Beyond Outrage

  (Redirected from Outrage Beyond)

Beyond Outrage (アウトレイジ ビヨンド, Autoreiji Biyondo) is a 2012 Japanese yakuza film directed by Takeshi Kitano, starring Kitano (a.k.a. "Beat Takeshi"), Toshiyuki Nishida, and Tomokazu Miura. It is a sequel to Kitano's 2010 film Outrage and is followed by the 2017 film Outrage Coda.

Beyond Outrage
Beyond Outrage US Poster.jpg
US Theatrical release poster
Directed byTakeshi Kitano
Produced byMasayuki Mori
Takio Yoshida
Written byTakeshi Kitano
StarringBeat Takeshi
Toshiyuki Nishida
Tomokazu Miura
Music byKeiichi Suzuki
CinematographyKatsumi Yanagishima
Edited byTakeshi Kitano
Yoshinori Ota
Distributed byJapan:
Warner Bros. Pictures
United States:
Magnet Releasing
Release date
  • September 2, 2012 (2012-09-02) (Venice Film Festival)
  • October 6, 2012 (2012-10-06) (Japan)
Running time
112 minutes
Box officeUS$16,211,978[1]

Plot summaryEdit

Five years have passed since the events of Outrage. Otomo, former Yakuza of the Sanno-kai crime syndicate, is presumed dead after being stabbed in prison by Kimura, whose clan Otomo helped destroy. Sekiuchi, chairman of the Sanno-Kai, was assassinated and succeeded by his underboss Kato, who has completely overhauled the syndicate to involve more legitimate businesses and build influence among high-ranking government officials, overseen by Ishihara, Otomo's treasurer and betrayer. However, Kato's emphasis on a system of modernization and profit-based promotion offends and concerns the more senior bosses, who are continually passed over in favor of younger, more profitable members and fear becoming obsolete.

The murder of an anti-corruption cop unnerves his colleagues, who know he was investigating corruption on the part of a Land Minister in league with the Sanno-kai. The anti-corruption department decides the Sanno-kai has become dangerously powerful and must be dismantled. To that end, they call in detective Kataoka, whose well-known ties among the yakuza allowed him to orchestrate much of the events of the first film. Corrupt and self-serving, Kataoka decides to instigate a war between the Sanno-Kai and the Hanabishi-kai from western Japan, in the hopes they will destroy each other. He convinces Tomita, one of the most senior and vocally resentful Sanno-kai bosses, to meet with Fuse, chairman of the Osaka branch of the Hanabishi-kai, about forcing Kato to retire. Fuse, concerned Tomita lacks the support needed to mount a takeover, reports him to Kato, who kills him as a lesson to other dissenters.

Kataoka turns to Otomo, whose death was just a rumor spread by Kataoka; he has spent the last five years in a maximum security prison. Kimura, his nemesis, has been released and struggles to adjust to civilian life as the owner of a batting cage. Kataoka has Otomo's sentence commuted and secures his early parole, while informing Kato and Ishihara he is still alive. A paranoid Ishihara hires assassins to kill Otomo, while Kataoka has him meet with Kimura. Time has caused the animosity between the two to become remorse, and Kimura expresses interest in joining forces to get revenge on those who betrayed them. Otomo knows they are being manipulated by Kataoka and wants no part of it. He is contacted by a childhood friend, Chang Dae-Sung, who is now an underworld fixer for gangs in both Japan and Korea and offers him a place in his employment; Otomo promises to consider it. When one of Ishihara's assassins nearly kills him, however, Otomo realizes he will never be left alone and agrees to partner with Kimura.

