Minor Threat was an American hardcore punk band, formed in 1980 in Washington, D.C. by vocalist Ian MacKaye and drummer Jeff Nelson. MacKaye and Nelson had played in several other bands together, and recruited bassist Brian Baker and guitarist Lyle Preslar to form Minor Threat. They added a fifth member, Steve Hansgen, in 1982, playing bass, while Baker switched to second guitar.
Minor Threat performing at the Wilson Center in Washington, D.C. in 1981
|Origin||Washington, D.C., U.S.|
|Associated acts||The Teen Idles, Skewbald/Grand Union, Egg Hunt, Government Issue, The Meatmen, Dag Nasty|
|Past members||Ian MacKaye|
The band was relatively short-lived, disbanding after only four years together, but had a strong influence on the punk scene, both stylistically and in establishing a "do it yourself" ethic for music distribution and concert promotion. Minor Threat's song "Straight Edge" became the eventual basis of the straight edge movement, which emphasized a lifestyle without alcohol or other drugs, or promiscuous sex. AllMusic described Minor Threat's music as "iconic" and noted that their groundbreaking music "has held up better than [that of] most of their contemporaries."
Along with the fellow Washington, D.C. hardcore band Bad Brains and California band Black Flag, Minor Threat set the standard for many hardcore punk bands in the 1980s and 1990s. All of Minor Threat's recordings were released on MacKaye's and Nelson's own label, Dischord Records. The Minor Threat EP and their only full-length studio album Out of Step have received a number of accolades and are cited as landmarks of the hardcore punk genre.
- 1 History
- 2 Copyright issues
- 3 Members
- 4 Discography
- 5 References
- 6 Further reading
- 7 External links
Formation and early yearsEdit
Prior to forming Minor Threat in 1980, vocalist Ian MacKaye and drummer Jeff Nelson had played bass and drums respectively in the Teen Idles while attending Wilson High School. During their two-year career within the flourishing Washington D.C. hardcore punk scene, the Teen Idles had gained a following of around one hundred fans (a sizable amount at the time), and were seen as only second within the scene to the contemporary Bad Brains. MacKaye and Nelson were strong believers in the DIY mentality and an independent, underground music scene. After the breakup of the Teen Idles, they used the money earned through the band to create Dischord Records, an independent record label that would host the releases of the Teen Idles, Minor Threat, and numerous other D.C. punk bands.
Eager to start a new band after the Teen Idles, MacKaye and Nelson recruited guitarist Lyle Preslar and bassist Brian Baker. They played their first performance in December 1980 to fifty people in a basement, opening for Bad Brains, The Untouchables, Black Market Baby and S.O.A., all D.C. bands.
The band's first 7" EPs, Minor Threat and In My Eyes, were released in 1981. The group became popular regionally and toured the east coast and Midwest.
"Straight Edge," a song from the band's first EP, helped to inspire the straight edge movement. The lyrics of the song relay MacKaye's first-person perspective of his personal choice of abstinence from alcohol and other drugs, a novel ideology for rock musicians which initially found a small but dedicated following. Other prominent groups that subsequently advocated the straight edge stance include SS Decontrol and 7 Seconds. Although the original song was not written as a manifesto or a "set of rules," many later bands inspired by this idea used it as such, and over the years since its release, the song and the term "straight edge" became the zeitgeist for an entire subculture, and indeed the basis for a paradigm shift that has persisted and grown consistently throughout the world. The term comes as the point of the story -- he doesn't want to do drugs or drink, so therefore the writer has an edge over those who do -- a straight edge.
"Out of Step", A Minor Threat song from their second EP, further demonstrates the said belief: "Don't smoke/Don't drink/Don't fuck/At least I can fucking think/I can't keep up/I'm out of step with the world." The "I" in the lyrics was usually only implied, mainly because it did not quite fit the rhythm of the song. Some of the other members of Minor Threat, Jeff Nelson in particular, took exception to what they saw as MacKaye's imperious attitude on the song. The song was later re-recorded, and the updated version of the song on the 1983 album Out of Step, which is slower so the first-person use of "I" would be clearer, included a bridge where MacKaye explains his personal beliefs, explaining that his ideals, which at the time were not yet known as what became a collective philosophy, or in fact, known as "straight edge," "is not a set of rules; I'm not telling you what to do. All I'm saying is there are three things, that are like so important to the whole world that I don't happen to find much importance in, whether it's fucking, or whether it's playing golf, because of that, I feel... I can't keep up... (full chorus)".
