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Martha Jackson Jarvis

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Martha Jackson Jarvis (born 1952) is an American artist known for her mixed-media installations that explore aspects of African, African American, and Native American spirituality, ecological concerns, and the role of women in preserving indigenous cultures.[1][2][3][4] Her installations are composed using a variety of natural materials including terracotta, sand, copper, recycled stone, glass, wood and coal.[2][5][6][7] Her sculptures and installations are often site-specific, designed to interact with their surroundings and create a sense of place.[2][7][4] Her works often focus on the history and culture of African Americans in the southern United States. In her exhibition at the Corcoran, Jarvis featured over 100 big collard green leaves, numerous carp and a live Potomac catfish.[8]

Martha Jackson Jarvis
Born1952 (age 71–72)
Lynchburg, Virginia, United States
NationalityAmerican
Education
Known forSculpture, Educator
Websitewww.marthajacksonjarvis.com

Jackson Jarvis is best known for her outdoor public installations, including a mosaic, "River Spirits of the Anacostia",[9][10] located at the Anacostia Metro station in Washington, D.C., and sculptures, "Music of the Spheres,[10][11] at Fannie Mae Plaza in Washington, D.C., and "Crossroads/Trickster I," at the North Carolina Museum of Art in Raleigh.[12][13] She also worked as a designer on the set of Julie Dash's 1991 film, Daughters of the Dust.[12][14]

Julie McGee, an art historian at the University of Delaware stated, “The work of Jackson Jarvis operates in two worlds—that of large-scale public commissions and the more intimate space of the gallery. Very few artists are able to finesse both, and certainly not with her acumen and sensitivity.”[15]

Jackson Jarvis is well-known for her work "Signs of the Times," which is a series of sculptures on a large scale that examine the history and culture of the African American community.[2] Another significant work by the artist is the "Ancestors' Bones: Free Spirits" series, which consists of large-scale drawings that depict the relationship between nature and the human spirit through improvisational imprints of brush strokes and drips.[16][17] This work serves as a meaningful tribute to the rich heritage of the community, and it has been displayed in numerous galleries and museums worldwide, such as the Smithsonian American Art Museum, the Corcoran Gallery of Art, and the National Museum of Women in the Arts.[2][3]

Over the course of her career, Jackson Jarvis has been recognized with several awards and honors for her artistic contributions. Notably, she has been the recipient of a National Endowment for the Arts Fellowship, which is a prestigious accolade in the arts community. Additionally, she was inducted into the Washington, DC Hall of Fame, which is a notable recognition of her impact and influence in the region.[2][18]

In addition to her artistic contributions, Jackson Jarvis has also been an enthusiastic educator and mentor. She has taught at esteemed institutions such as Howard University and the Maryland Institute College of Art.[2][5][6][4] Her contributions to education and mentorship have earned her recognition, such as the Distinguished Alumni Award from the Cleveland Institute of Art.[3]

Jackson Jarvis's artwork can be observed in several public places throughout Washington, D.C., including metro stations, courthouses, and the upcoming 11th Street Bridge Park.[19][20][18] For instance, she produced the mosaic mural "River Spirits of the Anacostia" for the Anacostia metro station. Additionally, she and her daughter Njena Surae Jarvis were commissioned to create the "Anacostia's Sunrise/Sunset Portals" sculpture for the 11th Street Bridge Park,[19][20][18] which is made of aluminum steel and glass mosaic and features 11 multi-colored arches that respond to the surroundings and replicate the color scheme of a sunrise or sunset.[19][20]

The "Contemporary Visual Expressions" was an exhibition at the Smithsonian’s Anacostia Museum showcasing works by artists: Sam Gilliam, Martha Jackson Jarvis, Keith Morrison, and William T. Williams. The exhibit demonstrated the versatility of the new gallery and includes an installation created by artist and art historian David Driskell, who also served as guest curator for the show. The highlight of the exhibit was Jackson-Jarvis' "Path of the Avatar", a pinwheel structure that adds energy to the space.[21]

Biography edit

 
"River Spirits of the Anacostia," Anacostia Metro Station, Washington, DC

Martha Jackson Jarvis born in Lynchburg, Virginia, in 1952, Martha Jackson Jarvis was exposed to the arts from an early age.[5][6][17][4] During her early childhood in the 1950s and 1960s, Jackson Jarvis lived in Virginia, an experience she describes as "very segregated".[15] She credits her interest in art to a childhood experience of accompanying her grandmother to a local spring to gather white clay and later making dolls and other objects with the material.[1] The family moved to Philadelphia when she was thirteen.[22]

