The Greek mythology Portal
Greek mythology is the body of myths and legends belonging to the ancient Greeks concerning their gods and heroes, the nature of the world, and the origins and significance of their own cult and ritual practices. They are a part of religion in Greece. Modern scholars refer to the myths and study them in an attempt to throw light on the religious and political institutions of Ancient Greece, its civilization, and to gain understanding of the nature of myth-making itself.
Greek mythology is embodied explicitly in a large collection of narratives and implicitly in representational arts, such as vase-paintings and votive gifts. Greek myth explains the origins of the world and details the lives and adventures of a wide variety of gods, goddesses, heroes, heroines, and other mythological creatures. These accounts initially were disseminated in an oral-poetic tradition; today the Greek myths are known primarily from Greek literature.
The oldest known Greek literary sources, the epic poems Iliad and Odyssey, focus on events surrounding the Trojan War. Two poems by Homer's near contemporary Hesiod, the Theogony and the Works and Days, contain accounts of the genesis of the world, the succession of divine rulers, the succession of human ages, the origin of human woes, and the origin of sacrificial practices. Myths also are preserved in the Homeric Hymns, in fragments of epic poems of the Epic Cycle, in lyric poems, in the works of the tragedians of the fifth century BC, in writings of scholars and poets of the Hellenistic Age and in texts from the time of the Roman Empire by writers such as Plutarch and Pausanias.
In Greek mythology, Pandora (ancient Greek, Πανδώρα, derived from πᾶν "all" and δῶρον "gift", thus "giver of all", "all-endowed") was the first woman. As Hesiod related it, each god helped create her by giving her unique gifts. Zeus ordered Hephaestus to mould her out of Earth as part of the punishment of mankind for Prometheus' theft of the secret of fire, and all the gods joined in offering her "seductive gifts". Her other name, inscribed against her figure on a white-ground kylix in the British Museum, is Anesidora, "she who sends up gifts," up implying "from below" within the earth. According to the myth, Pandora opened a jar (pithos), in modern accounts sometimes mistranslated as "Pandora's box" (see below), releasing all the evils of mankind— although the particular evils, aside from plagues and diseases, are not specified in detail by Hesiod — leaving only Hope inside once she had closed it again. She opened the jar out of simple curiosity and not as a malicious act. The myth of Pandora is ancient, appears in several distinct Greek versions, and has been interpreted in many ways.
Hermes (; Greek Ἑρμῆς) is the great messenger of the gods in Greek mythology and additionally as a guide to the Underworld. An Olympian god, he is also the patron of boundaries and of the travelers who travel across them, of shepherds and cowherds, of the cunning of thieves and liars, of orators and wit, of literature and poets, of athletics and sports, of weights and measures, of invention, and of commerce in general. His symbols include the tortoise, the rooster, the winged sandals, the winged hat, and the caduceus (given to him by Apollo in exchange for the lyre). In the Roman adaptation of the Greek religion (see interpretatio romana), Hermes was identified with the Roman god Mercury, who, though inherited from the Etruscans, developed many similar characteristics, such as being the patron of commerce.
The Homeric hymn to Hermes invokes him as the one "of many shifts (polytropos), blandly cunning, a robber, a cattle driver, a bringer of dreams, a watcher by night, a thief at the gates, one who was soon to show forth wonderful deeds among the deathless gods." He protects and takes care of travelers, miscreants, harlots, old crones and thieves.
Artist: Theodor Baierl
Ruhende Amazonen by Theodor Baierl. The Amazons are a nation of all-female warriors.
- Heracles already meet Theseus when the latter was only seven years old. After Heracles had finished his labours, he came to visit Pittheus in Troezen where the young Theseus was under the care of his grandfather.
- Theseus was related to his malefactors Cercyon, Procrustes and Sciron. They were all sons of his father Poseidon by other women which makes them technically Theseus' half-brother.
- The daughters of Pelops married the sons of Perseus: Astydameia wedded to Alcaeus, Nicippe to Sthenelus, Lysidice to Mestor and Eurydice to Electryon. This was made by Pelops to extend to his political power over the whole Peloponesse. His sons also became great rulers, Pittheus and Troezen were kings in Troezen, Alcathous of Megara, Atreus and Thyestes of Mycenae and also Sciron who became a warlord of Megara.
- Pleisthenes, son of Atreus was either a hermaphrodite or a transvestite.
- Polydectes pretended that he was going to marry Hippodamia, daughter of Oenomaus and ordered the men in Seriphos to supply him with suitable gifts. This plan was hatched by the king to get rid of Perseus by sending him to fetch the head of Medusa because he wanted to marry the hero's mother Danae.
- The couple, Admetus and Alcestis were actually half-cousins because Admetus's father, Pheres whose mother Tyro also bare Pelias, father of Alcestis.
Theseus was the legendary founder-king of Athens, son of Aethra, and fathered by Aegeus and Poseidon, both of whom Aethra lay with in one night. Theseus was a founder-hero, like Perseus, Cadmus or Heracles, all of whom battled and overcame foes that were identified with an archaic religious and social order. As Heracles was the Dorian hero, Theseus was the Ionian founding hero, considered by Athenians as their own great reformer. His name comes from the same root as θεσμός ("thesmos"), Greek for institution. He was responsible for the synoikismos ("dwelling together")—the political unification of Attica under Athens, represented emblematically in his journey of labours, subduing highly localized ogres and monstrous beasts. Because he was the unifying king, Theseus built and occupied a palace on the fortress of the Acropolis that may have been similar to the palace that was excavated in Mycenae.
In Greek mythology, Echidna was called the "Mother of All Monsters". Echidna was described by Hesiod as a female monster spawned in a cave, who mothered with her mate Typhoeus (or Typhon) almost every major horrible monster in the Greek myths,
Echidna was usually considered an offspring of Tartarus and Gaia, or of Ceto and Phorcys (according to Hesiod) or of Chrysaor and the naiad Callirhoe, or Peiras and Styx (according to Pausanias, who did not know who Peiras was aside from her father). Echidna was a drakaina, with the face and torso of a beautiful woman (depicted as winged in archaic vase-paintings) and the body of a serpent, sometimes having two serpent's tails.. She is also sometimes described as Karl Kerenyi noted an archaic vase-painting with a pair of echidnas performing sacred rites in a vineyard, while on the opposite side of the vessel, goats were attacking the vines thus chthonic Echidnae are presented as protectors of the vineyard.
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