Robert Indiana, born Robert Clark (born September 13, 1928), is an American artist associated with the pop art movement. His "LOVE" print, first created for the Museum of Modern Art's Christmas card in 1965, was the basis for the widely distributed 1973 United States Postal Service "LOVE" stamp. His media include paper (silk screen) and Cor-ten steel sculpture.
Robert Indiana working in Maine
(Photo: Charles Rotmil)
September 13, 1928
New Castle, Indiana, U.S.
|Education||Herron School of Art and Design|
|Occupation||Artist, theatrical set designer and costume designer|
Life and workEdit
Robert Indiana was born Robert Clark in New Castle, Indiana. He spent the first 17 years of his life living in Indiana moving frequently between cities and eventually lived in 21 different homes. After his parents divorced, he relocated to Indianapolis to live with his father so he could attend Arsenal Technical High School (1942–46).
After serving for three years in the United States Army Air Forces, he studied at the Art Institute of Chicago (1949–53), the Skowhegan School of Painting and Sculpture in Maine (summer 1953) and Edinburgh University and Edinburgh College of Art (1953–54). He returned to America in 1954 and settled in New York City. There he began making art with his distinctive "hard edge" style.
Indiana's work often consists of bold, simple, iconic images, especially numbers and short words like EAT, HUG, and, his best known example, LOVE. In his EAT series, the word blares in paint or light bulbs against a neutral background; he regularly paired “EAT” with “DIE”. In a major career milestone, the architect Philip Johnson commissioned an EAT sign for the New York State Pavilion at the 1964 New York World's Fair. The sign was turned off one day after the opening of the fair because visitors believed it to mark a restaurant. Andy Warhol's contribution to the fair was also removed that day. Other well-known works by Indiana include: his painting the unique basketball court formerly used by the Milwaukee Bucks in that city's MECCA Arena, with a large M shape taking up each half of the court; his sculpture in the lobby of Taipei 101, called 1-0 (2002, aluminum), using multicoloured numbers to suggest the conduct of world trade and the patterns of human life; and the works he created in the aftermath of the September 11, 2001 attacks and exhibited in New York in 2004 called the Peace Paintings.
Indiana has been a theatrical set and costume designer, such as the 1976 production by the Santa Fe Opera of Virgil Thomson's The Mother of Us All, based on the life of suffragist Susan B. Anthony. He was the star of Andy Warhol's film Eat (1964), which is a 45-minute film of Indiana eating a mushroom. Warhol also made the brief silent film Bob Indiana Etc. (4 minutes, 1963), a portrait of the artist with appearances by Wynn Chamberlain and John Giorno.
In 1964, Indiana moved from Coenties Slip to a five-story building at Spring Street and the Bowery. In 1969, he began renting the upstairs of the mansarded Victorian-style Odd Fellows Hall named "The Star of Hope" in the island town of Vinalhaven, Maine, as a seasonal studio from the photographer Eliot Elisofon. Half a century earlier, Marsden Hartley had made his escape to the same island. When Elisofon died in 1973, Indiana bought the lodge for $10,000 from his estate. He moved in full-time when he lost his lease on the Bowery in 1978. Since 1978, he has lived as a resident of Vinalhaven.
Indiana's best known image is the word Love in upper-case letters, arranged in a square with a tilted letter "O". The iconography first appeared in a series of poems originally written in 1958, in which Indiana stacked LO and VE on top of one another. Then in a painting with the words "Love is God". The red/green/blue image was then created for a Christmas card for the Museum of Modern Art in 1964. It was put on an eight-cent U.S. Postal Service postage stamp in 1973, the first of their regular series of "love stamps".
The first serigraph/silk screen of "Love" was printed as part of an exhibition poster for Stable Gallery in 1966 (See "Love and The American Dream: The Art of Robert Indiana", page 87). A few examples of the rare image, in bold blue and green with a red bottom announcing "Stable May 66" are known to exist. Twenty-five of these, without the red announcement, were signed and dated on the reverse by Indiana. Sculptural versions of the image have been installed at numerous American and international locations.
In 1995, Indiana created a "Heliotherapy Love" series of 300 silk screen prints signed and numbered by the artist, which surrounds the iconic love image in a bright yellow border. These prints are the largest official printed version of the Love image.
In 2008, Indiana created an image similar to his iconic LOVE but this time showcasing the word "HOPE", and donated all proceeds from the sale of reproductions of his image to Democrat Barack Obama's presidential campaign, raising in excess of $1,000,000. A stainless steel sculpture of HOPE was unveiled outside Denver's Pepsi Center during the 2008 Democratic National Convention. The Obama campaign sold T-shirts, pins, bumper stickers, posters, pins and other items adorned with HOPE. Editions of the sculpture have been released and sold internationally and the artist himself has called HOPE "Love's close relative".
In 1962, Eleanor Ward's Stable Gallery hosted Robert Indiana's first New York solo exhibition. He has since enjoyed solo exhibitions at over 30 museums and galleries worldwide. He is currently represented by Paul Kasmin Gallery in New York and Galerie Gmurzynska in Europe.
