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Sansa Stark is a fictional character created by American author George R. R. Martin. She is a prominent character in Martin's award-winning A Song of Ice and Fire series.

Sansa Stark
A Song of Ice and Fire character
Game of Thrones
character
SophieTurnerasSansaStark.jpg
Sophie Turner as Sansa Stark
First appearance
Last appearance
  • Television:
  • "The Iron Throne" (2019)
  • Video game:
  • "Reigns: Game of Thrones" (2018)
Created byGeorge R. R. Martin
Portrayed bySophie Turner
Information
Alias
  • Little Bird
  • Little Dove
  • Alayne Stone
  • Jonquil
  • Elaine
GenderFemale
Title
  • Princess
  • Television:
  • Lady of Winterfell
  • Lady of the Dreadfort
  • Lady Regent of the North
  • Queen in the North
Family
Spouse
Relatives

Introduced in A Game of Thrones (1996), Sansa is the elder daughter and second child of Lord Eddard Stark and his wife Lady Catelyn Stark. She subsequently appeared in the following three novels: A Clash of Kings (1998), A Storm of Swords (2000), and A Feast for Crows (2005). While absent from the fifth novel A Dance with Dragons, as the books are separated geographically, Sansa is confirmed to return in the forthcoming next book in the series, The Winds of Winter.[1]

In HBO's adaptation of the series, Game of Thrones, Sansa is portrayed by English actress Sophie Turner.[2][3] The character has received critical acclaim, including praise as the 4th greatest character in the series by Rolling Stone.[4] She and the rest of the cast were nominated for Screen Actors Guild Awards for Outstanding Performance by an Ensemble in a Drama Series in 2012, 2014, 2015 and 2016.

Contents

Character and appearancesEdit

Sansa Stark is the second child and elder daughter of Eddard Stark and Catelyn Stark. She was born and raised in Winterfell, until leaving with her father and sister at the beginning of the series. She was raised with a younger sister Arya Stark, two younger brothers Rickon Stark and Bran Stark, as well as an older brother Robb Stark, and an older illegitimate half-brother, Jon Snow [5].

Raised as a lady, Sansa is traditionally feminine. Sansa's interests are music, poetry, and singing. She strives to become like the heroines of romantic tales by attempting to find a prince, knight, or gentleman to fall in love with. For a companion animal, she owned a direwolf named Lady. However, Lady was killed in place of Arya's direwolf, Nymeria, in the first installment. Lady is killed because Nymeria attacked the Crown Prince, Joffrey Baratheon and later fled.

Sansa has been described as tall, slim, womanly, and beautiful, destined to be a lady or a queen. She has blue eyes and thick auburn hair that she inherits from her mother, who came from House Tully in the Riverlands region prior to her marriage to Eddard Stark. She has her hair dyed dark brown later on while in the Vale, disguising as Alayne Stone- the bastard daughter of Petyr Baelish. Sansa is 11 years old in A Game of Thrones and nearly 14 in A Feast for Crows. Arguably the most naive of the Stark children at the start of the series, Sansa often finds herself used as a pawn in the machinations of the other characters. However, as the story progresses, she matures and becomes more of a player of the game rather than a pawn for other characters. [6]

StorylinesEdit

 
Coat of arms of House Stark

A Game of ThronesEdit

Sansa Stark begins the novel by being betrothed to Crown Prince Joffrey Baratheon, believing Joffrey to be a gallant prince. While Joffrey and Sansa are walking through the woods, Joffrey notices Arya sparring with the butcher's boy, Mycah. A fight breaks out and Joffrey is attacked by Nymeria (Arya's direwolf) after Joffrey threatens to hurt Arya. Sansa lies to King Robert about the circumstances of the fight in order to protect both Joffrey and her sister Arya. Since Arya ran off with her wolf to save it, Sansa's wolf is killed instead, estranging the Stark daughters.

During the Tourney of the Hand to honour her father Lord Eddard Stark, Sansa Stark is enchanted by the knights performing in the event. At the request of his mother, Queen Cersei Lannister, Joffrey spends a portion of the tourney with Sansa, but near the end he commands his guard Sandor Clegane, better known as The Hound, to take her back to her quarters. Sandor explains how his older brother, Gregor, aka "Mountain that Rides" pushed his face into a bissare of hot coals, for playing with one of his wooden toys.

After Eddard discovers the truth of Joffrey's paternity, he tells Sansa that they will be heading back to Winterfell. Sansa is devastated and wishes to stay in King's Landing, so she runs off to inform Queen Cersei of her father's plans, unwittingly providing Cersei with the information needed to arrest her father. After Robert dies, Sansa begs Joffrey to show mercy on her father and he agrees, if Ned will swear an oath of loyalty, but executes him anyway, in front of Sansa. Sansa is now effectively a hostage in King's Landing and finally sees Joffrey's true nature, after he forces her to look at the tarred head of her now deceased father.

A Clash of KingsEdit

Sansa is a hostage in King's Landing, and has learned to be outwardly loyal to King Joffrey to avoid severe physical abuse.

At the celebration for Joffrey's name day, she ostensibly saves the life of Ser Dontos Hollard, when he shows up late and inebriated, begging Joffrey to spare him, in turn winning Dontos' loyalty. Sansa is routinely beaten by Joffrey's guards. After her brother has won a battle against Joffrey's maternal family, she is publicly beaten and has her clothes torn. Tyrion Lannister intervenes on her behalf, and Sandor Clegane, gives her his cloak to cover herself. Later, Sandor Clegane saves Sansa from a riot in King's Landing.

