Mike Elizondo

Mike Elizondo (born October 22, 1972) is an American producer, songwriter, and multi-instrumentalist. A protege of Dr. Dre, Elizondo is noted for a "stunningly diverse CV"[1] that includes work with 50 Cent, Eminem, Carrie Underwood, Fiona Apple, Mastodon, Ry Cooder, and Twenty One Pilots, among others. His songwriting credits include "In Da Club" by 50 Cent, Eminem's "Just Lose It" and "The Real Slim Shady", "Family Affair" by Mary J. Blige, and Carrie Underwood's "Cowboy Casanova".[2][3][4] A Grammy Award-winner (and four-time nominee),[5] He has been associated with records that have cumulatively sold more than 60 million albums in the United States alone.[6]

Mike Elizondo
Born (1972-10-22) October 22, 1972 (age 48)
Pacoima, California, U.S.
Genres
Occupation(s)
  • Multi instrumentalist
  • songwriter
  • producer
Instruments
  • Keyboards
  • guitar
  • bass
  • drums
  • vocals
  • sitar
  • saxophone
Years active1995–present
Associated acts

Early life and educationEdit

Elizondo was born and raised in Pacoima, California. His musician father, Miguel, had a diverse record collection and Elizondo grew up listening to artists from the Beatles to Motown to Johnny Cash. His father hosted jam sessions at home, and in the early 80s converted the garage into a recording studio to record local bands.

Elizondo learned to play the accordion at age 9 and the tenor saxophone at 12. At 14, he picked up the electric bass, which became his main instrument, and played in a metal band. In a 2006 interview with Sound on Sound, he said: "The reason that playing bass stuck was that the role it has, whether you're playing acoustic or electric or keyboard bass, is very appealing to me, because you are the link between the rhythm and the melody."[7]

He went to Hamilton High School Music Academy, where he met future engineer Manny Marroquin and drummer Abe Laboriel Jr., who inspired him to devote more time to practicing in order to improve his technique. He discovered an affinity for jazz, and while he continued to play the electric bass with hardcore and metal bands bands he formed, in his senior year he picked up the upright bass, studying classically to understand the full scope of the instrument.[8][9]

Elizondo met bassist and California State University, Northridge (CSUN) music professor Gary Pratt when Pratt guest-conducted Hamilton's jazz band. Elizondo subsequently studied privately with Pratt, who encouraged Elizondo to apply to CSUN. He was accepted, and enrolled in the university's music program in 1991.[10]

Already well-versed in jazz and other genres of music, Elizondo's emphasis was on classical music at CSUN; as he studied with Pratt, in addition to Ed Meares,[11] he played in chamber groups and the school orchestra. He also played in bands with musicians such as Nels and Alex Cline, Vinny Golia, Peter Erskine, and in 1994, as his extracurricular gigs became more time-consuming, he left CSUN to focus professionally on music full-time on music.[10][12]

CareerEdit

1990sEdit

Budahat, session work, The Firm, PoeEdit

At CSUN, Elizondo played bass and wrote songs for Budahat, a Rock/R&B band that he founded with a childhood friend, Trevor Lawrence, Jr.[13] In 1995, the band was signed by Atlantic. Although their album was never released,[1] the experience provided Elizondo with an education in publishing and the record industry, and introduced him as a songwriter and musician to prominent producers including T-Bone Burnett, Glen Ballard, Matthew Wilder, and Matt Wallace. As he became more in-demand as a session musician, he played on records by artists including Sheryl Crow, Ry Cooder, Fiona Apple, Perla Batalla.[2][14]

In 1996, Elizondo was booked as a session musician for the recording of The Album, by The Firm, a hip hop supergroup composed of Nas, Foxy Brown, AZ, and Nature. Produced by Dr. Dre and the Trackmasters, it was one of the first records released on Dre's then newly founded Aftermath label. The Firm sessions marked the start of Elizondo's relationship with Dre.[7]

Elizondo met Poe through Matt Wallace in 1997, and co-wrote four songs for her second Atlantic album, Haunted, including its title track. Following the release of the album, he was signed to a publishing deal with producer Steve Lindsey, who had a co-venture with Windswept Pacific. Elizondo later said: "Steve was the one early on, who truly believed in my potential as a songwriter."[2]

2000sEdit

Dr. Dre, Eminem, Get Rich or Die Tryin'Edit

Shortly after he signed his publishing deal, Elizondo began to work steadily on Aftermath projects as part of Dre's core creative team.[15][16] He played on Dre's solo album 2001 in 1999, and continued to work closely with him for the next 11 years as a multi-instrumentalist (bass, keyboards, and guitars), songwriter, and producer.[17]

