Martin Alan "Marty" Feldman (8 July 1934 – 2 December 1982) was a British actor, comedy writer and comedian, known for his prominent, misaligned eyes. He starred in several British television comedy series, including At Last the 1948 Show and Marty, the latter of which won two BAFTA awards. He was the first Saturn Award winner for Best Supporting Actor for his role in Young Frankenstein.
Feldman in 1969
Martin Alan Feldman
8 July 1934
East London, England
|Died||2 December 1982 (aged 48)|
Mexico City, Mexico
|Resting place||Forest Lawn Memorial Park, Hollywood Hills, California, U.S.|
(m. 1959; his death 1982)
|Awards||BAFTAs: Best Light Entertainment Performance|
Feldman was born on 8 July 1934 in the East End of London, the son of Cecilia (née Crook) and Myer Feldman, a gown manufacturer, who were Jewish immigrants from Kiev, Ukraine. He recalled his childhood as "solitary".
Feldman suffered from thyroid disease and developed Graves' ophthalmopathy, causing his eyes to protrude and become misaligned. A childhood injury, a car crash, a boating accident, and reconstructive eye surgery may also have contributed to his appearance. Leaving school at 15, he worked at the Dreamland funfair in Margate, but had dreams of a career as a jazz trumpeter, and performed in the first group in which tenor saxophonist Tubby Hayes was a member. Feldman joked that he was "the world's worst trumpet player." By the age of 20 he had decided to pursue a career as a comedian.
Although his early performing career was undistinguished, he became part of a comedy act—Morris, Marty and Mitch—that made its first television appearance on the BBC series Showcase in April 1955. Later in the decade, Feldman worked on the scripts for Educating Archie in both its radio and television incarnations with Ronald Chesney and, later, Ronald Wolfe.
In 1954, Feldman first met Barry Took while both were working as performers, and with Took he eventually formed an enduring writing partnership which lasted until 1974. They wrote a few episodes of The Army Game (1960) and the bulk of Bootsie and Snudge (1960–62), both situation comedies made by Granada Television for the ITV network. For BBC Radio they wrote Round the Horne (1964–67), their best-remembered comedy series, which starred Kenneth Horne and Kenneth Williams. (The last season of Round the Horne in 1968 was written by others.) This work placed Feldman and Took "in the front rank of comedy writers", according to Denis Norden.
Feldman then became the chief writer and script editor on The Frost Report (1966–67). He co-wrote the much-shown "Class" sketch with John Law, in which John Cleese, Ronnie Barker and Ronnie Corbett faced the audience, with their descending order of height, suggesting their relative social status as upper class (Cleese), middle class (Barker) and working class (Corbett).
The television sketch comedy series At Last the 1948 Show raised Feldman's profile as a performer. The other three participants (future Pythons Graham Chapman and John Cleese, and future Goody Tim Brooke-Taylor) needed a fourth cast member and had Feldman in mind. In a sketch on 1 March 1967, Feldman's character harassed a patient shop assistant (played by Cleese) regarding a series of fictitious books, achieving success with Ethel the Aardvark Goes Quantity Surveying. His character in At Last the 1948 Show was often called Mr Pest, according to John Cleese. Feldman was co-author, along with Cleese, Chapman and Brooke-Taylor of the "Four Yorkshiremen" sketch, which was written for At Last the 1948 Show.
Feldman was given his own series on the BBC called Marty in 1968; it featured Brooke-Taylor, John Junkin and Roland MacLeod, with Cleese as one of the writers. Feldman won two BAFTA awards. The second series in 1969 was retitled It's Marty (the second title being retained for the DVD of the show).
In 1971, Feldman gave evidence in favour of the defendants in the OZ trial. He would not swear on the Bible, choosing instead to affirm. Throughout his testimony, he mocked the judge after it was implied that he had no religion because he was not Christian. By this time, The Marty Feldman Comedy Machine (1971–1972) was in preparation, a TV series co-produced by Associated Television (ATV) and the American Broadcasting Company which was produced at ATV's Elstree Studios, near London. This show lasted for one season.
In 1974, Dennis Main Wilson produced a short BBC sketch series for Feldman titled Marty Back Together Again—a reference to reports about the star's health—but it never captured the impact of the earlier series. The Marty series proved popular enough with an international audience (the first series won the Golden Rose Award at Montreux) to launch a film career. His first feature role was in Every Home Should Have One (1970). Feldman spent time in Soho jazz clubs, as he found a parallel between "riffing" in a comedy partnership and the improvisation of jazz.
On film, in Mel Brooks' Young Frankenstein (1974), he was Igor (pronounced "EYE-gore", a comic response to Gene Wilder's claim that "it's pronounced FRONK-EN-SCHTEEN"). Many lines in Young Frankenstein were improvised. Wilder says he had Feldman in mind when he wrote the part. At one point, Dr Frankenstein (Wilder) scolds Igor with the phrase, "Damn your eyes!" Feldman turns to the camera, points to his misaligned eyes with a grin and says, "Too late!"