Jackson Jarvis pursued a formal education in fine arts. She obtained a Bachelor of Fine Arts degree from Howard University in 1974 and later completed a Master of Fine Arts degree from the Maryland Institute College of Art in 1984.[2][18][7] Her freshman year at Howard University in 1970 was very influential due to the active presence of artists including Lois Mailou Jones,[23] Ed Love, Jeff Donaldson, and Elizabeth Catlett. She transferred to Temple University's Tyler School of Art in Philadelphia, to study ceramics.[22] Jackson married Bernard Jarvis, the cousin of Bebe Moore Campbell. She continued her studio work while her children Njena and Bernard Jr. were young.[22]

Exhibitions edit

Selected awards and honors edit

  • 1986 - National Endowment for the Arts Fellowship in sculpture[47]
  • 1977–1978 - Crafts Artist Grant[24]
  • 1979–1980 - Individual Artist Grant in Sculpture, DC, Commission on the arts and humanities[24]
  • 1982 - Emerging Artist Award, Washington DC, Mayor's art award
  • 1986 - Individual Artist Grant in Sculpture, DC, Commission on the arts
  • 1988 - Penny McCall Foundation Grant Award in Sculpture
  • 1992 - Virginia Groot Fellowship Grant in Sculpture
  • 1992 - Lila Wallace-Reader’s Digest Travel Grant to Italy, The American Academy in Rome
  • 1994 - Study Grant, Pilchuck Glass School
  • 2000 - Creative Capital Award in visual arts[48]
  • 2007 - Artist in Residence, Lafayette College, Blackburn/Tague Experimental Printmaking Institute
  • 2011 - United States Artists Project
  • 2011 - Nominated for Anonymous Was a Woman Award[24]
  • Distinguished Alumni Award[3][24]