With the tacit approval of the Hanabishi-kai, Otomo and Kimura carry out a ruthless and bloody rampage through the ranks of the Sanno-kai. Kato's inability to stop the attacks causes increasing dissent in his syndicate, and the senior bosses are further manipulated by the Hanabishi-kai. Fuse also reveals he knows the truth about Sekiuchi's murder, using it as leverage. Kimura captures Ishihara, whom Otomo ties to a chair to be beaten to death by a pitching machine. Eventually all but a few of the Sanno-Kai bosses demand that Kato retire. Pressured by Fuse, he makes a public statement to the police taking responsibility for the war and Sekiuchi's murder, which is an enormous boost to Kataoka's career. Kimura decides to make a pact with Fuse, but Otomo, warned by Chang that both syndicates deem the two of them expendable, declares himself finished with the war and leaves. Kato, reduced to a mere civilian, is personally assassinated by Otomo at a pachinko parlor. The Sanno-Kai, decimated by the war, is absorbed into the Hanabishi-kai, making it almost omnipotent in central Japan.

Chang's warning proves to be true as Kimura is killed by Hanabishi-kai hitmen, after a police raid led by Kataoka leaves him defenseless. The Hanabishi-kai and Sanno-kai bosses gather at his funeral service, observed by Kataoka. Otomo arrives, intending to pay his respects; Kataoka, knowing both clans want Otomo dead, gives him a gun. But by now Otomo knows the war was entirely his doing, and shoots him.



Beyond Outrage was screened in competition at the 69th Venice International Film Festival.[2]


Kitano returned to Keiichi Suzuki, the same Japanese composer he had used for the original Outrage film, for the complete sequel soundtrack, and previously Kitano had collaborated with him for the complete soundtrack to his Zatoichi film. This complete soundtrack for Beyond Outrage was their third film collaboration.


Gabe Toro of IndieWire gave Beyond Outrage an "A-" rating.[3] Justin Chang of Variety described the film as "a slow-motion deathtrap in which the wall-to-wall chatter feels like a joyless, too-leisurely distraction from the inevitable bloodletting". Meanwhile, he commented that Otomo (Beat Takeshi) is "the most memorable figure here, a demon of death shown to brook no nonsense in the film's blunt, perfect final scene".[4] Lee Marshall of Screen International said, "Out-and-out shouting matches between supposedly composed clan members are another forte of Outrage Beyond – a film that always has humour bubbling just underneath its hard-boiled surface".[5]

Kinema Junpo placed Beyond Outrage at number 3 in their "10 Best Japanese Films of 2012",[6] while it was ranked at number 36 on the Film Comment's "50 Best Undistributed Films of 2012".[7]


In September 2012, Takeshi Kitano said that the producers wanted him to make the third Outrage film.[8] As reported by Macnab, the making of a third Outrage film would complete the first film trilogy for Takeshi Kitano. As of 30 June 2013, Box Office Mojo reported a total revenue for Outrage approaching USD ten million with USD 8,383,891 in the total worldwide lifetime box office.[9] As of 28 July 2013, Beyond Outrage had receipts more than twice as high, at USD 16,995,152. Japanese GQ has announced in December 2016 that the third film of the Outrage series is planned for release before the end of 2017 and is currently in post-production.[10]


  1. ^ "Autoreiji: Biyondo (2012)". Box Office Mojo. Retrieved 3 November 2013.
  2. ^ Schilling, Mark (5 October 2012). "'Outrage Beyond'". The Japan Times.
  3. ^ Toro, Gabe (11 October 2012). "NYFF Review: 'Outrage Beyond' Is Pure Unfiltered Takeshi Kitano". IndieWire.
  4. ^ Chang, Justin (2 September 2012). "Outrage Beyond - Variety". Variety.
  5. ^ Marshall, Lee (3 September 2012). "Outrage Beyond - Review - Screen". Screen International.
  6. ^ 2012年 第86回キネマ旬報ベスト・テン [86th Kinema Junpo Best Ten, 2012]. Kinema Junpo (in Japanese). Archived from the original on 13 March 2016. Retrieved 19 January 2013.
  7. ^ "50 Best Undistributed Films of 2012". Film Comment. 13 December 2012.
  8. ^ Macnab, Geoffrey (5 September 2012). "Takeshi Kitano considers making a third Outrage movie". Screen International.
  9. ^ "Japan Box Office July 3–4, 2010". Box Office Mojo. Retrieved 2013-06-13.
  10. ^ Tomita, Hidetsugu. Japanese GQ. 2016-12-03.

External linksEdit