The Greek mythology portal
Greek mythology is the body of myths originally told by the ancient Greeks. These stories concern the origin and the nature of the world, the lives and activities of deities, heroes, and mythological creatures, and the origins and significance of the ancient Greeks' own cult and ritual practices. Modern scholars study the myths in an attempt to shed light on the religious and political institutions of ancient Greece and its civilization, and to gain understanding of the nature of myth-making itself.
The Greek myths were initially propagated in an oral-poetic tradition most likely by Minoan and Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its aftermath became part of the oral tradition of Homer's epic poems, the Iliad and the Odyssey. Two poems by Homer's near contemporary Hesiod, the Theogony and the Works and Days, contain accounts of the genesis of the world, the succession of divine rulers, the succession of human ages, the origin of human woes, and the origin of sacrificial practices. Myths are also preserved in the Homeric Hymns, in fragments of epic poems of the Epic Cycle, in lyric poems, in the works of the tragedians and comedians of the fifth century BC, in writings of scholars and poets of the Hellenistic Age, and in texts from the time of the Roman Empire by writers such as Plutarch and Pausanias.
Aside from this narrative deposit in ancient Greek literature, pictorial representations of gods, heroes, and mythic episodes featured prominently in ancient vase-paintings and the decoration of votive gifts and many other artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles. In the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence.
Greek mythology has had an extensive influence on the culture, arts, and literature of Western civilization and remains part of Western heritage and language. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes.
In Greek mythology, Pandora (ancient Greek, Πανδώρα, derived from πᾶν "all" and δῶρον "gift", thus "giver of all", "all-endowed") was the first woman. As Hesiod related it, each god helped create her by giving her unique gifts. Zeus ordered Hephaestus to mould her out of Earth as part of the punishment of mankind for Prometheus' theft of the secret of fire, and all the gods joined in offering her "seductive gifts". Her other name, inscribed against her figure on a white-ground kylix in the British Museum, is Anesidora, "she who sends up gifts," up implying "from below" within the earth. According to the myth, Pandora opened a jar (pithos), in modern accounts sometimes mistranslated as "Pandora's box" (see below), releasing all the evils of mankind— although the particular evils, aside from plagues and diseases, are not specified in detail by Hesiod — leaving only Hope inside once she had closed it again. She opened the jar out of simple curiosity and not as a malicious act. The myth of Pandora is ancient, appears in several distinct Greek versions, and has been interpreted in many ways.
Dionysus or Dionysos is the ancient Greek god of wine, the god who inspires ritual madness and ecstasy, and a major figure of Greek mythology. He is included as one of the twelve Olympians in some lists. Dionysus is typical of the god of the epiphany, "the god that comes". He was also known as Bacchus, the name adopted by the Romans and the frenzy he induces, bakkheia. In addition to winemaking, he is the patron deity of agriculture and the theater. He was also known as the Liberator (Eleutherios), freeing one from one's normal self, by madness, ecstasy or wine. The divine mission of Dionysus was to mingle the music of the aulos and to bring an end to care and worry. Scholars have discussed Dionysus' relationship to the "cult of the souls" and his ability to preside over communication between the living and the dead.
In Greek mythology, Dionysus is made out to be a son of Zeus and the mortal Semele. He is described as being womanly or "man-womanish". The name Dionysos is of uncertain significance; its -nysos element may well be non-Greek in origin, but its dio- element has been associated since antiquity with Zeus (genitive Dios).
Artist: John Hoppner
In Greek mythology, Io was the daughter of Inachus, a river god.
Did you know ...
- Heracles already meet Theseus when the latter was only seven years old. After Heracles had finished his labours, he came to visit Pittheus in Troezen where the young Theseus was under the care of his grandfather.
- Theseus was related to his malefactors Cercyon, Procrustes and Sciron. They were all sons of his father Poseidon by other women which makes them technically Theseus' half-brother.
- The daughters of Pelops married the sons of Perseus: Astydameia wedded to Alcaeus, Nicippe to Sthenelus, Lysidice to Mestor and Eurydice to Electryon. This was made by Pelops to extend to his political power over the whole Peloponesse. His sons also became great rulers, Pittheus and Troezen were kings in Troezen, Alcathous of Megara, Atreus and Thyestes of Mycenae and also Sciron who became a warlord of Megara.
- Pleisthenes, son of Atreus was either a hermaphrodite or a transvestite.
- Polydectes pretended that he was going to marry Hippodamia, daughter of Oenomaus and ordered the men in Seriphos to supply him with suitable gifts. This plan was hatched by the king to get rid of Perseus by sending him to fetch the head of Medusa because he wanted to marry the hero's mother Danae.
- The couple, Admetus and Alcestis were actually half-cousins because Admetus's father, Pheres whose mother Tyro also bare Pelias, father of Alcestis.
Orion (Greek: Ὠρίων or Ωαρίων, Latin: Orion) was a giant huntsman of Greek mythology whom Zeus placed among the stars as the constellation of Orion.
Ancient sources tell several different stories about Orion. There are two major versions of his birth and several versions of his death. The most important recorded episodes are his birth somewhere in Boeotia, his visit to Chios where he met Merope and was blinded by her father, Oenopion, the recovery of his sight at Lemnos, his hunting with Artemis on Crete, his death by the bow of Artemis or of the giant scorpion which became Scorpio, and his elevation to the heavens. Most ancient sources omit some of these episodes and several tell only one. These various incidents may originally have been independent, unrelated stories and it is impossible to tell whether omissions are simple brevity or represent a real disagreement.
The phoenix (Ancient Greek: Φοῖνιξ, phoínix, Persian:سیمرغ Arabic:العنقاء) is a mythical sacred firebird that originated in Persian mythology, ancient Phoenician mythology (according to Sanchuniathon), Chinese mythology, Egyptian religion and later Greek mythology.
A phoenix is a mythical bird that is a fire spirit with a colorful plumage and a tail of gold and scarlet (or purple, blue, and green according to some legends). It has a 500 to 1,000 year life-cycle, near the end of which it builds itself a nest of twigs that then ignites; both nest and bird burn fiercely and are reduced to ashes, from which a new, young phoenix or phoenix egg arises, reborn anew to live again. The new phoenix is destined to live as long as its old self.
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