Minangkabau people (Minangkabau: Urang Minang; Indonesian: Suku Minang; Jawi: اورڠ مينڠ), also known as Minang, is an ethnic group indigenous to the Minangkabau Highlands of West Sumatra, Indonesia. The Minangkabau are the largest matrilineal society in the world, with property, family name and land passing down from mother to daughter, while religious and political affairs are the responsibility of men, although some women also play important roles in these areas. This custom is called Lareh Bodi Caniago and is known as Adat perpatih in Malaysia. Today 4.2 million Minangs live in the homeland of West Sumatra, while about 60% of the people are scattered throughout many Indonesian and Malay Peninsular cities and towns.
A Minangkabau bride and groom, the bride is wearing a Suntiang crown.
|c. 8 million|
|Regions with significant populations|
|Minangkabau, Indonesian and Malay.|
|Related ethnic groups|
|Malays, Mandailing, Kerinci, Aneuk Jamee, Sakai|
The Minangkabau are famous for their dedication to education, as well as the widespread diaspora of their men throughout southeast Asia, the result being that Minangs have been disproportionately successful in gaining positions of economic and political power throughout the region. The co-founder of the Republic of Indonesia, Mohammad Hatta, was a Minang, as were the first President of Singapore, Yusof bin Ishak, and the first Supreme Head of State or Yang di-Pertuan Agong of Malaysia, Tuanku Abdul Rahman.
The Minangkabau are strongly Islamic, but also follow their ethnic traditions, or adat. The Minangkabau adat was derived from animist and Hindu-Buddhist beliefs before the arrival of Islam, and remnants of animist beliefs still exist even among some practising Muslims. The present relationship between Islam and adat is described in the saying "tradition [adat] founded upon Islamic law, Islamic law founded upon the Qur'an" (adat basandi syara', syara' basandi Kitabullah).
As one of the world's most populous (as well as politically and economically influential) matrilineal ethnicity, Minangkabau gender dynamics have been extensively studied by anthropologists. The adat (Minangkabau: Adaik) traditions have allowed Minangkabau women to hold a relatively advantageous position in their society compared to most patriarchal societies, as most property and other economic assets pass though female lines. With the arrival of the Dutch and other Muslim groups, the traditions have been gradually influenced by both western and conservative Islamic thought.
Based on the Raffles' vision, Minangkabau is believed to have been the cradle of the Malay race. Their West Sumatran homelands was the seat of the Pagaruyung Kingdom and the location of the Padri War (1821 to 1837).
The name Minangkabau has been falsely thought to be a conjunction of two words, minang ("victorious") and kabau ("buffalo"). There is allegedly a legend that the name is derived from a territorial dispute between the Minangkabau and a neighbouring prince. To avoid a battle, the local people proposed a fight to the death between two water buffalo to settle the dispute. The prince agreed and produced the largest, meanest, most aggressive buffalo. The Minangkabau produced a hungry baby buffalo with its small horns ground to be as sharp as knives. Seeing the adult buffalo across the field, the baby ran forward, hoping for milk. The big buffalo saw no threat in the baby buffalo and paid no attention to it, looking around for a worthy opponent. But when the baby thrust his head under the big bull's belly, looking for an udder, the sharpened horns punctured and killed the bull, and the Minangkabau won the contest and the dispute.
Actually, the word 'victorious' in Minangkabau Language is 'manang', not 'minang'. The word 'minang' actually means consuming pinang. But there hasn't been any popular explanation on the word 'minang' that relates to consuming pinang to the word water buffalo.
The roofline of traditional houses in West Sumatra, called Rumah Gadang (Minangkabau, "big house"), curve upward from the middle and end in points, in imitation of the water buffalo's upward-curving horns.
The first mention of the name Minangkabau as Minanga Tamwan, is in the late 7th century Kedukan Bukit inscription, describing Sri Jayanasa sacred journey from Minanga Tamwan accompanied with 20.000 soldiers heading to Matajap and conquering several areas in the southern of Sumatra.
The Minangkabau language is a member of the Austronesian language family, and is closest to the Malay language, though when the two languages split from a common ancestor and the precise historical relationship between Malay and Minangkabau culture is not known. Until the 20th century the majority of the Sumatran population lived in the highlands. The highlands are well suited for human habitation, with plentiful fresh water, fertile soil, a cool climate, and valuable commodities. It is probable that wet rice cultivation evolved in the Minangkabau Highlands long before it appeared in other parts of Sumatra, and predates significant foreign contact.
