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Mark Robert Bowden (born July 17, 1951) is an American writer and author. He is a National Correspondent for The Atlantic. He is best known for writing Black Hawk Down: A Story of Modern War about the 1993 U.S. military raid in Mogadishu, Somalia which became a major motion picture and Killing Pablo: The Hunt for the World's Greatest Outlaw about Pablo Escobar, a Colombian drug lord.

Mark Bowden
Mark Bowden autographing at Air Force Academy.jpg
Mark Bowden signing a copy of Black Hawk Down at the United States Air Force Academy in 2011
Born Mark Robert Bowden
(1951-07-17) July 17, 1951 (age 66)
St. Louis, Missouri, United States
Occupation Author
Nationality American
Notable works Black Hawk Down: A Story of Modern War, Hue 1968

Contents

Early LifeEdit

Born in St. Louis, Missouri, Bowden is a 1973 graduate of Loyola University Maryland.

While at Loyola, he was inspired to embark on a journalistic career by reading Tom Wolfe's book The Electric Kool-Aid Acid Test.[1] In 2010, in his acceptance speech for a lifetime achievement award at the National Book Awards, Wolfe called Bowden one of the two "writers to watch" (along with Michael Lewis).[2]

From 1979 to 2003, Bowden was a staff writer for The Philadelphia Inquirer. Over the years, he has written for The New Yorker, Men's Journal, The Atlantic, Sports Illustrated, and Rolling Stone. Some of his awards are listed below. He has taught journalism and creative writing at Loyola University Maryland, and was Distinguished Writer in Residence at the University of Delaware from 2013–2017.

He currently lives in Kennett Square, Pennsylvania.

Former Florida State Seminoles football coach Bobby Bowden is first cousin to Mark's father.

Controversies and criticismEdit

From June 2012 through March 2013 the legal blog "Trials & Tribulations", which reports on Californian trials and legal affairs, has run a seven part series titled "Fact Checking Mark Bowden's Curious Vanity Fair Article on Stephanie Lazarus".[3] The blog series disputes facts in Bowden's July 2012 Vanity Fair article, "A Case So Cold It Was Blue",[4] suggests that quotes and states of mind of key persons in the narrative had been made up by Bowden to fit his story, and questions whether Bowden had done any relevant interviews or had attended a single day of the murder trial of former LAPD detective Stephanie Lazarus, whose case was the centerpiece of his story. In Part VI,[5] published on T&T in October 2012, Bowden's editor at Vanity Fair, Cullen Murphy, declined to comment on the record about the errors in Bowden's article. Part VII,[6] from March 2013, suggests that Bowden, who was not approached about the allegations prior to their posting, has since declined to respond to questions posed by the website's blogger regarding the disputed Vanity Fair story when asked either through email or in person.

On coercive interrogation and tortureEdit

In the October 2003 issue of The Atlantic, Bowden's article "The Dark Art of Interrogation" [7] advocated a ban on all forms of coercive interrogation, but argued that in certain rare instances interrogators would be morally justified in breaking the law and ought to face the consequences. Written more than a year before the violations revealed at Abu Ghraib and other detention centers, it said, in part:

The Bush Administration has adopted exactly the right posture on the matter. Candor and consistency are not always public virtues. Torture is a crime against humanity, but coercion is an issue that is rightly handled with a wink, or even a touch of hypocrisy; it should be banned but also quietly practiced. Those who protest coercive methods will exaggerate their horrors, which is good: it generates a useful climate of fear. It is wise of the President to reiterate U.S. support for international agreements banning torture, and it is wise for American interrogators to employ whatever coercive methods work. It is also smart not to discuss the matter with anyone.

On pages 231–234 of the book The Men Who Stare at Goats by Jon Ronson, Bowden's article is mentioned as a reference to the CIA's Project ARTICHOKE, a program to create ways of interrogating people that could be brutal or even fatal.

Future of the mediaEdit

Bowden holds unconventional views on the future of the media in the 21st-century. He does not believe attention spans are shortening and believes young people are just as drawn to "deep" journalism as other generations. He stated in March 2009: "Nothing will ever replace language as the medium of thought, so nothing will replace the well-written, originally-reported story, or the well-reasoned essay."[8]

AwardsEdit

  • Winner Overseas Press Club's Cornelius Ryan Award as the best book of 2001 (for Killing Pablo)
  • Winner, Overseas Press Club's Hal Boyle Award for best reporting from abroad 1997 (for Black Hawk Down)
  • Finalist, National Book Award, 1999 (for Black Hawk Down)
  • Winner, Feature writing award from the Sunday Magazine Editors Association, 1987 (for Finder's Keeper's)
  • Winner, Science Writing Award from the American Association for the Advancement of Science, 1980
  • Finalist, best newspaper writing, American Society of Newspaper Editors, 1979 (for Life in the Projects)
  • Winner, Maryland Library Association's Maryland Author Award for nonfiction writing, 2011 (for body of work)
  • Winner, Gen. Wallace Greene Award for nonfiction writing, USMC Heritage Foundation 2018 (for Hue 1968)
  • Finalist, Los Angeles Times Book Award, History, 2018 (for Hue 1968)
  • Finalist, The Andrew Carnegie Medal, Nonfiction, 2018 (for Hue 1968)
  • Inductee, The Cybersecurity Canon 2018 (for Worm)

BibliographyEdit

BooksEdit

ForewordsEdit

Essays and reportingEdit

FilmographyEdit

ReferencesEdit

External linksEdit