Feldman's performances on American television included The Dean Martin Show.
In 1976, Feldman ventured into Italian cinema, starring with Barbara Bouchet in 40 gradi all'ombra del lenzuolo (Sex with a Smile), a sex comedy. He appeared in The Adventure of Sherlock Holmes' Smarter Brother and Brooks' Silent Movie, as well as directing and starring in The Last Remake of Beau Geste. He guest-starred in the "Arabian Nights" episode of The Muppet Show with several Sesame Street characters, especially Cookie Monster, with whom he shared a playful cameo comparing their eyes side by side.
During the course of his career, Feldman recorded two LP records, Marty (1968) and I Feel a Song Going Off (1969), re-released in 1971 as The Crazy World of Marty Feldman. The songs on his second album were written by Denis King, John Junkin and Bill Solly (a writer for Max Bygraves and The Two Ronnies). It was later released as a CD in 2007.
Feldman was married to Lauretta Sullivan (29 September 1935 – 12 March 2010) from January 1959 until his death in 1982. She died, aged 74, in Studio City, Los Angeles. Feldman's peers have reported, in a number of biographies, that he was highly attractive to women in spite of his unconventional facial appearance.
Politically, Marty Feldman has been described as an "avowed socialist" telling one interviewer "I'm a socialist by conviction, if not by lifestyle" and another "I'm a socialist from way back, but in order to pay my back taxes I have to live in America to earn enough money to pay the back tax I owe to the socialist government that I voted in." He joked later that when a Labour cabinet minister said to him "Of course you vote Labour," Feldman replied, "No, I don't, because I'm a socialist!" However, he generally did not seriously discuss politics in public. An exception was when during a promotional tour for The Last Remake of Beau Geste he denounced Anita Bryant's campaign against homosexuality.
Feldman was a vegetarian. In a 1979 interview, when asked how long he had been one, he stated: "I was about five and a half or six when I converted; I'm forty-three now, so it's been approximately thirty-eight years."
Feldman died from a heart attack in a hotel room in Mexico City on 2 December 1982 at age 48, during the making of the film Yellowbeard; the film was subsequently dedicated to him. On the DVD commentary of Young Frankenstein, Mel Brooks cites factors that may have contributed to Feldman's death: "He smoked sometimes half a carton (5 packs) of cigarettes daily, drank copious amounts of black coffee, and ate a diet rich in eggs and dairy products."
|1969||The Bed Sitting Room||Nurse Arthur|
|1970||Every Home Should Have One||Teddy Brown|
|1971||The Magnificent Seven Deadly Sins||Guest Appearance||segment "Sloth"|
|1975||The Adventure of Sherlock Holmes' Smarter Brother||Sgt. Orville Stanley Sacker|
|Closed Up-Tight||Cat Burglar|
|1976||40 gradi all'ombra del lenzuolo (Sex With a Smile)||Alex, the "Bodyguard" male||(segment "La guardia del corpo")|
|Silent Movie||Marty Eggs|
|1977||The Last Remake of Beau Geste||Dagobert 'Digby' Geste|
|1980||In God We Tru$t||Brother Ambrose|
|1982||Slapstick of Another Kind||Sylvester|
|1983||Yellowbeard||Gilbert||(final film role)|
|1967||At Last the 1948 Show||Various Characters|
|1968–1969||Marty / It's Marty|
|1970||Marty Amok||TV movie|
|1971||Marty Abroad||TV movie|
|1971–1972||The Marty Feldman Comedy Machine||Himself|
|1971–1973||The Flip Wilson Show|
|1972||The Marty Feldman Show||Various||TV movie|
|1974||Marty Back Together Again||Various Characters|
|1981||The Muppet Show||Himself||TV series, one episode|
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- "Archived copy". Archived from the original on 9 August 2017. Retrieved 2 May 2017.CS1 maint: Archived copy as title (link)
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- BBC Radio 2 programme East End Boys, 2014
- "Marty - The Whowrotewhat Wotnot (series 1)". The Kettering (4). Retrieved 30 August 2009.
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- Ross, Robert (25 October 2011). Marty Feldman: The Biography of a Comedy Legend. Titan Books. p. 252. ISBN 978-0-85768-602-2.
- "Marty Feldman versus the Suits[permanent dead link]" by Mike Kuhlenbeck, Jewish Currents, June 29, 2016
- "Feldman has 'ideal equipment'", The Pittsburgh Press, January 11, 1976
- Marty Feldman: The Biography of a Comedy Legend by Robert Ross, chapter 15, footnote 17
- Berry, Rynn (1979). "Marty Feldman". The Vegetarians. Brookline, MA: Autumn Press. p. 30. ISBN 0-394-73633-8.
- Lawson, Carol (4 December 1982). "Marty Feldman, Film Comic, Victim of Heart Attack at 48". The New York Times.
- Wilmut, Roger (1980). From Fringe to Flying Circus — Celebrating a Unique Generation of Comedy 1960–1980. Eyre Methuen. ISBN 978-0-413-46950-2.