Adityawarman, a follower of Tantric Buddhism with ties to the Singhasari and Majapahit kingdoms of Java, is believed to have founded a kingdom in the Minangkabau highlands at Pagaruyung and ruled between 1347 and 1375.:232 The establishment of a royal system seems to have involved conflict and violence, eventually leading to a division of villages into one of two systems of tradition, Bodi Caniago and Koto Piliang, the later having overt allegiances to royalty. By the 16th century, the time of the next report after the reign of Adityawarman, royal power had been split into three recognised reigning kings. They were the King of the World (Raja Alam), the King of Adat (Raja Adat), and the King of Religion (Raja Ibadat), and collectively they were known as the Kings of the Three Seats (Rajo Tigo Selo). The Minangkabau kings were charismatic or magical figures, but did not have much authority over the conduct of village affairs.
It was around the 16th century that Islam started to be adopted by the Minangkabau. The first contact between the Minangkabau and western nations occurred with the 1529 voyage of Jean Parmentier to Sumatra. The Dutch East India Company first acquired gold at Pariaman in 1651, but later moved south to Padang to avoid interference from the Acehnese occupiers. In 1663 the Dutch agreed to protect and liberate local villages from the Acehnese in return for a trading monopoly, and as a result setup trading posts at Painan and Padang. Until early in the 19th century the Dutch remained content with their coastal trade of gold and produce, and made no attempt to visit the Minangkabau highlands. As a result of conflict in Europe, the British occupied Padang from 1781 to 1784 during the Fourth Anglo-Dutch War, and again from 1795 to 1819 during the Napoleonic Wars.
Late in the 18th century the gold supply which provided the economic base for Minangkabau royalty began to be exhausted. Around the same time other parts of the Minangkabau economy had a period of unparalleled expansion as new opportunities for the export of agricultural commodities arose, particularly with coffee which was in very high demand. A civil war started in 1803 with the Padri fundamentalist Islamic group in conflict with the traditional syncretic groups, elite families and Pagaruyung royals. As a result of a treaty with a number of penghulu and representatives of the Minangkabau royal family, Dutch forces made their first attack on a Padri village in April 1821. The first phase of the war ended in 1825 when the Dutch signed an agreement with the Padri leader Tuanku Imam Bonjol to halt hostilities, allowing them to redeploy their forces to fight the Java War. When fighting resumed in 1832, the reinforced Dutch troops were able to more effectively attack the Padri. The main centre of resistance was captured in 1837, Tuanku Imam Bonjol was captured and exiled soon after, and by the end of the next year the war was effectively over.
With the Minangkabau territories now under the control of the Dutch, transportation systems were improved and economic exploitation was intensified. New forms of education were introduced, allowing some Minangkabau to take advantage of a modern education system. The 20th century marked a rise and cultural and political nationalism, culminating in the demand for Indonesian independence. Later rebellions against the Dutch occupation occurred such as the 1908 Anti-Tax Rebellion and the 1927 Communist uprising. During World War II the Minangkabau territories were occupied by the Japanese, and when the Japanese surrendered in August 1945 Indonesia proclaimed independence. The Dutch attempts to regain control of the area were ultimately unsuccessful and in 1949 the Minangkabau territories became part of Indonesia as the province of Central Sumatra.
In February 1958, dissatisfaction with the centralist and communist-leaning policies of the Sukarno administration triggered a revolt which was centred in the Minangkabau region of Sumatra, with rebels proclaiming the Revolutionary Government of the Republic of Indonesia (PRRI) in Bukittinggi. The Indonesian military invaded West Sumatra in April 1958 and had recaptured major towns within the next month. A period of guerrilla warfare ensued, but most rebels had surrendered by August 1961. In the years following, West Sumatra was like an occupied territory with Javanese officials occupying most senior civilian, military and police positions. The policies of centralisation continued under the Suharto regime. The national government legislated to apply the Javanese desa village system throughout Indonesia, and in 1983 the traditional Minangkabau nagari village units were split into smaller jorong units, thereby destroying the traditional village social and cultural institutions. In the years following the downfall of the Suharto regime decentralisation policies were implemented, giving more autonomy to provinces, thereby allowing West Sumatra to reinstitute the nagari system.
The traditional historiography or tambo of the Minangkabau tells of the development of the Minangkabau World (alam Minangkabau) and its adat. These stories are derived from an oral history which was transmitted between generations before the Minangkabau had a written language. The first Minangkabau are said to have arrived by ship and landed on Mount Marapi when it was no bigger than the size of an egg, which protruded from a surrounding body of water. After the waters receded the Minangkabau proliferated and dispersed to the slopes and valleys surrounding the volcano, a region called the darek. The darek is composed of three luhak – Tanah Datar, Agam and Limapuluh Koto. The tambo claims the ship was sailed by a descendant of Alexander the Great (Iskandar Zulkarnain).
