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as Odette in Swan Lake (Royal Opera House, 2018)
|Born||23 March 1982|
San Martín, Argentina
|Occupation||Royal Ballet dancer|
(m. 2011; div. 2015)
Núñez was born in San Martín, Argentina, on 23 March 1982. She started dance lessons at the age of three, and at eight was admitted to the Instituto Superior de Arte of the Teatro Colón in Buenos Aires where she studied until she was invited to join the corps de ballet of the Company at the age of 14. She was selected to take part in a tour of Argentina as a Soloist with the Ballet Clasico de la Habana, Cuba. In 1997 Maximiliano Guerra chose her as his partner to dance with him in Uruguay, Spain, Italy and at the World Ballet Festival of Japan. She was then invited to tour with the ballet company of Teatro Colón in Europe and the US as a guest ballerina.
In September 1997 she joined the graduate course at The Royal Ballet School and at the end of the year danced the leading female role in Kenneth MacMillan’s Soirée Musicale at Dame Ninette de Valois’ 100th Birthday Gala as well as the title role in Raymonda Act III and the Third Shadow solo in La Bayadère at the School's performances. She joined The Royal Ballet at the start of the 1998/99 season, aged 16 and was promoted to first soloist in 2001, and made a principal in September 2002.
Since joining the company she has danced roles in Kenneth MacMillan's Concerto, Romeo and Juliet, Mitzi Caspar and Princess Louise in Mayerling, Elite Syncopations, Lescaut's Mistress in Manon, Frederick Ashton’s Cinderella, La fille mal gardée, Monotones I, Les Rendezvous, Dante Sonata , La Valse, Ondine, Daphnis and Chloë, Isabel Fitton in Macmillan's Enigma Variations, the title role in Allice's Adventures in Wonderland, Ballo della Regina, Princess Belle Rose in The Prince of the Pagodas and Birthday Offering.
Other roles include the Pas de trois in Rudolf Nureyev’s production of Raymonda Act III, Nijinska’s Les Biches, a Nymph in Nijinsky’s L’Aprés-Midi D’un Faune, Swanilda and Aurora in Ninette de Valois’ production of Coppélia, the Black Queen in Checkmate, Myrtha and Pas de six in Peter Wright's Giselle, the Pas de deux from Petipa’s Diana and Acteon at the White Night Gala (July 2000), Odette/Odile in Anthony Dowell’s production of Swan Lake, the Sugar Plum Fairy in Sir Peter Wright’s production of The Nutcracker, , Ashley Page’s This House Will Burn., the 1st Pas de trois in Balanchine’s Agon, Kitri in Nureyev’s production of Don Quixote, Olga in John Cranko’s Onegin, the lead couple with Inaki Urlezaga in Stephen Baynes’ Beyond Bach, Antony Tudor’s The Leaves Are Fading, Nikiya and Gamzatti in Natalia Makarova’s production of La Bayadère, the Fairy of Vitality, Lilac Fairy and Aurora in her production of The Sleeping Beauty, Nacho Duato’s Por Vos Muero, William Forsythe’s In the middle, somewhat elevated, Jiří Kylián’s Sinfonietta, L’Hiver in David Bintley’s Les Saisons, Polyhimnia in Balanchine’s Apollo, Tchaikovsky Pas de deux and Choleric in his The Four Temperaments, the Lilac Fairy and Aurora in the Monica Mason and Christopher Newton production of The Sleeping Beauty, the Queen of Fire in Christopher Wheeldon’s Fire variation in Homage to the Queen, the Solo Girl in Alastair Marriott’s Tanglewood, Glen Tetley’s Voluntaries, and Johan Kobborg’s production of Napoli Divertissements.
Núñez created roles in two works on the 1999 Dance Bites tour: Will Tuckett’s Love’s Fool and Mark Baldwin’s Towards Poetry and she created a role in Matthew Hart’s Acheron’s Dream for the New Works in the Linbury Studio Theatre (2000), Javier De Frutos’ The Misty Frontier (2001). In 2003 she created the role of La Grêle in David Bintley's Les Saisons, Christopher Wheeldon's DGV (Danse à grande vitesse) (2006) and the Stripper in Will Tuckett's The Seven Deadly Sins (2007).
Television appearances include the BBC broadcast of Daphnis and Chloë and La fille mal gardée on BBC2 in February 2005. She also made her debut dancing the Pas de deux from Le Corsaire for A Curtain Call for Aid Asian tsunami benefit performance, broadcast in December 2006.
