Salawaku in Tidore language and Pagu language, is a traditional shield originating from the Maluku Islands, Indonesia. It is also known as Ma Dadatoko, Salwake, Saluwaku or Salawako in Galela language, Salewaku-mu in Loloda language, Hawau-mu in Madole language, Emuli in Buru language or O Dadatoko in Tobelo language.
A Salawaku shield, circa 1850–1900.
|Place of origin||Maluku Islands (Seram Island, Ambon Island, Buru Island, Tobelo-Halmahera Island), Indonesia|
|Used by||Ambonese, Buru people, Manusela people, Nuaulu people, Tobelorese|
The Salawaku is an hour-glass shaped, long shield. The shield, including the handle, is carved from a single piece of wood. The upper and lower part are broad, the shield is thinnest in the middle. At the front it is rounded or has a slight V-shape so that the centre part comes to the foreground. The shield is slightly curved from top to bottom. On the rear an elevated rib can be seen along the entire length, part of which is the handle in the middle. The front of the Salawaku is painted black using soot and plant juice. It is inlaid with mother-of-pearl and fragments of earthenware, and/or painted with kakean symbols (used by a secret society) and other ornaments. These materials hint at the foreign aspect of the shields. The shield forms a 'body' and the inlaid patterns refer to certain bodily parts. The upper segment refers to the head, the lower part to the feet. Arteries run lengthwise. The elevated rib on the rear side represents the spine and, just below the handle, the larynx. Inlays just above the centre represents the eyes. Their number allegedly refers to the number of enemies killed by the ancestors. The shield must be shorter than two arms length this in order to avoid the shield's end, held in chin and to avoid 'that tears fall on the shield'. Courage and sadness must be separated.
The term Salawaku means 'protection' and 'repellence': a reference to the supernatural protection of the ancestors; or 'to miss and to catch'. With this technique the defender catches his adversary's weapon, secures it in the wooden shield and then disarms him. The shield is not only a defensive weapon, but thanks to its peculiar, narrow shape may be easily moved to deliver blows with the sharp rims and corners.
The Salawaku may be part and parcel of the bridegroom's marriage gifts and are worn during the Cakalele (war dance) or the Hoyla (war dance during the marriage ceremony among the Tobelorese people). During the Cakalele, the Salawaku is carried in the left hand and with a spear or sword in the other. Whereas in the Hasa dance which is only performed by men, who carry the Salawaku on the left hand and a wooden machete, Barakas on the other.
- Waruno Mahdi (2007). Malay Words And Malay Things: Lexical Souvenirs From An Exotic Archipelago In German Publications Before 1700. Otto Harrassowitz Verlag. ISBN 3-447-05492-1.
- P. E. De Josselin De Jong (1984). Unity In Diversity: Indonesia As A Field of Anthropological Study. Foris Publications. ISBN 90-6765-063-3.
- Albert G Van Zonneveld (2002). Traditional Weapons of The Indonesian Archipelago. Koninklyk Instituut Voor Taal Land. ISBN 90-5450-004-2.
- Brigitta Hauser-Schäublin (2013). Adat And Indigeneity In Indonesia: Culture And Entitlements Between Heteronomy And Self-Ascription Göttingen Studies In Cultural. Universitätsverlag Göttingen. ISBN 3-86395-132-8.
- Dirk Teljeur (1990). The Symbolic System of The Giman of South Halmahera. Foris Pub. ISBN 90-6765-460-4.
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