During the Battle of Blackwater Bay, all of the highborn ladies in King's Landing seek refuge within a doubly secure, moated chamber within the Red Keep. There Queen Cersei, drunkenly mocks and berates Sansa, then flees when the tide of the battle falls, while Sansa stays to give comfort to the ladies, before retreating to her own quarters. There she finds a drunken Sandor Clegane, who offers to take her away from any imminent danger and the Lannisters themselves. She declines, but he insists she sing for him, at swordpoint, then rips his cloak off and gives it to her a second time before fleeing the city. When Sansa awakens, the battle is over. House Lannister has won, but her betrothal to Joffrey is soon ended, so as he may marry Margaery Tyrell whose family just helped turn the tide of battle. However, Joffrey informs Sansa that he still has use for her when married, and to 'expect a nightly visitor for a long while'.

A Storm of SwordsEdit

In the third book, Sansa is invited to dine with Margaery and her grandmother, Olenna Redwyne. The two women seek to learn the true nature of Joffrey Baratheon now that he and Margaery are betrothed. In turn, Olenna suggests that Sansa should marry her grandson Willas Tyrell. Sansa reveals the marriage plan to Ser Dontos who warns her of the Tyrells, however Sansa develops a close friendship with Margaery and is excited about becoming a part of her family. However, when Tywin learns of the marriage plot he schemes to have Sansa's brother Robb Stark killed, knowing that would leave Sansa to inherit Winterfell and the North. He then commands his son Tyrion Lannister to marry Sansa. Tyrion is initially opposed to the marriage, but is eventually enticed by the prospect of becoming Lord of Winterfell, and so agrees to marry her.

Sansa is shocked one morning, as she is being fitted for a gown to marry Tyrion that day. Joffrey taunts Sansa and acts on behalf of her father to give her away during the ceremony to add further insult. Sansa ignores Tyrion and refuses to bend as he attempts to put his cloak around her, a marriage ceremony custom in Westeros. In turn, Joffrey commands Ser Dontos to act as a stool so that Tyrion can cloak his bride in spite of his short stature. At the banquet, Sansa dances with many lords, who offer words of comfort, however Joffrey merely threatens to rape her. Tyrion intervenes and states a desire to castrate Joffrey. After the wedding ceremony, Tyrion chooses not to consummate the marriage due to Sansa's lack of desire in him. It is not long before many in King's Landing come to know that the marriage was never consummated.

Not long after Sansa's marriage, Joffrey and Margaery are wed and afterward a grand feast. At Joffrey's wedding, Joffrey is poisoned, and Cersei orders both Tyrion and Sansa arrested. As Joffrey begins to choke to death, Sansa manages to flee during the chaos. Once in her room, she gathers her belongings and notices that one of the amethysts from her hairnet, a gift from Ser Dontos, is missing. Sansa immediately realizes that the prince had been poisoned and starts to doubt Ser Dontos' rescue plan. Understanding that she will be implicated in the murder of Joffrey, she chooses to flee King's Landing with the knight anyway. Ser Dontos is later killed by Petyr Baelish, who reveals that he is the mastermind behind nearly all of the capital intrigue. He reveals that he was the one who sent Dontos to her and that Olenna took the amethyst from her hairnet.

Baelish smuggles Sansa to safety in the Vale of Arryn, where she poses as his bastard daughter Alayne Stone. She is taken to her Aunt Lysa Arryn, now married to Baelish. Lysa declares that Sansa must marry her sickly boy Robert, heir to the Vale. Petyr Baelish and Lysa are wed, however Lysa becomes jealous when she witnesses Littlefinger kissing her niece. Lysa later attempts to murder Sansa, but she is saved once again by Baelish, who kills Lysa.

A Feast for CrowsEdit

After Lysa's death, Sansa becomes mistress of the Eyrie and still pretends to be Baelish's illegitimate daughter, Alayne Stone. Baelish successfully pacifies the lords of the Vale, who suspected Baelish's hand in Lysa's death. Afterwards, Baelish reveals to Sansa his plans to eventually marry her to the heir to the Vale, Harrold Hardyng, and his long range plans to reveal her true identity and reclaim the North. Sansa acts as a mother figure to Robert Arryn, caring for him after the death of Lysa. By now she has lost much of her naivety, as well as trust for Baelish.

Family tree of House StarkEdit

TV adaptationEdit

StorylinesEdit

Season 1Edit

Sansa is first seen with Arya at Winterfell, during their embroidery lesson with Septa Mordane. Following the arrival of Robert Baratheon and his escort at Winterfell, he insists to Ned that Joffrey and Sansa should be married in order to join their houses. Sansa, who is desperate to leave Winterfell, begs Catelyn to make Ned agree to the engagement.

Joffrey is bitten by Arya's direwolf Nymeria, when bullying Miycah, the butcher's boy and Arya. Sansa, an eye witness, claims to be ignorant of the event at the inquest. As retribution for Joffrey's injury, Cersei convinces Robert to have Sansa's direwolf, Lady, killed in place of the now missing Nymeria.

After arriving at King's Landing, Sansa attends the Hand's Tourney where Petyr 'Littlefinger' Baelish tells Sansa and Arya the story behind Sandor 'The Hound' Clegane's gruesome facial burns. As time passes, Sansa wears her hair like a southerner and is more flippant with Mordane, expressing fears she will fail to give Joffrey a male heir.