A division in Minangkabau adat into two systems is said to be the result of conflict between two half-brothers Datuak Katumangguangan and Datuak Parpatiah nan Sabatang, who were the leaders who formulated the foundations of Minangkabau adat. The former accepted Adityawarman, a prince from Majapahit, as a king while the latter considered him a minister, and a civil war ensued. The Bodi Caniago/Adat perpatih system formulated by Datuak Parpatiah nan Sabatang is based upon egalitarian principles with all panghulu (clan chiefs) being equal while the Koto Piliang /Adat Katumangguangan system is more autocratic with there being a hierarchy of panghulu. Each village (nagari) in the darek was an autonomous "republic", and governed independently of the Minangkabau kings using one of the two adat systems. After the darek was settled, new outside settlements were created and ruled using the Koto Piliang system by rajo who were representatives of the king.
Minangkabau have large corporate descent groups, but they traditionally reckon descent matrilineally. A young boy, for instance, has his primary responsibility to his mother's and sisters' clans. It is considered "customary" and ideal for married sisters to remain in their parental home, with their husbands having a sort of visiting status. Not everyone lives up to this ideal, however. In the 1990s, anthropologist Evelyn Blackwood studied a relatively conservative village in Sumatra Barat where only about 22 percent of the households were "matrihouses", consisting of a mother and a married daughter or daughters. Nonetheless, there is a shared ideal among Minangkabau in which sisters and unmarried lineage members try to live close to one another or even in the same house.
Landholding is one of the crucial functions of the suku (female lineage unit). Because Minangkabau men, like Acehnese men, often migrate to seek experience, wealth, and commercial success, the women's kin group is responsible for maintaining the continuity of the family and the distribution and cultivation of the land. These family groups, however, are typically led by a penghulu (headman), elected by groups of lineage leaders. With the agrarian base of the Minangkabau economy in decline, the suku—as a landholding unit—has also been declining somewhat in importance, especially in urban areas. Indeed, the position of penghulu is not always filled after the death of the incumbent, particularly if lineage members are not willing to bear the expense of the ceremony required to install a new penghulu.
The Minangs are the world's largest matrilineal society; properties such as land and houses are inherited through female lineage and guarded by clanmen. This custom is called Adat perpatih. Some scholars argue that this might have caused the diaspora (Minangkabau, "merantau") of Minangkabau males throughout the Maritime Southeast Asia to become scholars or to seek fortune as merchants. However, the native Minangkabaus agreed that this matrilineal culture is indeed the result of (not the reason for) diaspora. With their men travelling out of the country for unspecified time (with possibility of some of them not returning home), it is only logical to hand the land and property to those who do not have to leave it: The women. This also ensures the women's (meaning: mothers of the future generations') welfare and hence ensuring their offsprings welfare. Besides, native Minangkabaus argue that "Men can live anywhere and hence they do not need a house like women do". The concept of matrilineal can be seen from the naming of important museums such as "The house where Buya Hamka was born" by Maninjau Lake. It has never been and never will be Buya Hamka's house because it was his mother's house and passed down only to his sisters. Another museum in Bukit Tinggi was called by the locals: "Muhammad Hatta's Mom's house" where you will see that Muhammad Hatta (the Indonesia's Independence Proclamator) only had a room outside of the house, albeit attached to it.
As early as the age of 7, boys traditionally leave their homes and live in a surau (a prayer house and community centre) to learn religious and cultural (adat) teachings. At the surau during night time (after the Isyak prayers), these youngsters are taught the traditional Minankabau art of self-defence, which is Silek, or Silat in Malay. When they are teenagers, they are encouraged to leave their hometown to learn from schools or from experiences out of their hometown so that when they are adults they can return home wise and 'useful' for the society and can contribute their thinking and experience to run the family or nagari (hometown) when they sit as the member of 'council of uncles'. This tradition has created Minang communities in many Indonesian cities and towns, which nevertheless are still tied closely to their homeland; a state in Malaysia named Negeri Sembilan is heavily influenced by Minang culture because Negeri Sembilan was originally Minangkabau's colony.
The traditions of sharia—in which inheritance laws favour males— and indigenous female-oriented adat are often depicted as conflicting forces in Minangkabau society. The male-oriented sharia appears to offer young men something of a balance against the dominance of law in local villages, which forces a young man to wait passively for a marriage proposal from some young woman's family. By acquiring property and education through merantau experience, a young man can attempt to influence his own destiny in positive ways.
Increasingly, married couples go off on merantau; in such situations, the woman's role tends to change. When married couples reside in urban areas or outside the Minangkabau region, women lose some of their social and economic rights in property. One apparent consequence is an increased likelihood of divorce.
Minangkabau were prominent among the intellectual figures in the Indonesian independence movement. Not only were they strongly Islamic (meaning: Their religious belief is different from the occupying Protestant Dutch), and like every other Sumatran: They are culturally and naturally proud people, they also have traditional belief of egalitarianism of "Standing as tall, sitting as low" (that no body stand or sit on an increased stage), they speak a language closely related to Bahasa Indonesia, which was considerably freer of hierarchical connotations than Javanese. Partly because of their tradition of merantau, Minangkabau developed a cosmopolitan bourgeoisie that readily adopted and promoted the ideas of an emerging nation-state.
