Open main menu
Imaginary depiction of where the pompadour comes from. This modern drawing is neither contemporary nor an accurate description of Madame de Pompadour. This hairstyle is more contemporary of Marie-Antoinette
What was not then called the "pompadour" was an essential part of the "Gibson Girl" look in the 1890s

.

The pompadour is a hairstyle, which was erroneously named in the 1990's by American hairstylists after Madame de Pompadour (1721–1764), a mistress of King Louis XV of France.[1] Despite the name, this hairstyle has nothing in common with Madame de Pompadour's hairstyle, who wore her hair back rather than up, with no extra volume on the top. Although there are numerous variations of the style for men, women, and children, the basic concept is having a large volume of hair swept upwards from the face and worn high over the forehead, and sometimes upswept around the sides and back as well.

Contents

HistoryEdit

Adding vertical volume on top of the head, by combing the hair back and up above the forehead, is a trend that originated in women's hairstyles of the royal court in France, first in the 1680s, and again in the second half of the XVIIIth century, long before and after Madame de Pompadour. In 1680, King Louis XIV loved the way his mistress Madame de Fontanges arranged her hair after she fell from her horse. She started wearing it like this every day to please him, and created a new hairstyle called the "Fontange", adding vertical volume to the hair. This fashion lasted for 20 years and fell out of fashion. Under Louis XV, Madame de Pompadour's time, hair was worn rather low and backswept, with a simple aura of locks, and was never called a pompadour. A new, extravagant style adding again height and volume came into fashion under Louis XVI, around the 1770s and 1780s, culminating before the Revolution with the contemporaries of Marie-Antoinette. Stylists had daring ideas for adding more and more height.

The style was revived again in the 1890s as part of the Gibson Girl look and continued to be in vogue until World War I. The style was in vogue for women once again in the 1940s. The men's version appeared in the 1950s and early 1960s, worn by early country, rock and roll and movie stars such as Elvis Presley, Johnny Cash, James Dean, and Tony Curtis, and has enjoyed a renaissance in the mid 2000s. The style is worn by men and women in the 21st century, under the modern name pompadour.

Women's stylesEdit

Among women, the hairstyle has become marginally popular again in the first few years of the 21st century. It can be created by backcombing or ratting at the roots of the hair on the sides of the pompadour towards the top of the head. Then the hair is combed up and over the ratted hair, off the forehead, the front up in a curl straight back, and the sides pulled back towards the center.


Men's stylesEdit

 
Elvis Presley with a pompadour haircut in the mid-1950s.
 
Indian pop star Sonu Nigam with modern adaptation of the Teddy Boy cut.

In the 1950s, this hairstyle was not yet called the pompadour, and was donned by James Dean and Elvis Presley. It was then called by other names (Quiff, Ducktail, Jelly roll, Rocker, Greaser, or simply "the Elvis cut").

During the 1980s, the hair style was associated with the "rockabilly" culture, and adopted by those enamoured with vintage culture of the late 1950s and early 1960s, which included antique cars, hot rods, muscle cars, American folk music, greasers, Teddy Boys, rockabilly bands, and Elvis Presley impersonators.

Celebrities known for wearing pompadours during the 1950s and 1960s include Little Richard and Afghanistan's Ahmad Zahir as well as actors such as James Dean, Marlon Brando, and Desi Arnaz.

There are Latins (Italic tribes)|Latin variants of the hair style more associated with European and Argentine tango fashion trends and occasionally with late 20th century musical genres such as rockabilly and country. During the 1930s and 1940s, the pompadour and ducktail were popular among hep cats and Mexican zoot suiters.

This style has become popular among cholos, Italian Americans and the "goombah" or "Guido" subculture.[citation needed] The style is often parodied in shows like The Sopranos or Jersey Shore, which portray negatively stereotyped characters—especially Silvio Dante. Notable gangsters, such as John Gotti, have sported the hair style.

In modern Japanese popular culture, the pompadour is a stereotypical hairstyle often worn by gang members, thugs, members of the yakuza and its junior counterpart bōsōzoku, and other similar groups such as the yankii (high-school hoodlums). In Japan the style is known as the "Regent" hairstyle, and is often caricatured in various forms of entertainment media such as anime, manga, television, and music videos, often into improbable levels of length and volume. The punch perm combines elements of the afro hairstyle and the traditional pompadour. This style, too, is stereotypically worn by less reputable members of society, including the yakuza, bōsōzoku, and chinpira (street thugs). For the main hero of the long-running manga series Jojo's Bizarre Adventure's 4th part, Diamond is Unbreakable, Josuke Higashikata, the hairstyle became a signature detail.

In the psychobilly subculture, the pompadour is slightly modified to form the quiff. The quiff is a hairstyle worn by Psychobilly fans and musicians (Kim Nekroman frontman of Nekromantix for example). A psychobilly wedge is a sort of mix between a mohawk hairstyle and the pompadour, where the hair along the side of the head is shaved and the middle is not spiked but slicked back and stood up like a pompadour.

In the 2000s and 2010s, the pompadour hairstyle has been seen on celebrities which include Conan O'Brien, Bruno Mars, Morrissey, David Beckham, Drake Bell, Zac Efron, Zayn Malik, Alex Turner of Arctic Monkeys, and Justin Timberlake.

See alsoEdit

ReferencesEdit

  1. ^ Sherrow, Victoria (2006). Encyclopedia of Hair: A Cultural History. Greenwood Publishing Group. pp. 309–310.

External linksEdit

Definition

Rockabilly connection

Setzer connection

Examples of non-rockabilly male musicians with pompadours

Tango and Latin connection