Mary Raleigh Richardson (1882/3 – 7 November 1961) was a Canadian suffragette active in the women's suffrage movement in the United Kingdom, an arsonist and later the head of the women's section of the British Union of Fascists (BUF) led by Sir Oswald Mosley.
Mary Richardson, circa 1912
|Died||7 November 1961|
|Known for||Slashing the Rokeby Venus|
At the beginning of the 20th century, the suffragette movement, frustrated by a failure to achieve equal voting rights for women, began adopting increasingly militant tactics. In particular, the Women's Social and Political Union (WSPU), led by the charismatic Emmeline Pankhurst, frequently endorsed the use of property destruction to bring attention to the issue of women's suffrage. Richardson was a devoted supporter of Pankhurst and a member of the WSPU.
Richardson claimed to be at the Epsom races on Derby Day, 4 June 1913, when Emily Davison jumped in front of the King's horse. Emily Davison died in Epsom Cottage Hospital; Mary Richardson was reportedly chased and beaten by an angry mob but was given refuge in Epsom Downs station by a railway porter.
She committed a number of acts of arson, smashed windows at the Home Office and bombed a railway station. She was arrested nine times, receiving prison terms totalling more than three years. She was one of the first two women force-fed and released to recover and be re-arrested under the 1913 Cat and Mouse Act , Prisoners (Temporary Discharge for Ill Health) Act 1913, serving her sentences in HM Prison Holloway.
Richardson had been given the Hunger Strike Medal ' for Valour' by WSPU.
Slashing the Rokeby VenusEdit
Richardson's most famous act of defiance occurred on 10 March 1914 when she entered the National Gallery in London and slashed Velázquez's famous painting the Rokeby Venus with a chopper she smuggled into the gallery.
She wrote a brief statement explaining her actions to the WSPU which was immediately printed by the press:
"I have tried to destroy the picture of the most beautiful woman in mythological history as a protest against the Government for destroying Mrs Pankhurst, who is the most beautiful character in modern history. Justice is an element of beauty as much as colour and outline on canvas. Mrs Pankhurst seeks to procure justice for womanhood, and for this she is being slowly murdered by a Government of Iscariot politicians. If there is an outcry against my deed, let every one remember that such an outcry is an hypocrisy so long as they allow the destruction of Mrs Pankhurst and other beautiful living women, and that until the public cease to countenance human destruction the stones cast against me for the destruction of this picture are each an evidence against them of artistic as well as moral and political humbug and hypocrisy."
As a FascistEdit
In 1932, after forming the belief that fascism was the "only path to a 'Greater Britain,'" Richardson joined the British Union of Fascists (BUF), led by Oswald Mosley. She claimed that "I was first attracted to the Blackshirts because I saw in them the courage, the action, the loyalty, the gift of service and the ability to serve which I had known in the suffragette movement". Richardson rose quickly through the BUF ranks and by 1934 was Chief Organiser for the Women's Section of the party. She left within two years after becoming disillusioned with the sincerity of its policy on women.
- Kean 2004.
- Hastings Press Archived 18 February 2012 at the Wayback MachineGoogle Books
- English Women's History Archived 18 February 2012 at the Wayback Machine
- Feminine fascism: women in Britain's fascist movement – Julie V. Gottlieb – Google Books
- Entry for Mary Richardson, Dictionary of National Biography, Oxford University Press
- "lillian dove-willcox | Woman and her Sphere". womanandhersphere.com. Retrieved 5 April 2018.
- Potterton, Homan. The National Gallery. London: Thames and Hudson, 1977. 15
- BBC Radio 4 – Woman's Hour – Women's History Timeline: 1910 – 1919
- Gamboni, The Destruction of Art, p. 94.
- "Miss Richardson's Statement". The Times. 11 March 1914.
- Craig, F.W.S., ed. (1969). British parliamentary election results 1918-1949. Glasgow: Political Reference Publications. p. 421. ISBN 0-900178-01-9.
- Gottlieb, op cit at 164
- McCouat, P, "From Rokeby Venus to Fascism", Journal of Art in Society, 
- McPherson, Angela; McPherson, Susan (2011). Mosley's Old Suffragette – A Biography of Norah Elam. ISBN 978-1-4466-9967-6. Archived from the original on 13 January 2012.
- Boyd, N, From Suffragette to Fascist, The History Press, 2013
- Gamboni, Dario. The Destruction of Art: Iconoclasm and Vandalism since the French Revolution. Reaktion Books – Picturing History, 2007. ISBN 1-86189-316-7
- Nead, Lynda. The Female Nude: Art, Obscenity, and Sexuality. Routledge, 1992. ISBN 0-415-02677-6
- Prater, Andreas. Venus at Her Mirror: Velázquez and the Art of Nude Painting. Prestel, 2002. ISBN 3-7913-2783-6