Following Ned's initial resignation as Hand of the King, Sansa is devastated to hear she must return to Winterfell. She likens Joffrey to a lion and says he is nothing like Robert Baratheon. This statement inspires Ned to investigate the Baratheon family line, prompting him to realise that Cersei's children are bastards fathered by her twin brother Jaime Lannister, not Robert Baratheon.

Following Robert's death and Ned's arrest for treason, all Stark servants in King's Landing, are executed. Cersei exhorts Sansa to write Robb and Catelyn, imploring them to swear fealty to Joffrey. At court, Sansa pleads for her fathers life, all agree on the condition Ned confesses his treason and swears fealty. Sansa is present at the Great Sept of Baelor, where she is horrified when Joffrey orders Ned's execution, fainting as Ned is beheaded.

Grieving the death of her father, Sansa is forced by Joffrey to look upon the spiked heads of both Ned and Septa Mordane. She begs to return home, but he informs Sansa that they are still to be married, and she will stay and obey. Joffrey promises to present Robb's head also, to which she retorts that Robb may give her Joffrey's head, instead. While on the catwalk, Sansa moves to push Joffrey to his death but is stopped by Sandor Clegane, who offers practical consoling advice.

Season 2Edit

As the War of the Five Kings progresses, Sansa's position in King's Landing becomes increasingly perilous. On Joffrey's name day celebration, Sansa saves an inebriated Ser Dontos Hollard from execution, by convincing Joffrey to instead make Dontos his fool. While at the celebration, Tyrion offers his condolences for Ned's death, in response to which Sansa insists her family are all traitors, and she is loyal to Joffrey. Later on, when her eldest brother Robb wins a battle against the Lannisters, Sansa is publicly beaten and humiliated in front of the court by Joffrey and Ser Meryn (on Joffrey's orders), as payment for her brother's crimes.

Tyrion Lannister enters the court and rescues Sansa. Despite being a dwarf, Tyrion takes pity on Sansa's situation and offers to have the engagement called off. Sansa maintains her facade that she is loyal to Joffrey, which impresses Tyrion to the point he believes Sansa might just survive King's Landing.

Tyrion has his lover, Shae, positioned as Sansa's handmaiden. Sansa and Shae form a friendship in which Sansa is able to vent about her hatred of the Lannisters without fear of being betrayed. Sansa is present when the royal family bids farewell to Joffrey's sister, Myrcella, on her departure to Dorne to form an alliance between the Lannisters and the Martells. While returning to the Red Keep, a riot breaks out in the streets of King's Landing, amidst which Sansa finds herself caught in the fray. Three peasant men chase Sansa and attempt to rape her, before she is rescued and returned to the castle by Sandor Clegane.

The following morning, Sansa has a nightmare of the incident and wakes up in a bloodstained bed. Sansa has her first period, thus meaning she can now bear Joffrey’s children. Sansa and Shae attempt to conceal this, which involves Shae's threatening to kill a witness handmaiden if she tells anyone. However, Sandor Clegane sees the blood, and both Cersei and Joffrey are informed.

Cersei invites Sansa to her chambers to share some of her wisdom and experience as a wife and a mother. Cersei reminisces that her husband Robert was not interested in her childbirth. Cersei explains to Sansa that while Sansa may never love Joffrey (and vice versa), she will love his children. Cersei warns Sansa that the more people she loves, the weaker she will be. Therefore, Sansa should only love her children, as it is the only love she has no choice in.

Before the Battle of the Blackwater, Joffrey forces Sansa to kiss the blade of his sword, while bragging he will kill Stannis himself. Sansa implicitly taunts Joffrey by remarking he must be battling in the vanguard (which of course he would not be). Joffrey responds to this by insisting Sansa will kiss the blade again with Stannis' blood on it, and later, will lick her brother Robb's blood off it. During the battle, Sansa takes refuge with Cersei, Shae, and the other women and children of King's Landing. A drunk Cersei openly torments Sansa and the women, by explaining that if the city falls, they will all be raped and have bastards in their bellies come morning. Cersei continues her taunting by also telling Sansa that tears are not the only weapons women have; the greatest weapon they own is between their legs. Following Cersei's departure from the refuge with Tommen, Sansa leaves to hide in her bedchamber, where she finds Sandor Clegane. Sandor, about to leave King's Landing, offers to take Sansa home. Sansa declines, insisting Stannis would not harm her. After the battle is won by the Lannister-Tyrell forces, Loras Tyrell asks Joffrey to take his sister, Margaery, as his bride. Joffrey accepts the proposal, which annuls his marriage with Sansa. Sansa, while pretending to be devastated, is secretly delighted she no longer has to marry Joffrey. However Petyr Baelish warns that while Sansa is no longer engaged, Joffrey would have greater rein to abuse Sansa, especially now she is a woman. Petyr assures Sansa he will help get her home, in which Sansa once again displays a facade, asserting King's Landing is her home. Petyr advises Sansa that everyone in King's Landing is a liar, and that they are much more cunning at it than her.

