Rock the Joint
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"Rock the Joint", also known as "We're Gonna Rock This Joint Tonight", is a boogie song recorded by various proto-rock and roll singers, notably Jimmy Preston and early rock and roll singers, most notably Bill Haley. Preston's version has been cited as a contender for being "the first rock and roll record", and Haley's is widely considered the first rockabilly record.
|"Rock The Joint"|
|Single by Jimmy Preston & His Prestonians|
|Genre||Rhythm and Blues, rock and roll|
|Songwriter(s)||Harold Crafton, Wendell Keane, Harold Bagby|
The song's authorship is credited to Harry Crafton, Wendell "Don" Keane, and Harry "Doc" Bagby, who were musicians contracted to the Gotham label in New York, owned by Ivin Ballen (although a live version recorded by Haley in 1969 for Buddah Records was credited to James Bracken). The song was influenced by earlier R&B recordings such as Wynonie Harris' 1948 R&B hit "Good Rockin' Tonight". Ballen passed the song to Jimmy Preston, who had recently had a hit with "Hucklebuck Daddy". The version by Jimmy Preston and His Prestonians was recorded in Philadelphia in May 1949 and was released on the Gotham label, reaching #6 on the national R&B chart later that year.
Two years later, Bill Haley and the Saddlemen had already achieved some success with their cover of Ike Turner's (and/or Jackie Brenston's) "Rocket 88", but were looking for another hit. They were persuaded by their producer, Essex Records owner Dave Miller, to cover "Rock The Joint" - a song which, like "Rocket 88", had already been successful with R&B audiences. Haley recorded the song (the exact location is unknown but is believed to have been recorded in the band's hometown of Chester, Pennsylvania ) in February or March 1952, but made up verses of his own to appeal to his country audience, named a succession of hillbilly dances (such as the Sugarfoot Rag and Virginia Reel) in place of Preston's hucklebuck and jitterbug, and also used different instrumentation on the track, and more back echo. In particular, Haley's version used a prominent percussive slapped bass played by Marshall Lytle  and electric guitar by Danny Cedrone, with a lick he duplicated two years later on "Rock Around The Clock".
Although Haley's version did not chart when released on Essex Records in 1952, it was enough of a hit in Chicago to win him a short residency in a jazz club there - although this was cut short after many of his black audiences walked out. Nevertheless, Haley's version of "Rock The Joint" - three years before "Rock Around The Clock" - was an important milestone in the development of rockabilly through the coming together of R&B and country styles.
The recording was remade in 1957 by Haley for Decca Records, by which time his band had been renamed Bill Haley & His Comets (it was released by Decca Records the title "New Rock the Joint" as the original version was still in circulation). He later re-recorded the song for Sonet Records of Sweden in 1968 and numerous live versions were also recorded by him. After his death, members of the Comets who had served with Haley between 1951 and the early 1960s reunited and recorded several more versions of the song, such as for the 1994 Hydra Records album You're Never Too Old to Rock. It was covered and released by Reverend Horton Heat in 1996 on his album It's Martini Time
- Jim Dawson, Rock Around the Clock: The Record That Started the Rock Revolution! (Backbeat Books, 2005).
- John W. Haley and John von Hoelle, Sound and Glory (Dyne-American, 1990).