Lon Chaney Jr.
This article needs additional citations for verification. (March 2018) (Learn how and when to remove this template message)
Creighton Tull Chaney (February 10, 1906 – July 12, 1973), known by his stage name Lon Chaney Jr., was an American actor known for playing Larry Talbot in the film The Wolf Man (1941) and its various crossovers, Count Alucard (Dracula spelled backward) in Son of Dracula, Frankenstein's monster in The Ghost of Frankenstein (1942), the Mummy in three pictures, and various other roles in many Universal horror films. He also portrayed Lennie Small in Of Mice and Men (1939) and supporting parts in dozens of mainstream movies. Originally referenced in films as Creighton Chaney, he was later credited as "Lon Chaney, Jr." in 1935, and after Man Made Monster (1941), beginning as early as The Wolf Man later that same year, he was almost always billed under his more famous father's name as Lon Chaney at the studio's insistence. Chaney had English, French, and Irish ancestry, and his career in movies and television spanned four decades, from 1931 to 1971.
Lon Chaney Jr.
Chaney in the trailer for Money, Women and Guns (1958)
Creighton Tull Chaney
February 10, 1906
|Died||July 12, 1973 (aged 67)|
San Clemente, California, U.S.
(m. 1928; div. 1937)
Creighton was born in Oklahoma City, Oklahoma Territory, the son of then stage performer Lon Chaney and Frances Cleveland Creighton Chaney, a singing stage performer who traveled in road shows across the country with Creighton. His parents' troubled marriage ended in divorce in 1913 following his mother's scandalous public suicide attempt in Los Angeles. Young Creighton lived in various homes and boarding schools until 1916, when his father (now employed in the film industry) married Hazel Hastings and could provide a stable home.
From an early age, he worked hard to avoid his famous father's shadow. In young adulthood, his father discouraged him from show business, and he attended business college and became successful in a Los Angeles appliance corporation. Creighton, who had begun working for a plumbing company, married Dorothy Hinckley, the daughter of his employer Ralph Hinckley. They had two sons: Lon Ralph Chaney and Ronald Creighton Chaney.
Creighton's life changed forever when his father was diagnosed with throat cancer and died on August 26, 1930, at the age of 47. Many articles and biographies over the years report that Creighton was led to believe his mother had died while he was a boy, and was only made aware she lived after his father's death. Creighton always maintained he had a tough childhood.
As Creighton ChaneyEdit
It was only after his father's death that Chaney began to act in films, billed by his own name. He began with an uncredited bit part in the serial The Galloping Ghost (1931) and signed a contract with RKO who gave him small roles in a number of films, including Girl Crazy (1932), The Roadhouse Murder (1932), Bird of Paradise (1932), and The Most Dangerous Game (1932).
RKO gave him the starring role in a serial, The Last Frontier (1932). He got bigger film roles in Lucky Devils (1933), Son of the Border (1933), Scarlet River (1933), The Life of Vergie Winters (1934). Over at Mascot Pictures he supported John Wayne in a serial, The Three Musketeers (1933), which was later re-edited into a film entitled Desert Command (1946).
"I did every possible bit in pictures" said Chaney later. "Had to do stuntwork to live. I bulldogged steers, fell off and got knocked off cliffs, rode horses and precipes into rivers, drove prairie schooners up and down hills."
He had the lead in the independent film Sixteen Fathoms Deep (1934) and a small part in Girl o' My Dreams (1934) at Monogram. The last film he made as Creighton Chaney was The Marriage Bargain (1935) for Screencraft Productions. After this point he was billed as Lon Chaney, Jr. until 1942, when he was often billed, at the insistence of Universal Studios, with his iconic father's name, although the "Jr." was usually added by others to distinguish the two.
As Lon Chaney JrEdit
He had the lead in A Scream in the Night (1935) made for Commodore Pictures, a crime thriller. He played small roles at Paramount: Hold 'Em Yale (1935), Accent on Youth (1935) and Rose Bowl (1936). A small outfit, Ray Kirkwood Productions, gave him a lead, The Shadow of Silk Lennox (1935).