Season 3Edit

With her engagement to Joffrey annulled, Sansa does not have to worry about spending the rest of her life with him, but is with lesser protection from tormentors. Petyr Baelish, an old friend of her mother's with a reputation for being sadistic and cunning, tells her that he can smuggle her out of the city, but she is reluctant. Sansa finds a friend in Loras Tyrell, who is kind to her and whom she hopes will ask for her hand. His sister, Joffrey's new fiance, Margaery, is also kind to her and takes her to dine with her grandmother, Olenna Tyrell, who asks her for her opinion of Joffrey. Sansa reveals Joffrey's true, cruel personality, but Margaery and Lady Olenna merely pass it by as a trivial matter, saying there is nothing to be done to change a man's character, especially a king's. Sansa's affection for Loras grows; she is unaware that Loras is gay and, while he likes her and enjoys spending time with her, he can never love her. Margaery proposes the idea that Loras will marry Sansa, meaning Sansa can leave King's Landing, which delights Sansa. However, when this plan is reported to the Lannisters, they fear that the Tyrells will pose an even greater threat with a member of House Stark as one of their allies and quickly end the idea of the engagement, by betrothing Loras to Cersei and engaging Sansa to Tyrion, which both Sansa and Shae are against. However, the day of the wedding, Tyrion promises not to harm her and, as she prepares to consummate the marriage, Tyrion realizes how unhappy Sansa is and tells her that she doesn't have to consummate it unless she wants to. When Sansa asks Tyrion what would happen if she never wants him in her bed, he quips: "And so my watch begins."

Sansa and Tyrion do form a somewhat friendly relationship, as he is kind to her and treats her well, and she soon realizes there are worse Lannisters to be wed to. However, their cordial relationship suffers a crushing blow when Sansa receives news of Robb and Catelyn's deaths at the Red Wedding, an event orchestrated by Tywin Lannister, Tyrion's father.

Season 4Edit

Sansa, still distraught over the death of Robb and Catelyn, is approached by Dontos Hollard, a former knight whom Sansa had convinced Joffrey to make his fool instead of executing him. Dontos gives her a necklace, claiming it was his mother's. However, the necklace turns out to be a fake; one of the gems contains the poison which Lady Olenna Tyrell uses to poison Joffrey at his wedding to Margaery Tyrell. In the commotion, Sansa is taken by Dontos, to Baelish's boat in Blackwater Bay. Baelish smuggles Sansa from King's Landing after both revealing the nature of the necklace and having Dontos killed by crossbow.

Lord Baelish, with Sansa posing as his niece Alayne Stone, pass through the Blood Gates to the Eyrie and to the keep of Lysa Arryn. Lysa initially invites them with open arms, revealing she knows exactly who her niece is, and they are welcome to be housed. It is soon revealed however, Lysa mistrusts the relationship between Sansa and Baelish accusing Baelish of violating Sansa and accusing him of never loving her. Later in the keep, Sansa strikes Lysa's son Robin and Baelish appears. Baelish then proclaims his undying love for her deceased mother, Catelyn, and he shares a kiss with a stunned Sansa, with Lysa watching from above. Sansa is immediately summoned to Lysa's throne room, where she believes she had been summoned for striking her son. Lysa reveals she had observed the kiss, and though defending herself and Baelish's actions against her, Lysa holds her to the Moon Door, a trap door that leads hundreds of feet down into the mountains below. Baelish intervenes before she gets the chance to execute Sansa and pushes Lysa to her death instead as he proclaimed his love for her sister. Then Baelish later claimed to the lords of the Vale that she committed suicide. Sansa is called to give testimony, and although she reveals her true identity, she supports Baelish's story. She then joins Baelish and her cousin Robin Arryn on a tour of the Vale.

Season 5Edit

Baelish brokers a marriage between Sansa and Ramsay Bolton, now the heir to the North after the death of Robb Stark. Though Sansa is reluctant to marry Ramsay, as his father Roose had personally murdered Robb, Baelish persuades her by claiming that the marriage will give her the opportunity to avenge her family. On the way to Winterfell, they encounter Brienne of Tarth, who had sworn to Catelyn Stark to take Sansa to safety and tries to convince Sansa to come with her; Baelish has her chased off by his men, but Brienne follows Sansa to Winterfell regardless. Though initially charming, Ramsay's sadistic nature becomes apparent when Sansa discovers that he has captured and enslaved Ned's former ward Theon Greyjoy, and forced him to assume the identity of his serving man, Reek. Sansa and Ramsay wed in front of the Godswood. That night, Ramsay rapes Sansa, and forces Reek to watch. Over the next few days, Ramsay continues to rape and beat Sansa every night, and keeps her locked in her bedchamber. Sansa begs Reek to help her signal her northern allies by lighting a candle in the broken tower. Reek, wishing to spare Sansa from Bolton's wrath, instead tells Ramsay. He proceeds to flay the maid who had told Sansa of the signal, and forces Sansa to look at her corpse. Furious, Sansa confronts Reek, who admits that he had failed to capture Sansa's brothers Bran and Rickon, and killed two farm boys in their place. While the Boltons prepare to battle Stannis Baratheon's advancing forces, Sansa signals to Brienne, unaware that she has left to kill Stannis. When help does not come, Sansa attempts to return to her room but is caught by Ramsay's paramour Myranda, who threatens to mutilate Sansa. Finally snapping, Theon throws Myranda to her death, just as the Bolton forces return. Fearful of Ramsay's reaction, Theon and Sansa jump from Winterfell's battlements into the snow.

