Lovecraft in Brooklyn
|"Lovecraft in Brooklyn"|
|Single by The Mountain Goats|
|from the album Heretic Pride|
|Released||February 18, 2008
February 19, 2008
|Genre||Folk rock, Indie rock|
|Producer(s)||Scott Solter, John Vanderslice|
|The Mountain Goats singles chronology|
In an interview with io9's Charlie Jane Anders concerning the song's imagery, songwriter John Darnielle stated "Lovecraft in Brooklyn" "is not really about Lovecraft — it's sung by a guy who's identifying with Lovecraft at his most xenophobic and terrified. Why does that appeal? I think I'm just attracted to hermits in general — to people who don't feel like they're part of the world, who have a hard time feeling like they're really present in the same space as everybody else."
Allmusic's Steve Leggett called "Lovecraft in Brooklyn" "odd, lysergic" and "feels like the screenplay for a campy B movie monster flick given musical form, only, of course, it might be something else entirely." Crawdaddy!'s Jessica Gentile called "Lovecraft in Brooklyn" "muscular, electric, and imbued with paranoia" and "by far, the heaviest song the band’s ever recorded." Pitchfork Media's Zach Baron called "Lovecraft in Brooklyn" (alongside songs "Sax Rohmer #1" and "In the Craters of the Moon") a "seething throwback [...] taut, propulsive, paranoid, furious."
Slant Magazine's Dave Hughes said Heretic Pride was anchored by "surprisingly assertive rock moments" as the "awesomely angular 'Lovecraft in Brooklyn'." Sputnikmusic's Ryan Flatley reviewed "Lovecraft in Brooklyn" as "steers behinds a staccato, yet catchy bass-line and Kayo Dot-esque violins. Darnielle’s eager voice provides an engaging feel leading 'Lovecraft in Brooklyn.'" Tiny Mix Tapes's Judy Berman declared "Lovecraft in Brooklyn" as "fast-paced and guitar-driven, with Darnielle singing breathlessly, as though he’s running from someone with a gun. He shows his talent for subtly coloring his lyrics with the voice of the frightened narrator, in lines like, 'Afraid of my own shadow/ Like, genuinely afraid.'"
The Morning News's Erik Bryan called the collaboration "strange. Darnielle’s lyrics and vocals make it not the chillest groove, even as Aesop Rock’s mix tries to force it in that direction, which may be precisely akin to the paranoid displacement H.P. Lovecraft felt upon moving to New York."
- Lewis, Jeffrey (2008). "Mountain Goats Press Kit 08". Jeffrey Lewis. thejeffreylewissite.com. Retrieved 2014-10-05.
- Anders, Charlie (27 March 2008). "The Mountain Goats Explain Why Ozzy Osbourne Is A Scifi Visionary". io9. Gawker. Retrieved 2014-09-22.
- Leggett, Steve. "Heretic Pride - The Mountain Goats". AllMusic. Rovi Corporation. Retrieved 2014-09-22.
- Gentile, Jessica (20 February 2008). "Crawdaddy! - Reviews - Mountain Goats". Crawdaddy!. Archived from the original on 15 August 2007. Retrieved 22 September 2014.
- Baron, Zach (18 February 2008). "The Mountain Goats: Heretic Pride". Pitchfork Media. Retrieved 22 September 2014.
- Hughes, Dave (18 February 2008). "The Mountain Goats: Heretic Pride". Slant Magazine. Retrieved 22 September 2014.
- Hughes, Dave (17 May 2008). "The Mountain Goats - Heretic Pride (album review )". Sputnikmusic. Retrieved 22 September 2014.
- Berman, Judy (2008). "The Mountain Goats - Heretic Pride". Tiny Mix Tapes. Retrieved 8 October 2014.
- MaxFun Intern (20 February 2013). "Judge John Hodgman Episode 98: All Dogs Go To Trial - Live at SF Sketchfest!". Maximum Fun. Retrieved 2013-02-20.
- Richardson, Mark (8 May 2008). "Video: The Mountain Goats [ft. Aesop Rock]: "Lovecraft in Brooklyn" (Aesop Rock Remix)". Pitchfork Media. Archived from the original on October 6, 2008. Retrieved 22 September 2014.
- _, Brandon (8 May 2008). "New Mountain Goats Video – "Lovecraft in Brooklyn" (Aesop Rock Remix) - Stereogum". Stereogum. Retrieved 22 September 2014.
- Bryan, Erik (14 May 2008). "Lovecraft in Brooklyn - The Morning News". The Morning News. Retrieved 22 September 2014.