Not Without My Daughter (film)
Not Without My Daughter is a 1991 American drama film based on the book of the same name, depicting the escape of American citizen Betty Mahmoody and her daughter from her abusive husband in Iran. The film was shot in the United States, Turkey and Israel, and the main characters Betty Mahmoody and Sayyed Bozorg "Moody" Mahmoody are played by Sally Field and Alfred Molina, respectively. Sheila Rosenthal and Roshan Seth star as Mahtob Mahmoody and Houssein the smuggler, respectively.
|Not Without My Daughter|
|Directed by||Brian Gilbert|
|Produced by||Harry J. Ufland|
Mary Jane Ufland
|Screenplay by||David W. Rintels|
|Based on||Not Without My Daughter by Betty Mahmoody and William Hoffer|
|Music by||Jerry Goldsmith|
|Edited by||Terry Rawlings|
|January 11, 1991|
In 1984, an Iranian physician, Sayyed Bozorg "Moody" Mahmoody lives in the United States with his American wife Betty (Sally Field) and their daughter Mahtob. Due to his background, he is often mocked and ridiculed by American physicians at the hospital where he works. Moody claims that his Iranian family wants to meet Betty and Mahtob, and asks them to come with him for a two-week visit.
Despite her deep fears about visiting Iran, particularly due to the Iranian Hostage Crisis of several years earlier, Betty reluctantly agrees after her husband promises they will safely return to America. Upon their arrival, they are all greeted warmly by Moody's family. Mahtob is embraced, while Betty's unfamiliarity with Iranian culture inadvertently offends some members of Moody's family. The night before their flight back to the United States, Moody's brother Mammal tells Moody and Betty that in order for them to go back home, their passports would’ve had to have been taken to the airport for approval three days prior to travel. Betty questions this, but Moody seems to brush this off, suggesting that they will take a later flight.
After Betty insists that they go to the airport anyway, Moody reveals that he never intended for them to return, and that they will now remain in Iran permanently. When Betty protests, Moody becomes enraged and strikes her. Betty tries to earn sympathy from Moody's family, but is scorned by them. Meanwhile, Iran's war with Iraq continues, with the family at one point having to shelter in place during an Iraqi missile attack; Moody blames these difficulties on American support for Iraq.
Moody becomes more hostile and abusive to his wife and daughter, preventing Betty from leaving the house or even using the telephone. One day Betty answers a phone call from her mother and reveals she is trapped in Iran. Her mother tells her to seek help from the American Interests Section of the Swiss Embassy. Betty manages to sneak out of the house and secretly visit the embassy, but is told that under Iran's nationality law, she acquired Iranian citizenship upon her marriage to Moody and thus is not entitled to consular protection. Because Iran is an Islamic republic governed by sharia law, Betty cannot leave the country or make decisions concerning her daughter without her husband's permission. Moody, alarmed by Betty's absence from the house, threatens to kill her if she tries anything again.
Knowing that her chances of escape are minuscule, for 18 months Betty conforms to her husband's wishes in order to gain Moody's trust. Watched by Moody's sister, Betty convinces him that they should move out of her home and into Mammal's home. By chance, during a trip to the marketplace, she meets a sympathetic storekeeper who allows her to use his telephone and overhears her conversations with the Swiss Embassy. He puts her in contact with a pair of humanitarian Iranians, Hossein and his sister, who offer to help Betty and Mahtob return to the United States. Betty accepts Hossein's assistance, especially after he warns her that Mahtob, when she reaches nine years old, could be at risk of being forced into marriage or drafted into the military as a child soldier. Mahtob does not adjust to her new Iranian school and has to be accompanied to school by Betty. The women at the school tell Betty that they sympathize with her, and though they will not allow her to use the telephone, they allow her to bring Mahtob to school hours after she would normally arrive. Betty uses this time to meet with Hossein, and they discuss an escape route. Afterwards, When she and Mahtob arrive at school, Moody is there waiting for them and attacks her in front of Mahtob. She leaves with Moody, but flees when he is distracted. She finds a telephone booth and calls a woman from the Swiss embassy whom she had spoken with previously. They return to the school, but the women from the school forbid her from taking Mahtob. With no other options, Betty and Mahtob return home with Moody.