Season 6Edit

Sansa and Theon are captured by Bolton soldiers in the forest outside Winterfell, but Brienne and her squire Podrick Payne arrive in time to rescue them and kill the Bolton soldiers. This time, Sansa accepts Brienne's loyalty. While Theon returns to the Iron Islands, Sansa, Brienne, and Podrick journey on to Castle Black, where her half-brother Jon Snow has just resigned as Lord Commander of the Night's Watch. Sansa tries to persuade Jon to help her drive the Boltons out of Winterfell; although Jon initially refuses, he changes his mind after Ramsay sends a letter to Jon in which he gloats that he holds Rickon Stark captive and threatens to kill the Starks and the Wildlings Jon has let through the Wall if Sansa is not returned. Before Jon and Sansa leave Castle Black, Baelish arranges a meeting with Sansa in Mole's Town. He insists that he was unaware of Ramsay's nature and offers the support of the Knights of the Vale, also mentioning that her great-uncle Brynden "Blackfish" Tully has captured Riverrun from House Frey. Sansa sends Baelish away, declaring that she never wants to see him again, but sends Brienne to the Riverlands to convince the Blackfish to aid the Starks.

Although Jon and Sansa are only able to win over a handful of Northern lords, Jon insists that they must march on Winterfell, despite Sansa's objections. Sansa sends a letter to Baelish asking for his aid, and the Vale forces arrive at Winterfell in time to defeat the Boltons. Ramsay is captured and imprisoned with his hounds, and Sansa watches with satisfaction as they devour him alive. In the aftermath of the battle, she and Jon share a moment where Sansa apologizes for not telling Jon about Baelish and the Knights of the Vale. Jon forgives her but asks that they trust each other completely from now on. Sansa and Jon then share a happy smile when Sansa tells him that Winter is finally here. While in the godswood Baelish confesses his ambition to rule Westeros with Sansa at his side, but Sansa rebuffs his advances. Sansa also ignores Baelish's attempts to drive a wedge between her and Jon, but is surprised when the Northmen and Valemen declare Jon the new King in the North. Despite this she smiles at him happy that he has been praised. But she stops smiling when she notices Littlefinger glaring sinisterly at her and Jon.

Season 7Edit

Jon travels to Dragonstone to negotiate with Daenerys Targaryen for her support against the White Walkers, leaving Sansa as regent in his absence. Soon after, Bran and Arya return to Winterfell. Littlefinger seeks to drive a wedge between Sansa and Arya by letting Arya find Sansa's letter to Robb asking him to bend the knee to Joffrey, causing Arya to angrily confront Sansa. Sansa later sneaks into Arya's quarters and comes across the "faces" Arya has taken from the various people she has killed on her travels; Arya catches Sansa and tells Sansa of her ability to assume people's identities with the faces while menacing Sansa with a dagger, before abruptly handing Sansa the dagger and leaving.

Sansa later receives an invitation to King's Landing, where Jon intends to present Cersei (now Queen of the Seven Kingdoms) with proof of the White Walkers' existence. Refusing to return to King's Landing, she sends Brienne as her representative.

Sansa later shows Littlefinger the letter she received from Jon following the meeting in King's Landing, in which Jon states that he had pledged his support to Daenerys Targaryen. Littlefinger continues his manipulation of Sansa by claiming that Jon had betrayed the North and Sansa should seize power from Jon, as well as seemingly convincing her that Arya intends to murder her and take her role as Lady of Winterfell. Sansa summons Arya to the great hall and begins an accusation of treason and murder, but surprisingly directs the accusation towards Littlefinger. With help from their brother Bran (now known as Three-Eyed Raven), Sansa and Arya reveal that they are aware of Baelish's lies and treason and reveal his numerous crimes, including his murder of Lysa Arryn, his orchestrating the murders of both Jon Arryn and Eddard Stark, and his manipulating the Starks and Lannisters to war. Finding himself without support, Baelish tries to plead for his life, but Sansa refuses and allows Arya to slit Baelish's throat with his own Valyrian dagger, ending his manipulation and treachery for good. The Stark sisters later resolve their differences, and acknowledge that the Starks must stand together to survive the winter. They remember their father telling them, "The lone wolf dies, but the pack survives."

Season 8Edit

Sansa welcomes Daenerys and her court, including Tyrion, to Winterfell. Tyrion declares that the Lannister troops will be marching north as well to defend against the dead, but Sansa is skeptical; her fears are confirmed when Jaime Lannister arrives in Winterfell and reveals Cersei's treachery. Sansa wishes Jaime dead for attacking Ned in King's Landing, but spares him when Brienne vouches for him. Speaking with Daenerys in private, she and Sansa appear to have reached an understanding regarding their mutual love for Jon, but the situation becomes tense when Sansa asks of the North's future once Daenerys has conquered Westeros. They are interrupted by the arrival of Theon, who has come to help defend Winterfell.

Sansa watches the battle against the dead from Winterfell's battlements, but when the Dothraki are easily overrun Arya orders Sansa to seek refuge in the crypts with the other non-combatants. The Night King reanimates the dead around Winterfell, including the Starks buried in the crypts, but is killed by Arya before the wights can kill Sansa, Tyrion, and the others sheltering in the crypts. Sansa is present for the funeral for those fallen in battle, including Theon, who was killed defending Bran. Honouring his status as an ally of the Starks, she places a Stark pin in Theon's armor before he is cremated.