Elizondo—who was with Dre when he and Eminem met[16]—scored his first co-writing credit with Dre for "The Real Slim Shady" from Eminem's Marshall Mathers LP. Also written with Tommy Coster, Jr., "The Real Slim Shady," the song "made Eminem a phenomenon,",[18] with The Marshall Mathers LP selling more than 1.8 million albums in its first week. "The Real Slim Shady" won a Grammy, hit the US Top 10, and entered the UK chart at No. 1. As of 2019, with more than 35 million in worldwide sales, the record was the top-selling rap album of all time.[19]

Elizondo's first co-production credits were for "True Lies" and "Lay Low" on Snoop Dogg's 2000 album, The Last Meal. Scott Storch, another of Dre's proteges, also co-produced "Lay Low".[20] In 2003, in addition to playing bass, guitar and keyboards, Elizondo co-wrote five songs on 50 Cent's Get Rich or Die Trying, and co-wrote and co-produced the album's first and final singles, "In da Club" and "If I Can't". A "minimalist masterpiece,"[21] "In da Club" was #1 for nine of the 30 weeks it charted on the Billboard Hot 100, and broke the Billboard record as the most listened to song in radio history within a week of its release. It was #24 on the decade-long Hot 100, and #13 on the Rolling Stone list of the best songs of the decade.[22] His run of hits continued through the end of 2004, with Mary J. Blige's "Family Affair", charting at No. 1 on the Billboard Hot 100; "Let Me Blow Ya Mind" by Eve ft. Gwen Stefani, and "Rich Girl" by Gwen Stefani featuring Eve, which hit the Top 10. He co-wrote four songs on The Eminem Show and eight songs on Eminem's Encore, including "Just Lose It" an international hit.[20][14]

Fiona Apple, Producer of the Year, Carrie Underwood, Maroon 5Edit

As Elizondo's success in the hip hop and rap genres continued to grow, he was sought out to work with pop, rock, roots and alternative artists.[14] In 2005, he was recruited to produce Fiona Apple's 2005 album, Extraordinary Machine.[23] Extraordinary Machine, received almost universal acclaim, with Rolling Stone writing that Elizondo had given the tracks energy, taking a "sad song and making it better."[24] That same year, he worked with Mavis Staples, Ry Cooder, Sheryl Crow, Eric Clapton, Alice Cooper, Burt Bacharach and Avril Lavigne, and in 2006, he played, wrote and/or produced music by Mary J. Blige, Gwen Stefani, T-Bone Burnett, Doyle Bramhall II, Christina Aguilera, and P!nk.[25] He also produced the Alanis Morissette song "Wunderkind", which appeared on The Lion, the Witch, and the Wardrobe soundtrack and was nominated in the Best Original Song category at the 2006 Golden Globe Awards.[26]

Seeking to "toughen up their sound," Maroon 5 hired Elizondo to produce their second album, It Won't Be Soon Before Long in 2007. Seventeen tracks were recorded over a period of 8 months, and 14 made the record, including "If I Never See Your Face Again", featuring Rihanna, which would also appear on her album, Good Girl Gone Bad: Reloaded.[27] The album entered the charts at No. 1 in the UK and the US, where it sold nearly 403,000 copies in its first week.[28] The reviews were positive, with AllMusic critic Stephen Thomas Erlewine writing: "It Won't Be Soon Before Long is that rare self-stylized blockbuster album that sounds as big and satisfying as was intended." The single "Makes Me Wonder" was nominated for a Grammy, and the album was the top selling digital LP of 2007.[29]

Similarly, Elizondo was brought in to help Rilo Kiley make their fourth album, Under the Blacklight, more rhythmic. Drummer Jason Boesel said, in discussing the title track, "Elizondo came in and answered our question of how we could get it to feel dancier. He stripped it down, and made it kind of a banger." Acknowledged as a collaborative effort between Elizondo and the band, the album earned "rave reviews"[30] with the BBC stating that it went "one step further in its bittersweetly effortless pop."[31]

Elizondo was nominated for the Grammy Award for Producer of the Year in 2008 based on his body of work between October 1, 2007 and September 20, 2008.[14] The nomination brought increased attention to his multi-genre credits, resulting in a "slew of new projects that propelled him beyond the pop and hip-hop genres in which he had made his name."[17]