Works edit

Public Art Spaces (Public and Corporate Commissions) edit

References edit

  1. ^ a b c d Farris, Phoebe. Women Artists of Color: A Bio-critical Sourcebook to 20th Century Artists in the Americas. Westport, CT: Greenwood, 1999. Print.
  2. ^ a b c d e f g h i Protzman, Ferdinand (24 December 1998). "It's What's Outside that Counts; Martha Jackson-Jarvis's New Approach Puts Her Art on the Other Side of the Wall". The Washington Post. pp. E05. Archived from the original on 21 July 2023. Retrieved 20 July 2023.
  3. ^ a b c d Welzenbach, Michael (22 June 1991). "Sculptor Martha Jackson-Jarvis Gallaries". The Washington Post. Archived from the original on 20 July 2023. Retrieved 20 July 2023.
  4. ^ a b c d "'Music of the Spheres'". Historical Marker Database. Archived from the original on 6 March 2023. Retrieved 22 February 2023.
  5. ^ a b c "Martha Jackson Jarvis". www.phillipscollection.org. Retrieved 2023-02-22.
  6. ^ a b c "FY 21 Annual Report - University of Maryland Partnership and Acquisitions" (PDF). The Phillips Collection. 2021. pp. 8, 21. Archived (PDF) from the original on 6 March 2023. Retrieved 20 July 2023.
  7. ^ a b c "Artist Spotlight - Martha Jackson Jarvis". West Harlem Art Fund. 19 January 2021. Archived from the original on 30 March 2023. Retrieved 22 February 2023.
  8. ^ a b c Lewis, Jo Ann (2 June 1996). "Victuals with Vitality; Martha Jackson-Jarvis's Cornucopia at the Corcoran". Washington Post. pp. G.04. ISSN 0190-8286. Archived from the original on 20 July 2023. Retrieved 20 July 2023.
  9. ^ Paschall, Valerie (2013-10-08). "Mapping Twelve Stellar Examples of D.C.'s Public Art". Curbed DC. Retrieved 2019-03-10.
  10. ^ a b c d Shavin, Naomi (5 April 2018). "A New Exhibition At Dumbarton Oaks Puts Artist Martha Jackson Jarvis Front and Center". Washington City Paper. Archived from the original on 23 June 2023. Retrieved 10 March 2019.
  11. ^ James, Curtia (2004-01-01). "Martha Jackson-Jarvis: The Process of Discovery". Sculpture. Retrieved 2023-02-22.
  12. ^ a b James, Curtia (2004). "The Process of Discovery: Martha Jackson-Jarvis". Sculpture. 32 (1): 30–35. ISSN 0889-728X. Archived from the original on 6 March 2023. Retrieved 23 February 2019.
  13. ^ "Crossroads/Trickster I - NCMALearn". learn.ncartmuseum.org. Retrieved 2019-02-23.
  14. ^ Dash, Julie; Baker, Houston A. (1992). "Not Without my Daughters". Transition (57): 165. doi:10.2307/2935164. ISSN 0041-1191. JSTOR 2935164.
  15. ^ a b Shavin, Naomi (April 4, 2018). "A New Exhibition At Dumbarton Oaks Puts Artist Martha Jackson Jarvis Front and Center". Retrieved February 23, 2019.
  16. ^ a b "Martha Jackson Jarvis: Ancestor's Bones". Lafayette Art Galleries - Lafayette College. 8 April 2013. Archived from the original on 27 January 2023. Retrieved 20 July 2023.
  17. ^ a b c "Martha Jackson Jarvis: Ancestors' Bones on view at the University Museums, University of Delaware". Art Daily. 7 September 2012. Archived from the original on 6 March 2023. Retrieved 22 February 2023.
  18. ^ a b c d e "Travelin' Time". MTA. Retrieved 2023-02-22.
  19. ^ a b c d Tran, David (18 February 2022). "A Mother-Daughter Duo Will Create the 11th Street Bridge Park's First Public Artwork". Washingtonian. Archived from the original on 6 March 2023. Retrieved 20 July 2023.
  20. ^ a b c d e Williams, Elliot C. (16 February 2022). "11th Street Bridge Park Project Announces First Public Art Piece". DCist. Archived from the original on 6 March 2023. Retrieved 22 February 2023.
  21. ^ Forgey, Benjamin (16 May 1987). "Urban Expressions". The Washington Post. Archived from the original on 20 July 2023. Retrieved 20 July 2023.
  22. ^ a b c Swift, Mary. "The Power of One: Martha Jackson Jarvis". Washington Review. No. February–March 1995.
  23. ^ Barnes, Bart (12 June 1998). "Lois Mailou Jones, Pioneering Black American Painter, Dies; Artist's Works During 70-Year Career Included Portraits, Pastoral Landscapes and Images of Haiti, Africa". Washington Post. pp. C.08. ISSN 0190-8286. ...she [Jones] trained several leading African American artists in the Washington area, including. . . .Martha Jackson-Jarvis...
  24. ^ a b c d e f g h i j k l "Martha Jackson Jarvis - CV" (PDF).
  25. ^ Kessler, Pamela (22 May 1987). "Art: It's Up in Anacostia". Washington Post. pp. N49. ISSN 0190-8286.