Sansa is reunited with the Hound at the victory feast. The Hound declares that Sansa would not have experienced the horrors she faced had she fled King's Landing with him, but Sansa acknowledges that her experiences made her wiser. At the war council, Sansa and Daenerys butt heads again over giving the Northern army time to recover before marching on King's Landing. After the council, Sansa and Arya take Jon aside and reveal their mistrust of Daenerys, and Jon has Bran reveal to them that he is actually a Targaryen too, the son of Rhaegar Targaryen and Lyanna Stark. Sansa reveals this to Tyrion before he departs for the south.

King's Landing falls to Daenerys and Cersei is killed, but Jon kills Daenerys in the aftermath. When Jon is arrested by the Unsullied, Sansa camps the Northern army outside the city and travels to King's Landing to convene a council to determine the fate of Jon, Tyrion, and Westeros. Tyrion suggests Bran be crowned king, to almost unanimous approval. Arya and Sansa abstain, and Sansa asserts to Bran that the North has sacrificed too much to remain part of the Seven Kingdoms, declaring the North's independence. After bidding farewell to Jon, Arya, and Bran, Sansa returns to Winterfell, and is crowned Queen in the North.

ReceptionEdit

 
Sophie Turner plays the role of Sansa Stark in the television series

As her storyline has progressed, Sansa has received critical acclaim for the development of her character and her emergence from a naive young girl to a strong young woman. Rolling Stone ranked Sansa as No. 4 on a list of the "Top 40 Game of Thrones Characters", saying that Sansa is "often overlooked in favor of her killer kid sister", but that her "quiet, innate political shrewedness and emotional strength have enabled her to survive", and calling her "the show's best-kept secret".[7] In a ranking of the 48 best Game of Thrones characters listed in the main credits in the first five seasons on the website The Wrap, Sansa was ranked at No. 4, ahead of the more popular Daenerys Targaryen, Jon Snow, and Tyrion Lannister, saying that "Sansa has been kind of great in Season 6, turning into the sort of badass we always hoped but never thought she actually could become".[8]

In an article published on Mic.com, Julianne Ross says that "the elder Stark daughter is often cited as one of the most reviled characters on Game of Thrones", while also saying that "not coincidentally, Sansa Stark is also one of the most classically feminine characters on the show." Ross criticized the heavy hatred for Sansa, particularly in contrast to "her universally (and rightly) adored tomboy little sister Arya", stating that Sansa "arguably gets a disproportionate amount of fan hate because she doesn't fit the narrow 'strong female character' mold we're used to rooting for." [9] Blogger Rhiannon Thomas of Feminist Fiction wrote in 2012 that "the focus on this sort of female character - the oft-cited 'strong female character' - seems to suggest that femininity is still bad, and that women can only be strong by adopting stereotypically male roles and attitudes". Thomas went on to say that "in an abusive situation that would break so many people, Sansa survives" and that she has a "woman's courage" that "keeps her alive and in the game where characters like Arya would not last five minutes".[10]

In an article published on MTV.com by Crystal Bell titled "Sansa Stark is the Only Game of Thrones Hero Worth Rooting For",[11] Bell writes: "Sansa is the most relatable character in George R.R. Martin's canon. She's often despised for having no agency, but the way I see it, Sansa is hated for being a woman. Unlike Brienne, Arya, Cersei, and Margaery -- models of the "strong female character" archetype—Sansa's passivity denotes weakness. She doesn't have cool swordplay skills like her sister Arya; she isn’t a smart seductress like Margaery Tyrell or a fierce queen like Cersei. She is the epitome of femininity on Game of Thrones, and therefore, she is dismissed." Bell went on to say: "However, Sansa's greatest strength as a character has been her unwavering resilience. She was tortured and humiliated for seasons by the unhinged man-boys around her. She's been the subject of everyday sexism and misogyny since day one. And yet, she survives, even as armor-clad heroes fall before her. She is the show's survivor. She continuously endures the pain and humiliation of being a woman in Westeros. Just because Sansa doesn't wield a sword as fiercely as Arya and Brienne, or command a horde of dragons like Daenerys Targaryen, doesn't make her any less of a hero."

Sansa received particular acclaim in Season 6 of the show, during which she began her quest to retake her family home and exact revenge on those who wronged her. In an interview with The New York Times, actress Sophie Turner said that "she's [Sansa] no longer a pawn in anyone's game; she's no longer a prisoner...she's the one taking charge and doing her own thing, which is very exciting".[12] Megan Garber of The Atlantic praised the show's decision to have Sansa be the one orchestrating Ramsay's death in Battle of the Bastards, saying that "In the end, it was Sansa and her abuser, alone again in a darkened chamber; in the end though, it was Sansa making the decisions about who would be the victim." [13] On the scene, Turner said: "It's amazing. It's Sansa's first kill and it's such a strong moment for her because all her life she's been affected by these men who have just done such terrible things to her...."[14]

Following the penultimate Season 6 episode, Bennett Madison of Vanity Fair wrote "When Sansa icily reminds her dopey brother that 'No one can protect you', it's because she's always been on her own. As far back as King's Landing, Sansa's between quietly protecting herself, working on her stitchery while taking cool measure of everything going on around her, learning how to game the system, and slithering through situations that would have gotten the best of the show's more flashy or impulsive characters. In 'Battle of the Bastards', she got to show a little flash of her own; by being defiantly, gloriously correct in her convictions, by saving the day with her foresight and savvy, and by feeding Ramsay to the dogs." [15] Turner later told Time magazine about how gratifying it was to watch Sansa's development during Season 6 and defended the show on its cruel treatment of women: "In my opinion, Game of Thrones is not sexist, and it's accurate to medieval time. The show puts social boundaries on the women, and they break out of these boundaries."[16]

