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Mercado de las Carnes

Mercado de las Carnes (English: Meat Market), also known as La Plaza de los Perros[2] (English: Dogs' Plaza), but formally, Plaza Juan Ponce de León (Juan Ponce de León Plaza), was the first building in Puerto Rico to mix social and architectural elements via the pedestrian mall concept.[3] The historic Art Deco architecture structure is located in Ponce, Puerto Rico, and dates from 1926. It was listed on the National Register of Historic Places in 1986.[1] The Plaza was rebuilt in 1992, under the administration of Mayor Churumba.[4] It is located in the alley connecting Mayor and Leon streets, in the block between Estrella and Guadalupe streets. The Plaza and the alley are one and the same.

Mercado de las Carnes
Plaza Juan Ponce de Leon in Ponce (IMG 2695).jpg
Main entrance to Ponce's Historic Meat Market
Locator map
Locator map
Location of Ponce and the mercado in Puerto Rico
LocationAlley connecting Mayor and Leon Streets, Ponce, Puerto Rico
Coordinates18°00′56″N 66°36′46″W / 18.015477°N 66.612878°W / 18.015477; -66.612878Coordinates: 18°00′56″N 66°36′46″W / 18.015477°N 66.612878°W / 18.015477; -66.612878
Area942 square metres (10,140 sq ft)
Built1926
ArchitectRafael Carmoega
Architectural styleArt Deco, Neo-mudejar
NRHP reference #86003199[1]
Added to NRHPNovember 17, 1986

HistoryEdit

Ponce's Plaza de los Perros (English: Plaza of the Dogs), receives its name from the packs of stray dogs that gathered there to feed on the discarded meat scraps. A product of the rapid urban growth experienced in the city during the early 20th century, the Plaza was built in 1926 to relieve the overcrowded farmer's market ("Plaza del Mercado") and provide an adequate market place for perishable meat products.[3]

SignificanceEdit

Located across the street from the old Plaza del Mercado (Farmer's Market) the Plaza de los Perros serves as an urbanistic and commercial compliment to the market place. Occupying a long, narrow lot, previously belonging to two back-to-back structures, the meat market connects two of Ponce's busiest commercial streets, Mayor and Leon, providing mid-block circulation to the main market by means of the pedestrian mall concept so popular today. Of significance is the adaptation of such innovative concepts to traditional social and architectural elements (the farmers' market and Moorish detailing), representing the contemporary modernistic trends in architecture. The double-function of such a traditional space was an innovation in Ponce and in Puerto Rico as a whole.[3]

Of great importance is that the building's design bears the signature of Rafael Carmoega, one of the most established Puerto Rican architects of the 20th century. A graduate of the Cornell University School of Architecture and subsequent director of the Architectural division of Puerto Rico's Department of the Interior, Carmoega also designed the Capitol Building, the University of Puerto Rico Main Campus at Rio Piedras, the School of Tropical Medicine, and the Mayaguez City Hall, all listed on the National Register, in addition to other significant buildings. In his interest to preserve Hispanic traditions in the wake of the recent change of sovereignty from Spain to the United States, Carmoega utilized the Spanish Baroque and Neo-Mudejar vocabularies in his designs, emphasizing the use of glazed, mosaic tiles in many buildings. The Plaza de los Perros is a fine example of this latter style, incorporating glazed mosaics, horseshoe arches, and galleries in a mosque-like space for commercial usage.[3]

Physical appearanceEdit

OverallEdit

 
Interior of the Plaza Juan Ponce de León (a.k.a., "Plaza de los Perros") meat market in Ponce, Puerto Rico

The old "Mercado de las Carnes", or Meat Market, occupies a narrow through-lot connecting Mayor and Leon streets at the center of the block between Estrella and Guadalupe streets. In plan, the concrete, wood, and sheet-metal structure consists of an elongated quadrangle created by galleries opening onto an attenuated interior court. The neo-mudejar and Art Deco decorative facades appear to be independent of the actual utilitarian structure inside, as they shift slightly in opposite direction off the central court axis to accommodate the mall.[5]

