List of works about Rembrandt

Rembrandt Harmenszoon van Rijn (1606–1669) is one of the most famous,^[1]^[2] controversial, and best expertly researched (visual) artists in history.^[3]^[4]

Rembrandt statue and the sculptures of *The Night Watch* in 3D at the Rembrandtplein in Amsterdam

His life and art have long attracted the attention of multidisciplinary scholarship such as art history, social history,^[5] cultural history, history of ideas, education, humanities, aesthetics, philosophy, psychology, sociology, literary studies, anatomy, medicine, religious studies, theology, Jewish studies,^[6] Oriental studies (Asian studies),^[7] globalization studies,^[8]^[9] and art market research. In Rembrandt scholar Stephanie Dickey's words:

[Rembrandt] earned international renown as a painter, printmaker, teacher, and art collector while never leaving the Dutch Republic. In his home city of Leiden and in Amsterdam, where he worked for nearly forty years, he mentored generations of other painters and produced a body of work that has never ceased to attract admiration, critique, and interpretation. (...) Rembrandt's art is a key component in any study of the Dutch Golden Age, and his membership in the canon of artistic genius is well established, but he is also a figure whose significance transcends specialist interest. Literary critics have pondered "Rembrandt" as a "cultural text"; novelists, playwrights, and filmmakers have romanticized his life, and in popular culture, his name has become synonymous with excellence for products and services, ranging from toothpaste to self-help advice."^[4]

For a visual artist in general and an Old Master in particular, Rembrandt (i.e. his life, art, and circle) has been the subject of a vast amount of literature that includes both fiction and nonfiction works. The field of Rembrandt studies (study of Rembrandt's life and work, including works by his pupils and followers)—as an academic field in its own right with many noted Rembrandt connoisseurs and scholars—has been one of the most dynamic research areas of Netherlandish art (or art of the pre-1830 Low Countries) history.^[3]^[10] In the history of the reception and interpretation of Rembrandt's art, the great 'rediscovery' of the Dutch master in 19th-century France and Germany decisively helped in establishing his lasting fame in subsequent centuries.^[11]^[12]

The following is a list of works about Rembrandt. A longer bibliography is at ^[13]

Nonfiction works edit

Books, dissertations and theses edit

Biography edit

Abbing, Michiel Roscam: Rembrandt: Leven en werk van de grootste schilder aller tijden. (Utrecht: Kosmos-Z&K, 2006) [in Dutch]
Abbing, Michiel Roscam; Graaff, Arthur: Rembrandt voor Dummies. (Amsterdam: Addison Wesley, 2006) [in Dutch]
Avermaete, Roger: Rembrandt et son temps. (Paris: Payot, 1952) [in French]
Baudiquey, Paul: La vie et l'œuvre de Rembrandt. (Paris: ACR-Vilo, 1984) [in French]
Bell, Malcolm: Rembrandt van Rijn and His Work. (London: G. Bell, 1899)
Bikker, Jonathan: Rembrandt: Biografie van een rebel. (Rotterdam: Nai010 Uitgevers, 2019) [in Dutch]
Bikker, Jonathan: Rembrandt: Biography of a Rebel. (Rotterdam: Nai010 Publishers, 2019) ISBN 9789462084759
Blankert, Albert (ed.): Rembrandt: A Genius and His Impact. (Melbourne: National Gallery of Victoria, 1997)
Blom, Onno: De jonge Rembrandt. (Amsterdam: De Bezige Bij, 2019) ISBN 9789403167503 [in Dutch]
Blom, Onno: Young Rembrandt. Translated from the Dutch by Beverley Jackson. (London: Pushkin Press, 2019)
Bockemühl, Michael: Rembrandt. (Cologne: Taschen, 2001)
Bockemühl, Michael: Rembrandt basismonografie. (Kerkdriel: Librero Nederland B.V., 2017) ISBN 9783836540629 [in Dutch]
Boeck, Wilhelm: Rembrandt. (Stuttgart: Kohlhammer Verlag, 1962) [in German]
Bolten, J.; Bolten-Rempt, H.: The Hidden Rembrandt. Translated from the Dutch by Danielle Adkinson. (Chicago, IL: Rand McNally & Co., 1977)
Bonnier, Henry: L'univers de Rembrandt. (Paris: Henri Scrépel, 1969) [in French]
Bonnier, Henry: Rembrandt [Great Draughtsmen]. Translated from the French by Victoria Benedict. (New York: George Braziller; London: Pall Mall, 1970)
Brion, Marcel: Rembrandt. (Paris: Éditions Albin Michel, 1946) [in French]
Brons, Ingrid S.; Postma, Annemarie (eds.): Rembrandt in Leiden. Portret van een schildersjongen en zijn stad [Rembrandt in Leiden. A young painter and his city]. ('s-Hertogenbosch: Uitgeverij Heinen, 2006) ISBN 90-77721-73-8 [in Dutch]
Bréal, Auguste: Rembrandt: A Critical Essay. (London: Duckworth, 1902)
Brown, Gerard Baldwin: Rembrandt: A Study of His Life and Work. (London: Duckworth and Co., 1907)
Büttner, Nils: Rembrandt, licht und schatten. Eine biographie. (Stuttgart: Reclam, 2014) ISBN 978-3-15-010965-6 [in German]
Büttner, Nils: Rembrandt: De schilder van licht en schaduw. (Amsterdam: J. M. Meulenhoff, 2019) [in Dutch]
Cabanne, Pierre: Rembrandt [Profils de l'art]. (Paris: Chêne, 1991) [in French]
Cassou, Jean: Rembrandt [coll. "Ars Mundi"]. (Paris: Éditions Aimery Somogy, 1952) [in French]
Cassou, Jean: Rembrandt ou la peinture de l'infini. (Paris: Amiot-Dumont, 1954) [in French]
Descargues, Pierre: Rembrandt. (Paris: J.-C. Lattès, 1990) [in French]
Field, D.M.: Rembrandt. (Rijswijk: Atrium, 2006) [in Dutch]
Focillon, Henri: Rembrandt [Editions d'Histoire et d'art]. (Paris: Librairie Plon, 1936) [in French]
Focillon, Henri: Rembrandt: Paintings, Drawings and Etchings. Translated from the French by Ludwig Goldscheider. (New York: Phaidon, 1960)
Fowkes, Charles: The Life of Rembrandt. (London: The Hamlyn Publishing Group, 1978)
Furió Galí, Vicenç: Rembrandt: Genio del grabado. (Barcelona: Publicacions i Edicions de la Universitat de Barcelona, 2018) [in Catalan]
García Sánchez, Laura: Géniové umění: Rembrandt. (Praha: SUN, 2008)
Haak, Bob: Rembrandt, zijn leven, zijn werk, zijn tijd. (Amsterdam: Contact, 1968) [in Dutch]
Haak, Bob: Rembrandt: His Life, His Work, His Times. Translated from the Dutch by Elizabeth Willems-Treeman. (New York: Harry N. Abrams, 1969)
Hamann, Richard: Rembrandt. (Berlin: Safari-Verlag, 1948) [in German]
Hunt, Patrick: Rembrandt: His Life in Art [2nd ed.]. (New York: Ariel Books, 2007)
Kitson, Michael: Rembrandt, 3rd ed. (Oxford: Phaidon, 1982)
Knuttel, Gerhardus: Rembrandt, de meester en zijn werk. (Amsterdam: Ploegsma, 1956) [in Dutch]
Laneyrie-Dagen, Nadeije: Lire la peinture de Rembrandt. (Paris: Larousse, 2006) [in French]
Mee, Charles L.: Rembrandt's Portrait: A Biography. (New York: Simon & Schuster, 1990)
Michel, Émile: Rembrandt. Sa vie, son œuvre et son temps. (Paris: Hachette, 1893) [in French]
Michel, Émile: Rembrandt, His Life, His Work, and His Time, 2 vols. Translated from the French by Florence Simmonds. (London: Heinemann, 1894)
Muller, Joseph-Emile: Rembrandt. (Paris: Aimery Somogy; London: Thames & Hudson, 1968)
Muther, Richard: Rembrandt. Ein Künstlerleben. (Berlin: Fleischel, 1904) [in German]
Muther, Richard: Rembrandt. (Hamburg: SEVERUS Verlag, 2012) [in German]
Neumann, Carl: Rembrandt. (Berlin: W. Spemann, 1902) [in German]
Neumann, Carl: Rembrandt [2nd ed.]. (Berlin: W. Spemann, 1905) [in German]
Neumann, Carl: Rembrandt [3rd ed., 2 vols.]. (Munich: F. Bruckmann, 1922) [in German]
Nigg, Walter: Rembrandt: Maler des Ewigen. (Zürich: Diogenes Verlag, 2006) ISBN 9783257065329 [in German]
Ormiston, Rosalind: Rembrandt: His Life & Works in 500 Images. (London: Lorenz Books, 2012)
Partsch, Susanna: Rembrandt. (London: Weidenfeld and Nicolson, 1991)
Pächt, Otto: Rembrandt. (Munich: Prestel Verlag, 1991) [in German]
Roger-Marx, Claude: Rembrandt. (Paris: Pierre Tisné Éditeur, 1960) [in French]
Roger-Marx, Claude: Rembrandt. Translated by W.J. Strachan and Peter Simmons. (New York: Universe Books, 1960)
Schmidt-Degener, F.: Rembrandt: Een beschrijving van zijn leven en zijn werk. (Amsterdam: G. Schreuders, 1906) [in Dutch]
Schwartz, Gary: De Grote Rembrandt. (Zwolle: Waanders, 2006) [in Dutch]
Schwartz, Gary: The Rembrandt Book. (New York: Harry N. Abrams, 2006)
Schwartz, Gary: Rembrandt's Universe: His Art, His Life, His World. (London: Thames & Hudson, 2006)
Schwartz, Gary: Meet Rembrandt: Life and Work of the Master Painter. (New Haven, CT: Yale University Press, 2010)
Smith, Baige Elise: Rembrandt's Anatomy Lessons, diss., (The University of Western Australia, 2010)
Tümpel, Christian: Rembrandt. Translated by Jacques and Jean Duvernet, Léon Karlson and Patrick Grilli. (Paris: Éditions Albin Michel, 1986)
Tümpel, Christian: Rembrandt [Rowohlts Monographien]. (Reinbek bei Hamburg: Rowohlt Taschenbuch Verlag, 2006) [in German]
Van Loon, Hendrik Willem: The Life and Times of Rembrandt van Rijn. (New York: Garden City Publishing, 1930; New York: Horace Liveright, 1930)
Verhaeren, Émile: Rembrandt, biographie critique. (Paris: H. Laurens, 1905) [in French]
Veth, Jan: Rembrandts leven en kunst. (Amsterdam: H. J. W. Becht, 1941) [in Dutch]
Von Sandrart, Joachim; Baldinucci, Filippo; Houbraken, Arnold: Lives of Rembrandt [Lives of the Artists]. Introduced by Charles Ford. (Los Angeles, CA: J. Paul Getty Museum, 2018) ISBN 978-1606065624
Vosmaer, Carel: Rembrandt Hannensz van Ryn, sa vie et ses oeuvres. (The Hague, 1868) [in French]
Weisbach, Werner: Rembrandt. (Berlin: Walter de Gruyter, 1926) [in German]
Westermann, Mariët: Rembrandt. (London: Phaidon, 2000)
White, Christopher: Rembrandt and His World. (London: Thames and Hudson, 1964)
White, Christopher: Rembrandt. (New York: Thames & Hudson, 1984)
Wright, Christopher: Rembrandt and His Art. (London & New York: Hamlyn, 1975)
Wright, Christopher: Rembrandt. [Trad. de l'anglais par Paul Alexandre]. (Paris: Citadelles & Mazenod, 2000) [in French]
Zuffi, Stefano: Rembrandt: Il più importante eretico della pittura. (Milano: Leonardo Arte, 1998) [in Italian]