The plan becomes complicated when Betty learns that her father is seriously ill and may be dying. Moody tells Betty he will allow her to return to see her dying father, but will not let Mahtob go with her. He tells Betty while she is in the United States, she is to liquidate their assets and return to Iran. Hossein warns Betty that if she visits her father, she may never see Mahtob again. Betty decides to wait to return to the United States with Mahtob. Moody unknowingly foils her plans by having her booked on a flight several days early, thanks to his relatives' contacts in the airport.
Betty eventually gets what seems to be her last chance to escape when Moody is suddenly called to the clinic for an emergency. On the pretense of going to buy presents for her father, Betty takes Mahtob and they contact Hossein, who manages to supply Betty and Mahtob with fake identity documents, and they make their way past checkpoint with Iranian smugglers.
Despite the difficult and very dangerous journey, Betty and Mahtob are eventually dropped off in a street in Ankara, where they see the flag of the American Embassy in the distance. The film's end title cards reveal that Betty and Mahtob eventually made it back home to the United States, and Betty became a successful author and dedicates herself to helping those in need.
The movie was based on a book with the same title, written by Betty Mahmoody and William Hoffer and based on Betty's version of events. The screenplay was written by David W. Rintels. The film was directed by Brian Gilbert and filmed in Israel, at GG Studios in Neve Ilan and Atlanta during the summer of 1990.
A further book was released in 2015, "My Name is Mahtob" written by Mahtob Mahmoody with the tagline Not without my Daughter continues.
As of December 2018, the film holds an approval rating of 50% rating on Rotten Tomatoes, based on 16 reviews. Roger Ebert wrote "Here is a perplexing and frustrating film, which works with great skill to involve our emotions, while at the same time making moral and racial assertions that are deeply troubling." He stated that it "does not play fair with its Muslim characters. If a movie of such a vitriolic and spiteful nature were to be made in America about any other ethnic group, it would be denounced as racist and prejudiced. Yet I recommend that the film be seen, for two reasons. One reason is because of the undeniable dramatic strength of its structure and performances; it is impossible not to identify with this mother and her daughter, and Field is very effective as a brave, resourceful woman who is determined to free herself and her daughter from involuntary captivity. The second reason is harder to explain. I think the movie should be seen because it is an invitation to thought."
While Iranians are not shown in a completely negative light, as the film depicts generous and brave Iranians who contact Betty Mahmoody and arrange for the escape of her and her daughter, these "good" Iranians are high-born opponents of the Islamic Republic regime, shown listening to European classical music. In 2016, Gazelle Emami of Vulture, reflecting on the 25 years since the film's release, concluded that Not Without My Daughter had become known for making American women more apprehensive towards dating or marrying Iranian men.
The score by Jerry Goldsmith was also not well received. Jay Boyar of the Orlando Sentinel called it "TV-movie manipulative", while Jason Ankeny of AllMusic wrote, "Jerry Goldsmith's score does little to refute its opponents' charges of racism."
The documentary Without My Daughter tells the same story from Bozorg Mahmoudi's mouth.
Awards and nominationsEdit
Sheila Rosenthal won the Young Artist Award for Best Actress.
- Not Without My Daughter at IMDb
- Broeske, Pat H. (January 14, 1991). "Home Alone in 9th Week as No. 1 Film : Movies'Godfather Part III' takes dramatic slide from second to sixth place in its third week out. 'Awakenings' is in second". Los Angeles Times. Retrieved 2011-01-01.
- Broeske, Pat H. (January 22, 1991). "'Home Alone' Fends Off Yet Another 'Intruder' : Box Office: Vietnam War film opens to mediocre business as comedy remains on top for 10th week. After four weeks of release, 'Godfather Part III' drops to 12th". Los Angeles Times. Retrieved 2012-06-03.
- Ebert, Roger (January 11, 1991). "Not Without My Daughter (review)". RogerEbert.com. Retrieved 2014-07-08.
- Yale, Pat, Anthony Ham, and Paul Greenway. Iran. Lonely Planet Publications, 2001, p.86
- Emami, Gazelle (16 January 2016). "The Not Without My Daughter Problem: How a Sally Field Movie Became an Iranian-American Headache". Vulture. Retrieved 27 December 2020.
- Boyar, Jay (11 January 1991). "'Not Without My Daughter'-Good Comes With The Bad". Orlando Sentinel. Retrieved 11 June 2015.
- Ankeny, Jason. "AllMusic Review by Jason Ankeny". AllMusic. Retrieved 11 June 2015.
- Snook, Raven (14 March 2010). "The Hot Seat: Alfred Molina". Time Out. Retrieved 23 May 2016.
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