Minor Threat's song "Guilty of Being White" led to some accusations of racism[by whom?], but MacKaye has strongly denied such intentions and said that some listeners misinterpreted his words. He claims that his experiences attending Wilson High School, whose student population was 70 percent black, inspired the song. There, many students bullied MacKaye and his friends. Thrash metal band Slayer later covered the song, with the last iteration of the lyric "guilty of being white" changed to "guilty of being right." In an interview, MacKaye stated that he was offended that some perceived racist overtones in the lyrics, saying, "To me, at the time and now, it seemed clear it's an anti-racist song. Of course, it didn't occur to me at the time I wrote it that anybody outside of my twenty or thirty friends who I was singing to would ever have to actually ponder the lyrics or even consider them."
In the time between the release of the band's second seven-inch EP and the Out of Step record, the band briefly split when guitarist Lyle Preslar moved to Illinois to attend college for a semester at Northwestern University. Preslar was a member of Big Black for a few tempestuous rehearsals. During that period, MacKaye and Nelson put together a studio-only project called Skewbald/Grand Union; in a reflection of the slowly increasing disagreements between the two musicians, they were unable to decide on one name. The group recorded three untitled songs, which would be released posthumously as Dischord's 50th release. During Minor Threat's inactive period, Brian Baker also briefly played guitar for Government Issue and appeared on the Make an Effort EP.
In March 1982, at the urging of Bad Brains' H.R., Preslar left college to reform Minor Threat. The reunited band featured an expanded lineup: Steve Hansgen joined as the band's bassist and Baker switched to second guitar.
When "Out of Step" was rerecorded for the LP Out of Step, MacKaye inserted a spoken section explaining, "This is not a set of rules..." An ideological door had already been opened, however, and by 1982, some straight-edge punks, such as followers of the band SS Decontrol, were swatting beers out of people's hands at clubs.
Minor Threat broke up in 1983. A contributing factor was disagreement over musical direction. MacKaye was allegedly skipping rehearsal sessions towards the end of the band's career, and he wrote the lyrics to the songs on the Salad Days EP in the studio. That was quite a contrast with the earlier recordings, as he had written and co-written the music for much of the band's early material. Minor Threat, which had returned to being a four-piece group with the departure of Hansgen, played its final show on September 23, 1983, at the Lansburgh Cultural Center in Washington, D.C., sharing the bill with go-go band Trouble Funk, and Austin, Texas punk funk act the Big Boys. In a meaningful way, Minor Threat ended their final set with "Last Song", a tune whose name was also the original title of the band's song "Salad Days".
Following the breakup, MacKaye stated that he did not "check out" on hardcore, but in fact hardcore "checked out." Explaining this, he stated that at a 1984 Minutemen show, a fan struck MacKaye's younger brother Alec in the face, and he punched the fan back, then realizing that the violence was "stupid," and that he saw his role in the stupidity. MacKaye claimed that immediately after this he decided to leave the hardcore scene.
In March 1984, six months after the band broke up, the EPs Minor Threat and In My Eyes were compiled together and re-released as the Minor Threat album.
Preslar was briefly a member of Glenn Danzig's Samhain, and his playing appears on a few songs on the band's first record. He joined The Meatmen in 1984, along with fellow Minor Threat member Brian Baker. He later ran Caroline Records, signing and working with (among others) Peter Gabriel, Ben Folds, Chemical Brothers, and Idaho, and ran marketing for Sire Records. He graduated from Rutgers University School of Law and lives in New Jersey.
Nelson played less-frantic alternative rock with Three and The High-Back Chairs before retiring from live performance. He runs his own label, Adult Swim Records, distributed by Dischord, and is a graphic artist and a political activist in Toledo, Ohio. The band's own Dischord Records released material by many bands from the Washington, D.C., area, such as Government Issue, Void, Scream, Fugazi, Artificial Peace, Rites of Spring, Gray Matter, and Dag Nasty, and has become a respected independent record label.
In 2005, a mock-up of the cover of Minor Threat's first EP (also used on the Minor Threat LP and Complete Discography CD) was copied by athletic footwear manufacturer Nike for use on a promotional poster for a skateboarding tour called "Major Threat". Nike also altered Minor Threat's logo (designed by Jeff Nelson) for the same campaign, as well as featuring Nike shoes in the new picture, rather than the combat boots worn by Ian MacKaye's younger brother Alec on the original.
MacKaye issued a press statement condemning Nike's actions and said that he would discuss legal options with the other members of the band. Meanwhile, fans, at the encouragement of Dischord, organized a letter-writing campaign protesting Nike's infringement. On June 27, 2005, Nike issued a statement apologizing to Minor Threat, Dischord Records, and their fans for the "Major Threat" campaign and said that all promotional artwork (print and digital) that they could acquire were destroyed.