At Republic he featured alongside Gene Autry in The Singing Cowboy (1936) and The Old Corral (1937). He was a henchman in a serial for Republic, Undersea Kingdom (1936). Universal got him to play a henchman in their serial, Ace Drummond (1937) and he was uncredited in Columbia's Killer at Large (1937). He lent his name to a cafe which was embroiled in a liquor scandal.
20th Century FoxEdit
He signed a contract at 20th Century Fox and appeared in Love Is News (1937), Midnight Taxi (1937), That I May Live (1937), This Is My Affair (1937), Angel's Holiday (1937), Born Reckless (1937), Wild and Woolly (1937), The Lady Escapes (1937), Thin Ice (1937), One Mile from Heaven (1937), Charlie Chan on Broadway (1938), Life Begins in College (1937), Wife, Doctor and Nurse (1937), Second Honeymoon (1937), Checkers (1937), Love and Hisses (1938), City Girl (1938), Happy Landing (1938), Sally, Irene and Mary (1938), Mr. Moto's Gamble (1938), Walking Down Broadway (1938), Alexander's Ragtime Band (1938), Josette (1938), Speed to Burn (1938), Passport Husband (1938), Straight, Place and Show (1938), Submarine Patrol (1938), and Road Demon (1939). He was almost killed by a train while filming a bank robbery scene in Jesse James (1939).
Of Mice and Men (1939)Edit
Chaney Jr's only stage appearance had been as Lennie Small in a production of Of Mice and Men with Wallace Ford. He was cast in that role in the film Of Mice and Men (1939), which was produced by Hal Roach Studios. The film was Chaney Jr's first major role in a film and was a critical success for him. Chaney had a screen test for the role of Quasimodo for the remake of The Hunchback of Notre Dame (1939), but the role went to Charles Laughton.
Hal Roach used him in his third-billed character role in One Million B.C. (1940) as Victor Mature's caveman father, Chaney began to be viewed as a character actor in the mold of his father. He had in fact designed a swarthy, ape-like Neanderthal make-up on himself for the film, but production decisions and union rules prevented his following through on emulating his father in that fashion. Cecil B. DeMille used him in a supporting role in North West Mounted Police (1940) and MGM used him in Billy the Kid (1941). That studio considered putting Chaney Jr in a remake of his father's hit He Who Gets Slapped but decided not to make it.
Universal Pictures offered Chaney Jr the lead in Man-Made Monster (1941), a science-fiction horror thriller originally written with Karloff in mind. Chaney's first horror film, it was successful enough for them to offer him a long-term contract.
Universal kept him in supporting roles for a while: a comedy Too Many Blondes (1941), a musical San Antonio Rose (1941), a serial Riders of Death Valley (1941), the Western Badlands of Dakota (1941) and the "Northern" North to the Klondike (1942).
Horror Film Star: The Wolf Man, The Mummy, Inner SanctumEdit
Chaney was then given the title role in The Wolf Man (1941) for Universal, a role which, much like Karloff's Frankenstein monster, would largely typecast Chaney as a horror film actor for the rest of his life.
Chaney Jr was now an official horror star, and Universal gave him the role of Frankenstein's Monster in The Ghost of Frankenstein (1942) when Karloff decided not to play the part again. He was in a crime film, Eyes of the Underworld (1942) and the wartime shorts Keeping Fit (1942) and What We Are Fighting For (1943).
Chaney Jr played Kharis the Mummy in The Mummy's Tomb (1942), another hit. He was in a Western Frontier Badmen (1943), then reprised his role as the Wolf Man in Frankenstein Meets the Wolf Man (1943).
Chaney was given the role of Dracula in Son of Dracula (1943). This made him the only actor to portray all four of Universal's major horror characters: the Wolf Man, Frankenstein's Monster, the Mummy, and Count Dracula.
