Roy Decker Halee
1934 (age 84–85)
|Residence||Boulder, Colorado, U.S.|
Stuart, Florida, U.S.
|Occupation||record producer and audio engineer|
|Known for||recording engineer for Simon and Garfunkel|
|Children||Roy Halee, Jr.|
|Parent(s)||Roy Halee (father)|
He grew up on Long Island, New York. His father, also named Roy Halee, provided the singing voice for Mighty Mouse in late 1940s Terrytoons cartoons, as well as the voices of Heckle and Jeckle from 1951 through 1961.
As television shows moved to the West Coast, he lost his job in a union dispute and layoff at CBS Television. He went to work for Columbia Records in New York as an editor and later as a studio engineer, working with Bob Dylan, including the first long-format radio single, "Like a Rolling Stone".
After working with the Lovin' Spoonful, the Dave Clark Five and the Yardbirds, he began his partnership with Simon & Garfunkel. He has also worked with other groups such as the Byrds, Journey (on their first album Journey), Willie Nile, Laura Nyro, Blood, Sweat & Tears, Mark Almond Band and Blue Angel. Halee was named to the TEC Awards Hall of Fame in 2001.
Simon & GarfunkelEdit
Halee discovered that the uniqueness of Simon & Garfunkel harmonies could only be achieved by recording both voices on the same microphone at the same time. That technique did well, as the song "Mrs. Robinson", from the 1968 album The Graduate, won him a Grammy Award.
Halee co-produced and engineered singer songwriter Albert Hammond's self titled 3rd solo album released in 1974.
Halee is best known for producing several albums with Simon & Garfunkel. He is mentioned in their 1965 song "A Simple Desultory Philippic (or How I Was Robert McNamara'd into Submission)", written by Paul Simon. He also co-produced Simon's first solo album and went with Simon to South Africa in 1985 to record something new that "wasn't written yet, we were going with nothing, so it was a gamble. A lot of people thought we were nuts", Halee says. It led to the Grammy Award-winning album Graceland. "I was having a ball recording these guys. For a guy from my background, everything was so organised generally. Here in the rawness of this, the earthiness, I was in seventh heaven." After Graceland, Roy Halee continued travelling with Simon as an engineer, to Brazil and West Africa, for the album The Rhythm of the Saints, with "all congas, bass drums, bata...everything imaginable."
- Buskin, Richard, "Paul Simon 'You Can Call Me Al' : Classic Tracks", Sound on Sound magazine, September 2008
- Jackson, Blair, "Interview: Roy Halee" Archived 2007-02-11 at the Wayback Machine, Mix magazine, October 1, 2001
- Vilkomerson, Sara, "Countdown to Bliss: Roy Halee Jr. and Yvonne Miller", The New York Observer, April 4, 2005
- Mix Foundation. 2001 Hall of Fame Inductee Roy Halee Archived 2008-07-04 at the Wayback Machine
- Marre, J., (Documentary, ISIS Productions/Daniel Television/Paul Simon 1997)
- Luftig, S., The Paul Simon Companion, Four Decades of Commentary, pp. 197–198 (Biography, Schirmer Books/Omnibus Press New York, 1997)