Due to their culture that stresses the importance of learning, Minang people are over-represented in the educated professions in Indonesia, with many ministers from Minang.
In addition to being renowned as merchants, the Minangs have produced some of Indonesia's most influential poets, writers, statesmen, scholars, and religious scholars. Being fervent Muslims, many of them embraced the idea of incorporating Islamic ideals into modern society. Furthermore, the presence of these intellectuals combined with the people's basically proud character, made the Minangkabau homeland (the province of West Sumatra) one of the powerhouses in the Indonesian struggle for independence.
Ceremonies and festivalsEdit
Minangkabau ceremonies and festivals include:
- Turun mandi – baby blessing ceremony
- Sunat rasul – circumcision ceremony
- Baralek – wedding ceremony
- Batagak pangulu – clan leader inauguration ceremony. Other clan leaders, all relatives in the same clan and all villagers in the region are invited. The ceremony lasts for seven days or more.
- Turun ka sawah – community work ceremony
- Manyabik – harvesting ceremony
- Hari Rayo – Islamic festivals
- Adoption ceremony
- Adat ceremony
- Funeral ceremony
- Wild boar hunt ceremony
- Maanta pabukoan – sending food to mother-in-law for Ramadhan
- Tabuik – Muslim celebration in the coastal village of Pariaman
- Tanah Ta Sirah, inaugurate a new clan leader (Datuk) when the old one died in the few hours (no need to proceed to the batagak pangulu, but the clan must invite all clan leader in the region).
- Mambangkik Batang Tarandam, inaugurate a new leader (Datuk) when the old one died in the pass 10 or 50 years and even more, attendance in the Batagak Pangulu ceremony is mandatory.
Traditional Minangkabau music includes saluang jo dendang which consists of singing to the accompaniment of a saluang bamboo flute, and talempong gong-chime music. Dances include the tari piring (plate dance), tari payung (umbrella dance) and tari indang (also known as endang or badindin). Demonstrations of the silat martial art are performed. Pidato adat are ceremonial orations performed at formal occasions.
Randai is a folk theatre tradition which incorporates music, singing, dance, drama and the silat martial art. Randai is usually performed for traditional ceremonies and festivals, and complex stories may span a number of nights. It is performed as a theatre-in-the-round to achieve an equality and unity between audience members and the performers. Randai performances are a synthesis of alternating martial arts dances, songs, and acted scenes. Stories are delivered by the acting and singing and are mostly based upon Minangkabau legends and folktales. Randai originated early in the 20th century out of fusion of local martial arts, storytelling and other performance traditions. Men originally played male and female characters in the story but, since the 1960s, women have participated.
Particular Minangkabau villages specialise in cottage industries producing handicrafts such as woven sugarcane and reed purses, gold and silver jewellery using filigree and granulation techniques, woven songket textiles, wood carving, embroidery, pottery, and metallurgy.
The staple ingredients of the Minangkabau diet are rice, fish, coconut, green leafy vegetables and chili. Meat is mainly limited to special occasions, and beef and chicken are most commonly used. Pork is not halal and not consumed, while lamb, goat and game are rarely consumed for reasons of taste and availability. Spiciness is a characteristic of Minangkabau food: The most commonly used herbs and spices are chili, turmeric, ginger and galangal. Vegetables are consumed two or three times a day. Fruits are mainly seasonal, although fruits such as banana, papaya and citrus are continually available.
Three meals a day are typical with lunch being the most important, except during the fasting month of Ramadan when lunch is not eaten. Meals commonly consist of steamed rice, a hot fried dish and a coconut milk dish, with a little variation from breakfast to dinner. Meals are generally eaten from a plate using the fingers of the right hand. Snacks are more frequently eaten by people in urban areas than in villages. Western food has had little impact upon Minangkabau consumption and preference.
Rendang is a dish which is considered to be a characteristic of Minangkabau culture; it is cooked 4–5 times a year. Other characteristic dishes include Asam Padeh, Soto Padang, Sate Padang, Dendeng Balado (beef with chili sauce).
Food has a central role in the Minangkabau ceremonies which honour religious and life-cycle rites.
Minangkabau food is popular among Indonesians and restaurants are present throughout Indonesia. Nasi Padang restaurants, named after the capital of West Sumatra, are known for placing a variety of Minangkabau dishes on a customer's tablewith rice and billing only for what is taken. Nasi Kapau is another restaurant variant which specialises in dishes using offal and tamarind to add a sourness to the spicy flavour.
Rumah gadang (Minangkabau: 'big house') or rumah bagonjong (Minangkabau: 'spired roof house') are the traditional homes of the Minangkabau. The architecture, construction, internal and external decoration, and the functions of the house reflect the culture and values of the Minangkabau. A rumah gadang serves as a residence, a hall for family meetings, and for ceremonial activities. The rumah gadang is owned by the women of the family who live there – ownership is passed from mother to daughter.