ControversyEdit

In the episode "Unbowed, Unbent, Unbroken", Sansa's rape was the main subject of controversy for the season's deviations from the books. The majority of professional criticism concerned the decision to have Ramsay rape Sansa on their wedding night, with most critics describing the scene as gratuitous and artistically unnecessary. "This grim scene was difficult for the show to justify," said Charlotte Runcie of The Daily Telegraph.[17] Joanna Robinson of Vanity Fair added, "this rape scene undercuts all the agency that’s been growing in Sansa since the end of last season. [...] I’d never advocate that Game of Thrones (or any work of fiction) shy away from edgy plots out of fear of pushback or controversy. But edgy plots should always accomplish something above pure titillation or shock value and what, exactly, was accomplished here?"[18] Christopher Orr wrote in The Atlantic, "I continue to be astonished that showrunners Benioff and Weiss still apparently believe that their tendency to ramp up the sex, violence, and—especially—sexual violence of George R.R. Martin’s source material is a strength rather than the defining weakness of their adaptation."[19] Myles McNutt of The A.V. Club wrote, "The issue with the show returning to rape as a trope is not simply because there have been thinkpieces speaking out against it, and is not solely driven by the rational concerns lying at the heart of those thinkpieces. It’s also that the show has lost my faith as a viewer."[20] Writers from Vanity Fair, The Mary Sue and The Daily Beast all disapproved of the decision to use Sansa's victimization as a motivating agent for Theon, saying that the scene undermined Sansa's character development: "Was it really important to make that scene about Theon's pain?" wrote Joanna Robinson of Vanity Fair.[18][21][22]

Other critics responded positively to the scene. Sean T. Collins of Rolling Stone wrote: "[B]y involving a multidimensional main character instead of one introduced primarily to suffer, the series has a chance to grant this story the gravity and seriousness it deserves.[23] Sarah Hughes of The Guardian wrote: "I have repeatedly made clear that I’m not a fan of rape as a plot device – but the story of Ramsay and Sansa’s wedding was more than that. [...] The writers are walking a very fine line here. They handled it well tonight, telling a gothic tale of innocence sacrificed".[24] Alyssa Rosenberg of The Washington Post wrote that the scene "managed to maintain a fine balance, employing a dignity and care for the experiences of victims that Game of Thrones has not always demonstrated."[25]

Some critics questioned why this scene in particular should generate outrage when similar scenes have not. Sara Stewart of the New York Post pointed out that the rape and sexual abuse of both female and male characters is typical for Game of Thrones: "Why are we suddenly so outraged about the rape of Sansa Stark, when this show has served up a steady diet of sexual assault and violence against women since its first season began?"[26] Cathy Young of Reason magazine, writing in Time noted what she calls a lack of complaint in response to the sexual mistreatment of male characters in earlier seasons, specifically the literal emasculation of Theon Greyjoy and the sexual assault of Gendry.[27]

Criticism of the scene has not extended to the quality of the acting. Joanna Robinson of Vanity Fair wrote, "And if we can say one positive thing about that scene it's that Allen nailed his performance. Theon's horror mirrored our own and the camera—focusing on his reaction—let our minds fill in the blanks."[18] Sophie Turner defended the scene as an artistic challenge for herself as an actor, saying, "When I read that scene, I kinda loved it. I love the way Ramsay had Theon watching. It was all so messed up. It's also so daunting for me to do it. [...] I think it's going to be the most challenging season for me so far, just because it's so emotional for her. It's not just crying all the time, like seasons 2 or 3, it's super messed up."[28] Iwan Rheon (Ramsay Bolton) agreed, referring to Turner's performances this season as "absolutely amazing."[29]

Some viewers, including U.S. Senator Claire McCaskill, announced that they would stop watching the show because of this scene.[29][30] According to Business Insider, this scene and increased use of streaming services are likely reasons why ratings dropped from 6.2 million viewers for this episode to 5.4 million for the next episode, "The Gift."[31]

Recognition and awardsEdit

Sophie Turner has received several award nominations for her portrayal of Sansa. For her performance in the series she earned the Glamour Award for Best UK TV Actress in 2016 and 2017,[32][33] and an EWwy Award for Best Supporting Actress in a Drama Series in 2016.[34] Other nominations include the Young Artist Award for Best Performance in a TV Series by a Supporting Young Actress in 2012,[35] and the EWwy Award for Best Supporting Actress in a Drama Series in 2015.[36]

