Saheem Ali is a Kenyan theatre director. He is Associate Artistic Director at The Public Theater in New York City.
Saheem Ali | |
|---|---|
| Born | Nairobi, Kenya |
| Education | Northeastern University (BA) Columbia University (MFA) |
| Occupation | Associate Artistic Director at The Public Theater |
| Years active | 2003-present |
| Website | https://www.saheemali.com/ |
Early life and education edit
Ali was born in Nairobi, Kenya. He earned his undergraduate degree from Northeastern University and he holds an MFA in Directing from Columbia University.[1]
Ali was first introduced to theatre when he saw a production of Grease in London at age fifteen and returned to Nairobi to stage a version of it with high school students there.[2]
Early career edit
Ali assisted on productions in Minneapolis at Theatre de la Jeune Lune and Wintertime at the Guthrie Theater in 2003.[3] Ali was assistant director on several productions in Boston, including Commonwealth Shakespeare Company (CSC) Shakespeare's Henry Vin 2002 and Macbeth in 2003.[4] He assisted on the operas Powder Her Face in 2003 and Angels in America in 2006 for Opera Boston. He also assisted on The Miser for American Repertory Theater (A.R.T.) in 2004.[5]
In 2009, he was assistant director for Giant and in 2010 for Angels in America,[6] both at Signature Theatre Company. In 2010 he assisted on A Free Man of Color at Lincoln Center Theater and in 2011 for The Normal Heart on Broadway.[7]
The Public / Shakespeare in the Park edit
In 2014, Ali conducted a workshop on Dominique Morisseau’s Facing Our Truths. In 2015, Ali was Associate Director under Michael Greif for The Tempest. In 2017, he conducted a reading of The Unbearable Whiteness of Being, the Jeremy Kamps play, and he directed Twelfth Night for The Mobile Unit and set the action in coastal Florida with Viola and Sebastian as Cuban refugees.[8]
Ali was slated to direct Richard II for Shakespeare in the Park in the summer of 2020, but with the Covid-19 pandemic, he re-envisioned the production as a serialized radio play, co-produced by The Public Theater and WNYC-FM radio.[9] It starred André Holland in the lead and had a cast of predominantly actors of color including Lupita Nyong'o, John Douglas Thompson, and Phylicia Rashad. He followed with two more radio plays, including Anne Washburn’s Shipwreck and the 2021 bilingual Romeo y Julieta starring Lupita Nyong'o.[10]
The National Endowment for the Arts describes Ali's signature as "his ongoing work with plays that contemporize and expand Shakespeare".[11] In summer 2021, he directed Merry Wives, an adaptation of The Merry Wives of Windsor by Jocelyn Bioh for The Public.[12] In 2022, he directed Fat Ham, a new play by James Ijames, that received the Pulitzer Prize for Drama. Ali had previously worked with Ijames when he workshopped Kill Move Paradise at National Black Theatre in 2016 and directed it in 2017.[13]
Other directing edit
Ali has directed a variety of plays, from Marisol by José Rivera at Barnard College in 2011 to A Lesson from Aloes by Athol Fugard at Juilliard School in 2016. In 2016, he directed Dot by Colman Domingo at Detroit Public Theatre and[14] Hair: The American Tribal Love-Rock Musical at Pace University.
He directed Nollywood Dreams by Jocelyn Bioh at Cherry Lane Theater in 2017 and at MCC Theater in 2021.[15] In 2018, he directed Tartuffe at PlayMakers Repertory Company,[16] and in 2019 he directed The Rolling Stone at Lincoln Center Theater. In 2019, he directed Anna Deavere Smith's Fires in the Mirror at Signature Theatre Company[17] and Anne Washburn's Shipwreck at Woolly Mammoth Theatre Company.[18]
Arts development and service edit
Ali is known for actively participating in the development process of new plays. He has had workshops or readings of several plays that he later directed.