The houses have dramatic curved roof structure with multi-tiered, upswept gables. According to Minangkabau tradition, the roof shapes was meant to mimic the horns of buffalo. Shuttered windows are built into walls incised with profuse painted floral carvings. The term rumah gadang usually refers to the larger communal homes, however, smaller single residences share many of its architectural elements.
Oral traditions and literatureEdit
Minangkabau culture has a long history of oral traditions. One is the pidato adat (ceremonial orations) which are performed by panghulu (clan chiefs) at formal occasions such as weddings, funerals, adoption ceremonies, and panghulu inaugurations. These ceremonial orations consist of many forms including pantun, aphorisms (papatah-patitih), proverbs (pameo), religious advice (petuah), parables (tamsia), two-line aphorisms (gurindam), and similes (ibarat).
Minangkabau traditional folktales (kaba) consist of narratives that present the social and personal consequences of either ignoring or observing the ethical teachings and the norms embedded in the adat. The storyteller (tukang kaba) recites the story in poetic or lyrical prose while accompanying himself on a rabab.
A theme in Minangkabau folktales is the central role mothers and motherhood has in Minangkabau society, with the folktales Rancak di Labuah and Malin Kundang being two examples. Rancak di Labuah is about a mother who acts as teacher and adviser to her two growing children. Initially her son is vain and headstrong and only after her perseverance does he become a good son who listens to his mother. Malin Kundang is about the dangers of treating your mother badly. A sailor from a poor family voyages to seek his fortune, becoming rich and marrying. After refusing to recognise his elderly mother on his return home, being ashamed of his humble origins, he is cursed and dies when a storm ensues and turn him along with his ship to stone. The said stone is in Air Manis beach and is known by locals as batu Malin Kundang.
Other popular folktales also relate to the important role of the woman in Minangkabau society. In the Cindua Mato epic the woman is the source of wisdom, while in the Sabai nan Aluih she is more a doer than a thinker. Cindua Mato (Staring Eye) is about the traditions of Minangkabau royalty. The story involves a mythical Minangkabau queen, Bundo Kanduang, who embodies the behaviours prescribed by adat. Cindua Mato, a servant of the queen, uses magic to defeat hostile outside forces and save the kingdom. Sabai nan Aluih (The genteel Sabai) is about a girl named Sabai who avenges the murder of her father by a powerful and evil ruler from a neighbouring village. After her father's death, her cowardly elder brother refuses to confront the murderer and so Sabai decides to take matters into her own hands. She seeks out the murderer and shoots him in revenge.
The Minangkabau language (Baso Minangkabau) is an Austronesian language belonging to the Malayic linguistic subgroup, which in turn belongs to the Malayo-Polynesian branch. The Minangkabau language is closely related to the Negeri Sembilan Malay language used by the people of Negeri Sembilan, many of which are descendants of Minangkabau immigrants.
The language has a number of dialects and sub-dialects, but native Minangkabau speakers generally have no difficulty understanding the variety of dialects. The differences between dialects are mainly at the phonological level, though some lexical differences also exist. Minangkabau dialects are regional, consisting of one or more villages (nagari), and usually correspond to differences in customs and traditions. Each sub-village (jorong) has its own sub-dialect consisting of subtle differences which can be detected by native speakers. The Padang dialect has become the lingua franca for people of different language regions.
The Minangkabau society has a diglossia situation, whereby they use their native language for everyday conversations, while the Indonesian language is used for most formal occasions, in education, and in writing, even to relatives and friends. The Minangkabau language was originally written using the Jawi script, an adapted Arabic alphabet. Romanization of the language dates from the 19th century, and a standardised official orthography of the language was published in 1976.
|Denominations||ISO 639-3||Population (as of)||Dialects|
|Minangkabau||min||6,500,000 (1981)||Agam, Payakumbuh, Tanah Datar, Sijunjung, Batu Sangkar-Pariangan, Singkarak, Pariaman, Orang Mamak, Ulu, Kampar Ocu, Rokan, Pasaman, Rao, Kuantan, Kerinci-Minangkabau, Pesisir, Aneuk Jamee (Jamee), Painan, Penghulu, Mukomuko.|
|Source: Gordon (2005).|
Despite widespread use of Indonesian, they have their own mother tongue. The Minangkabau language shares many similar words with Malay, yet it has a distinctive pronunciation and some grammatical differences rendering it unintelligible to Malay speakers.