After a cameo in Crazy House (1943) he was given the lead in Calling Dr. Death (1943), based on the Inner Sanctum mysteries. It kicked off another series starring Chaney, the first of which was Weird Woman (1944).
Dead Man's Eyes (1944) was the third Inner Sanctum, after which he was back as the Wolf Man in House of Frankenstein (1944). The Mummy's Curse (1944) was Chaney's third and final appearance as Kharis.
He had a small role in an Abbott and Costello comedy Here Come the Co-Eds (1945), then made more Inner Sanctums: The Frozen Ghost (1945) and Strange Confession (1945). He returned as the Wolf Man in House of Dracula (1945), one of the last of the Universal horror cycle. Pillow of Death (1945) was the last Inner Sanctum. The Daltons Ride Again (1945) was a Western.
Despite being typecast as the Wolf Man, the 6-foot 2-inch, 220 pound actor managed to carve out a secondary niche as a supporting actor and villain.
He was in a Bob Hope comedy My Favorite Brunette (1947), supported Randolph Scott in Albuquerque (1948) and had a support in The Counterfeiters (1948) and played a villain in 16 Fathoms Deep (1948) for Monogram Pictures, a remake of his 1934 film.
He reprised his Wolf Man role to great effect in Abbott and Costello Meet Frankenstein (1948) but it did not cause a notable boost to his career. In April 1948 Chaney went to hospital after taking an overdose of sleeping pills. He recovered and played Harry Brock in a Los Angeles theatre production of Born Yesterday in 1949.
Chaney kept busy in support roles: Captain China (1950), Once a Thief (1950), Inside Straight (1951), Bride of the Gorilla (1951), Only the Valiant (1951), Behave Yourself! (1951), Flame of Araby (1952), The Bushwackers (1952), Thief of Damascus (1952), Battles of Chief Pontiac (1952) (in the title role), High Noon (1952), Springfield Rifle (1952), The Black Castle (1952) (a return to horror), Raiders of the Seven Seas (1953), A Lion Is in the Streets (1953), The Boy from Oklahoma (1954), Casanova's Big Night (1954), Passion (1954), The Black Pirates (1954), Jivaro (1955), Big House, U.S.A. (1955), I Died a Thousand Times (1955), The Indian Fighter (1955), and The Black Sleep (1956)
He had a leading role in Indestructible Man (1956) then was back to support parts: Manfish (1956); a Martin and Lewis comedy, Pardners (1956); Daniel Boone, Trail Blazer (1957); The Cyclops (1957) and The Alligator People (1959).
Chaney established himself as a favorite of producer Stanley Kramer; in addition to playing a key supporting role in High Noon (1952) (starring Gary Cooper), he also appeared in Not as a Stranger (1955)—a hospital melodrama featuring Robert Mitchum and Frank Sinatra—and The Defiant Ones (1958, starring Tony Curtis and Sidney Poitier). Kramer told the press at the time that whenever a script came in with a role too difficult for most actors in Hollywood, he called Chaney.
One of his best known roles was a 1952 live television version[unreliable source?] of Frankenstein on the anthology series Tales of Tomorrow for which he allegedly showed up drunk, though that contention is unsubstantiated. During the live broadcast, Chaney, playing the Monster, apparently thought it was just a rehearsal and he would pick up furniture that he was supposed to break, only to gingerly put it back down while muttering, "I saved it for you." A kinescope of the January 18, 1952 broadcast is available on DVD, YouTube, and also open to the public for viewing at The Paley Center for Media in New York City and Los Angeles.
He became quite popular with baby boomers after Universal released its back catalog of horror films to television in 1957 (Shock Theater) and Famous Monsters of Filmland magazine regularly focused on his films.
In 1957, Chaney went to Ontario, Canada, to costar in the first ever American-Canadian television production, as Chingachgook in Hawkeye and the Last of the Mohicans, suggested by James Fenimore Cooper's stories. The series ended after 39 episodes. Universal released their film biography of his father, Man of a Thousand Faces (1957), featuring a semi-fictionalized version of Creighton's life story from his birth up until his father's death. Roger Smith was cast as Creighton as a young adult.