He workshopped Donja R. Love's Fireflies at Rising Circle Collective and New Dramatists in 2017 and 2018, respectively, and directed it at Atlantic Theater Company in 2018.[19] He workshopped Donja R. Love's Sugar in Our Wounds at Playwrights Realm in 2017 and directed a production of it at Manhattan Theatre Club (MTC) in 2018.[20] In 2017, he workshopped Chris Chen's Passage at Long Wharf Theatre[21] and directed it at Soho Repertory Theatre in 2019 and conducted a workshop of The Dangerous House of Pretty Mbane by Jen Silverman in 2018 and directed it (as Dangerous House) in 2018.[22]
Ali has also partnered in the playwriting process. He directed The Booty Call, a play he co-wrote with Michael Thurber at Inner Voices in 2016 and workshopped it the following year at Roundabout Underground. Ali worked with Michael Thurber and Mkhululi Mabija on Goddess for the O’Neill Musical Theater Conference in 2013, and the play developed to be co-written by Thurber and Jocelyn Bioh at Theater Latte Da in 2017, with Ali directing it at Berkeley Repertory Theatre in 2022.[23]
Awards edit
- 2022: Drama Desk Award, Outstanding Director of a Play (nominated)
- 2022: Drama League Award, Outstanding Direction of a Play (nominated)
- 2020: National Critics Institute Fellow[24]
- 2013: Sir John Gielgud Fellowship[25] / SDCF[26]
- Emerging Artist Fellowship / New York Theatre Workshop
- Shubert Fellowship, Columbia University[27]
- Presidential Scholarship in Theatre / Northeastern University
References edit
- ^ "Northeastern Theatre Alumni Are Creating The Stages Of Tomorrow". Northeastern University College of Arts, Media and Design. Retrieved 9 July 2022.
- ^ Ali, Saheem. "'Grease' in a Nairobi High School: Saheem Ali on His First Time Directing". The New York Times. Retrieved 9 July 2022.
- ^ Gans, Andrew. ""Wacky" Wintertime Begins Performances at Guthrie Lab Jan. 31". Playbill. Retrieved 9 July 2022.
- ^ Andrews, David Brooks. "'Macbeth' succeeds in setting of South American military junta". South Coast Today. Retrieved 9 July 2022.
- ^ "The Miser (2004)". American Repertory Theater. Retrieved 9 July 2022.
- ^ Brantley, Ben. "This Time, the Angel Is in the Details". The New York Times. Retrieved 9 July 2022.
- ^ Brantley, Ben. "Raw Anguish of the Plague Years". The New York Times. Retrieved 9 July 2022.
- ^ Collins-Hughes, Laura. "Review: Forced Merriment in a 'Twelfth Night' for the Masses". The New York Times. Retrieved 9 July 2022.
- ^ Dale, Michael. "Review: Saheem Ali Reinvents Shakespeare In The Park With An Audio RICHARD II That Stresses Color Consciousness". Broadway World. Retrieved 9 July 2022.
- ^ "Ep. 31: Romeo y Julieta (Feat. Saheem Ali and Ricardo Pérez González)". Token Theatre Friends. Retrieved 9 July 2022.
- ^ "Saheem Ali". National Endowment for the Arts. Retrieved 8 July 2022.
- ^ "Great Performances: Merry Wives". PBS. Retrieved 9 July 2022.
- ^ Brantley, Ben. "Review: The Unspeakable Pain of an African-American Afterlife". The New York Times. Retrieved 8 July 2022.
- ^ "Detroit Public Theatre to Present Regional Premiere Colman Domingo's DOT". Broadway World. Retrieved 9 July 2022.
- ^ Green, Jesse. "Review: In 'Nollywood Dreams,' a Star and an Industry Are Born". The New York Times. Retrieved 9 July 2022.
- ^ "Saheem Ali: When the Play Chooses You". PlayMakers Repertory Company. Retrieved 9 July 2022.
- ^ Snook, Raven. "Fires in the Mirror". TimeOut. Retrieved 9 July 2022.
- ^ Treanor, Lorraine. "Review: Anne Washburn's Shipwreck at Woolly Mammoth". DC Theatre Scene. Retrieved 9 July 2022.
- ^ "Fireflies". Atlantic Theater Company. Retrieved 9 July 2022.
- ^ Stasio, Marilyn. "Off Broadway Review: 'Sugar in Our Wounds'". Variety. Retrieved 9 July 2022.
- ^ Clement, Olivia. "Passage, Christopher Chen's Fantasia on Colonialism, Extends at Soho Rep". Playbill. Retrieved 9 July 2022.
- ^ "Dangerous House". Williamstown Theatre Festival. Retrieved 9 July 2022.
- ^ "Goddess". Berkeley Repertory Theatre. Retrieved 9 July 2022.
- ^ Porter, III, Juan Michael. "Saheem Ali's 'Richard II': What Does Authority Sound Like?". American Theatre. Retrieved 8 July 2022.
- ^ "Sir John Gielgud Fellowship". SDC Foundation. Retrieved 8 July 2022.
- ^ "Sir John Gielgud Fellowship". Stage Directors and Choreographers Foundation. Retrieved 8 July 2022.
- ^ Deng, Audrey. "Alumnus Saheem Ali '07 Announced as Associate Artistic Director of The Public Theater". Columbia University School of the Arts. Retrieved 8 July 2022.