Over the following two years, working frequently out of Phantom Studios, a 1000-foot recording studio Elizondo built at his home, he produced four tracks on Regina Spektor's Far; wrote with Justin Timberlake ("Love Sex Magic"), and produced Holy Smoke, the debut album by Gin Wigmore. He also worked with Jay Z and Leona Lewis.[32] In 2009 he went to Nashville to write with Carrie Underwood, and during their second session, together with Brett James, they wrote "Cowboy Casanova." The first single from her third studio album, it was a number one hit, and went on to sell more than 2.3 million records.[33] That same year, he wrote five songs for Eminem's Relapse—an album he also played on—and produced Switchfoot's Hello Hurricane, the album's "varied arrangements reflecting his diverse résumé."[34] Elizondo won a Grammy Award in the Best Rock Gospel album category for his work on Hello Hurricane.

2010sEdit

Avenged Sevenfold, Warner Bros., Keith UrbanEdit

Avenged Sevenfold brought Elizondo in to produce their fifth album, Nightmare, in 2010. The first time they worked with a producer—their earlier releases were self-produced—guitarist Zacky Vengeance said: "Mike Elizondo loves Metallica, Megadeth and Iron Maiden, but he’s also a musician and artist, and he’s never worked on a rock album. So it seemed perfect, because we wanted to come up with something new and creative."[35] Nightmare debuted at No. 1 on the Billboard album charts.[36]

In January 2011, recruited by Lenny Waronker and Rob Cavallo,[1] Elizondo was named Sr. VP of A&R and Staff Producer at Warner Bros. Records.[37] Mainly a creative role, he focused jointly on A&R and production, working primarily with Warner Bros. artists, including Gary Clark Jr, Mastodon, Kimbra, Jenny Lewis, The Regrettes, JR JR, Eli "Paperboy" Reed, Daye Jack, and Echosmith, the first band he signed.[1] In addition, he produced Avenged Sevenfold's follow-up to Nightmare, Hail to the King, and played on and co-produced Gary Clark, Jr.'s Blak and Blu,[38] and in 2012 reunited with Regina Spektor to produce her album, What We Saw from the Cheap Seats.[39]

In 2013, to "keep things fresh for himself and his fans," Keith Urban collaborated with Elizondo, who co-wrote and co-produced two tracks on his album, Fuse. A fan of Elizondo's work with Dre, in an interview with the Los Angeles Times Urban said: "He has a great rhythmic gift as a bass player, is an incredible drum programmer and multi-instrumentalist. My music is very, very rhythmic-based...I wanted to explore a much stronger presence of rhythmic elements in my music. It’s something that’s been there, but often has been pushed to the back.” The album debuted at No. 1 in Australia and the US.[40]

twenty øne piløts, Hamilton Mixtape, Live from HereEdit

In 2015, Elizondo was contacted by Lin-Manuel Miranda to develop The Hamilton Mixtape, which would be based on (but separate from) Hamilton. Using live cast recordings and a verse from Roots frontman Black Thought, Elizondo created a version of the musical's "My Shot" that became the first song on The Hamilton Mixtape, "setting the standard and attitude of the project." Elizondo also produced "Satisfied," by Sia (featuring Miguel and Queen Latifah and Andra Day's cover of "Burn", giving it a "classic, old-school R&B vibe with hip-hop drums and overtones.”[41]

Elizondo also produced four songs on the twenty øne piløts breakout album Blurryface in 2015. The second single from the album, "Stressed Out" reached number two on the Billboard Hot 100, and was the first rock song to surpass 1 billion streams on Spotify. In 2016, with 1.5 billion views on YouTube, "Stressed Out" won the Grammy Award for Best Pop Duo/Group Performance. Blurryface hit #1 on the album charts, and remained in the Top 200 for more than four years straight. It was the first album in the digital era to have every track certified gold by the RIAA.[42][43]

In September 2018, Elizondo became the music director of Live from Here with Chris Thile (formerly A Prairie Home Companion with Chris Thile). Elizondo played bass on several early episodes of the show and was offered the full-time music director gig in July 2018. In deciding to accept the offer—a 20-hour a week commitment, which required him to travel—he said: "On a creative level, I was extremely honored, but on a personal level, I had to figure out how to orchestrate my life. It’s a lot more traveling than I’m used to. I finally realized that the energy I’m going to gain doing these shows will help fuel my enthusiasm for all the other projects I’m working on.”[44][45]