He appeared in an episode of the western series Tombstone Territory titled "The Black Marshal from Deadwood" (1958), and appeared in numerous western series such as Rawhide. He also hosted the 13-episode television anthology series 13 Demon Street in 1959, which was created by Curt Siodmak.
In the 1960s, Chaney specialised in horror films, such as House of Terror (1960), The Devil's Messenger (1961) and The Haunted Palace (1963), replacing Boris Karloff in the last of those for Roger Corman.
He had one of his best later roles in Spider Baby, made in 1964 but not released until 1968. Then it was back to Westerns – Young Fury (1965), Black Spurs (1965), Town Tamer (1966), Johnny Reno (1967), Apache Uprising (1967), Welcome to Hard Times (1967) and Buckskin (1968). There was also horror, such as Dr. Terror's Gallery of Horrors (1967) and Hillbillys in a Haunted House (1967).
His bread-and-butter work during this decade was television – where he made guest appearances on everything from Wagon Train to The Monkees – and in a string of supporting roles in low-budget Westerns produced by A. C. Lyles for Paramount. In 1962, Chaney gained a chance to briefly play Quasimodo in a simulacrum of his father's make-up, as well as return to his roles of the Mummy and the Wolf Man on the television series Route 66 with friends Boris Karloff and Peter Lorre. During this era, he starred in Jack Hill's Spider Baby (filmed 1964, released 1968), for which he also sang the title song.
In later years, he suffered from throat cancer and chronic heart disease among other ailments after decades of heavy drinking and smoking. In his final horror film, Dracula vs. Frankenstein (1971), directed by Al Adamson, he played Groton, Dr. Frankenstein's mute henchman. He filmed his part in the spring of 1969, and shortly thereafter performed his final film role, also for Adamson in 1969 in The Female Bunch. Chaney had lines in The Female Bunch but his hoarse, raspy voice was virtually unrecognizable. Due to illness he retired from acting to concentrate on a book about the Chaney family legacy, A Century of Chaneys, which remains to date unpublished in any form. His grandson, Ron Chaney Jr, was working on completing this project.
Chaney was married twice. His first wife Dorothy divorced him in 1936 for drinking too much and being "sullen". He remarried in 1937. He had two sons by his first wife, Lon Ralph Chaney (born July 3, 1928) and Ronald Creighton Chaney (born March 18, 1930), both now deceased.
Chaney was well liked by some co-workers – "sweet" is the adjective that most commonly emerges from those who acted with, and liked him – yet he was capable of intense dislikes. For instance, he and frequent co-star Evelyn Ankers did not get along at all despite their on-camera chemistry. He was also known to befriend younger actors and stand up for older ones who Chaney felt were belittled by the studios. One example was that of William Farnum, a major silent star who played a bit part in The Mummy's Curse. According to co-star Peter Coe, Chaney demanded that Farnum be given his own chair on the set and be treated with respect, or else he would walk off the picture.
Chaney had run-ins with actor Frank Reicher (whom he nearly strangled on camera in The Mummy's Ghost) and director Robert Siodmak (over whose head Chaney broke a vase). Actor Robert Stack claimed in his 1980 autobiography that Chaney and drinking buddy Broderick Crawford were known as "the monsters" around the Universal Pictures lot because of their drunken behavior that frequently resulted in bloodshed.
He was honored by appearing as the Wolf Man on one of a 1997 series of United States postage stamps depicting movie monsters. His grandson Ron Chaney Jr. has frequently appeared as a guest at horror movie conventions.
This is a list of known Lon Chaney Jr. theatrical films broken down by decade. Television appearances are listed separately.