General studies edit

Adams, Ann Jensen: Public Faces and Private Identities in Seventeenth-Century Holland: Portraiture and the Production of Community. (Cambridge: Cambridge University Press, 2009) ISBN 978-0-521-44455-2
Auerbach, Elissa Anderson: Re-forming Mary in Seventeenth-Century Dutch Prints. (Ph.D. diss, University of Kansas, 2009)
Boschloo, Anton W. A.; et al. (eds.): Aemulatio: Imitation, Emulation and Invention in Netherlandish Art from 1500 to 1800: Essays in Honor of Eric Jan Sluijter. (Zwolle: Waanders, 2011)
Carroll, Margaret D.: Painting and Politics in Northern Europe: Van Eyck, Bruegel, Rubens, and Their Contemporaries. (University Park, PA: Penn State University Press, 2008) ISBN 9780271029559
Chambers, Emma: An Indolent and Blundering Art? The Etching Revival and the Redefinition of Etching in England, 1838–1892. (Aldershot: Ashgate, 1999)
Chu, Petra Ten-Doesschate: French Realism and the Dutch Masters: The Influence of Dutch Seventeenth-Century Painting on the Development of French Painting between 1830 and 1870. (Utrecht: Haentjens Dekker & Gumbert, 1974)
Corrigan, Karina H.; van Campen, Jan; Diercks, Femke; Blyberg, Janet C. (eds.): Asia in Amsterdam: The Culture of Luxury in the Golden Age. (Yale University Press, 2015) ISBN 9780300212877
Cumming, Laura: A Face to the World: On Self-Portraits. (London: HarperPress, 2009) ISBN 9780007118434
Dickey, Stephanie S.; Roodenburg, H. (eds.): The Passions in the Arts of the Early Modern Netherlands. (Zwolle: Waanders, 2010)
Falkenburg, R. L.; de Jong, J.; Roodenburg, H.; Scholten, F. (eds.): Beeld en zelfbeeld in de Nederlandse kunst, 1550–1750 / Image and Self-Image in Netherlandish Art, 1550–1750 [Nederlands kunsthistorisch jaarboek, vol. 46]. (Zwolle: Waanders, 1995)
Fleischer, Roland E.; Munshower, Susan Scott (eds.): The Age of Rembrandt: Studies in Seventeenth-Century Dutch Painting. (University Park, PA: University of Pennsylvania Press, 1988)
Franits, Wayne (ed.): Looking at Seventeenth-Century Dutch Art: Realism Reconsidered. (Cambridge: Cambridge University Press, 1997)
Franits, Wayne (ed.): The Ashgate Research Companion to Dutch Art of the Seventeenth Century. (Burlington, VT: Ashgate, 2016)
Freedberg, David; de Vries, Jan (eds.): Art in History, History in Art: Studies in Seventeenth-century Dutch Culture. (Santa Monica: Getty Center for the History of Art and the Humanities, 1991)
Fromentin, Eugène: Les maîtres d'autrefois. (Paris: Éditions Garnier Frères, 1972) [in French]
Fromentin, Eugène: Rubens et Rembrandt. Les Maîtres d'autrefois. Préface d'Albert Thibaudet, rééd. (Tournai: Éditions Complexe, 1991) [in French]
Fromentin, Eugène: The Masters of Past Time: Dutch and Flemish Painting from Van Eyck to Rembrandt. Translated from the French by Andrew Boyle, edited by H. Gerson. (London: Phaidon Press, 1948; Ithaca, N.Y.: Cornell University Press, 1981)
Gasser, Manuel: Self-Portraits from the Fifteenth Century to the Present Day. Translated from the German by Angus Malcolm. (New York: Appleton-Century, 1963)
Grijzenhout, Frans; van Veen, Henk (eds.): The Golden Age of Dutch Painting in Historical Perspective. (Cambridge, U.K.: Cambridge University Press, 1999)
Hall, James: The Self-Portrait: A Cultural History. (London: Thames & Hudson, 2014)
Hammer-Tugendhat, Daniela: Das Sichtbare und das Unsichtbare. Zur holländischen Malerei des 17. Jahrhunderts. (Cologne/Weimar/Vienna: Böhlau, 2009) ISBN 978-3-412-20446-4 [in German]
Hammer-Tugendhat, Daniela: The Visible and the Invisible: on Seventeenth-century Dutch Painting. Translated from German by Margarethe Clausen. (Berlin: De Gruyter, 2015)
Hedquist, Valerie Lind: The Passion of Christ in Seventeenth-Century Dutch Painting. (Ph.D. diss., University of Kansas, 1990)
Helmers, Helmer J.; Janssen, Geert H. (eds.): The Cambridge Companion to the Dutch Golden Age [Cambridge Companions to Culture]. (Cambridge University Press, 2018) ISBN 978-1107172265
Helsinger, Elizabeth; et al. (eds.): The "Writing" of Modern Life: The Etching Revival in France, Britain, and the U.S., 1850–1940. (Chicago: Smart Museum of Art, University of Chicago, 2008) ISBN 978-0-935573-45-9
Hirschfelder, Dagmar: Tronie und Porträt in der niederländischen Malerei des 17. Jahrhunderts. (Berlin: Gebr. Mann Verlag, 2008) ISBN 978-3-7861-2567-9 [in German]
Hirschfelder, Dagmar; Krempel, León (eds.): Tronies. Das Gesicht in der Frühen Neuzeit. (Berlin: Gebr. Mann Verlag, 2014) ISBN 978-3-7861-2694-2 [in German]
Houbraken, Arnold: De Groote Schouburgh der Nederlantsche Konstschilders en Schilderessen, 3 vols. in 1. The Hague, 1753 (Reprint: Amsterdam, 1976) [in Dutch]
Larsen, Erik; Davidson, Jane P.: Calvinistic Economy and 17th Century Dutch Art. (Lawrence: University of Kansas Publications, 1979)
Montias, John Michael: Art at Auction in 17th Century Amsterdam. (Amsterdam: Amsterdam University Press, 2002)
Morgenstein, Susan W.; Levine, Ruth L.: The Jews in the Age of Rembrandt. (Rockville, MD: The Judaic Museum of the Jewish Community Center of Greater Washington, 1981)
Muller, Sheila D. (ed.): Dutch Art: An Encyclopedia. (New York: Garland Pub., 1997) ISBN 0-8153-0065-4
Nevitt, Jr., H. Rodney: Art and the Culture of Love in Seventeenth-Century Holland [Studies in Netherlandish Visual Culture, 2]. (Cambridge/New York: Cambridge UP, 2002) ISBN 0-521-64329-5
Peaster, Sarah Grafton: A Calvinist View of Visual Art in Seventeenth-Century Holland: the Iconography of Esther in Post-Reformation Dutch Painting. (M.A. thesis, Louisiana State University and Agricultural and Mechanical College, 2013)
Pescio, Claudio: Rembrandt and Seventeenth-Century Holland. Translated by Simon Knight. (New York: Peter Bedrick Books, 1995)
Quodbach, Esmée (ed.): Holland's Golden Age in America: Celebrating the Art of Rembrandt, Vermeer, and Hals. (University Park, PA: Pennsylvania State University Press, 2014)
Riegl, Alois: The Group Portraiture of Holland. Introduction by Wolfgang Kemp, translated from the German by Evelyn M. Kain and David Britt. (Los Angeles, CA: Getty Research Institute for the History of Art and the Humanities, 1999)
Rosales-Rodríguez, Agnieszka: Śladami dawnych mistrzów. Mit Holandii złotego wieku w dziewiętnastowiecznej kulturze artystycznej [In the footsteps of old masters. The myth of Golden-Age Holland in nineteenth-century artistic culture]. (Warszawa: Wydawnictwa Uniwersytetu Warszawskiego, 2008) [in Polish]
Rosales-Rodríguez, Agnieszka: In the Footsteps of the Old Masters: The Myth of Golden Age Holland in 19th Century Art and Art Criticism. Translated from the Polish by Klaudyna Michałowicz. (Peter Lang GmbH, 2016)
Silver, Larry: Rembrandt's Holland [Renaissance Lives]. (London: Reaktion Books, 2018) ISBN 978-1780238470
Sitt, Martina; et al.: Pieter Lastman. In Rembrandts Schatten? [exh. cat.]. (Hamburg: Hamburger Kunsthalle; Munich: Hirmer Verlag, 2006) ISBN 978-3-7774-2985-4 [in German]
Sluijter, Eric Jan; et al.: Leidse fijnschilders: van Gerrit Dou tot Frans van Mieris de Jonge, 1630–1760. (Leiden: Stedelijk Museum De Lakenhal, 1988) [in Dutch]
Smith, John: A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish and French Painters [Volume VII, Rembrandt van Rhyn; Volume IX, Supplement]. (London: Smith & Son, 1836–42)
Spicer, Joaneath; et al. (eds.): Masters of Light: Dutch Painters in Utrecht during the Golden Age. (New Haven, CT: Yale University Press, 1997)
Tilkes, Olga (Kirillovna, Oljga): Istorii strany Rembrandta. (Moskva: Novoe literaturnoe obozrenie, 2018) [in Russian]
Turner, Jane: Rembrandt to Vermeer: 17th-Century Dutch Artists [Grove Dictionary of Art]. (New York: St. Martin's Press, 2000)
Von Bode, Wilhelm: Studien zur Geschichte der holländischen Malerei [Studies in the history of Dutch painting]. (Brunswick: Friedrich Viewege, 1883) [in German]
Weisberg, Gabriel P.: The Etching Renaissance in France, 1850–1880 [exh. cat.]. (Salt Lake City: Utah Museum of Fine Arts, 1971)
Weststeijn, Thijs; van den Doel, Marieke; van Eck, Natasja; Korevaar, Gerbrand; Tummers, Anna (eds.): The Learned Eye: Regarding Art, Theory, and the Artist's Reputation. Essays for Ernst van de Wetering. (Amsterdam: Amsterdam University Press, 2005) ISBN 90-5356-713-5
Weststeijn, Thijs; Jorink, Eric; Scholten, Frits (eds.): Netherlandish Art in its Global Context [Nederlands Kunsthistorisch Jaarboek / Netherlands Yearbook for History of Art, 66]. (Leiden: Brill, 2016) ISBN 978-90-04-33497-7
Wheelock, Arthur K. Jr.; Baer, Ronni (eds.): Gerard Dou, 1613–1675: Master Painter in the Age of Rembrandt. (New Haven, CT: Yale University Press, 2002)
Yeazell, Ruth Bernard: Art of the Everyday: Dutch Painting and the Realist Novel. (Princeton, NJ: Princeton University Press, 2008) ISBN 978-0-691-12726-2
Ziemba, Antoni: Iluzja a realizm. Gra z widzem w sztuce holenderskiej, 1580–1660. (Warszawa: Wydawnictwa Uniwersytetu Warszawskiego, 2005) [in Polish]
Ziemba, Antoni: Illusion and Realism: The Game with the Spectator in Dutch Art, 1580–1660. Translated from the Polish by Krzysztof Kościuczuk. (Warsaw: Peter Lang, 2017)
Zumthor, Paul: La vie quotidienne en Hollande au temps de Rembrandt. (Paris: Hachette, 1959) [in French]
Zumthor, Paul: Daily Life in Rembrandt's Holland. Translated from the French by Simon Watson Taylor. (London: Weidenfeld and Nicolson, 1962)