Customs and religionEdit
Animism had been an important component of Minangkabau culture. Even after the penetration of Islam into Minangkabau society in the 16th century, animistic beliefs were not extinguished. In this belief system, people were said to have two souls, a real soul and a soul which can disappear called the semangat. Semangat represents the vitality of life and it is said to be possessed by all living creatures including animals and plants. An illness may be explained as the capture of the semangat by an evil spirit, and a shaman (pawang) may be consulted to conjure invisible forces and bring comfort to the family. Sacrificial offerings can be made to placate the spirits, and certain objects such as amulets are used as protection.
Until the rise of the Padri movement late in the 18th century, Islamic practices such as prayers, fasting and attendance at mosques had been weakly observed in the Minangkabau highlands. The Padri were inspired by the Wahhabi movement in Mecca, and sought to eliminate societal problems such as tobacco and opium smoking, gambling and general anarchy by ensuring the tenets of the Koran were strictly observed. All Minangkabau customs allegedly in conflict with the Koran were to be abolished. Although the Padri were eventually defeated by the Dutch, during this period the relationship between adat and religion was reformulated. Previously adat (customs) were said to be based upon appropriateness and propriety, but this was changed so that adat was more strongly based upon Islamic precepts.
With the Minangkabau highlands being the heartland of their culture, and with Islam likely entering the region from coast it is said that "custom descended, religion ascended" (adat manurun, syarak mandaki).
Over half of the Minangkabau people can be considered overseas Minangkabaus. They make up the majority of the population of Negeri Sembilan (in Malaysia) and Pekanbaru (in Indonesia). They also form a significant minority in the populations of Jakarta, Bandung, Medan, Batam, Surabaya and Palembang in Indonesia as well as Kuala Lumpur, Malacca, Penang, Singapore and Brunei Darussalam in the rest of the Malay world. Minangkabaus have also emigrated as skilled professionals and merchants to the Netherlands, United States, Saudi Arabia and Australia. In the overseas (rantau), they have a reputation for being shrewd merchants. The matrilineal culture and economic conditions in West Sumatra have made the Minangkabau people one of the most mobile ethnic group in Maritime Southeast Asia.
For most of the Minangkabau people, wandering is an ideal way to reach maturity and success; as a consequence, they exercised great influence in the politics of many kingdom and states in Maritime Southeast Asia. Overseas Minangkabau are also great influence developing Malaysian and Singaporean culture, mainly language, culinary, music, and martial art.
The Minangkabau are known as a society that places top priority in high education and thus they are widespread across Indonesia and foreign countries in a variety of professions and expertise such as politicians, writers, scholars, teachers, journalists, and businesspeople. Based on a relatively small population, Minangkabau is one of the most successful. According to Tempo magazine (2000 New Year special edition), six of the top ten most influential Indonesians of the 20th century were Minang. Three out of the four Indonesian founding fathers are Minangkabau people.
Many of Minangkabau people held prominent positions in the Indonesian and Malay nationalist movement. In 1920–1960, the political leadership in Indonesian was replete with Minangkabau people, such as Mohammad Hatta a former Indonesian government prime minister and vice-president, Agus Salim a former Indonesian government minister, Tan Malaka international communist leader and founder of PARI and Murba, Sutan Sjahrir a former Indonesian government prime minister and founder of Socialist Party of Indonesia, Muhammad Natsir a former Indonesian government prime minister and founder of Masyumi, Assaat a former Indonesian president, and Abdul Halim a former Indonesian government prime minister. During the liberal democracy era, Minangkabau politician dominated Indonesian parliament and cabinets. They were diversely affiliated to all of the existing factions, such as Islamist, nationalist, socialist and communist.
Minangkabau writers and journalists have made significant contributions to modern Indonesian literature. These include authors Marah Roesli, Abdul Muis, Sutan Takdir Alisjahbana, Idrus, Hamka, and Ali Akbar Navis; poets Muhammad Yamin, Chairil Anwar, and Taufik Ismail; and journalists Djamaluddin Adinegoro, Rosihan Anwar, and Ani Idrus. Many prominent Indonesian novels were written by Minangkabau writers and later influenced the development of modern Indonesian language.
Moreover, there are also significant number of Minangkabau people in the popular entertainment industry, such as movie directors Usmar Ismail and Nasri Cheppy; movie producer Djamaluddin Malik and Mira Lesmana, screenwriter Arizal and Asrul Sani; actor and actress Soekarno M. Noer, Christine Hakim, Camelia Malik, Eva Arnaz, Nirina Zubir, Titi Rajo Bintang, and Dude Herlino, as well as singers Fariz RM, Bunga Citra Lestari, Nazril Irham, Dorce Gamalama, Afgansyah Reza and Sherina Munaf
Nowadays, besides Chinese Indonesian, Minangkabau people have made significant contributions to Indonesia's economic activities. Minangkabau businessmen are also notable in hospitality sector, media industry, healthcare, publisher, automotive, and textile trading. Minangkabau businessmen also prominent in traditional Minangkabau cuisine restaurant chains in many cities of Indonesia, Malaysia, Singapore, and Australia. Notable successes include Abdul Latief and Basrizal Koto.