- The Galloping Ghost (1931) as Henchman (uncredited)
- Bird of Paradise (1932) as Thornton
- The Last Frontier (1932) as Tom Kirby, aka The Black Ghost
- The Black Ghost (1932) as Tom Kirby, alias 'The Black Ghost' (archive footage)
- Lucky Devils (1933) as Frankie Wilde
- Scarlet River (1933) as Jeff Todd
- The Three Musketeers (1933) as Armand Corday [Chs. 1, 10]
- Son of the Border (1933) as Jack Breen
- Sixteen Fathoms Deep (1934) as Joe Bethel
- The Life of Vergie Winters (1934) as Hugo McQueen
- Girl o' My Dreams (1934) as Don Cooper
- The Marriage Bargain (1935) as Bob Gordon
- Captain Hurricane (1935) as Dave (uncredited)
- Hold 'Em Yale (1935) as Yale Football Player (uncredited)
- Accent on Youth (1935) as Chuck
- The Shadow of Silk Lennox (1935) as John Arthur 'Silk' Lennox
- A Scream in the Night (1935) as Jack Wilson / Butch Curtain
- The Singing Cowboy (1936) as Martin
- Undersea Kingdom (1936) as Hakur
- Ace Drummond (1936) as Henchman Ivan
- Killer at Large (1936) as Second Coffin Man (uncredited)
- Rose Bowl (1936) as Sierra Football Player (uncredited)
- The Old Corral (1936) as Garland – Simms' Partner
- Cheyenne Rides Again (1937) as Girard
- Love Is News (1937) as Newsman (uncredited)
- Thin Ice (1937) as American Reporter (uncredited)
- Midnight Taxi (1937) as Detective Erickson
- Secret Agent X-9 (1937) as Maroni
- That I May Live (1937) as Engineer (uncredited)
- This Is My Affair (1937) as Federal Agent in Baltimore Bank (uncredited)
- Angel's Holiday (1937) as Eddie
- Slave Ship (1937) as Laborer Killed at Launching (uncredited)
- Born Reckless (1937) as Garage Mechanic (uncredited)
- Wild and Woolly (1937) as Dutch
- The Lady Escapes (1937) as Reporter (uncredited)
- One Mile From Heaven (1937) as Policeman at Woodman's Hall (uncredited)
- Wife, Doctor and Nurse (1937) as Chauffeur Scott
- Charlie Chan on Broadway (1937) as Desk Reporter (uncredited)
- Life Begins in College (1937) as Gilks
- Second Honeymoon (1937) as Reporter (uncredited)
- Checkers (1937) as Man at Racetrack (uncredited)
- Love and Hisses (1937) as Attendant (uncredited)
- City Girl (1938) as Gangster (uncredited)
- Happy Landing (1938) as Newspaper Reporter (uncredited)
- Sally, Irene and Mary (1938) as Policeman with Club (uncredited)
- Walking Down Broadway (1938) as Delivery Man (uncredited)
- Mr. Moto's Gamble (1938) as Joey
- Alexander's Ragtime Band (1938) as Photographer on Stage (uncredited)
- Josette (1938) as Boatman
- Speed to Burn (1938) as Racetrack Mug
- Passport Husband (1938) as Bull
- Straight Place and Show (1938) as Martin (uncredited)
- Submarine Patrol (1938) as Marine Sentry (uncredited)
- Road Demon (1938) as Bud Casey
- Jesse James (1939) as One of James Gang
- Union Pacific (1939) as Dollarhide
- Frontier Marshal (1939) as Pringle
- Charlie Chan in City in Darkness (1939) as Pierre
- Of Mice and Men (1939) as Lennie Small
- One Million B.C. (1940) as Akhoba
- North West Mounted Police (1940) as Shorty
- Man-Made Monster (1941) as Dan McCormick
- Too Many Blondes (1941) as Marvin Gimble
- Billy the Kid (1941) as 'Spike' Hudson
- San Antonio Rose (1941) as Jigsaw Kennedy
- Riders of Death Valley (1941) as Henchman Butch