Including exhibition catalogues (exh. cat.) edit

Aartomaa, Ulla; et al. (eds.): Rembrandt: Master of the Copper Plate. (Helsinki: Sinebrychoff Art Museum, 2012)
Abbing, Michiel Roscam: The Treasures of Rembrandt. (London: Carlton Publishing Group, 2006)
Adhémar, Jean; et al. (eds.): Rembrandt, graveur: 350e anniversaire de sa naissance. (Paris: Bibliothèque Nationale, Galerie Mansart, 1956) [in French]
Aldovini, Laura: Rembrandt. Incidere la luce. I capolavori della grafica. (Milano: Silvana Editoriale, 2012) [in Italian]
Alexander-Knotter, Mirjam; Hillegers, Jasper; van Voolen, Edward: The ‘Jewish’ Rembrandt. The Myth Unravelled. [Cat. exh.; Joods Historisch Museum, Amsterdam, 10 November 2006 – 4 February 2007]. (Zwolle: Waanders; Amsterdam: Jewish Historical Museum, 2006) ISBN 978-90-400-8467-6
Althaus, Karin: Rembrandt. Die Radierungen aus der Sammlung Eberhard W. Kornfeld. (Basel: Kunstmuseum Basel, 2005) [in German]
Bacou, Roseline: Rembrandt et son temps. Dessins des collections publiques et privées conservées en France [cat. exp.]. (Paris: Musée du Louvre, Éditions de la Réunion des musées nationaux, 1970) [in French]
Baer, Ronni: Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer. With essays by Henk van Nierop, Herman Roodenburg, Eric Jan Sluijter, Marieke de Winkel, and Sanny de Zoete. Translated by Diane Webb. (Boston: Museum of Fine Arts, 2015) ISBN 978-0-87846-830-0
Bahre, Kristin; et al. (eds.): Rembrandt. Genie auf der Suche. (Cologne: DuMont Literatur und Kunst, 2006) ISBN 3-8321-7694-2 [in German]
Berg, Lars; Joch, Peter (eds.): Von Rembrandt bis Baselitz. Meisterwerke der Druckgrafik aus der Sammlung des Städtischen Museums Braunschweig. (Petersberg: Michael Imhof Verlag, 2020) [in German]
Bevers, Holm: Rembrandt: Die Zeichnungen im Berliner Kupferstichkabinett [Kritischer Katalog]. (Ostfildern: Hatje Cantz, 2006) [in German]
Bevers, Holm; Kettner, Jasper; Metze, Gudula (eds.): Rembrandt. Ein Virtuose der Druckgraphik. (Kupferstichkabinett, Staatliche Museen zu Berlin, 2006) [in German]
Bevers, Holm: Rembrandt: Drawings from the Berlin Kupferstichkabinett. (Ostfildern: Hatje Cantz, 2007) ISBN 9783775719247
Bevers, Holm; Rumberg, Per: Rembrandt's First Masterpiece [exh. cat.]. (New York: Morgan Library and Museum, 2016)
Bialostocki, Jan; et al.: Jan Lievens. Ein Maler im Schatten Rembrandts. (Braunschweig: Herzog Anton Ulrich Museum, 1979) [in German]
Bikker, Jonathan; Weber, Gregor J. M.; et al.: Rembrandt: The Late Works [National Gallery London]. (London: The National Gallery, 2014) ISBN 978-1857095579
Bikker, Jonathan; Weber, Gregor J. M.; et al.: Rembrandt: Les années de plénitude. (Bruxelles: Fonds Mercator, 2014) [in French]
Bikker, Jonathan; Weber, Gregor J. M.; et al.: Der späte Rembrandt. (München: Hirmer Verlag, 2014) [in German]
Bisanz-Prakken, Marian: Drawings from the Albertina: Landscape in the Age of Rembrandt. (Alexandria, VA: Art Services International, 1995)
Bisanz-Prakken, Marian: Rembrandt and his Time: Masterworks from the Albertina, Vienna [Cat. exh. Milwaukee Art Museum, 8 October 2005 – 8 January 2006]. (New York: Hudson Hills Press, 2005)
Bisanz-Prakken, Marian; Schröder, Klaus Albrecht: Das Zeitalter Rembrandts [exh. cat.]. (Vienna: Graphische Sammlung Albertina; Ostfildern: Hatje Cantz, 2009) [in German]
Black, Peter; Hermens, Erma: Rembrandt and the Passion. (Munich: Prestel, 2012)
Blanc, Jan; et al.: Rembrandt et son entourage. (Paris: Éditions de l'École nationale supérieure des Beaux-arts, 2012) [in French]
Blankert, Albert (ed.): Gods, Saints and Heroes: Dutch Painting in the Age of Rembrandt [exh.cat.]. (Washington: National Gallery of Art, 1980)
Blühm, Andreas; Hohn, Maike: Het geheim van Dresden: van Rembrandt tot Canaletto [The Secret of Dresden: from Rembrandt to Canaletto]. (Dresden: Staatliche Kunstsammlungen Dresden; Groningen: Groninger Museum, 2015) [in Dutch]
Bomford, D.; Brown, C.; Roy, A.: Art in the Making: Rembrandt. (London: National Gallery, 1988)
Broos, B.P.J.: Oude tekeningen in het bezit van de Gemeentemusea van Amsterdam waaronder de collectie Fodor [Deel 3]: Rembrandt en tekenaars uit zijn omgeving. (Amsterdam: Amsterdams Historisch Museum, 1981) [in Dutch]
Broos, B.P.J.: Rembrandt en zijn voorbeelden [Rembrandt and his sources]. (Amsterdam: Museum Het Rembrandthuis, 1985) [in Dutch]
Bruno, Silvia: Rembrandt nel Seicento olandese. (Milano: Il Sole, 2008) [in Italian]
Bull, Duncan; Dibbits, Taco; et al.: Rembrandt—Caravaggio [exh. cat.]. (Amsterdam: Rijksmuseum, 2006)
Cassinelli, Paola; Gramatica, Francesca de: Rembrandt e i capolavori della grafica europea nelle collezioni del Castello del Buonconsiglio. (Trento: Castello del Buonconsiglio, 2008) [in Italian]
Cavalli-Björkman, Görel (ed.): Rembrandt och hans tid. Människan i centrum. En utställning ingående i Nationalmuseums 200-årsjubileum. (Stockholm: Nationalmuseum, 1992) [in Swedish]
Clark, Kenneth; Ilchman, Frederick; Rosand, David: Rembrandt and the Venetian Influence. (New York: Salander-O'Reilly Galleries, 2000)
Cohen, Janie: Rembrandt - Picasso: Prenten en tekeningen van Picasso geïnspireerd door werken van Rembrandt / Rembrandt - Picasso: Prints and drawings by Picasso inspired by works of Rembrandt. (Amsterdam: Museum Het Rembrandthuis, 1990) [in Dutch]
Cooper, Tarnya; Bolland, Charlotte: The Encounter: Drawings from Leonardo to Rembrandt. (London: National Portrait Gallery, 2017)
Crenshaw, Paul; Herndon-Consagra, Francesca: Rembrandt: Master Etchings from St. Louis Collections [exh. cat.]. (St. Louis, Missouri: St. Louis Art Museum, 2006)
Czobor, Ágnes: Rembrandt und sein Kreis. (Budapest: Corvina Verlag, 1969) [in German]
Cuzin, Jean-Pierre; Schmidt, Katharina; Raux, Sophie: Jean-Honoré Fragonard (1732–1806): Orígenes e influencias. De Rembrandt al siglo XXI. (Barcelona: Fundació Caixa de Pensions, 2006) [in Spanish]
De Jongh, Eddy; Mireille, Cornelis; van Sloten, Leonore (eds.): In de ban van Hercules Segers: Rembrandt en de Modernen / Under the Spell of Hercules Segers: Rembrandt and the Moderns [exh. cat.]. (Zwolle: W Books; Amsterdam: Hercules Segers Stichting/Hercules Segers Foundation, 2016)
De Viejo, Isadora Rose: Goya/Rembrandt: la mémoire de l'oeil [exposition au]. Cabinet des estampes du Musée d'art et d'histoire, Genève, 18 mai-12 septembre, 1993. (Genève: Musée d’Art et d'Histoire, 1993) [in French]
De Viejo, Isadora Rose: Rembrandt en la memoria de Goya y Picasso, Obra gráfica. (Madrid: Fundación Carlos de Amberes / Fundación Bancaja / Ibercaja, 1999–2000) [in Spanish]
De Viejo, Isadora Rose; Cohen, Janie: Etched on the Memory: The Presence of Rembrandt in the Prints of Goya and Picasso. (Blaricum: V KPub./Inmerc, 2000)
De Viejo, Isadora Rose; Di Martino, Enzo: Rembrandt, ispirazioni per Goya [Rembrandt, an inspiration for Goya]. (Milano: Gabriele Mazzotta, 2001) [in Italian]
De Witt, David; van Sloten, Leonore; van der Veen, Jaap: Rembrandts late leerlingen. In de leer bij een genie / Rembrandt's late pupils. Studying under a genius. [Cat. exh.; Museum Het Rembrandthuis Amsterdam, 12 February – 17 May 2015]. (Amsterdam: Museum Het Rembrandthuis; Houten: Terra Publishers, 2015) ISBN 978-90-8989-647-6 [in Dutch]
De Witt, David; Noorman, Judith (eds.): Rembrandt's Naked Truth: Drawing Nude Models in the Golden Age [exh. cat., Rembrandt House Museum, Amsterdam]. (Zwolle, 2016)
DeWitt, Lloyd; et al. (eds.): Rembrandt and the Face of Jesus. With a preface by Seymour Slive and contributions by Lloyd DeWitt, Blaise Ducos, Franziska Gottwald, George S. Keyes, Shelley Perlove, Larry Silver, Ken Sutherland and Mark Tucker. [Cat. exh.: Musée du Louvre, Paris, 21 April – 18 July 2011; Philadelphia Museum of Art, 3 August – 30 October 2011; Detroit Institute of Arts, 20 November 2011 – 12 February 2012.]. (Philadelphia: Philadelphia Museum of Art, 2011) ISBN 978-0-87633-227-6
