Mauritz Stiller (born Moshe Stiller, 17 July 1883 – 18 November 1928) was a Finnish-Swedish film director, best known for discovering Greta Garbo and bringing her to America.
Mauritz Stiller in 1927
17 July 1883
|Died||18 November 1928 (aged 45)|
|Occupation||Director, screenwriter, actor|
|Awards||Walk of Fame - Motion Picture|
1713 Vine Street
Stiller had been a pioneer of the Swedish film industry, writing and directing many short films from 1912. When Metro-Goldwyn-Mayer invited him to Hollywood as a director, he arrived with his new discovery Greta Gustafsson, whose screen name Greta Garbo is believed to have been his suggestion.
After frequent disagreements with studio executives at MGM and Paramount Pictures, Stiller returned to Sweden, where he died soon afterwards.
He was gay.
Moshe Stiller was born in Helsinki. His family was of Ashkenazi Jewish heritage, having lived in Russia and Poland before settling in Finland. When he was four, his mother committed suicide, after which he was raised by family friends. From an early age, Stiller was interested in acting. His talents did not go unnoticed, and soon Stiller was offered the opportunity to practice and display his acting skills in the theaters of Helsinki and Turku in Finland.
Drafted into the army of Czar Nicholas II—Finland was at the time an autonomous Grand Duchy of Russia—rather than report for duty he fled the country for exile, and settled in Sweden. He became a Swedish citizen in 1921.
By 1912, Stiller had become involved with Sweden's rapidly developing silent film industry. He began by writing scripts, acting and directing in short films but within a few years gave up acting to devote his time to writing and directing. He was soon directing feature-length productions, and his 1918 work Thomas Graals bästa barn (Thomas Graal's First Child), starring Karin Molander, and with Victor Sjöström in the leading role, received much acclaim.
By 1920, having directed more than 35 films, including Sir Arne's Treasure and Erotikon, Stiller was a leading figure in Swedish filmmaking. He also directed The Blizzard starring a young Einar Hanson and based on the Selma Lagerlof novel En herrgårdssägen.
Stiller and GarboEdit
At the Royal Dramatic Theatre in Stockholm, he met a young actress named Greta Gustafsson whom he cast in an important but secondary role in his film, Gösta Berlings saga (The Atonement of Gosta Berling), and who some have said gave her the stage name Greta Garbo. For Stiller, the screen presence of the 18-year-old actress led to him bringing her and Hanson to the United States after he accepted an offer from Louis B. Mayer to direct for Metro-Goldwyn-Mayer.
In Hollywood, Mauritz Stiller was assigned to direct The Temptress (1926), Garbo's second film with MGM, but he could not deal with the studio structure. After repeated arguments with MGM executives, he was replaced on the film by Fred Niblo, and his contract with the studio terminated. Stiller immediately was hired by Paramount Pictures, where he made three successful films, but he was let go a second time while directing his fourth film because of his continuing disagreements with studio bosses.
Death and legacyEdit
Stiller's contribution to the motion picture industry was recognized in 1960 with a star on the Hollywood Walk of Fame at 1713 Vine Street. Originally his star was listed erroneously as "Maurice Diller" and wasn't corrected until the late 1980s. In Kristianstad, a monument was erected in his honor.
|1912||The Gardener (Trädgårdsmästaren)||Yes||Yes||Passenger|
|1912||Mor och dotter||Yes||Yes||Yes||Raoul de Saligny|
|1912||I lifvets vår||Yes||von Plæin|
|1912||Den tyranniske fästmannen||Yes||Yes||Yes||Elias Pettersson|
|1912||De svarta maskerna||Yes||Yes|
|1913||På livets ödesvägar||Yes|
|1913||När larmklockan ljuder||Yes|
|1913||När kärleken dödar||Yes||Yes|
|1913||The Conflicts of Life (Livets konflikter)||Yes|
|1913||Brother Against Brother (Gränsfolken)||Yes|
|1913||En pojke i livets strid||Yes|
|1913||Den moderna suffragetten||Yes||Yes|
|1914||När svärmor regerar||Yes||Yes||Yes||Elias|
|1914||För sin kärleks skull||Yes||Yes|
|1914||Det röda tornet||Yes||Yes|
|1915||När konstnärer älska||Yes|
|1915||Madame de Thèbes||Yes|
|1915||Hans hustrus förflutna||Yes|
|1916||The Wings (Vingarne)||Yes||Yes||Yes||Film director|
|1916||Kärlek och journalistik||Yes|
|1916||Kampen om hans hjärta||Yes|
|1917||Thomas Graals bästa film||Yes|
|1917||Alexander den store||Yes|
|1918||Thomas Graals bästa barn||Yes|
|1919||Sången om den eldröda blomman||Yes||Yes|
|1919||Song of the Scarlet Flower (Laulu tulipunaisesta kukasta)||Yes|
|1919||Sir Arne's Treasure (Herr Arnes pengar)||Yes||Yes|
|1921||Guarded Lips (De landsflyktige)||Yes||Yes|
|1923||The Blizzard (Gunnar Hedes saga)||Yes||Yes|
|1924||The Saga of Gösta Berling (Gösta Berlings saga)||Yes||Yes|
|1927||The Woman on Trial||Yes|
|1928||Street of Sin||Yes|
- Who's who in Gay and Lesbian History: From Antiquity to World War II edited by Robert Aldrich, Garry Wotherspoon p.206
- Music by Armas Järnefelt, possibly the first original film music by a Nordic composer. See Hannu Salmi (2008) Järnefeltin jalanjäljillä: Laulu tulipunaisesta kukasta (1919) (In the footsteps of Järnefelt : Song of the Scarlet Flower). (In Finnish). Retrieved 24 August 2015.