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Sheila Heti (/ˈʃlə ˈhɛtɪ/; born 25 December 1976)[1] is a Canadian writer.

Sheila Heti
Born (1976-12-25) 25 December 1976 (age 42)
Toronto, Ontario, Canada
NationalityCanadian
Alma materUniversity of Toronto, National Theatre School of Canada, North Toronto Collegiate Institute, St. Clement's School
OccupationWriter
Websitewww.sheilaheti.net

Contents

Early lifeEdit

Sheila Heti was born in Toronto, Ontario, Canada.[1] Her parents are Hungarian Jewish immigrants.[2] Her brother is the comedian David Heti.[3]

Sheila Heti attended St. Clement's School. She then studied playwriting at the National Theatre School of Canada, leaving the program after one year, then art history and philosophy at the University of Toronto.[1] She graduated from North Toronto Collegiate Institute in Toronto.

Heti has described the Marquis de Sade and Henry Miller as early literary influences.[1]

CareerEdit

Heti is a writer[4]. Her contributions span a variety of genres, including plays, short fiction, and novels[4]. She has contributed to a number of periodicals including Flare, London Review of Books, Brick, Open Letters, Maisonneuve, Bookforum, n+1, the Look, McSweeney's, and the New York Times[4]. Heti's books have been published internationally, including France, Italy, Germany, Spain, Holland, Sweden, and Denmark[4].

She works as Interviews Editor at The Believer where she also conducts interviews regularly, and she wrote a column on acting for Maisonneuve.[5]

AwardsEdit

KM Hunter Artists Award, 2002[4]; NOW Magazine Toronto Best Emerging Author 2001, 2002, 2003, 2004[4]

Acting and theaterEdit

Heti was an actress as a child, and as a teenager appeared in shows directed by Hillar Liitoja, the founder and artistic director of the experimental DNA Theatre.

Heti appears in Margaux Williamson's 2010 film, Teenager Hamlet.

Heti plays Lenore Doolan in Leanne Shapton's book, Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, including Books, Street Fashion, and Jewelry.

In November 2013, Jordan Tannahill directed Heti's play 'All Our Happy Days are Stupid' at Toronto's Videofag. It was remounted in February 2015 at The Kitchen in New York. Heti's decade-long struggle to write the play is a primary plot element in her novel How Should a Person Be?[6]

BooksEdit

The Middle StoriesEdit

Heti's first book, The Middle Stories, a collection of thirty short stories, was published by House of Anansi in Canada in 2001 when she was twenty-four. It was subsequently published by McSweeney's in the United States in 2002. It has been translated into German, French, Spanish and Dutch.

TicknorEdit

Heti's novella, Ticknor, was released in 2005. The novel's main characters are based on real people: William Hickling Prescott and George Ticknor, although the facts of their lives are altered. It was published by House of Anansi Press in Canada, Farrar, Straus & Giroux in the United States, and Éditions Phébus in France.

How Should a Person Be?Edit

Heti's How Should a Person Be? was published in September 2010. She describes it as a work of constructed reality, based on recorded interviews with her friends, particularly the painter Margaux Williamson. It was published by Henry Holt in the United States in July 2012 in a slightly different edition (she has spoken in interviews about the edits she made), and the subtitle "A novel from life" was added. It was chosen by The New York Times as one of the 100 Best Books of 2012 and by James Wood of The New Yorker as one of the best books of the year. It was also included on year-end lists on Salon, The New Republic, The New York Observer, and more.[7] In her 2007 interview with Dave Hickey for The Believer, she noted, "Increasingly I'm less interested in writing about fictional people, because it seems so tiresome to make up a fake person and put them through the paces of a fake story. I just – I can't do it."[8]

The Chairs Are Where the People GoEdit

In 2011, she published The Chairs are Where the People Go, which she wrote with her friend, Misha Glouberman. The New Yorker called it "a triumph of conversational philosophy" and named it one of the Best Books of 2011.

We Need a HorseEdit

McSweeney's commissioned this children's book from Heti. It was illustrated by Clare Rojas.

Women in ClothesEdit

In Fall 2014, Heti published a non-fiction book about women's relationship to what they wear, with co-editors Leanne Shapton and Heidi Julavits.[9] It was a crowd-sourced book, featuring the voices of 639 women from around the world. The book was published by Penguin in the US and the UK, with a German edition published in 2015 by S. Fischer, Frankfurt am Main. It spent several months on The New York Times Best Seller list.

MotherhoodEdit

In May 2018, Heti published an autobiographical novel, Motherhood, focused on her deliberation on whether or not to have children.[10][11][12][13][14][15][16][17] Initially conceived as a nonfiction work, Heti explores the emphasis society places on motherhood and how women are judged regardless of their decision: "...a woman will always be made to feel like a criminal, whatever choice she makes, however hard she tries. Mothers feel like criminals. Nonmothers do, too."[18] The book was named as a shortlisted finalist for the 2018 Scotiabank Giller Prize.[19]

Other activitiesEdit

Heti is the creator of Trampoline Hall, a popular monthly lecture series based in Toronto and New York, at which people speak on subjects outside their areas of expertise. The New Yorker praised the series for "celebrating eccentricity and do-it-yourself inventiveness". It has sold out every show since its inception in December 2001.

