Mémorial des Martyrs de la Déportation
The Mémorial des Martyrs de la Déportation (English: "Memorial to the Martyrs of the Deportation") is a memorial to the 200,000 people who were deported from Vichy France to the Nazi concentration camps during World War II. It is located in Paris, France, on the site of a former morgue, underground behind Notre Dame on Île de la Cité. It was designed by French modernist architect Georges-Henri Pingusson and was inaugurated by Charles de Gaulle in 1962.
|Opening date||April 12, 1962|
|Dedicated to||200,000 people deported from Vichy France to the Nazi concentration camps during World War II|
Description and historyEdit
Mémorial des Martyrs de la Déportation, located in Paris, France, is a memorial to the more than 200,000 people who were deported from Vichy France to the Nazi concentration camps during World War II. Designed by French architect, writer, teacher, and town planner Georges-Henri Pingusson (1894–1978), the memorial was inaugurated by then-President Charles de Gaulle on April 12, 1962. In the year of its opening, a brochure produced by the French survivors' group "Reseau de souvenir" described the memorial as a crypt, "hollowed out of the sacred isle, the cradle of our nation, which incarnates the soul of France -- a place where its spirit dwells."
The memorial is shaped like a ship's prow; the crypt is accessible by two staircases and a lowered square protected by a metal portcullis. The crypt leads to a hexagonal rotunda that includes two chapels containing earth and bones from concentration camps. The walls display literary excerpts. Pingusson intended that its long and narrow subterranean space convey a feeling of claustrophobia. The memorial's entrance is narrow, marked by two concrete blocks. Inside is the tomb of an unknown deportee who was killed at the camp in Neustadt. Along both walls of the narrow, dimly lit chamber are 200,000 glass crystals with light shining through, meant to symbolize each of the deportees who died in the concentration camps; at the end of the tunnel is a single bright light. Ashes from the camps, contained within urns, are positioned at both lateral ends. Both ends of the chamber have small rooms that seem to depict prison cells. Opposite the entrance is a stark iron gate overlooking the Seine at the tip of the Île de la Cité.
The memorial is open daily from 10am to 5pm from October through March, and from 10am to 7pm from April through September. According to Time Out Paris, an annual Day of Remembrance ceremony is hosted at the memorial on the last Sunday of April.
The memorial features excerpts of works by Louis Aragon, French poet and French Resistance member Robert Desnos, Paul Éluard, Antoine de Saint-Exupéry and Jean-Paul Sartre. Fragments of two poems by Desnos, himself a deportee, are inscribed on the walls. The first consists of the last stanza of a poem written pseudonymously by Desnos and published "underground" in Paris, on Bastille Day 1942, "The Heart that Hated War":
I have dreamt so very much of you,
I have walked so much,
Loved your shadow so much,
That nothing more is left to me of you.
All that remains to me is to be the shadow among shadows
To be a hundred times more of a shadow than the shadow
To be the shadow that will come and come again into
your sunny life.
A circular plaque on the floor of the underground chamber is inscribed: "They descended into the mouth of the earth and they did not return." A "flame of eternal hope" burns and The Tomb of the Unknown Deportee bears the inscription: "Dedicated to the living memory of the 200,000 French deportees sleeping in the night and the fog, exterminated in the Nazi concentration camps." At the exit to the chamber is the injunction, engraved, found at all sites memorializing the victims of the Nazis: "Forgive but never forget."
Architectural Digest included the memorial in its list of the "Ten Most Significant Memorial Buildings" and said, "Rather than rising heroically, the memorial is meant to evoke the unspeakable, anonymous drama of deportation—its entrance a descending stairway." Fodor's called the memorial "stark" and "evocative". The Guardian published a description by one of its readers, who noted the memorial's obscurity and called it "small, stark and savagely detailed... which goes unnoticed by the thousands of tourists who take selfies of themselves in front of the adjoining cathedral every day. It is a place for tears and quiet contemplation; a refuge from the crowds and a reminder of one of the darkest episodes in recent history."