Historically, Minangs had also settled outside West Sumatra, migrating as far as the south Philippines by the 14th century. Raja Bagindo was the leader of the forming polity in Sulu, Philippines, which later turned into the Sultanate of Sulu. The Minangkabaus migrated to the Malay peninsula in the 14th century and began to take control of the local politics. In 1773 Raja Melewar was appointed the first head of state of Negeri Sembilan.
Minangkabaus have been filled many political positions in Malaysia and Singapore, namely the first President of Singapore, Yusof Ishak; the first Supreme Head of State (Yang di-Pertuan Agong) of the Federation of Malaya, Tuanku Abdul Rahman; and many of Malaysian government minister, such as Aishah Ghani, Amirsham Abdul Aziz, Aziz Ishak, Ghazali Shafie and Rais Yatim. They are also great contributing on Malaysian and Singaporean socio-cultural, such as Zubir Said, who composed Majulah Singapura (the national anthem of Singapore); Wandly Yazid, the Singaporean musician; the Malaysian film director, U-Wei Haji Saari; the language expert, Zainal Abidin Ahmad; as well as business and economic activities, such as Mohamed Taib bin Haji Abdul Samad, Mokhzani Mahathir and Tunku Tan Sri Abdullah.
Notable people of Minangkabau descent outside of Malay world include member of the House of Representatives of the Netherlands, Rustam Effendi; Ahmad Khatib, the imam (head) of the Shafi'i school of law at Masjid al-Haram; and Khatib's grandson Fouad Abdulhameed Alkhateeb as Saudi Arabian ambassador.
- Dobbin, Christine (1983). Islamic Revivalism in a Changing Peasant Economy: Central Sumatra, 1784–1847. Curzon Press. ISBN 0-7007-0155-9.
- Frey, Katherine Stenger (1986). Journey to the land of the earth goddess. Gramedia Publishing.
- Kahin, Audrey (1999). Rebellion to Integration: West Sumatra and the Indonesian Polity. Amsterdam University Press. ISBN 90-5356-395-4.
- Sanday, Peggy Reeves (2004). Women at the Center: Life in a Modern Matriarchy. Cornell University Press. ISBN 0-8014-8906-7.
- Summerfield, Anne; Summerfield, John (1999). Walk in Splendor: Ceremonial Dress and the Minangkabau. UCLA. ISBN 0-930741-73-0.
- Minangkabau people. Encyclopædia Britannica. 2015 Encyclopædia Britannica, Inc.
- Kewarganegaraan, Suku Bangsa, Agama dan Bahasa Sehari-hari Penduduk Indonesia Hasil Sensus Penduduk 2010 (PDF). Badan Pusat Statistik. 2011. ISBN 9789790644175. Retrieved 24 August 2012.
- "Minangkabau in Malaysia". Joshua Project. Retrieved 22 January 2015.
- Blackwood, Evelyn (2000). Webs of Power: Women, Kin, and Community in a Sumatran Village. Rowman & Littlefield. ISBN 0-8476-9911-0.
- Rathina Sankari (22 September 2016). "World’s largest matrilineal society". BBC. Retrieved 22 September 2016.
- Reid, Anthony (2001). "Understanding Melayu (Malay) as a Source of Diverse Modern Identities". Journal of Southeast Asian Studies. 32 (3): 295–313. PMID 19192500. doi:10.1017/S0022463401000157.
- Miksic, John; From megaliths to tombstones: the transition from pre-history to early Islamic period in highland West Sumatra, 2004
- R. Ng. Poerbatjaraka, Riwajat Indonesia. Djilid I, 1952, Jakarta: Yayasan Pembangunan
- Miksic, John (2004). "From megaliths to tombstones: the transition from pre-history to early Islamic period in highland West Sumatra.". Indonesia and the Malay World. 32 (93): 191. doi:10.1080/1363981042000320134.
- Coedès, George (1968). Walter F. Vella, ed. The Indianized States of Southeast Asia. trans.Susan Brown Cowing. University of Hawaii Press. ISBN 978-0-8248-0368-1.
- Dobbin, Christine (1977). "Economic change in Minangkabau as a factor in the rise of the Padri movement, 1784–1830". Indonesia. Indonesia, Vol. 23. 23 (1): 1–38. JSTOR 3350883. doi:10.2307/3350883.
- Abdullah, Taufik (October 1966). "Adat and Islam: An Examination of Conflict in Minangkabau". Indonesia. Indonesia, Vol. 2. 2: 1–24. JSTOR 3350753. doi:10.2307/3350753.
- Reid, Anthony (2005). An Indonesian Frontier: Acehnese and Other Histories of Sumatra. National University of Singapore Press. ISBN 9971-69-298-8.