- Badlands of Dakota (1941) as Jack McCall
- The Wolf Man (1941) as Larry Talbot – The Wolf Man
- North to the Klondike (1941) as Nate Carson
- The Ghost of Frankenstein (1942) as The Monster
- Overland Mail (1942) as Jim Lane
- Eyes of the Underworld (1942) as Benny
- The Mummy's Tomb (1942) as The Mummy – Kharis
- Keeping Fit (1942, Short) as Lon – Factory Worker
- Frankenstein Meets the Wolf Man (1943) as The Wolf Man – Lawrence Talbot
- What We Are Fighting For (1943, Short) as Bill Wallace
- Frontier Badmen (1943) as Chango
- Crazy House (1943) as Himself (uncredited)
- Son of Dracula (1943) as Count Dracula
- Calling Dr. Death (1943) as Doctor Mark Steele
- Weird Woman (1944) as Norman Reed
- Follow the Boys (1944) as Himself (uncredited)
- Cobra Woman (1944) as Hava
- Ghost Catchers (1944) as Bear
- The Mummy's Ghost (1944) as Kharis
- Dead Man's Eyes (1944) as Dave Stuart
- House of Frankenstein (1944) as Larry Talbot
- The Mummy's Curse (1944) as Mummy
- Here Come The Co-Eds (1945) as Johnson
- The Frozen Ghost (1945) as Alex Gregor / Gregor the Great
- Strange Confession (1945) as Jeff
- The Daltons Ride Again (1945) as Great Dalton
- House of Dracula (1945) as Lawrence Talbot / The Wolf Man
- Pillow of Death (1945) as Wayne Fletcher
- Desert Command (1946) as Lt. Armand Corday (in footage from The Three Musketeers (1933 serial))
- Laguna U.S.A. (1947) as Himself (uncredited)
- My Favorite Brunette (1947) as Willie
- Albuquerque (1948) as Steve Murkill
- The Counterfeiters (1948) as Louie Struber
- Abbott and Costello Meet Frankenstein (1948) as Lawrence Talbot
- 16 Fathoms Deep (1948) as Mr. Demitri
- There's a Girl In My Heart (1950) as Johnny Colton
- Captain China (1950) as Red Lynch
- Once a Thief (1950) as Gus
- Inside Straight (1951) as Shocker / Schockovitz Ninkovitch
- Only the Valiant (1951) as Trooper Kebussyan
- Behave Yourself! (1951) as Pinky
- The Bushwhackers (1951) as Artemus Taylor
- Bride of the Gorilla (1951) as Police Commissioner Taro
- Flame of Araby (1951) as Borka Barbarossa
- Thief of Damascus (1952) as Sinbad
- High Noon (1952) as Martin Howe
- Springfield Rifle (1952) as Pete Elm
- The Black Castle (1952) as Gargon
- Battles of Chief Pontiac (1952) as Chief Pontiac
- Bandit Island (1953, Short) as Kip
- Raiders of the Seven Seas (1953) as Peg Leg
- A Lion Is in the Streets (1953) as Spurge McManamee
- Jivaro (1954) as Pedro Martines
- The Boy from Oklahoma (1954) as Crazy Charlie
- Casanova's Big Night (1954) as Emo the Murderer
- The Big Chase (1954) as Kip
- Passion (1954) as Castro
- The Black Pirates (1954) as Padre Felipe
- Big House, U.S.A. (1955) as Alamo Smith
- The Silver Star (1955) as John W. Harmon
- Not as a Stranger (1955) as Job Marsh
- I Died a Thousand Times (1955) as Big Mac
- The Indian Fighter (1955) as Chivington
- Manfish (1956) as 'Swede'
- Indestructible Man (1956) as Charles 'Butcher' Benton
- The Black Sleep (1956) as Mungo
- Pardners (1956) as Whitey
- Daniel Boone, Trail Blazer (1956) as Blackfish
- The Cyclops (1957) as Martin 'Marty' Melville
- The Defiant Ones (1958) as Big Sam
- Money, Women and Guns (1958) as Art Birdwell
- The Alligator People (1959) as Manon
