Luisa Carnés (3 January 1905 – 12 March 1964) was a Spanish fiction writer and journalist.[1]
Early life and work edit
Carnés was born in Madrid, the daughter of a barber and a seamstress and the oldest of six children. Economic hardship in her family caused her to leave school at age eleven to become a hatmaker's apprentice. An autodidact, she was an avid reader of Cervantes, Dostoevsky, Tolstoy, and Gorky, among others, and began to write in the evenings.[2] In 1928 she published a collection of short stories, Peregrinos de Calvario, and in 1930, her first novel, Natacha.[3] Both were published by her employer, the Compañía Iberoamericana de Publicaciones (CIAP), where she did editorial work and where she met her first husband, the graphic artist Ramón Puyol (1907-1981).[4]
In 1931, after the publisher went bankrupt, she and Puyol moved from Madrid to Algeciras. In 1932 she separated from Puyol and returned to Madrid. Unable to support herself by writing, she began waitressing in a tea room, an experience that inspired what is generally regarded as her best work, Tea Rooms. Mujeres obreras (Tea Rooms. Working-Class Women).[2]
She was a member of the Communist Party of Spain (PCE) and an advocate for women's suffrage.[5] An avid defender of the Spanish Republic, after the Spanish Civil War broke out in 1936 she wrote articles and plays in its defense. When the Spanish Republic fell in 1939, she crossed the border to France and from there sailed to Mexico, where, like many Spanish Republicans, she was granted asylum. She lived in Mexico City until her death in 1964 in a car accident.[6]
Long forgotten in Spain, since 2002 much of her work has been brought back into print.[7] In 2019 a commemorative plaque was placed on the building where she was born, at Calle Lope de Vega, 31, Madrid.[8] In 2020 her short story "Without a Compass" was published in an English translation by Catherine Nelson in Barricade: A Journal of Antifascism & Translation.[9]
Bibliography edit
- Cumpleaños. Los bancos del Prado. Los vendedores de miedo, Publicaciones de la Asociación de Directores de Escena de España, Madrid, 2002.
- El eslabón perdido, Editorial Renacimiento, Sevilla, 2002.
- Tea Rooms. Mujeres obreras, Hoja de Lata, Asturias, 2016
- De Barcelona a la Bretaña francesa, Editorial Renacimiento, 2017
- Trece cuentos (1931-1963), Hoja de Lata, Asturias, 2017.
- De Barcelona a la Bretaña francesa. Memorias, Biblioteca del exilio, Sevilla, 2017.
- Rosalía. Raíz apasionada de Galicia, Hoja de Lata, Asturias, 2018.
- Rojo y gris, Editorial Renacimiento, Sevilla, 2018.
- Donde brotó el laurel, Editorial Renacimiento, Sevilla, 2018.
- Natacha, Editorial Renacimiento, Sevilla, 2019.
References edit
- ^ Hernández Cano, Eduardo (2009). "Carnés Caballero, Luisa Genoveva". Diccionario biográfico español. XI. Real Academia de la Historia: 529–530.
- ^ a b Plaza Plaza, Antonio (2016). "A propósito de la narrativa del 27. Luisa Carnés (1905-1964): Revisión de una escritora postergada" Epilogue in Tea Rooms: Working-Class Women by Luisa Carnés (Xixón (Gijón), Spain, Hoja de Lata Editorial, 2016). [Kindle]
- ^ "Luisa Carnés, la escritora que no salía en la fotografía de la Generación del 27". ABC (in Spanish). 10 June 2017. Retrieved 20 February 2021.
- ^ Campoy, Ana (13 October 2017). "Colorear a Luisa Carnés - Jot Down Cultural Magazine" (in Spanish). Retrieved 23 December 2023.
- ^ "Luisa Carnés, la 'sinsombrero' olvidada". La Razón (in Spanish). 12 June 2017. Retrieved 20 February 2021.
- ^ Sanz, Marta (29 September 2016). "Luisa Carnés cuenta los brioches". El País (in Spanish). ISSN 1134-6582. Retrieved 20 February 2021.
- ^ "'El regreso de Luisa Carnés'". Hoja de Lata (in European Spanish). Retrieved 21 February 2021.
- ^ "Luisa Carnés. Tea rooms. Mujeres obreras – No solo técnica" (in Spanish). Retrieved 21 February 2021.
- ^ "Without a Compass – Barricade". Retrieved 30 March 2021.