Appearances in popular cultureEdit
Millions of television viewers saw an orange, brown, and white version of Five, one of Indiana's 1965 Cardinal Numbers series, featured in an episode of The Mary Tyler Moore Show during the 1971–1972 season, in which Rhoda Morgenstern redecorates Lou Grant's dated living room. Lou, evidently not a fan of pop art, complains to Mary, "I bet she went through four other paintings before choosing this one!"
In 2014, ESPN released MECCA: The Floor That Made Milwaukee Famous, a short film in its 30 for 30 series of sports documentaries that chronicled how Indiana's floor at the MECCA was saved from being sold for scrap.
Today, his works are in the permanent collections of numerous museums, including Museum of Modern Art, New York; Whitney Museum of American Art, New York; Metropolitan Museum of Art, New York; Farnsworth Art Museum, Rockland, Maine; Stedelijk Museum, Amsterdam, The Netherlands; McNay Art Museum, San Antonio, Texas; Carnegie Institute, Pittsburgh; Allentown Art Museum of the Lehigh Valley, Allentown, Pennsylvania; Delaware Art Museum, Wilmington; Detroit Institute of Art, Michigan; Baltimore Museum of Art, Maryland; Brandeis Museum, Waltham, Massachusetts; Albright-Knox Gallery, Buffalo, New York; San Francisco Museum of Modern Art, California; the Hirshhorn Museum in Washington, D.C.; Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania; the Indianapolis Museum of Art, Indiana; and the Los Angeles County Museum, California, among many others.
In May 2011, a 12-foot LOVE sculpture – one in an edition of three identical pieces – sold for $4.1 million.
- Robert Indiana MoMA, New York.
- Ariella Budick (September 28, 2012), Locating love in a chilly climate Financial Times.
- Jesse McKinley (September 19, 2013), An Artist’s LOVE-Hate Relationship - Robert Indiana Assumes One Work Has Swamped His Career New York Times.
- Press, Associated (26 June 2009). "Artist Robert Indiana is on the menu in Maine" – via LA Times.
- "Mecca: The Floor That Made Milwaukee Famous". Grantland. July 11, 2014. Retrieved July 13, 2014.
- "Milwaukee Bucks Unveil New Court Design". NBA.com. September 24, 2013. Archived from the original on November 9, 2013. Retrieved November 3, 2013.
- Publicly posted material, Floor 89, Taipei 101. 2007-08-17.
- Johnson, Ken (21 May 2004). "ART IN REVIEW; Robert Indiana -- 'Peace Paintings'" – via query.nytimes.com.
- Glueck, Grace (August 27, 1999). "Robert Indiana's Career: Love and American Style". The New York Times. Retrieved 2014-09-12.
Between 1989 and 1994, Mr. Indiana painted a series of 18 canvases inspired by the shapes and numbers in the war motifs paintings that Hartley—who once worked in Vinalhaven—did in Berlin between 1913-15. They commemorate a slain German officer the artist had befriended.
- Rubin, Joan S.; Boyer, Paul S.; Casper, Scott E. (2013). The Oxford Encyclopedia of American Cultural and Intellectual History. Oxford University Press. p. 728. ISBN 9780199764358.
- "Who's Who of Warhol's Unseen Films". BAM150years.blogspot.com. Brooklyn Academy of Music. November 4, 2014. Retrieved November 19, 2016.
- David Colman (February 6, 2003), Mr. Love Finds an Island, If Not Entirely to Himself New York Times.
- "LOVE", Scottsdale Public Art
- "Associated Press article: "New Castle native Robert Indiana creates HOPE image for Obama"".
- Robert Indiana & Google wishes Happy Valentine's Day. English.samaylive.com. Retrieved on 2011-02-14.
- Johnson, Ken (26 September 2013). "Robert Indiana and 'Beyond Love,' at the Whitney" – via www.nytimes.com.
- "The Square-Shaped Room", The Mary Tyler Moore Show, 1971.
- "30 for 30 Shorts: 'Mecca: The Floor That Made Milwaukee Famous'". Grantland.com. June 11, 2014. Retrieved November 4, 2017.
- "Robert Indiana". www.spaightwoodgalleries.com.
- "Robert Indiana. A Milano". Galerie Gmurzynska. Retrieved 13 October 2016.
- Peter Plagens (February 10, 2013). 'Robert Indiana: Beyond Love' at the Whitney Museum. The Wall Street Journal.
- Ken Johnson (September 26, 2013). Robert Indiana and 'Beyond Love' at the Whitney. The New York Times.
- Dan Duray (September 18, 2013). On the Horn With a Hoosier, A Fun Little Telephone Q&A With Robert Indiana. Gallerist.
|Wikimedia Commons has media related to Robert Indiana.|
- Robert Indiana at the Museum of Modern Art
- Smithsonian Museum of American Art
- Robert Indiana Sculptures on Google Maps
- Robert Indiana, Decade Autoportrait, exhibition, 17 September - 26 October 2013, de Sarthe Gallery, Hong Kong
- 'It wasn't all he needed, or all he did: Robert Indiana and "Beyond Love" at the Whitney' New York Times, 10/09/2013