Among others, during the last half of the decade, Elizondo worked with Ed Sheeran, the Jonas Bros., Young the Giant, K.Flay, NF, Walk the Moon and Brantley Gilbert. He also produced Gary Clark Jr.'s cover of Come Together with Junkie XL for the Justice League soundtrack.[46]

Personal lifeEdit

Elizondo and his wife, Trista, moved from Los Angeles to Nashville in 2018. Married in 1997, they have four children.[47]

Grammy AwardsEdit

Year Nominee / work Award Result
2004 "In da Club" (50 Cent) Best Rap Song Nominated
2008 Body of work (2008) Producer of the Year
Non-Classical
Nominated
2011 Hello Hurricane (Switchfoot) Best Rock Gospel Album Won
2016 Stressed Out (Twenty One Pilots) Record of the Year Nominated

[48]

Golden Globe AwardsEdit

Year Nominee / work Award Result
2006 "Wunderkind" (Alanis Morissette)
from The Chronicles of Narnia:
The Lion, The Witch, and the Wardrobe

Best Original Song Nominated

Academy of Country Music AwardsEdit

Year Nominee / work Award Result
2010 "Cowboy Casanova" (Carrie Underwood) Song of the Year Nominated

DiscographyEdit

Main article: Mike Elizondo discography

ReferencesEdit

  1. ^ a b c d "HITS Daily Double : Rumor Mill - STRAIGHT OUTTA PACOIMA". HITS Daily Double. Retrieved 2019-12-16.
  2. ^ a b c "Top Writer/Producer Mike Elizondo Co-Writes Big Hits For Eminem, 50 Cent and Mary J. Blige". Songwriter Universe | Songwriting News, Articles & Song Contest. 2004-12-01. Retrieved 2019-10-10.
  3. ^ "Gear: Mike Elizondo's Ultimate Playroom". Billboard. Retrieved 2019-12-12.
  4. ^ "50 Cent collaborator Mike Elizondo talks about joining 'da club' at 'Live From Here'". Star Tribune. Retrieved 2019-10-09.
  5. ^ "Mike Elizondo". GRAMMY.com. 2019-11-19. Retrieved 2020-01-15.
  6. ^ "Gold and Platinum certifications". RIAA. December 17, 2019. Retrieved December 17, 2019.
  7. ^ a b "Producing Eminem & Fiona Apple". www.soundonsound.com. Retrieved 2019-10-09.
  8. ^ "Alumni". AMPA - Academy of Music & Performing Arts at Hamilton High School. Retrieved 2019-10-10.
  9. ^ "Mike Elizondo: Curious by Nature". www.livefromhere.org. Retrieved 2019-10-10.
  10. ^ a b CSUN staff (2017-12-06). "Matadors On The Mic". CSUN Magazine. Retrieved 2019-10-11.
  11. ^ "Interview with Mike Elizondo (Dr. Dre's bass player, producer for Fiona Apple)". HIPHOPINDO.NET. Retrieved 2020-01-19.
  12. ^ Murph, John (June 1, 1997). "Review". Jazz Times.
  13. ^ Weiss, David (July 24, 2017). "Drummer's Revenge: Producer Trevor Lawrence Jr. Leverages His 'Relationships'". SonicScoop. Retrieved January 19, 2020.
  14. ^ a b c d "Mike Elizondo | Credits". AllMusic. Retrieved 2019-10-25.
  15. ^ Brown, Jake. (2006). Dr. Dre in the studio : from Compton, Death Row, Snoop Dogg, Eminem, 50 Cent, the Game, and Mad Money : the life, times, and aftermath of the notorious record producer, Dr. Dre. Phoenix: Colossus Books. ISBN 0976773554. OCLC 85821911.
  16. ^ a b Borgmeyer, John. (2007). Dr. Dre : a biography. Lang, Holly. Westport, Conn.: Greenwood Press. p. 119. ISBN 978-0313338267. OCLC 71632217.
  17. ^ a b D’AURIA, JOHN. "MIKE ELIZONDO CHAIRMAN OF THE BOARDS". BassPlayer.com. Retrieved 2019-11-18.
  18. ^ "All 289 Eminem Songs, Ranked". Spin. 2014-10-27. Retrieved 2019-10-29.
  19. ^ "Eminem: The Marshall Mathers LP". Pitchfork. Retrieved 2019-10-29.
  20. ^ a b "How 50 Cent & Dr. Dre Influenced Each Other". HotNewHipHop. Retrieved 2019-11-12.