On October 29, 2005, Fox played the first few seconds of Minor Threat's "Salad Days" during an NFL broadcast. Use of the song was not cleared by Dischord Records or any of the members of Minor Threat. Fox claimed that the clip was too short to have violated any copyrights.
In 2007, Brooklyn-based company Wheelhouse Pickles marketed a pepper sauce named "Minor Threat Sauce". Requesting only that the original label design (which was based on the "Bottled Violence" artwork) be amended, Ian MacKaye gave the product his endorsement. A small mention of this was made in music magazine Revolver, where MacKaye commented "I don't really like hot sauce but I like the Minor Threat stuff".
In 2013, Minor Threat shirts began appearing in Urban Outfitters stores. Ian MacKaye confirmed that the shirts were officially licensed. Having spent what he described as "a complete waste of time" trying to track down bootlegged Minor Threat merchandise, MacKaye and Dischord made arrangements with a merchandise company in California to manage licensing of the band's shirts, as well as working to ensure that bootleg manufacturers of the shirts were curtailed. In comments that appeared in Rolling Stone, MacKaye called it "absurd" for the shirts to be sold for $28 but concluded that "my time is better spent doing other things" than dealing with shirts. Dischord had previously taken action against Forever 21 in 2009 for marketing unlicensed Minor Threat shirts.
- Minor Threat (EP, 1981)
- In My Eyes (EP, 1981)
- Out of Step (studio album, 1983)
- Salad Days (EP, 1985)
- Hargus, Billy Bob. "Ian MacKaye Interview". Perfect Sound Forever. Archived from the original on June 9, 2007. Retrieved June 9, 2007.
- Raggett, Ned. "Out of Step". AllMusic. Retrieved January 6, 2006.
- Erlewine, Stephen Thomas. "Complete Discography". AllMusic. Retrieved January 6, 2006.
- "List of Minor Threat Accolades". Acclaimed Music. Retrieved 2012-04-08.
- "List of Out of Step Accolades". Acclaimed Music. Archived from the original on 2011-01-14. Retrieved 2012-04-08.
- Pappalardo, Anthony. "The Influence of Minor Threat 30 Years After Their First Show". Alternative Press. Alternative Press. Archived from the original on 16 November 2014. Retrieved 29 June 2013.
- "Minor Threat". Kill from the Heart. Archived from the original on March 10, 2016.
- Azzerad, Michael, Our Band Could Be Your Life, New York: Little, Brown and Company, 2012
- Andersen, Mark; Jenkins, Mark (Soft Skull Press, 2001). Dance of Days: Two Decades of Punk in the Nation's Capital. Fourth ed., 2009. Akashic Books. ISBN 9781933354996. pp. 122 and 148.
- "Minor Threat at Lansburgh Cultural Center - September 23, 1983". All It Happened. Archived from the original on October 16, 2015.
- Nike Skateboarding "Major Threat East Coast Tour Poster Archived 2015-05-04 at the Wayback Machine" Nike. Retrieved on March 17, 2007.
- Moyer, Justin "Fox Uses "Salad Days" on NFL Broadcast Archived 2008-09-24 at the Wayback Machine" EconoCulture. Retrieved on March 17, 2007.
- "Wheelhouse Pickles". Wheelhouse Pickles. Archived from the original on 2011-11-06. Retrieved 2011-10-23.
- Del Signore, John (December 14, 2007). "MacKaye Mildly Endorses Minor Threat Hot Sauce" Archived 2009-02-20 at the Wayback Machine. Gothamist. Retrieved October 23, 2011.
- "Minor Threat Turns Condiment, But Ian Doesn't Mind". Pitchfork. Archived from the original on March 2, 2009.
- "Ian MacKaye Approves Urban Outfitters' Minor Threat Apparel". Rolling Stone. Retrieved 5 February 2017.
- "Forever 21 Sold Bootleg Minor Threat Shirts". Pitchfork. Retrieved 5 February 2017.
- Long Washington Post Express interview with Brian Baker from 2007
- Andersen, Mark; Jenkins, Mark (Soft Skull Press, 2001). Dance of Days: Two Decades of Punk in the Nation's Capital. Fourth ed., 2009. Brooklyn, New York: Akashic Books. ISBN 9781933354996.
- Azerrad, Michael (2001), Our Band Could Be Your Life: Scenes From the American Indie Underground, 1981-1991, Boston, MA: Little Brown, ISBN 978-0-316-78753-6.
- Connolly, Cynthia; Clague, Leslie & Cheslow, Sharon (1988), Banned in DC: Photos and Anecdotes From the DC Punk Underground 1979-85, Washington, DC: Sun Dog Propaganda, ISBN 978-0-9620944-0-8.