- House of Terror (1960) as La Momia / El Hombre Lobo
- Rebellion in Cuba (1961) as Gordo
- The Phantom (1961, TV Movie) as Jed
- The Devil's Messenger (1961) as Satan
- The Haunted Palace (1963) as Simon Orne
- Law of the Lawless (1964) as Tiny
- Witchcraft (1964) as Morgan Whitlock
- Stage to Thunder Rock (1964) as Henry Parker
- Face of the Screaming Werewolf (1964) as The Mummified Werewolf
- Young Fury (1965) as Bartender, Ace
- Black Spurs (1965) as Gus Kile
- Town Tamer (1965) as Mayor Charlie Leach
- Apache Uprising (1965) as Charlie Russell
- House of the Black Death (1965) as Belial Desard
- Johnny Reno (1966) as Sheriff Hodges
- Dr. Terror's Gallery of Horrors (1967) as Dr. Mendell
- The Far Out West (1967) as Chief Eagle Shadow (archive footage)
- Hillbillys in a Haunted House (1967) as Maximillian
- Welcome to Hard Times (1967) as Avery
- Spider Baby (1968) as Bruno
- Buckskin (1968) as Sheriff Tangley
- The Fireball Jungle (1968) as Sammy
- A Stranger in Town (1969, TV Movie) as Doc Whitaker
Selected television appearancesEdit
- Versatile Varieties (1949–1950)
- I Love Lucy as a poker player friend of Ricky and Fred. "Be a Pal" episode (1951)
- The Red Skelton Show, five episodes (1954–1959)
- Studio 57 as Jubal Pickett in "The Ballad of Jubal Pickett" (1955)
- Telephone Time as Jules Samenian in "The Golden Junkman"
- Hawkeye and the Last of the Mohicans (1957) Chaney was a regular on this television series, portraying the role of Chingachgook
- Along the Mohawk Trail (1957)
- The Redmen and the Renegades (1957)
- The Pathfinder and the Mohican (1957)
- Tombstone Territory as Marshal Daggett in "The Black Marshal from Deadwood" (1958)
- Rawhide as Jesse Children in "Incident on the Edge of Madness (1959) and as Rock in "Incident at Spider Rock" (1963)
- The Texan as Wylie Ames in "No Love Wasted" (1959)
- General Electric Theater as Bucknell in "The Family Man" (1959)
- 13 Demon Street, host of horror anthology series (1959)
- Border Patrol as a racketeer in "The Homecoming" (1959)
- Wanted: Dead or Alive as Sheriff Lon Paulson in "The Empty Cell" (1959)
- The Rough Riders as Ben "Pa" Hawkins in "An Eye for an Eye" (1959)
- Have Gun – Will Travel, two episodes, 1959 and 1963
- Johnny Ringo as Ben Rafferty in "The Raffertys" (1960)
- Lock-Up one episode
- Wagon Train, two episodes (1960–1961)
- Bat Masterson as Rance Fletcher in "Bat Trap" (1961)
- The Deputy as Tom Arnold in "Brother in Arms" (1961)
- Klondike as Macfin in "The Hostages" (1961)
- Stagecoach West as Ben Wait in "Not in Our Stars" (1961)
- Dick Powell's Zane Grey Theater as Michael Peters in "A Warm Day in Heaven" (1961)
- Surfside 6 as Tank Grosch in "Witness for the Defense" (1961)
- Route 66, three episodes (1961–1963)
- Lawman as Jess Bridges in "The Tarnished Badge" (1962)
- The Rifleman as Charlie Gordo in "Gunfire" (1962)
- Empire as Bart Howe in "Hidden Asset" (1963)
- Pistols 'n' Petticoats as Chief Eagle Shadow, four episodes (1966–1967)
- The Monkees as Lenny in "Monkees in A Ghost Town" (1966)
Select radio creditsEdit
- Inner Sanctum – "Ring of Doom" (1943)
- "Lon Chaney Jr., Actor, Is Dead at 67; Portrayed Monsters". New York Times. July 14, 1973. Retrieved 25 February 2014.