Dickey, Stephanie: Dutch Painting in the Age of Rembrandt from the Metropolitan Museum of Art. Introduction by Susan D. Kuretsky [exh. cat.]. (Hamilton, N.Y.: Picker Art Gallery, Colgate University, 1983)
Dickey, Stephanie; Coutré, Jacquelyn N.; Brooke, Janet M.; Bakker, Piet: Leiden circa 1630: Rembrandt Emerges. (Kingston, Ontario: Agnes Etherington Art Centre, 2019)
Diederen, Roger; Lange, Christiane (eds.): Das ewige Auge. Von Rembrandt bis Picasso. Meisterwerke der Sammlung Jan Krugier und Marie-Anne Krugier-Poniatowski [Ausstellungskatalog]. (München: Hirmer, 2007) ISBN 978-3-7774-3695-1 [in German]
Diederen, Roger; Maaz, Bernhard; Koch, Ute Christina (eds.): Rembrandt - Tizian - Bellotto: Geist und Glanz der Dresdner Gemäldegalerie [Rembrandt – Titian – Bellotto: Spirit and Splendour of the Dresden Picture Gallery]. (München: Hirmer, 2014) [in German]
Dittrich, Christian; Ketelsen, Thomas; et al. (eds.): Rembrandt: Die Dresdener Zeichnungen [Cat. exh. Kupferstich-Kabinett, Dresden, 7 August – 3 October 2004; Institut Néerlandais, Paris, 30 March – 21 May 2006]. (Cologne: Verlag der Buchhandlung Walther König, 2004) [in German]
Döring, Thomas; Bungarten, Gisela; Page, Christiane: Aus Rembrandts Kreis. Die Zeichnungen des Braunschweiger Kupferstichkabinetts [From Rembrandt's Circle: Drawings from the Brunswick-Printroom]. (Petersberg: Michael Imhof Verlag, 2006) [in German]
Ducos, Blaise; Surh, Dominique (eds.): Masterpieces of The Leiden Collection: The Age of Rembrandt [exh. cat.]. (Paris: Musée du Louvre, 2017)
Dumas, Charles; Endedijk, Leo: Meesters en molens. Van Rembrandt tot Mondriaan. (Zwolle: Waanders, 2007) ISBN 9789040082917 [in Dutch]
Duparc, Frederik J.: Landscape in Perspective: Drawings by Rembrandt and His Contemporaries. (Cambridge, Mass.: Arthur M. Sackler Museum, 1988)
Eissenhauer, Michael (ed.): Rembrandt-Bilder. Die historische Sammlung der Kasseler Gemäldegalerie. (München: Hirmer, 2006) ISBN 978-3-7774-2995-3 [in German]
Elen, Albert J.: Rembrandt in Rotterdam: Tekeningen van Rembrandt en zijn kring in het Museum Boijmans Van Beuningen / Rembrandt in Rotterdam: Drawings of Rembrandt and his circle in the Museum Boijmans Van Beuningen. (Rotterdam: Museum Boijmans van Beuningen, 2005) [in Dutch]
Faietti, Marzia: I grandi maestri dell'incisione. Dürer, Rembrandt, Castiglione Genovese. (Bologna: Palazzo Pepoli Campogrande, 1983) [in Italian]
Faietti, Marzia: Rembrandt e Morandi: mutevoli danze di segni incisi. (Bologna: Museo Morandi, 2006) [in Italian]
Foucart, Jacques; Lacambre, Jean; et al. (eds.): Le Siècle de Rembrandt: Tableaux hollandais des collections publiques françaises [exposition]. (Paris: Musée du Petit Palais, 1970) [in French]
Ganz, James A.: Rembrandt's Century. (Munich: Prestel, 2013) ISBN 978-3791352244
Garton, Robin; Grimm, Gerard Volker; van der Grinten, Gerhard: Rembrandt und die englischen Malerradierer des 19. Jahrhunderts [Rembrandt and the English Painter-Etchers of the 19th Century]. (Bedburg-Hau: Stiftung Museum Schloss Moyland, 2005) [in German]
Gilles, Matthieu; et al.: Rembrandt et les peintres-graveurs italiens de Castiglione à Tiepolo. (Épinal: Musée Départemental d'Art Ancient et Contemporain, 2003) [in French]
Giltaij, Jeroen: The Drawings by Rembrandt and His School in the Museum Boymans-van Beuningen. (Rotterdam: Museum Boymans-van Beuningen, 1988)
Grigsby, Thea: Rembrandt: Master Etcher. (Austin, TX: The Art Museum, The University of Texas at Austin, 1979)
Groschner, Gabriele; Huber, Markus T.; Uhlir, Katharina: Rembrandt: unter der Farbe / Rembrandt: beneath the paint. (Salzburg: Residenzgalerie Salzburg, DomQuartier, 2016) [in German]
Guégan, Stéphane; Madeline, Laurence; Schlesser, Thomas: L'autoportrait dans l'histoire de l'art: de Rembrandt à Warhol, l'intimité révélée de 50 artistes. (Boulogne-Billancourt: Beaux-arts éditions, 2009) [in French]
Hall, James; Vaisse, Pierre; Ullrich, Wolfgang; et al. (eds.): Facing the World: Self-portraits from Rembrandt to Ai Weiwei. (Edinburgh: Scottish National Galleries; Cologne: Snoeck, 2016)
Hautekeete, Stefaan; et al. (eds.): Tekeningen van Rembrandt en zijn leerlingen in de verzameling van Jean de Grez. (Brussels: Koninkijke Musea voor Schone Kunsten, 2005) [in Dutch]
Haverkamp-Begemann, Egbert; Judson, J. Richard; Logan, Anne-Marie: Rembrandt after Three Hundred Years: An Exhibition of Rembrandt and His Followers. (Chicago: Art Institute of Chicago, 1969)
Hess, Daniel: In Rembrandts Werkstatt: der Meister in Original, Kopie und Studie [In Rembrandt's studio: the master in the original, copy and study]. (Nürnberg: Germanisches Nationalmuseum, 2001) ISBN 3-926982-74-8 [in German]
Hinterding, Erik; Manuth, Volker; et al.: Rembrandt en Jan Six. De ets, de vriendschap. (Amsterdam: Six Art Promotion, 2017) [in Dutch]
Hoetink, H.R.; et al.: Rembrandt en zijn tijd [exhib. cat.]. (Brussels: Palais des Beaux Arts, 1971) [in Dutch]
Kaiser, Franz Wilhelm; North, Michael (eds.): Die Geburt des Kunstmarktes. Rembrandt, Ruisdael, van Goyen und die Künstler des Goldenen Zeitalters. (München: Hirmer Verlag, 2017) [in German]
Kann, Anne-Röver: In Rembrandts Manier: Kopie, Nachahmung und Aneignung in den graphischen Künsten des 18. Jahrhunderts, Ausst.-Kat. (Bremen: Kunsthalle Bremen, 1986) [in German]
Ketelsen, Thomas; Röver-Kann, Anne: Rembrandt, oder nicht? [Katalog zur Ausstellung in der Hamburger Kunsthalle, 15. Oktober 2000 bis 21. Januar 2001]. (Ostfildern: Hatje Cantz, 2000) [in German]
Kloek, Wouter; Jansen, Guido: Rembrandt in a New Light: Presentation of Seven Restored Paintings by Rembrandt. (Amsterdam: Rijksmuseum, 1993)
Kofuku, Akira; et al. (eds.): Rembrandt: The Quest for Chiaroscuro. (Tokyo: Nippon Television Network Corporation, 2011) ISBN 9784906536580
Kolfin, Elmer; Runia, Epco (eds.): Black in Rembrandt's Time. [Exh. cat., The Rembrandt House Museum, Amsterdam, March 5 – May 31, 2020, extended to September 10, 2020]. (Zwolle: Uitgeverij WBooks, 2020)
Kuretsky, Susan Donahue; et al.: Etchings by Rembrandt from the S. William Pelletier Collection. (Ithaca, NY: Herbert F. Johnson Museum of Art, 2004)
Lambert, Gisèle; Santiago Páez, Elena María: Rembrandt, la luz de la sombra [Rembrandt, the light of the shade]. (Barcelona: Fundació Caixa de Catalunya, 2005) [in Spanish]
Lammertse, F.; van der Veen, J.: Uylenburgh & Zoon: Kunst en commercie van Rembrandt tot De Lairesse, 1625–1675 [Uylenburgh & Son: Art and commerce from Rembrandt to De Lairesse, 1625–1675]. [Cat. exh. Dulwich Picture Gallery, London, 7 June – 3 September 2007; Museum Het Rembrandthuis, Amsterdam, 14 September – 10 December 2006]. (Zwolle: Waanders, 2006) ISBN 9040081646 [in Dutch]
Leca, Benedict; et al.: Rembrandt: Three Faces of the Master. (Cincinnati: Cincinnati Art Museum, 2008)
Lecoq-Ramond, Sylvie; Paccoud, Stéphane; Schäfer, Dorit (eds.): Autoportraits: de Rembrandt au selfie [Projet réalisé en collaboration par la Staatliche Kunsthalle Karlsruhe, le Musée des Beaux-Arts de Lyon et les National Galleries of Scotland d'Èdimbourg]. (Cologne: Snoeck, 2015) [in French]
Lecoq-Ramond, Sylvie; Paccoud, Stéphane; Schäfer, Dorit; Müller-Tamm, Pia; Clarke, Michael; Hall, James; et al. (eds.): Ich bin hier! Von Rembrandt zum Selfie [Kat. Staatliche Kunsthalle Karlsruhe, 2015–2016]. (Cologne: Snoeck, 2015) [in German]
Liedtke, Walter; von Sonnenburg, Hubert; Logan, Carolyn; Orenstein, Nadine M.; Dickey, Stephanie S.: Rembrandt/Not Rembrandt in the Metropolitan Museum of Art: Aspects of Connoisseurship, 2 vols. (New York: Metropolitan Museum of Art, 1995)