FaçadeEdit

The east and west facades are identical, each consisting of a rectangular mass of approximately 20 feet (6.1 m) in height and 30 in width, which defines the major façade element. This rectangle is divided into five ground-storey bays: a series of three central bays flanked by slightly narrower wall areas. The bays are defined by a series of four vertical buttress-like piers which extend slightly above the ridge of the building.[5]

EntrywaysEdit

The three central bays form the frontispiece of the facade, each of similar dimensions and created as an access to the interior court. Each bay contains a horseshoe arch approximately one-half the height of the facade and almost the full width of the bay. Above each arch, a decorative spandrel panel contains glazed mosaic tiles in intricate Moorish patterns. Within each bay, a horizontal band stretching between the concrete piers separates the spandrel area from the parapet above. The parapet is completely solid above the central bay, whereas the parapets of the flanking bays are articulated with open, semi-circular concrete forms. At this level, the concrete piers are decorated with vertical rectangular panels of glazed multi-colored mosaic tiles.[5]

The bays flanking the frontispiece are solid and without articulation, although the southern bay has been punctured at ground level by wide, wooden doors as access to a street-side refreshments stand. A concrete cantilever shades the entrance and a vertical sign above announces the name of each business.[5]

InteriorEdit

At the interior court, a series of simplified, square, Tuscan columns creates a gallery enclosing individual market areas within each bay. The stoa-like galleries are sheltered by a wood and sheet-metal roof pitched inward toward the court. Additional continuous wood and sheet-metal eaves, stemming from the colonnade and suspended by link-chains from the architrave provide shelter within the court for those doing their shopping.[5]

AlterationsEdit

This property has remained basically unaltered all elements described contribute to the structure's value. The only alteration is the refreshments stands' sign and the covering of the upper part of the stand's arch which are non-contributing elements.[5]

ReferencesEdit

  1. ^ a b "National Register Information System". National Register of Historic Places. National Park Service. March 13, 2009.
  2. ^ Viaje al pasado sin salir de Ponce. Carmen Cila Rodríguez. La Perla del Sur. Ponce, Puerto Rico. Year 30. Issue 1468. Page 20. 18 January 2012. Retrieved 9 July 2012.
  3. ^ a b c d Joaquin Acevedo Cruz, State Architect, and Felix Julian del Campo, State Historian. (PR SHPO). Certified by Mariano G. Coronas Castro, State Historic Preservation Officer, State Historic Preservation Office, San Juan, PR. March 1986. In National Register of Historic Places Inventory-Nomination Form – Mercado de las Carnes. United States Department of the Interior. National Park Service. (Washington, D.C.) Page 3. Listing Reference Number 86003199. November 16, 1986.
  4. ^ MundoBoricua List of Ponce Attractions by the Director. Retrieved April 25, 2010.
  5. ^ a b c d e f Joaquin Acevedo Cruz, State Architect, and Felix Julian del Campo, State Historian. (PR SHPO). Certified by Mariano G. Coronas Castro, State Historic Preservation Officer, State Historic Preservation Office, San Juan, PR. March 1986. In National Register of Historic Places Inventory-Nomination Form – Mercado de las Carnes. United States Department of the Interior. National Park Service. (Washington, D.C.) Page 2. Listing Reference Number 86003199. November 16, 1986.

External linksEdit

See alsoEdit

  • Plaza de Mercado de Ponce
  • La Gran Enciclopedia de Puerto Rico, Vol XIX, "Arquitectura y Leyes", Editorial Rumbo, Madrid. 1976.
  • Acevedo Cruz, Joaquin. Conservacion: Area de la Plaza del Mercado de Ponce. Escuela de Arquitectura U.P.R., 1982 (unpublished).