  21. ^ "Which of Today's Hits Will Be Tomorrow's Classics? Introducing the New American Songbook". Slate Magazine. 2018-10-18. Retrieved 2019-11-16.
  22. ^ "Decoding The Mix: In Da Club - 50 Cent". Mastering The Mix. Retrieved 2019-11-03.
  23. ^ Leeds, Jeff (2005-08-15). "Fiona Apple Retools Her Leaked Album". The New York Times. ISSN 0362-4331. Retrieved 2019-11-17.
  24. ^ Walters, Barry (2005-10-06). "Extraordinary Machine". Rolling Stone. Retrieved 2019-10-28.
  25. ^ "Mike Elizondo | Credits". AllMusic. Retrieved 2019-11-14.
  26. ^ Baltin, Steve (2006-01-13). "Alanis Morissette Writing Memoir, Album". Rolling Stone. Retrieved 2019-11-17.
  27. ^ Edwards, Gavin (2007-09-06). "Maroon 5: At the Corner of Hollywood & Heartbreak". Rolling Stone. Retrieved 2019-11-15.
  28. ^ Ronson, Fred (October 2, 2010). "Three Years Ago? Things Were a Lot Different Then". Billboard. p. 65. Retrieved November 16, 2019.
  29. ^ "It Won't Be Soon Before Long - Maroon 5 | Songs, Reviews, Credits". AllMusic. Retrieved 2019-11-16.
  30. ^ "With a sexy beat, Rilo Kiley tests the indie limits". Los Angeles Times. 2007-08-19. Retrieved 2019-11-17.
  31. ^ Jones, Chris. "BBC - Music - Review of Rilo Kiley - Under The Blacklight". www.bbc.co.uk. Retrieved 2019-11-17.
  32. ^ "The Cardinals find a new songbird... Gin Wigmore". Consequence of Sound. 2009-07-27. Retrieved 2019-12-12.
  33. ^ Horner, Marianne (2009-12-21). "Sassy Groove = Smokin' Hit". Country Weekly. 16 (45): 22. ISSN 1074-3235.
  34. ^ "Switchfoot, "Hello Hurricane"". Billboard. Retrieved 2019-12-12.
  35. ^ "Avenged Sevenfold : The Nightmare Interview". RADIO METAL (in French). 2010-08-20. Retrieved 2019-12-16.
  36. ^ "Avenged Sevenfold's 'Nightmare': The Tragedy and Triumph Behind 2010 No. 1 Album". Revolver. 2018-07-27. Retrieved 2019-12-16.
  37. ^ "Mike Elizondo Joins Warner Bros. as Staff Producer and A&R Exec". The Hollywood Reporter. Retrieved 2019-12-17.
  38. ^ Pareles, Jon (2012-10-23). "Blak and Blu". Rolling Stone. Retrieved 2019-12-17.
  39. ^ Friskics-Warren, Bill (2012-05-28). "Regina Spektor's 'What We Saw From the Cheap Seats'". Washington Post. ISSN 0190-8286. Retrieved 2019-12-12.
  40. ^ "Keith Urban's 'Fuse' album brings new collaborators". Los Angeles Times. 2013-09-11. Retrieved 2019-12-17.
  41. ^ Hurd, Sean (2016-11-29). "A brief history of the new 'Hamilton Mixtape'". The Undefeated. Retrieved 2019-12-17.
  42. ^ Ganz, Caryn (2018-10-15). "Twenty One Pilots Want to Stay Strange". The New York Times. ISSN 0362-4331. Retrieved 2019-11-15.
  43. ^ Childers, Chad. "Twenty One Pilots' 'Blurryface' Passes 4 Years on Billboard 200". Loudwire. Retrieved 2019-12-17.
  44. ^ Johnson, Cecilia. "Mike Elizondo finds 'Live From Here' musical director gig 'exhilarating'". Local Current Blog | The Current from Minnesota Public Radio. Retrieved 2019-12-17.
  45. ^ "50 Cent collaborator Mike Elizondo talks about joining 'da club' at 'Live From Here'". AP NEWS. 2018-10-04. Retrieved 2019-10-28.
  46. ^ Maxwell, Jackson (2017-10-31). "Gary Clark Jr. Releases 'Justice League'-Themed "Come Together" Music Video". guitarworld. Retrieved 2020-01-19.
  47. ^ "Mike Elizondo: Curious by Nature". www.livefromhere.org. Retrieved 2019-12-17.
  48. ^ "Mike Elizondo". GRAMMY.com. 2019-06-04. Retrieved 2019-11-14.

External linksEdit