She has been credited with a refined sense of style, and of displaying a unique understanding of the choreographer Frederick Ashton's style. Núñez won the prestigious Richard Sherrington Award for Best Female Dancer 2005. In 2006 Núñez performed several times in the latest Royal Ballet production of Sleeping Beauty, both as the Lilac Fairy and as Aurora. Critics were impressed by the warmth of her Lilac Fairy. Her Aurora was said to be among the Royal Ballet's finest since 1946 with "the phrasing of an angel" In July 2006 at Sadler's Wells Theatre, London, in "Acosta and Friends", Núñez partnered Carlos Acosta in the demanding Diana and Acteon pas de deux. This, for many, was the highlight of the show. In January 2007 Núñez was nominated for a Laurence Olivier Award for her performances in The Royal Ballet's Chroma and The Sleeping Beauty at the Royal Opera House and in Carlos Acosta's programme at Sadler's Wells. In early 2007 Núñez once again took the lead in Swan Lake, of her performance one leading critic commented "every gesture sings, every step is luminous with emotion. The result is sublime".
In July 2007 Núñez performed The Dying Swan at The Grand Opera House, York. She had been especially selected for this difficult piece by Marguerite Porter because of the simplicity and purity of her style. She made her London debut as Juliet in MacMillan's Romeo and Juliet in May 2008.
The Royal Ballet opened the 2008/2009 season on 4 October with Núñez cast as Odette/Odile in Swan Lake. Due to the injury of other principals, Núñez also danced Odette/Odile at the next two performances, 6 and 7 October, to high acclaim.
Giannandrea Poesio writes on her Swan Lake : "Her approach to one of the most difficult parts of the 19th-century repertoire is simply exemplary, and I have no doubt that her incandescent and technically flawless interpretation is destined to be long remembered in history, along with those of other unique artists."
In January 2010 following her performances as Aurora in Sleeping Beauty for the Royal Ballet, veteran critic Clement Crisp, among other accolades, described Núñez as "vastly intelligent as a performer."
Núñez married fellow principal at the Royal Ballet, Thiago Soares in 2011 in Buenos Aires. The couple separated in 2014 and announced their divorce in January 2016, but remain friends and continue to dance together.
20th Anniversary with Royal BalletEdit
Following an appearance in Giselle, for the Royal Ballet, a unique celebration of Marianela's 20th year with the Royal Ballet was held on stage. Present were Lady Sarah Chatto, Peter Wright, Monica Mason, and The Argentine ambassador to the UK Renato Carlos Sersale di Cerisano. Also present on stage current was Royal Ballet artistic director Kevin O'Hare. Kevin O'Hare among other things declared Marianela "one of the greats of her generation".
- Kitri - Don Quixote
- Swanilda - Coppélia
- Princess Aurora and the Lilac Fairy - The Sleeping Beauty
- Sugar Plum Fairy - The Nutcracker
- Gamzatti and Nikiya - La Bayadère
- Olga and Tatiana - Onegin
- Sylvia - Sylvia
- Lise - La fille mal gardée
- Odette/Odile - Swan Lake
- Juliet - Romeo and Juliet
- Giselle and Myrtha - Giselle
- Carmen - Carmen
Diana and Actaeon pas de deux, Le Corsaire pas de deux, Tchaikovsky pas de deux, Winter Dreams pas de deux
Roles in Monotones I, Agon, Les Rendezvous, La Valse, Diamonds, Tzigane and works by Balanchine, Forsythe, Tetley, Page, Tudor, Kylián, Wheeldon and Tuckett.
She created roles in DGV (danse à grande vitesse) and The Seven Deadly Sins.
- Elyse Borne, Marianela Núñez & Thiago Sores (2017). Marianela Nuñez and Thiago Soares rehearse 'Diamonds' from Jewels (The Royal Ballet). London: Royal Opera House.
- "National Dance Awards — Richard Sherrington Award for best female dancer 2005". Retrieved 25 Jan 2009.
- Patrick Kidd (2016-01-16). "Diary (TMS): Covent Garden's first couple split, Bowie's parliament flop, Friends star misses out and Yes, prime minister". The Times. Retrieved 2016-01-22.
- The Royal Opera House Magazine, January 2016, Page 22-26.