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Louise Lasser (born April 11, 1939) is an American actress, television writer and performing arts teacher and director. She is known for her portrayal of the title character on the soap opera satire Mary Hartman, Mary Hartman. She was married to Woody Allen and appeared in several of his early films.[1] She is also a life member of The Actors Studio and studied with both Sanford Meisner and Robert X. Modica.[2]

Louise Lasser
Louise Lasser Mary Hartman 1976.JPG
Lasser as Mary Hartman in 1976
Born (1939-04-11) April 11, 1939 (age 80)
Alma materBrandeis University
OccupationActress, television writer
Woody Allen
(m. 1966; div. 1970)


Early life and familyEdit

Born in New York City, Lasser is the daughter of tax expert S. Jay Lasser,[1] author of the successful Everyone's Income Tax Guide series in the '70s and '80s. Louise Lasser's family was Jewish and Lasser was an only child. For three years, she studied political science at Brandeis University.[3] In 1964, Lasser's mother Paula committed suicide[4] following the breakup of her marriage to S. Jay, who eventually also took his own life.[5]


Early workEdit

Lasser was the understudy for Barbra Streisand in the Broadway musical I Can Get It for You Wholesale. She also acted on the soap opera The Doctors and in television commercials.

He's been a tremendous influence -- but it's the influence to make me be me....I remember the day he said, "I do jokes. Your comedy is attitude."[6] — Louise Lasser on Woody Allen's influence

She appeared in the Woody Allen films Take the Money and Run (1969), Bananas (1971), and Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) (1972), as well as being one of the voices for his earlier spoof dubbing of a Japanese spy movie, What's Up Tiger Lily? (1966).

She was also featured in comedies such as Such Good Friends (1971) and Slither (1973). She guest-starred in installments of Love, American Style in 1971, The Bob Newhart Show in 1972 and The Mary Tyler Moore Show in 1973. In 1973, she also appeared in the TV-movie version of Ingmar Bergman's The Lie and as Elaine in "The Roller Coaster Stops Here" episode of the NBC romantic anthology series Love Story.

Mary Hartman, Mary HartmanEdit

I could go into anyone's kitchen in America and have dinner. It was the best and worst of times.[7] — Louise Lasser

Lasser became a household name for starring as the neurotic, unhappy housewife Mary Hartman in the serialized satire Mary Hartman, Mary Hartman and during the show's run appeared on the covers of Newsweek, People, and Rolling Stone. Mary Hartman, Mary Hartman aired five nights a week for two seasons from 1976 to 1977. In his autobiography, producer Norman Lear says that the casting of Lasser took less than a minute after Charles H. Joffe told him there was only one actress to play the part of Mary Hartman, and Lear met the former Mrs. Woody Allen. Lasser initially refused the role. Of the casting process, Lear said "when she read a bit of the script for me, I all but cried for joy ... Louise brought with her the persona that fit Mary Hartman like a corset."[8]

Exhausted from the grueling schedule, Lasser left the series after two seasons (325 episodes), and the serial was re-branded Forever Fernwood, which continued for 26 weeks focusing on the trials and tribulations of the other Mary Hartman, Mary Hartman characters.

In 2000, Lasser appeared on a panel with her former cast members at the Museum of Television and Radio in Beverly Hills (taped for the museum archives). Lasser was interviewed about the series in the bonus features of the Mary Hartman, Mary Hartman Complete Series DVD box-set from Shout Factory, released in December 2013.[9] In it, she reveals that the idea for Mary Hartman's infamous nervous breakdown at the end of the first season came after she wrote a 12-page letter suggesting the idea to Norman Lear.