Lindemann, Bernd Wolfgang (ed.): Da Rembrandt a Vermeer. Valori civili nella pittura fiamminga e olandese del '600 / From Rembrandt to Vermeer. Civil values in 17th-century Flemish and Dutch painting. (Milan: Motta, 2008) [in Italian]
McQueen, Alison; de Witt, David; Maciesza, Nathalie; Reynaerts, Jenny: Rembrandt in Parijs : Manet, Méryon, Degas en de herontdekking van de etskunst (1830–1890) [Rembrandt in Paris: Manet, Méryon, Degas and the Rediscovery of Etching (1830–1890)]. (Amsterdam: Uitgeverij JEA, 2018) [in Dutch]
Middelkoop, Norbert; et al.: Rembrandt under the Scalpel: The Anatomy Lesson of Dr. Nicolaes Tulp Dissected [exh. cat.]. (The Hague: Mauritshuis, 1998)
Minder, Nicole (ed.): Gravures de Dürer et Rembrandt: Collection Pierre Decker. (Vevey : Cabinet cantonal des estampes, Musée Jenisch, 1991) [in French]
Minder, Nicole; et al. (eds.): Rembrandt: Les collections du Cabinet des estampes de Vevey. (Musée Jenisch Vevey, Cabinet cantonal des estampes, Fonds Pierre Decker, 1997) [in French]
Müller, Jürgen; Mentzel, Jan-David; et al.: Rembrandt: von der Macht und Ohnmacht des Leibes: 100 Radierungen [Katalog zur Ausstellung des Augustinermuseums: Haus der Graphischen Sammlung, Augustinermuseum, Freiburg i. Br., 28. Oktober 2017 - 28. Januar 2018; Kunstsammlungen der Veste Coburg, 21. Juni 2018 - 9. September 2018]. (Freiburg: Städtische Museen Freiburg; Petersberg: Michael Imhof Verlag, 2017) [in German]
Müller, Jürgen; Buck, Stephanie; et al.: Rembrandts Strich [Rembrandt's Mark]. (Dresden: Staatliche Kunstsammlungen & Paul Holberton Publishing, 2019)
Occhipinti, Carlo: Maestri incisori europei, 1450–1750: dall'arte di Raffaello a Rembrandt e Goya. (Arona: Fondazione Art Museo, 2008) [in Italian]
Ordovas, Pilar; et al. (eds.): Irrational Marks: Bacon and Rembrandt. (London: Ordovas, 2011)
Ordovas, Pilar; et al. (eds.): Raw Truth: Auerbach—Rembrandt. (London: Ordovas, 2013)
Paarlberg, Sander; Schoon, Peter; et al.: Greek Gods and Heroes in the Age of Rubens and Rembrandt. (Athens: National Gallery/Alexandros Soutzos Museum; Dordrecht: Dordrechts Museum, 2000)
Robinson, William W.; et al.: Bruegel to Rembrandt: Dutch and Flemish Drawings from the Maida and George Abrams Collection [exh. cat.]. (Cambridge, MA: Harvard University Art Museums, 2002)
Robinson, William W.; et al.: Drawings from the Age of Bruegel, Rubens, and Rembrandt: Highlights from the Collection of the Harvard Art Museums [exh. cat.]. (Cambridge, MA: Harvard University Art Museums; New Haven, CT: Yale University Press, 2016)
Robinson, William W.: Rembrandt's “Indian Drawings” and His Later Work. (New York: Morgan Library & Museum, 2018)
Runia, Epco; de Witt, David (eds.): Rembrandt's Social Network: Family, Friends and Acquaintances [exh. cat.]. (Zwolle: Uitgeverij WBooks, 2019) ISBN 9789462583252
Rutgers, Jaco; Garnier-Pelle, Nicole: Rembrandt au musée Condé de Chantilly. (Dijon: Éditions Faton, 2018) [in French]
Rutgers, Jaco; Standring, Timothy: Rembrandt: Painter as Printmaker [exh. cat.]. (New Haven, CT: Yale University Press, 2018)
Schatborn, Peter; van Sloten, Leonore: Oude tekeningen, nieuwe namen. Rembrandt en zijn tijdgenoten [Old drawings, new names. Rembrandt and his contemporaries]. (Varik: Uitgeverij de Weideblik, 2014) ISBN 9789077767443 [in Dutch]
Schrader, Stephanie; et al. (eds.): Rembrandt and the Inspiration of India. (Los Angeles, CA: J. Paul Getty Museum, 2018) ISBN 978-1-60606-552-5
Schulze, Sabine (ed.). Leselust: Niederländische Malerei von Rembrandt bis Vermeer. (Stuttgart: Gerd Hatje, für die Schirn Kunsthalle Frankfurt, 1993) [in German]
Schwartz, Gary (ed.): Sordid and Sacred: The Beggars in Rembrandt's Etchings. Selections from the John Villarino Collection [exh. cat.]. (Los Angeles: Landau Traveling Exhibitions, 2006)
Schwartz, Gary (ed.): Emotions: Pain and Pleasure in Dutch Painting of the Golden Age [exh. cat. Frans Hals Museum, Haarlem, 11 October – 15 February 2015]. (Rotterdam: naiO10 Publishers, 2014)
Sciolla, Gianni Carlo: Da Leonardo a Rembrandt: Disegni della Biblioteca Reale di Torino / From Leonardo to Rembrandt: Drawings of the Royal Library of Turin. (Torino: Umberto Allemandi 1989) [in Italian]
Seifert, Christian Tico; Dickey, Stephanie S.; et al.: Rembrandt: Britain's Discovery of the Master. (Edinburgh: National Galleries of Scotland, 2018) ISBN 9781911054191
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Starcky, Emmanuel: Rembrandt et son école, dessins du Musée du Louvre. (Paris: Musée du Louvre, 1988–89) [in French]
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The Bridgestone Painting Research Group: In Darkness and Light, A Rembrandt in Tokyo Reconsidered. (Tokyo: Bridgestone Museum of Art, Ishibashi Foundation, 1989)
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Tümpel, Astrid; Schatborn, Peter; et al.: Pieter Lastman, Leermeester van Rembrandt / Pieter Lastman, The Man Who Taught Rembrandt. (Amsterdam: Museum Het Rembrandthuis, 1991)
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Van den Boogert, B.; et al.: Goethe en Rembrandt. Tekeningen uit Weimar. Uit de grafische bestanden van de Kunstsammlungen zu Weimar, aangevuld met werken uit het Goethe-Nationalmuseum. (Amsterdam: Amsterdam University Press, 1999) [in Dutch]
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Vergara, Alejandro; Posada Kubissa, Teresa; Westermann, Mariët: Rembrandt, pintor de historias. (Madrid: Museo Nacional del Prado & Ediciones El Viso, 2008) ISBN 978-84-8480-161-0 [in Spanish]
Vignau-Wilberg, Thea: Rembrandt auf Papier. Werk und Wirkung [Rembrandt and his Followers. Drawings from Munich]. Mit einem Beitrag von Peter Schatborn. Katalog zur Ausstellung der Staatlichen Graphischen Sammlung München; München Alte Pinakothek, 5 December 2001 – 10 February 2002; Amsterdam Museum het Rembrandt. (München: Hirmer, 2001) ISBN 978-3-7774-9150-9 [in German]
Waiboer, Adriaan E.: Northern Nocturnes: Nightscapes in the Age of Rembrandt. With an essay by Michiel Franken. [cat. exh.]. (Dublin: National Gallery of Ireland, 2005) ISBN 1-904288-13-8
Weber, Gregor J.M.: Rembrandt im Kontrast. Die Blendung Simsons und Der Segen Jakobs. (München: Hirmer; Kassel: Staatliche Museen Kassel, 2005) [in German]
Weber, Gregor J.M; Hartog Jager, Hans den; Nooteboom, Cees (eds.): Rembrandt-Velázquez: Nederlandse en Spaanse meesters / Rembrandt and Velázquez: Dutch and Spanish Masters. (Rotterdam: Nai010, 2019)
Weislogel, Andrew C.; Banta, Andaleeb Badiee: Lines of Inquiry: Learning from Rembrandt's Etchings. (Ithaca, New York: Herbert F. Johnson Museum of Art, Cornell University, 2017)
Weller, Dennis P.; Keyes, George S.; Rassieur, Tom; Seydl, Jon L.: Rembrandt in America: Collecting and Connoisseurship. (New York, NY : Skira Rizzoli Publications, 2011) ISBN 978-0847836857
Westheider, Ortrud; Helfenstein, Joseph; Brinkmann, Bodo; Philipp, Michael (eds.): Rembrandts Orient. Westöstliche Begegnung in der niederländischen Kunst des 17. Jahrhunderts. (München: Verlag, 2020) [in German]
Westheider, Ortrud; Helfenstein, Joseph; Brinkmann, Bodo; Philipp, Michael (eds.): Rembrandt's Orient: West Meets East in Dutch Art of the 17th Century. (Munich: Prestel, 2020)
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Williams, Julia Lloyd: Rembrandt. Artemisa y Mujer en el lecho. (Madrid: Museo Nacional del Prado, 2002) ISBN 84-8480-025-3 [in Spanish]
Woollett, Anne T.: Rembrandt in Southern California. (Los Angeles, CA: J. Paul Getty Museum, 2009)
Zuffi, Stefano: Lo specchio infranto. Rembrandt: il racconto degli ultimi anni. (Milano: Longanesi, 2006) [in Italian]