For the early part of 2008, Heti kept a blog called The Metaphysical Poll, where she posted the sleeping dreams people were having about Barack Obama and Hillary Clinton during the 2008 primary season, which readers sent in.

Personal lifeEdit

Heti lives in Toronto.[1]

BibliographyEdit

Author[20]Edit

  • The Middle Stories. McSweeney's Publishing. 2001. pp. 4–. ISBN 978-1-938073-09-0.
  • Ticknor: A Novel. Farrar, Straus and Giroux. 2005. ISBN 978-1-4299-3557-9.
  • The Chairs Are Where the People Go: How to Live, Work, and Play in the City, with Misha Glouberman. Farrar, Straus and Giroux. 2011. ISBN 9780865479456
  • We Need a Horse, illustrated by Clare Rojas. McSweeny's Publishing, 2011. ISBN 9781936365401
  • How Should a Person Be?: A Novel from Life. Henry Holt and Company. 2012. ISBN 978-1-4299-4348-2.
  • All Our Happy Days Are Stupid. McSweeney's Publishing. 2015. ISBN 978-1-940450-80-3.

Short storiesEdit

  • The Poet and the Novelist as Roommates[21]
  • Mermaid in a Jar[22]
  • What Changed[23]
  • Eleanor[24]

EssaysEdit

  • "I Didn't Like Sitting With the Rattle for Hours." The Brooklyn Rail. 2017.

EditorEdit

  • Sheila Heti; Heidi Julavits; Leanne Shapton, eds. (2014). Women in Clothes. Penguin Publishing Group. ISBN 978-0-698-18982-9.
  • Sheila Heti, ed. The Best American Nonrequired Reading 2018. Mariner Books. 2018. ISBN 9781328465818

ContributorEdit

InterviewsEdit

  • Heti, Sheila (November – December 2008). "'I'm All in Favor of the Shifty Artist'". The Believer. 6 (9): 40–46. Interview with artist Frank Stella.

ReferencesEdit

  1. ^ a b c d e Dey, Claudia (26 April 2018). "The Child Thing: An Interview with Sheila Heti". The Paris Review. Retrieved 22 August 2018.
  2. ^ Liz Hoggard. "Sheila Heti: 'I love dirty books'". the Guardian.
  3. ^ David Heti
  4. ^ a b c d e f "Sheila Heti". Contemporary Authors Online. Detriot, MI: Literature Resource Center, Gale. 2013. H1000170889.
  5. ^ http://maisonneuve.org/blog/2010/10/28/interview-sheila-heti-all-stories-we-tell-ourselve/ Archived 16 March 2013 at the Wayback Machine
  6. ^ "How Sheila Heti's long-abandoned play went from her bottom drawer to a Toronto stage". The Globe and Mail, 23 October 2013.
  7. ^ http://dangerousliterature.blogspot.com/2010/01/conversation-with-sheila-heti.html Archived 10 March 2012 at the Wayback Machine
  8. ^ "The Believer – Interview with Dave Hickey". The Believer.
  9. ^ Women In Clothes. Blue Rider Press. 2014. ISBN 0-399-16656-4.
  10. ^ Schwartz, Alexandra (7 May 2018). "Sheila Heti Wrestles with a Big Decision in "Motherhood"". The New Yorker. Retrieved 22 August 2018.
  11. ^ Feigel, Lara (6 June 2018). "Motherhood by Sheila Heti review – to breed or not to breed?". The Guardian. Retrieved 22 August 2018.
  12. ^ Brockes, Emma (25 May 2018). "Sheila Heti: 'There's a sadness in not wanting the things that give others their life's meaning'". The Guardian. ISSN 0261-3077. Retrieved 22 August 2018.
  13. ^ Garner, Dwight (30 April 2018). "To Make Someone Be or Not to Make Someone Be". The New York Times. Retrieved 22 August 2018.
  14. ^ Blair, Elaine (18 May 2018). "Mother of All Decisions: Sheila Heti's New Novel Weighs Whether to Have a Child". The New York Times. Retrieved 22 August 2018.
  15. ^ Fischer, Molly. "In Her New Book Motherhood, Sheila Heti Confronts an Eternal Female Crossroads". The Cut. New York Magazine. Retrieved 22 August 2018.
  16. ^ Doherty, Maggie (25 April 2018). "On Not Becoming a Mother". The New Republic. Retrieved 22 August 2018.
  17. ^ Oyler, Lauren (1 May 2018). "Motherhood!". The Baffler. Retrieved 22 August 2018.
  18. ^ Filgate, Michele (2018). "What's a Woman to Do?". Publishers Weekly. 265: 38–39 – via ProQuest Literature Online.
  19. ^ "Esi Edugyan, Patrick deWitt among finalists for $100,000 Giller Prize". Toronto Star, October 1, 2018.
  20. ^ "Sheila Heti". Sheila Heti. Retrieved 8 May 2019.
  21. ^ "Poet and the Novelist as Roommates". McSweeneys. Archived from the original on 4 June 2011. Retrieved 15 October 2015.
  22. ^ "Mermaid in a Jar". Drunken Boat. Retrieved 15 October 2015.
  23. ^ "What Changed". Taddle Creek Magazine. Archived from the original on 6 February 2012. Retrieved 15 October 2015.
  24. ^ "Eleanor". Toronto Life.

External linksEdit