  26. ^ Kraft, Randy (17 May 1987). "Riding the River Rapids is New at Action Park Travel Notebook". The Morning Call. pp. F.05. ISSN 0884-5557. The Smithsonian Institution's Anacostia Museum reopens today . . . . [t]he inaugural exhibit will display the works of four contemporary black American artists. They are Sam Gilliam, Martha Jackson-Jarvis, Keith Morrison and William T. Williams.
  27. ^ "Exhibitions - Contemporary Visual Expressions". Smithsonian Institution. 1987. Archived from the original on 21 July 2023. Retrieved 20 July 2023.
  28. ^ Welzenbach, Michael (9 September 1989). "30 Shows Around Town; From Dupont to Downtown, The Season Opens". Washington Post. pp. C.02. ISSN 0190-8286.
  29. ^ Welzenbach, Michael (16 September 198). "Galleries; Balance that Spells Beauty; Nan Montgomery's New Words at Bader". Washington Post. pp. C.01. ISSN 0190-8286. Jackson-Jarvis at Kornblatt
  30. ^ Raynor, Vivien (14 October 1990). "Art; After the Volcano Exploded". The New York Times. pp. A.18. ISSN 0362-4331.
  31. ^ Welzenbach, Michael (22 June 1991). "Galleries; The Shifting Portals of Kornblatt". Washington Post. pp. G.02. Sculptor Martha Jackson-Jarvis has chosen portals as the topic of a new series constituting a large part of her installation of wall sculptures at BR Kornblatt Gallery.
  32. ^ Dorsey, John (11 February 1994). "African-American Sculptures Evoke Jazz, Folk Art". The Baltimore Sun. pp. 3C. ISSN 1930-8965.
  33. ^ Donohoe, Victoria (31 March 1996). "'Vanishing American Frontier' Show Offers Images of Depression". Philadelphia Inquirer. pp. BC.5. ISSN 0885-6613.
  34. ^ Donohoe, Victoria (18 February 1996). "In Haverford, Emphasis is on the Experimental". Philadelphia Inquirer. pp. MC.5. ISSN 0885-6613.
  35. ^ Gillette, Jane Brown (August 1997). "On the Subject of Human Nature". Landscape Architecture Magazine. 87 (8): 88. ISSN 0023-8031. JSTOR 44677497.
  36. ^ Smith, Bruce (15 May 2014). "Past art: 1997 Spoleto fest sculpture refurbished". AP Regional State Report - South Carolina.
  37. ^ Hammatt, Heather; Hunt, John Dixon (February 2001). "The Art of Landscape". Landscape Architecture. 91 (2): 39–40. ISSN 0023-8031. JSTOR 44674809.
  38. ^ Foley, Mike (25 February 2000). "Earthy Art". The Greenville News. pp. D.1.
  39. ^ Simon, Anna (1 March 2000). "Artists dedicate works in state Botanical Garden". The Greenville News. pp. B.1.
  40. ^ Luken, James O. (May 2013). "The ecology of art". Frontiers in Ecology and the Environment. 11 (4): 219. ISSN 1540-9295. JSTOR 23470951.
  41. ^ Thomas, Mary (29 March 2007). "Picture Perfect Commemorative Exhibition a Salute to Guild as Well as Artists' Work". Pittsburgh Post - Gazette. pp. W-39. ISSN 1068-624X.
  42. ^ "Museum Openings". Washington Post. 30 September 2011. pp. T.19. ISSN 0190-8286.
  43. ^ "Opening Exhibitions - The District Maryland Virginia". Washington Post. 28 January 2011. pp. T.26. ISSN 0190-8286.
  44. ^ Smith, Tim (24 June 2011). "Birthday Party: Reginald F. Lewis Museum Marks Anniversary with Free Admission, Community Events". The Baltimore Sun. pp. T.1. ISSN 1943-9504.
  45. ^ Keller, Cathryn (November 2018). "Martha Jackson Jarvis". Sculpture. 37 (9): 65–66. ISSN 0889-728X. Archived from the original on 6 March 2023. Retrieved 22 February 2023.
  46. ^ Sheets, Hilarie (23 March 2023). "What Would Ben Franklin Say? Artists Weigh the Dream of Democracy". The New York Times. Archived from the original on 27 March 2023. Retrieved 23 March 2023.
  47. ^ Gannett News Service (January 4, 1988). ""Order from chaos" would be a fitting motto for ceramic sculptor Martha Jackson-Jarvis". USA Today.
  48. ^ "The Garden Wall". Creative Capital. 2000. Archived from the original on 30 January 2023. Retrieved 26 February 2019.
  49. ^ Farris, Phoebe (ed.) Women Artists of Color: A Bio-Critical Sourcebook to Artists in the Americas. Westport, Conn.: Greenwood Press, 1999.
  50. ^ Lewis, Samella (2003). African American Art and Artists. Berkeley: University of California Press. pp. 282 (fig. 288), 283. ISBN 9780520239296.
  51. ^ Farrington, Lisa (2017). African-American Art: A Visual and Cultural History. New York: Oxford University Press. pp. 320–321, fig. 12.10. ISBN 9780199995394.
  52. ^ "Crossroads/Trickster I". ArtNC. 2005. Archived from the original on 23 March 2017. Retrieved 1 February 2014.
  53. ^ Weaver, A. M. (2012-12-23). "Martha Jackson Jarvis". ARTnews.com. Retrieved 2023-02-22.
  54. ^ a b c d e f g h Rowell, Charles H. (2015). "Martha Jackson Jarvis". Callaloo. 38 (4): 831–836. doi:10.1353/cal.2015.0119. ISSN 1080-6512.

External links edit

YouTube Videos edit

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