Others edit

Abbing, Michiel Roscam: Rembrant toont sijn konst. Bijdragen over Rembrandt-documenten uit de periode 1648–1756. (Leiden: Primavera Pers, 1999) [in Dutch]
Abbing, Michiel Roscam (ed.): Rembrandt 2006: Essays. (Leiden: Foleor Publishers, 2006)
Abbing, Michiel Roscam: Rembrandt's Elephant: The Story of Hansken. (Amsterdam: Leporello Uitgevers, 2006) ISBN 978-90-808745-6-5
Abbing, Michiel Roscam: Rembrandt - Vie et oeuvre d'un génie. 20 documents d'époque reproduits en fac-similés. (Gennevilliers: Éditions Prisma, 2016) [in French]
Ackley, Clifford S.; Baer, Ronni; Rassieur, Thomas E.: Rembrandt's Journey: Painter, Draftsman, Etcher. (Boston: Museum of Fine Arts, 2003)
Adams, Ann Jensen (ed.): Rembrandt's Bathsheba Reading King David's Letter. (New York: Cambridge University Press, 1998)
Ainsworth, M.W.; et al.: Art and Autoradiography: Insights into the Genesis of Paintings by Rembrandt, Van Dyck, and Vermeer. (New York: The Metropolitan Museum of Art, 1987)
Alarcón, Diego: Rembrandt: Retrato de un pintor de Leyden. (Murcia: Editora Regional de Murcia, 2005) [in Spanish]
Alexander-Knotter, Mirjam; Hillegars, Jasper; van Voolen, Edward: De 'joodse' Rembrandt. De mythe ontrafeld. (Zwolle: Waanders, 2007) [in Dutch]
Albers, Eckbert: Erkenntnismomente und Erkenntnisprozesse bei Rembrandt [Studien zur Kunstgeschichte, 174]. (Hildesheim: Georg Olms Verlag, 2008) ISBN 978-3-487-13831-2 [in German]
Alpers, Svetlana: Rembrandt's Enterprise: The Studio and the Market. (Chicago: University of Chicago Press, 1988) ISBN 978-0-226-01518-7
Alpers, Svetlana: L'Atelier de Rembrandt. La liberté, la peinture et l'argent. Traduit de l'anglais par Jean-François Sené. (Paris: Gallimard, 1991) [in French]
Amel, Pascal: Rembrandt, l'humanité. (Paris: Éditions du Regard, 2016) [in French]
Amore, Anthony; Mashberg, Tom: Stealing Rembrandts: The Untold Stories of Notorious art heists. (New York: Palgrave Macmillan, 2012) ISBN 9780230108530
Aricò, Nicola: Rembrandt e il Duca. Lettura estetica del teatro marittimo di Messina. (Messina: GBM, 2007) [in Italian]
Aronson, Alex: Shakespeare and Rembrandt: Metaphorical Representations in Poetry and the Visual Arts. (Essen: Verlag Die Blaue Eule, 1987)
Arpino, Giovanni; Lecaldano, Paolo: L'opera pittorica completa di Rembrandt [Classici dell'Arte, 33]. (Milano: Rizzoli, 1969) [in Italian]
Atwood, Nan T.: Rembrandt van Rijn's Jewish Bride Depicting Female Power in the Dutch Republic Through the Notion of Nation Building. (M.A. thesis, Brigham Young University, 2012)
Bab, Julius: Rembrandt und Spinoza. Ein Doppelbildnis im deutsch-jüdischen Raum. (Berlin: Philo-Verlag, 1934) [in German]
Bailey, Anthony: Rembrandt's House: Exploring the World of the Great Master. (Boston: Houghton Mifflin, 1978)
Bailey, Anthony: Responses to Rembrandt: Who Painted the Polish Rider?, a Controversy Considered. (New York: Timken Publishers, 1994)
Bakker, Boudewijn; et al.: Landscapes of Rembrandt: His Favourite Walks. (Amsterdam: Gemeentearchie, 1988)
Bakker, Boudewijn: Landschap en Wereldbeeld: Van Van Eyck tot Rembrandt. (Bussum: Uitgeverij Thoth, 2004) [in Dutch]
Bakker, Boudewijn: Landscape and Religion: From Van Eyck to Rembrandt. Translated from the Dutch by Diane Webb. (Burlington, VT: Ashgate, 2012)
Balet, Leo: Rembrandt and Spinoza. (New York: Philosophical Library, 1962)
Barker, Mary Christine: A Disquieting Presence: The Virgin Mary in Rembrandt's 'Protestant' Art. (Ph.D. diss., University of Auckland, 2010)
Bartsch, Adam von: Catalogue raisonné de toutes les estampes qui forment l'œuvre de Rembrandt et ceux de ses principaux imitateurs [2 vols.]. (Vienne: Chez A. Blumauer) [in French]
Bauch, Kurt: Die Kunst des Jungen Rembrandt. (Heidelberg: Winter, 1933) [in German]
Bauch, Kurt: Der frühe Rembrandt und seine Zeit. Studien zur geschichtlichen Bedeutung seines Frühstils. (Berlin: Verlag Gebr. Mann, 1960) [in German]
Bauch, Kurt: Rembrandt Gemälde. (Berlin: W. de Gruyter, 1966) [in German]
Baudiquey, Paul: Un Évangile selon Rembrandt. (Paris: Éditions Mame, 1989) [in French]
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Schapelhouman, Marijn: Rembrandt en de kunst van het tekenen. (Zwolle: Waanders, 2006) [in Dutch]
Schapelhouman, Marijn: Rembrandt and the Art of Drawing. (Amsterdam: Rijksmuseum; Zwolle: Waanders Publishers, 2006)
Schinnerer, Adolf: Rembrandt Zeichnungen. (München: R. Piper & Co. Verlag., 1944) [in German]
Schnackenburg, Bernhard: Jan Lievens: Freund und Rivale des jungen Rembrandt. (Petersberg: Michael Imhof Verlag, 2016) [in German]
Schot, Wim; et al.: Rembrandts schildermaterialen: Over linnen, loodwit en lijnzaadolie [Rembrandt's painting materials: On linen, lead white and linseed oil]. (Amsterdam: Museum Het Rembrandthuis, 2011) ISBN 9789080781702 [in Dutch]
Schupbach, William: The Paradox of Rembrandt's Anatomy of Dr. Tulp [Medical History, Supplement No. 2]. (London: Wellcome Institute for the History of Medicine, 1982)
Scott, Susan (ed.): Rembrandt, Rubens, and the Art of Their Time: Recent Perspectives. (University Park, PA: Pennsylvania State University Press, 1997)
Seghers, Anna (Reiling Radványi, Netty): Jude und Judentum im Werke Rembrandts. (Ph.D. diss., Universität Heidelberg, 1924; Leipzig: Reclam, 1981) [in German]
Seghers, Anna (Reiling Radványi, Netty): L'ebreo e l'ebraismo nell'opera di Rembrandt. Traduzione di Paola Buscaglione Candela. A cura di Vincenzo Pinto. (Florence: Giuntina, 2008) [in Italian]
Seidlitz, Woldemar von: Kritische Verzeichnis der Radierungen Rembrandts. (Leipzig: Verlag von E.A. Seemann, 1895) [in German]
Seidlitz, Woldemar von: Die Radierungen Rembrandts. Mit einem kritischen Verzeichnis und Abbildung sämtlicher Radierungen. (Leipzig: E. A. Seemann, 1922) [in German]
Seifert, Christian Tico: Rembrandt & Britain. (Edinburgh: Trustees of the National Galleries of Scotland, 2018)
Sell, Stacey Lynn: Rembrandt's Draftsmanship and the Traditions of Renaissance Art. (Ph.D. diss., University of Virginia, 1993)