The Dollhouse IncidentEdit

We function out of a sense of what's proper, and that's so sad in 1976, because there's no way of doing it.[10] — Louise Lasser, on both her and her character

Sometimes reality seemed to mirror art. In the spring of 1976 in Los Angeles, Lasser was arrested at a charity boutique, and police found $6 worth (or 88 milligrams) of cocaine in her purse. Authorities were called after Lasser's American Express card was denied and Lasser refused to leave without possession of a $150 dollhouse. Lasser was initially apprehended for two unpaid traffic tickets (one for jaywalking), but the officers then found the drug in her handbag. Lasser claimed the coke had been given to her several months earlier by a fan. Ultimately, Lasser was ordered to six months in counseling, which was easily satisfied as she was already seeing an analyst.[11] A fictionalized version of the "Dollhouse Incident" was also incorporated into Mary Hartman's first season.

Legacy of MH2Edit

Mary Hartman, Mary Hartman offers "Kitchen Sink Theater of the Absurd"[11] wherein a Candide-esque TV-watching housewife believes that a consumer culture broadcasting the evils of waxy yellow buildup and virtues of frozen tacos is seeking to make her a better person. In one signature episode, Mary brings a sick neighbor a bowl of chicken soup, only to have him fall asleep and drown in it. "I have actually taken a human life with my chicken soup," Mary laments. While some called the production ahead of its time, Lasser has pointed out that it also reflects its time period perfectly: The program is perhaps an amusing-if-downbeat post-Watergate tribute in which we record and re-listen to each one of our thoughts to figure out if any of them actually makes any sense, or if they all should be redacted. During her appearance on The David Susskind Show, Mary memorably mutters, "Erase, erase."

As author Claire Barliant writes: "For some, the 1970s...was a descent into chaos, a dissolution of self, but also a kind of awakening....The Seventies' nervous breakdown coincides with women's lib and a strengthening gay rights movement....MH2 is relevant today because it entertains but still shocks, because the social commentary and satire and bravery of the show are as fresh as ever."[12] Moreover, Lasser as the series' figurehead aptly embodies both the insanity and enlightenment of the epoch.

In 2004 and 2007, Mary Hartman, Mary Hartman was ranked #21 and #26 on "TV Guide's Top Cult Shows Ever".[13][14]

SNL controversyEdit

On July 24, 1976, Lasser hosted the penultimate episode of Saturday Night Live's first season. Her performance is best known for her opening monologue in which she re-creates a Mary Hartman-esque nervous breakdown and locks herself in her dressing room. She is then coaxed out by Chevy Chase/Land Shark and the promise of appearing on the cover of Time.[15]

While some reports claim that Lasser's erratic behavior on the show led to her being the first person banned from SNL,[16] Lasser denies that she was ever forbidden from coming back.[17] By Lasser's account, she was initially told she would be able to write her own material but that term was later reneged on and she also refused to appear in sketches she deemed "salacious": one in particular featured Lasser and Gilda Radner talking about male genitalia. (Jane Curtin appeared in the skit instead.)[17]

Lasser also asserts that her opening stream-of-consciousness rambling (already typical of her Mary Hartman character) was "on purpose" and that her manager, not Lorne Michaels, wanted repeats of the broadcast pulled because her manager was not fond of the way the actress had casually addressed her recent cocaine arrest.[4]

In terms of her interaction with the SNL cast members, Lasser called Chase "like-a-bully mean" but Radner "a doll."

According to Lasser, "He [Lorne Michaels] had invited me to come back; he said come back in two weeks and do another show....It was sad because I believed in people and if they said they were going to do something...for me to threaten to walk off the show, I would never do that for spite. Banned—that’s a horrible thing to have said."[4]

Mary Hartman, Mary Hartman producer Norman Lear and co-star Mary Kay Place also hosted Saturday Night Live (SNL) during the run of Mary Hartman, Mary Hartman.

Other roles and appearancesEdit

Following her departure from Mary Hartman, Mary Hartman, Lasser wrote a made-for-TV movie titled Just Me and You (1978), starring in it with Charles Grodin.

Her post-MH2 stage credits include Marie and Bruce (1980) and A Coupla White Chicks Sitting Around Talking.