Lon Chaney Jr., the film actor, died yesterday at the age of 67. A long series of illnesses had put Mr. Chaney in and out of hospitals for the last year. He was released from a San Clemente ...
- Smith, Frederick James. (July 28, 1940). "FILLER OF FATHER'S FOOTWEAR: FILLER OF FATHER'S FOOTWEAR". Los Angeles Times. p. J6.
- Schallert, Edwin (Sep 7, 1935). "Mary Pickford Considers Leading Drive to Produce Pictures in England: British Films Would Use American Actors Cycle of Kipling Stories Looms Both Here and Abroad; Lon Chaney, Jr., Follows in Noted Parent's Footsteps". Los Angeles Times. p. 5.
- "Cash Given to Werners, Says Witness at Hearing: BOARD VOTE BOAST CITED BY WOMAN Owner of Cafe Takes Stand Weinblatt Asked $1000 in Liquor License Renewal, She Testifies". Los Angeles Times. 18 June 1936. p. 1.
- The (Oct 20, 1938). "Lon Chaney, Jr., Escapes Injury". Washington Post. p. X7.
- "Chaney Jr. Nixes Horror Make-ups". Los Angeles Times. 15 Jan 1940. p. 9.
- Schallert, Edwin (Jan 4, 1941). "Young Chaney May Do 'He Who Gets Slapped': Preston 'Night' Star Fellows Subject Named Warners Sign Darwell Ink Spots, Faye Cast Bellamy Set for Comedy". Los Angeles Times. p. A9.
- "Lon Chaney Jr. Takes Too Many Sleeping Pills". Los Angeles Times. Apr 23, 1948. p. 1.
- Scheuer, Philip K. (Jan 18, 1949). "Kanin's 'Born Yesterday' Well Acted at Biltmore". Los Angeles Times. p. A7.
- "Film Threat – The Bootleg Files: Tales Of Tomorrow – Frankenstein". Retrieved 25 February 2014.
- Weldon, Michael (1983). "The Psychotronic Encyclopedia of Film". Ballantine Books. ISBN 0-345-34345-X. Page 235
- Interview with Ron Chaney, including references to Lon's book[dead link]
- "Lon Chaney Jr. Is Sued for Divorce; Wed 10 Years". Chicago Daily Tribune. 26 June 1936. p. 23.
- Smith, Don G., Lon Chaney Jr.: Horror Film Star, McFarland & Co., 1996
- Stack, Robert, Straight Shooting, Macmillan Publishing Co., Inc., 1980, p. 64
- Palm Springs Walk of Stars by date dedicated Archived 2012-10-13 at the Wayback Machine
- Cumuseumofterror.com Archived 2008-06-04 at the Wayback Machine (Includes Chaney's Death Certificate)
- Vest, Jason; Vest, Jason (1993-05-31). "MEETING THE CHILDREN OF THE DAMNED". The Washington Post. ISSN 0190-8286. Retrieved 2017-05-07.
- "Monster Bash: It's a Graveyard Smash". Geek Pittsburgh. Retrieved 2017-05-07.
- Lonchaney.com Archived 2010-11-26 at the Wayback Machine
- "Lon Chaney Jr. On Air". Chicago Daily Tribune. 4 Apr 1943. p. W6.
- Official website from Chaney Entertainment
- Lon Chaney Jr. on IMDb
- Lon Chaney Jr. at AllMovie
- Lon Chaney Jr. Informative Biograph
- Lon Chaney Jr. at Find a Grave
- Chaney Jr. Applications of Make-Up Through the 1940s–1960s
- Additional Information on Chaney's Career
- Chaney, Lon Jr. Encyclopedia of Oklahoma History and Culture