According to Peter Carrier, author of Holocaust Monuments and National Memory Cultures in France and Germany Since 1989, the memorial lacks specific references to Jewish victims, and "its dedication to 'the two hundred thousands French martyrs who died in the deportation camps'.. identifying victims as French nationalists, distorts the historical record by suggesting that victims died willingly for a national cause rather than as victims of state persecution." He further commented that despite its title, "inscriptions on the interior walls of the memorial account not for the conditions of departure but for the destinations of deportees… [The memorial] therefore symbolically assimilates the specific Jewish memory of the Second World War into national memory."
- "Christine Albanel annonce le classement au titre des monuments historiques du mémorial des Martyrs de la Déportation, situé à Paris 4e, sur l'Ile de la Cité" (in French). 2007-12-14. Retrieved 2014-03-26.
- "Pari Sights: Mémorial des Martyrs de la Déportation (Memorial of the Deportation)". Fodor's Travel (Random House LLC). 2014-02-09. Retrieved 2014-03-06.
- "Mémorial des Martyrs de la Déportation". Time Out Paris (in French). Retrieved 2014-03-26.
- Conley, Katharine (1999). "The Myth of the 'Dernier poeme': Robert Desnos and French Cultural Memor". In Bal, Mieke; Crewe, Jonathan; Spitzer, Leo (eds.). Acts of Memory: Cultural Recall in the Present. Hanover, New Hampshire: Dartmouth College (University Press of New England). pp. 134–35. Retrieved 2014-03-06.
- "Mémorial des Martyrs de la Déportation". Lonely Planet. Retrieved 2014-03-26.
- "France: Paris Audio Walking Tours | Rick Steves' Europe". RickSteves.com. Rick Steves' Europe Through the Back Door, Inc. Retrieved 2014-03-01. See downloadable audio tour and map Historic Paris Walk.
- Minutillo, Josephine. "The Ten Most Significant Memorial Buildings". Architectural Digest. Condé Nast Publications. ISSN 0003-8520. Retrieved 2014-03-26.
- "Where to find hidden gems in Paris". The Denver Post. 2014-03-03. Retrieved 2014-03-26.
- Carrier, Peter (2005-01-01). Holocaust Monuments and National Memory Cultures in France and Germany Since 1989: The Origins and Political Function of the Vél' D'Hiv' in Paris and the Holocaust Monument in Berlin. Berghahn Books. pp. 58–59. ISBN 9781571819048. Retrieved 2014-04-03.
- Amsellem, Patrick (2007). "Memory, Myth, and the Politics of Commemoration: Inauguration". Remembering the Past, Constructing the Future. The Memorial to the Deportation in Paris and Experimental Commemoration After the Second World War. p. 34. ISBN 9780549099437.
- Hornstein, Shelley (2011). "Memorializing Site: On the Grounds of History". Losing Site: Architecture, Memory and Place. Ashgate Publishing. pp. 27–28. ISBN 9781409408710.
|Wikimedia Commons has media related to Mémorial des Martyrs de la Déportation.|
- Le Mémorial des martyrs de la déportation (1960–1962), Les dossiers du "Groupe de Réflexion et Production" (in French)
- Memorial des Martyrs de la Deportation (Paris) by Johan van Parys, EnVisionChurch (2007)
- Photos: Mémorial des Martyrs de la Déportation – Paris, "A Teacher's Guide to the Holocaust", Florida Center for Instructional Technology, College of Education, University of South Florida (2005)
- Resources for Tracing Victims and Survivors of the Holocaust from France by Bernard I. Kouchel, JewishGen
- The Memorial of the Deportation: Little-known Memorial Is On the Ile de la Cité by Ric Erickson, Metropole Paris (1998)
- Under the Shadows of the Eiffel Tower: Holocaust Souvenirs of Paris by Lauren Cannady, College of Charleston (2012), pages 14–16 (PDF)