She had a recurring role as Alex's ex-wife on the hit series Taxi and starred in the 1981–82 season of It's a Living, playing waitress Maggie McBurney.[9]

Lasser had a recurring role on St. Elsewhere in the mid-1980s as Victor Ehrlich's Aunt Charise, a neurotic comic character. Her 1980s film appearances included Stardust Memories (1980), In God We Tru$t (1980), Crimewave (1985), Blood Rage (1987), Surrender (1987), Rude Awakening (1989), and as the mother of the main character in Sing (1989).[9]

Her 1990s films included Frankenhooker (1990), The Night We Never Met (1993), Sudden Manhattan (1996), Layin' Low (1996), and as the mother of the three main female characters in Todd Solondz's film Happiness. She appeared in Mystery Men (1999) as the mother of Hank Azaria's character. She also had roles in Darren Aronofsky's film Requiem for a Dream (2000), the romantic comedy Fast Food Fast Women (2000) and co-starred with Renée Taylor in National Lampoon's Gold Diggers (2003). Lasser acted in two episodes of HBO's Girls as a Manhattan artist for the series' third season (2014).[9]

Awards and recognitionEdit

Lasser was the first woman to win a Clio Award, Best Actress in a Commercial (1967), and was also nominated for an Emmy for her performance in Mary Hartman, Mary Hartman. She won the National Board of Review Award for Best Acting by an Ensemble for her participation in the film Happiness.

Personal life and secondary careerEdit

Lasser was married to Woody Allen from 1966 to 1970.

She has been a faculty member of HB Studio, where she taught acting technique.[18][19]

In 2014, she directed the Off-Off-Broadway production of Ira Lewis' Chinese Coffee.[2][20]

Currently, she lives in Manhattan and runs her own Louise Lasser Acting Studio[2] on the Upper East Side.


  1. ^ a b "Louise Lasser". IMDb. Retrieved February 20, 2019.
  2. ^ a b c "Louise Lasser Acting Studio". lasseractingstudio. Retrieved March 1, 2019.
  3. ^ Wilson, John M. (February 22, 1976). "Louise Lasser! Louise Lasser!". The New York Times. ISSN 0362-4331. Retrieved February 20, 2019.
  4. ^ a b c Barliant, Claire (December 20, 2013). "An Interview With Louise Lasser: TV, Depression, and SNL". The Toast. Retrieved February 20, 2019.
  5. ^ "Overview for Louise Lasser". Turner Classic Movies. Retrieved February 20, 2019.
  6. ^
  7. ^
  8. ^ Lear, Norman (2014). Even This I Get to Experience. p. 293.
  9. ^ a b c d Louise Lasser on IMDb
  10. ^
  11. ^ a b "No Laughing Matter". Retrieved February 20, 2019.
  12. ^ "From a Waxy Yellow Buildup to a Nervous Breakdown: The Fleeting Existence of Mary Hartman, Mary Hartman". East of Borneo. Retrieved February 20, 2019.
  13. ^ "TV Guide's 25 Top Cult Shows - TannerWorld Junction". January 4, 2009. Retrieved February 20, 2019.
  14. ^ "TV Guide Names the Top Cult Shows Ever | TV Guide". June 29, 2007. Retrieved February 20, 2019.
  15. ^ Louise Lasser/Preservation Hall Jazz Band, retrieved August 15, 2019
  16. ^ "Maybe they win because of the 'tux'". Los Angeles Times. March 25, 2007. Retrieved August 15, 2019.
  17. ^ a b amt (July 24, 2019). "How Louise Lasser Got Banned From 'Saturday Night Live' … Or Did She?". KQZR - The Reel. Retrieved August 15, 2019.
  18. ^ "Louise Lasser, Louise Lasser - Comedy Guys Defensive Driving". April 11, 2013.
  19. ^ "HB Studio New York - Official | Theater Acting, Writing, & Directing Classes". HB Studio. Retrieved February 27, 2019.
  20. ^ "Stage and Cinema Review: CHINESE COFFEE (with Austin Pendleton, directed by Louise Lasser, at the Roy Arias Stage II Theater, Off-Broadway in New York)". Retrieved March 1, 2019.

External linksEdit