- Kahin (1999), pages 165–229
- Kahin (1999), pages 257–261
- Tedjasukmana, Jason (12 March 2001). "Success Story". Time Inc. Retrieved 8 October 2007.
- Summerfield (1999), pages 48–49
- Kuipers, Joel C. "Minangkabau". In Indonesia: A Country Study (William H. Frederick and Robert L. Worden, eds.). Library of Congress Federal Research Division (2011). This article incorporates text from this source, which is in the public domain.
- Michael G. Peletz, A Share of the Harvest: Kinship, Property, and Social History Among the Malays of Rembau, 1988
- Crawford Young, The Politics of Cultural Pluralism, The University of Wisconsin Press, 1976
- Pauka, Kirstin (1998). "The Daughters Take Over? Female Performers in Randai Theatre". The Drama Review. 42 (1): 113–121. doi:10.1162/105420498760308706.
- Pauka, Kirstin; Askovic, Ivana; Polk, Barbara (2003). "Umbuik Mudo and the Magic Flute: A Randai Dance-Drama". Asian Theatre Journal. 20 (2): 113. doi:10.1353/atj.2003.0025.
- Cohen, Matthew Isaac (2003). "Look at the Clouds: Migration and West Sumatran 'Popular' Theatre". New Theatre Quarterly. 19 (3): 214–229. doi:10.1017/S0266464X03000125.
- Lipoeto, Nur I; Agus, Zulkarnain; Oenzil, Fadil; Masrul, Mukhtar; Wattanapenpaiboon, Naiyana; Wahlqvist, Mark L (February 2001). "Contemporary Minangkabau food culture in West Sumatra, Indonesia". Asia Pacific Journal of Clinical Nutrition. Blackwell Synergy. 10 (1): 10–6. PMID 11708602. doi:10.1046/j.1440-6047.2001.00201.x.
- Witton, Patrick (2002). World Food: Indonesia. Melbourne: Lonely Planet. p. 183. ISBN 1-74059-009-0.
- Owen, Sri (1999). Indonesian Regional Food and Cookery. Frances Lincoln Ltd. ISBN 0-7112-1273-2.
- Sanday, Peggy Reeves (Dec 2002). http://www.sas.upenn.edu/~psanday/report_02.html, "Report from Indonesia". Archived by WebCite® at https://www.webcitation.org/5yuG1WLRW?url=http://www.sas.upenn.edu/%7Epsanday/report_02.html on 23 May 2011.
- Dahsinar (1971). Si Malin Kundang. Balai Pustaka.
- Abdullah, Taufik (1970). "Some Notes on the Kaba Tjindua Mato: An Example of Minangkabau Traditional Literature". Indonesia. Indonesia, Vol. 9. 9 (Apr): 1–22. JSTOR 3350620. doi:10.2307/3350620.
- Anwar, Khaidir (June 1980). "Language use in Minangkabau society". Indonesia and the Malay World. 8 (22): 55–63. doi:10.1080/03062848008723789.
- Campbell, George L. (2000). Compendium of the World's Languages. Routledge. ISBN 0-415-20298-1.
- Gordon, Raymond G. (2005). Ethnologue: Languages of the World. Dallas, Tex.: SIL International. Archived from the original (online version) on 12 October 2009. Retrieved 3 September 2007.
- Dobbin (1983), pages 117–118
- Dobbin, Christine (1972). "Tuanku Imam Bondjol, (1772–1864)". Indonesia. 13 (April): 4–35.
- Mochtar Naim, Zulqaiyyim, Hasanuddin, Gusdi Sastra; Menelusuri Jejak Melayu-Minangkabau, Yayasan Citra Budaya Indonesia, 2002
- http://www.padeknews.com Warga Minang Melbourne Australia Dilepas Naik Haji
- Jeffrey Hadler, Muslims and Matriarchs: Cultural Resilience in Indonesia through Jihad and Colonialism, 2013
- Timothy P. Daniels, Building Cultural Nationalism in Malaysia: Identity, Representation, and Citizenship, 2005
- Kato, Tsuyoshi (2005). Adat Minangkabau dan merantau dalam perspektif sejarah. PT Balai Pustaka. p. 2. ISBN 979-690-360-1.
- . Majalah Tempo Edisi Khusus Tahun 2000. December 1999. Missing or empty
- Tim Wartawan Tempo, "4 Serangkai Pendiri Republik", Kepustakaan Populer Gramedia, Jakarta (2010)
- 4 of Indonesian founding fathers are Soekarno, Hatta, Sutan Sjahrir, and Tan Malaka
- Nasir, Zulhasril. Tan Malaka dan Gerakan Kiri Minangkabau.
- Swantoro. Dari Buku ke Buku, Sambung Menyambung Menjadi Satu.
- Asian Studies, Volume 16–18; Philippine Center for Advanced Studies, University of the Philippines System, 1978