ReferencesEdit

Inline citationsEdit

  1. ^ "Excerpt from the Winds of Winter - George R.R. Martin". georgerrmartin.com.
  2. ^ "Game of Thrones: Cast & Crew". HBO. Retrieved May 20, 2014.
  3. ^ Martin, George R. R. (July 16, 2010). "From HBO". Archived from the original on March 7, 2016. Retrieved May 20, 2014.
  4. ^ Collins, Sean T. (March 31, 2014). "Top 40 Game of Thrones Characters, Ranked". Rolling Stone. Retrieved September 27, 2015.
  5. ^ Butler, Leigh (April 8, 2011). "A Read of Ice and Fire: A Game of Thrones, Part 4". Tor. Retrieved May 5, 2016.
  6. ^ "Sansa Stark - Untold Story- "The Lady of Winterfell" - GOT Untold Stories - The Spoon Boy". www.thespoonboy.com. Retrieved October 17, 2017.
  7. ^ "Top 40 'Game of Thrones' Characters, Ranked". Rolling Stone. Retrieved July 18, 2016.
  8. ^ "48 'Game of Thrones' Main Characters, Ranked Worst to Best". June 26, 2016. Retrieved July 18, 2016.
  9. ^ Mic. "Why Sansa Stark Is the Strongest Character on 'Game of Thrones'". Retrieved July 18, 2016.
  10. ^ Rhiannon (May 10, 2012). "In Defense of Sansa Stark". Feminist Fiction. Retrieved July 18, 2016.
  11. ^ "Sansa Stark Is The Only Game Of Thrones Hero Worth Rooting For". Retrieved July 18, 2016.
  12. ^ Egner, Jeremy (April 25, 2016). "Sophie Turner on 'Game of Thrones,' Sansa's Evolution and Learning From Controversy". The New York Times. ISSN 0362-4331. Retrieved July 18, 2016.
  13. ^ Garber, Megan. "Justice for Sansa Stark". Retrieved July 18, 2016.
  14. ^ "Game of Thrones' Sophie Turner Revels in Sansa Stark's Amazing First Kill". Retrieved July 18, 2016.
  15. ^ Madison, Bennett. "Game of Thrones Episode 609 Recap: It's Finally Sansa's Turn to Be the Best Stark". Retrieved July 18, 2016.
  16. ^ Dockterman, Eliana. "Sophie Turner Grows Into Her Powers in 'Game of Thrones' and 'X-Men'". TIME.com. Retrieved July 18, 2016.
  17. ^ Runcie, Charlotte (May 17, 2015). "Game of Thrones: Unbowed, Unbent, Unbroken, season 5 episode 6, review: 'raw emotion'". The Telegraph. Retrieved May 18, 2015.
  18. ^ a b c Robinson, Joanna (May 17, 2015). "Game of Thrones Absolutely Did Not Need to Go There with Sansa Stark". Vanity Fair. Retrieved May 18, 2015.
  19. ^ Kornhaber, Spencer; Orr, Christopher; Sullivan, Amy (May 17, 2015). "Game of Thrones: A Pointless Horror and a Ridiculous Fight". The Atlantic. Retrieved May 18, 2015.
  20. ^ McNutt, Myles (May 17, 2015). "Game of Thrones (experts): "Unbowed, Unbent, Unbroken"". AV Club. Retrieved May 18, 2015.
  21. ^ Leon, Melissa (May 19, 2015). "The Rape of Sansa Stark: 'Game of Thrones' Goes Off-book and Enrages Its Female Fans". The Daily Beast. Retrieved May 20, 2015.
  22. ^ Pantozzi, Jill (May 18, 2015). "We Will No Longer Be Promoting HBO's Game of Thrones". The Mary Sue. Retrieved May 20, 2015.
  23. ^ Collins, Sean T. (May 17, 2015). "'Game of Thrones' Recap: Stark Reality". Rolling Stone. Retrieved May 23, 2015.
  24. ^ Hughes, Sarah (May 18, 2015). "Game of Thrones recap: season five, episode six – Unbent, Unbowed, Unbroken". The Guardian. Retrieved May 23, 2015.
  25. ^ Rosenberg, Alyssa (May 17, 2015). "'Game of Thrones' Season 5, Episode 6 review: "Unbowed, Unbent, Unbroken"". The Washington Post. Retrieved May 23, 2015.
  26. ^ Stewart, Sara (May 19, 2015). "It's a Stark reality: Outrage over Sansa rape scene misses the point". New York Post. Retrieved May 19, 2015.
  27. ^ "The Problem with the Backlash to the Game of Thrones Rape Scene". Time. May 21, 2015. Retrieved May 22, 2015.
  28. ^ Hibberd, James (May 17, 2015). "Game of Thrones: Sophie Turner says she 'loved' that horrifying scene". Entertainment Weekly. Retrieved May 20, 2015.
  29. ^ a b "'Gratuitous and disgusting': Senator leads boycott of Game of Thrones over shocking rape scene of Sansa Stark but actress playing her says she 'kinda loved it'". The Daily Mail. May 20, 2015. Retrieved May 20, 2015.
  30. ^ Tani, Maxwell (May 20, 2015). "A US senator says she's going to stop watching 'Game of Thrones' over 'gratuitous' rape scene". Business Insider. Retrieved May 29, 2015.
  31. ^ Acuna, Kirsten; Renfro, Kim (May 28, 2015). "'Game of Thrones' ratings are falling: Here are two possible reasons why". Business Insider. Retrieved May 28, 2015.
  32. ^ "Here's who won what at the GLAMOUR Awards". glamourmagazine. glamourmagazine. 2016. Retrieved June 8, 2016.
  33. ^ "GLAMOUR Awards 2017: All the talking points". Glamour. June 7, 2017. Retrieved June 9, 2017.
  34. ^ "Poppy Awards 2016: Meet Your Winners". Entertainment Weekly. September 13, 2016. Retrieved September 15, 2016.
  35. ^ "34th Annual Young Artist Awards". YoungArtistAwards.org. Archived from the original on April 2, 2013. Retrieved March 31, 2013.
  36. ^ "EWwy Awards 2015: Meet Your Winners". ew.com. August 11, 2015.

General referencesEdit