Senzoku, Nobuyuki; et al.: Renburanto, Kyoshō to sono shūhen [Rembrandt and the Bible]. (Tokyo: Art Life, 1986) [in Japanese]
Servaes, Franz: Rembrandt im Rahmen seiner Zeit. (Vienna/Leipzig: Karl König, 1926) [in German]
Sevcik, Anja K. (ed.): Inside Rembrandt, 1606–1669. (Petersberg: Michael Imhof Verlag 2019)
Simmel, Georg: Rembrandt: Ein kunstphilodophischer Versuch. (Leipzig: K. Wolff Verlag, 1916) [in German]
Simmel, Georg: Rembrandt: Un saggio di filosofia dell'arte. Traduzione di Gianfranco Gabetta. (Milan: Abscondita, 2001) [in Italian]
Simmel, Georg: Rembrandt: An Essay in the Philosophy of Art. Translated and edited by Alan Scott and Helmut Staubmann. (New York: Routledge, 2005)
Singer, Hans W.: Rembrandt: Des Meisters Radierungen in 402 Abbildungen. (Stuttgart/Leipzig: Deutsche Verlags-Anstalt, 1906) [in German]
Slatkes, Leonard J.: Rembrandt and Persia. (New York: Abaris Books, 1983)
Slive, Seymour: Rembrandt and his Critics, 1630–1730. (The Hague: Martinus Nijhoff, 1953)
Slive, Seymour: Rembrandt Drawings. (Los Angeles, CA: J. Paul Getty Museum, 2009)
Slive, Seymour: The Drawings of Rembrandt: A New Study. (London: Thames & Hudson, 2009)
Silve, Seymour: The Drawings of Rembrandt. (London: Thames & Hudson, 2019)
Sluijter, Eric Jan: Rembrandt and the Female Nude. (Amsterdam: Amsterdam University Press, 2006) ISBN 978-90-5356-876-7
Sluijter, Eric Jan: Rembrandt's Rivals: History painting in Amsterdam, 1630–1650 [Oculi: Studies in the Arts of the Low Countries, vol. 14]. (Amsterdam/Philadelphia: John Benjamins Publishing, 2015)
Small, Andrew: Essays in Self-Portraiture: A Comparison of Technique in the Self-Portraits of Montaigne and Rembrandt. (New York: Peter Lang, 1996)
Smith, Baige Elise: Rembrandt's Anatomy Lessons. (Ph.D. diss., University of Western Australia, 2010)
Smith, Samantha L.: Painting Blindness and Obscuring Vision: Rembrandt and the Senses. (Master's Thesis in Art History, University of Bergen, 2014)
Soesman, Albert: Rembrandt – Spuren des Genius: Heilende Kräfte der Bildkomposition. (Stuttgart: Urachhaus, 2006) [in German]
Spijkerboer, A.M.: Rembrandts engel. Bijbelverhalen van een schilder. (Meppel: Skandalon-Bruna, 2006) [in Dutch]
Squarzina, Silvia Danesi: Giovinezza di Rembrandt. La committenza mennonita. (Rome: De Luca Editori d'Arte, 2013) ISBN 8865571373 [in Italian]
Stam, Deirdre C.: Rembrandt After Three Hundred Years: A Symposium. (Chicago: Art Institute of Chicago, 1973)
Starcky, Emmanuel: Rembrandt: Les figures. (Paris: Flammarion, 1999) [in French]
Steele, Gordon Edward: Rembrandt's Homer in the Mauritshuis. (M.A. thesis, University of British Columbia, 1973)
Straten, Roelof Van Rembrandts Leidse tijd, 1606–1632. (Leiden: Foleor Publishers, 2005) ISBN 9075035217 [in Dutch]
Straten, Roelof Van: Young Rembrandt: The Leiden Years, 1606–1632. Translated from the Dutch by R. Quartero, with contributions by Ingrid Moerman. (Leiden: Foleor Publishers, 2005) ISBN 90-75035-22-5
Straten, Roelof Van; Moerman, Ingrid W.L.: Rembrandts Weg zur Kunst 1606–1632. (Berlin: Dietrich Reimer Verlag, 2006) ISBN 9783496013433 [in German]
Strauss, Walter; Meulen, Marjon van der (eds.): The Rembrandt Documents. (New York: Abaris Books, 1979)
Streiff, Bruno: Le Peintre et le Philosophe ou Rembrandt et Spinoza à Amsterdam. (Paris: Éditions Complicités, 2002) ISBN 978-2910721343 [in French]
Strzygowski, Josef: Das Werden des Barock bei Raphael und Correggio, nebst einem Anhang über Rembrandt. (Strassburg: Heitz & Mündel, 1898) [in German]
Stückelberger, Johannes: Rembrandt und die Moderne. Der Dialog mit Rembrandt in der deutschen Kunst um 1900. (Munich: Wilhelm Fink Verlag, 1996) [in German]
Sumowski, Werner: Drawings of the Rembrandt School [10 vols.]. Edited and translated by Walter L. Strauss. (New York: Abaris Books, 1979–1992)
Sumowski, Werner: Gemälde der Rembrandt-Schüler in vier Bänden [6 vols.]. (Landau in der Pfalz: Edition PVA, 1983) [in German]
Suthor, Nicola: Rembrandts Rauheit. Eine phänomenologische Untersuchung. (Paderborn: Wilhelm Fink Verlag, 2014) [in German]
Suthor, Nicola: Rembrandt's Roughness. (Princeton: Princeton University Press, 2018) ISBN 9780691172446
'T Hooft, W. A. Visser: Rembrandt and the Gospel. (London: SCM Press, 1957)
Taylor, Michael: Rembrandt's Nose: Of Flesh and Spirit in the Master's Portraits. (New York: Distributed Art Publishers, 2007)
Theilhaber, Felix A.: Dein Reich komme! Ein chiliastischer Roman aus der Zeit Rembrandts und Spinozas. (Berlin: C.A. Schwetschke & Sohn, 1924) [in German]
Thompson, Thomas S.: The Maturing of Rembrandt (1630–1662): Four Stages of Expressive Development in the Depiction of the Female Nude in Drawings and Etchings. (M.A. thesis, University of Cincinnati, 2014)
Todorov, Tzvetan: L'art ou la vie! Le cas Rembrandt. Suivi d'Art et morale. (Paris: Biro Éditeur, 2008) [in French]
Todorov, Tzvetan: ¡El arte o la vida! El caso Rembrandt. Arte y moral. Traducción de Ramón Dachs. (Barcelona: Vaso Roto, 2010) [in Spanish]
Todorov, Tzvetan: L'arte o la vita! Il caso Rembrandt. Traduzione di Cinzia Poli. (Rome: Donzelli, 2011) [in Italian]
Tummers, Annaand; Jonckheere, Koenraad (eds.): Art market and Connoisseurship: A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries. (Amsterdam: Amsterdam University Press, 2008)
Tummers, Anna: The Eye of the Connoisseur: Authenticating Paintings by Rembrandt and His Contemporaries. (Amsterdam: Amsterdam University Press, 2011) ISBN 978-1-60606-084-1
Tümpel, Christian: Rembrandt mit Selbstzeugnissen und Bilddokumenten. (Reinbeck bei Hamburg: Rowohlt, 1977) [in German]
Tümpel, Christian: Rembrandt: Mythos und Methode. (Königstein im Taunus: Langewiesche, 1986) [in German]
Tümpel, Christian: Rembrandt: All the Paintings in Colour. (Antwerp: Fonds Mercator, 1993)
Tümpel, Christian; Tümpel, Astrid: Rembrandt: Images and Metaphors. (London: Haus Books, 2006)
Tümpel, Christian; et al.: Rembrandt en de Bijbel. (Zwolle: Waanders, 2006) ISBN 978-90-400-8283-2
Valentiner, Wilhelm R.: Rembrandt und seine Umgebung. (Straßburg: Heitz & Mündel, 1905) [in German]
