018-04-20.
  2. ^ Goulding, Phil G. (1992). Classical Music: The 50 Greatest Composers and Their 1,000 Greatest Works (1st ed.). New York: Fawcett Columbine. p. 526. ISBN 0449910423. OCLC 26159166.
  3. ^ https://www.imdb.com/title/tt0219989/?ref_=fn_al_nm_1a=undefined
  4. ^ Elsey, Eileen. In Short: A Guide to Short Film-Making in the Digital Age. (BFI Modern Classics). ISBN 978-0851708935.
  5. ^ Morales, Daniel. "The knock-on effect of Murakami's "1Q84" series". The Japan Times presents Japan Pulse. The Japan Times. Retrieved 18 April 2013.

External linksEdit