Valentiner, Wilhelm R.: Rembrandt in Bild und Wort, ed. Wilhelm von Bode. (Berlin: Rich Bong Kunstverlag, 1907) [in German]
Valentiner, Wilhelm R.: Rembrandt: Des Meisters Gemälde [3rd revised edition] (Klassiker der Kunst in Gesamtausgaben 2). (Stuttgart/Leipzig: Deutsche-Verlags Anstalt, 1909) [in German]
Valentiner, Wilhelm R.: Rembrandt: Wiedergefundene Gemälde, 1910–1922 [revised ed.] (Klassiker der Kunst in Gesamtausgaben 27). (Stuttgart: Deutsche-Verlags Anstalt, 1923) [in German]
Valentiner, Wilhelm R.: Rembrandt Paintings in America [2 vols.]. (New York, 1931)
Valentiner, Wilhelm R.: Rembrandt: Des Meisters Handzeichnungen [2 vols.]. (Stuttgart/Berlin/Leipzig: Deutsche Verlags-Anstalt, 1925–34) [in German]
Valentiner, Wilhelm R.: Rembrandt and Spinoza: A Study of the Spiritual Conflicts in Seventeenth-Century Holland. (London: Phaidon Press, 1957)
Valéry, Paul: Le retour de Hollande. Descartes et Rembrandt. (Maastricht: A.A.M. Stols, 1926) [in French]
Van Dyke, John Charles: Rembrandt and His School: A Critical Study of the Master and His Pupils with a New Assignment of Their Pictures. (New York: Charles Scribner's Sons, 1923)
Wetering, Ernst van de; et al. (eds.): A Corpus of Rembrandt Paintings, Vol. I: 1625–1631; Vol. II: 1631–1634; Vol. III: 1635–1642. (Dordrecht: Martinus Nijhoff, 1982, 1986, 1989)
Wetering, Ernst van de; Schackenburg, Bernhard (eds.): The Mystery of the Young Rembrandt. (Wolfratshausen: Edition Minerva, 2001) ISBN 3-932353-59-5
Wetering, Ernst van de: Rembrandt's Hidden Self-Portraits. (Amsterdam: Museum Het Rembrandthuis, 2003)
Wetering, Ernst van de; et al. (eds.): A Corpus of Rembrandt Paintings, Vol. IV: The Self-Portraits [Stichting Foundation Rembrandt Research Project]. (Dordrecht: Springer, 2005)
Wetering, Ernst van de: Rembrandt: Quest of a Genius. (Amsterdam: Rembrandt House Museum; Zwolle: Waanders Publishers, 2007)
Wetering, Ernst van de: Rembrandt in nieuw licht. (Amsterdam: Local World, 2009) [in Dutch]
Wetering, Ernst van de; Retèl, Paulien: Rembrandt: The Painter at Work. (Oakland: University of California Press, 2009)
Wetering, Ernst van de; et al. (eds.): A Corpus of Rembrandt Paintings, Vol. V: The Small-Scale History Paintings. (Dordrecht: Springer, 2011)
Wetering, Ernst van de; et al. (eds.): A Corpus of Rembrandt Paintings, Vol. VI: Rembrandt's Paintings Revisited – A Complete Survey. (Dordrecht: Springer, 2014)
Wetering, Ernst van de: Rembrandt: The Painter Thinking. (Oakland: University of California Press, 2016)
Verdi, Richard: Rembrandt's Themes: Life into Art. (New Haven, CT: Yale University Press, 2014) ISBN 978-0300201536
Verschoor, Gerdien: Het meisje en de geleerde. Kroniek van twee verloren gewaande Rembrandts. (Amsterdam: Uitgeverij Atlas Contact, 2019) ISBN 9789045037912 [in Dutch]
Vogel-Köhn, Doris: Rembrandts Kinderzeichnungen. (Ph.D. diss., Universität Würzburg, 1974) [in German]
Vogelaar, Christiaan; et al.: Rembrandt & Lievens in Leiden: Een jong en edel schildersduo. (Leiden: Stedelijk Museum De Lakenhal, 1991) [in Dutch]
Vogelaar, Christiaan; et al.: Rembrandt's Mother. Myth and Reality. (Leiden: Stedelijk Museum De Lakenhal, 2005)
Volkenandt, Claus: Rembrandt: Anatomie eines Bildes. (Munich: Wilhelm Fink, 2004) ISBN 978-3-7705-4002-0 [in German]
Volkenandt, Claus: Rembrandt: Die Porträts. (Darmstadt: wbg Theiss in Wissenschaftliche Buchgesellschaft [WBG], 2019) ISBN 9783806239577 [in German]
Wadum, Jørgen: Technical Art History: Painter's Supports and Studio Practices of Rembrandt, Dou and Vermeer. (Ph.D. diss., Universiteit van Amsterdam/University of Amsterdam, 2009)
Wallace, Robert: The World of Rembrandt. (New York: Time-Life Books, 1968)
Watkins, Catherine Bailey: Rembrandt's 1654 Life of Christ Prints: Graphic Chiaroscuro, the Northern Print Tradition, and the Question of Series. (Ph.D. diss., Case Western Reserve University, 2011)
Wauschkuhn, Annette: Georg Simmels Rembrandt-Bild. Ein lebensphilosophischer Beitrag zur Rembrandtrezeption im 20. Jahrhundert. (Worms: Werner Verlag, 2002) [in German]
Weber, Gregor J.M.; Hartog Jager, Hans den; Nooteboom, Cees: Rembrandt-Velázquez: Nederlandse en Spaanse meesters. (Amsterdam: Rijksmuseum Amsterdam, 2019) [in Dutch]
Wegner, Wolfgang: Rembrandt und sein Kreis. Zeichnungen und Druckgraphic. (Munich: Staatliche Graphische Sammlung, 1966) [in German]
Wencelius, Léon: Calvin et Rembrandt, étude comparative de la philosophie de l'art de Rembrandt et de l'esthétique de Calvin. (Paris: Société d'Edition [Les Belles Lettres], 1937) [in French]
White, Christopher; Alexander, David; D'Oench, Ellen: Rembrandt in Eighteenth-Century England. (New Haven: Yale Center for British Art, 1983)
White, Christopher: Rembrandt as an Etcher: A Study of the Artist at Work [2 vols.]. (London: A. Zwemmer, 1969; 2nd ed., New Haven, CT: Yale University Press, 1999)
White, Howard B.: Antiquity Forgot: Essays on Shakespeare, Bacon, and Rembrandt. (The Hague: Martinus Nijhoff, 1978)
Wickhoff, Franz: Einige Zeichnungen Rembrandts mit biblischen Vorwürfen [Seminarstudien]. (Innsbruck: Verlag der Wagner'schen Universitäts-Buchhandlung, 1906) [in German]
Wijnman, H.F.: Uit de kring van Rembrandt en Vondel. Verzamelde studies over hun leven en omgeving. (Amsterdam: Noord-Hollandsche Uitgevers Maatschappij, 1959) [in Dutch]
Wilkie, Ken; Posthuma de Boer, Eddy: Op pad met Rembrandt. In en rondom Amsterdam. (Amsterdam: Bas Lubberhuizen, 2006) [in Dutch]
Williams, Hilary: Rembrandt on Paper. (Los Angeles, CA: J. Paul Getty Museum, 2009)
Williams, Julia Lloyd: Rembrandt's Women. (Munich: Prestel Verlag, 2001)
Willis, Kelly Jo: Hendrickje Stoffels: Rembrandt van Rijn's Incarnation of Medea. (M.A. thesis, University of Cincinnati, 2000)
Winzinger, Franz: Rembrandt Landschaftszeichnungen. (Baden-Baden: Woldemar Klein Verlag, 1953) [in German]
Wischnitzer, Rachel: From Dura to Rembrandt: Studies in the History of Art. (Jerusalem: Center for Jewish Art, 1990)
Wohlfromm, Gisela: Rembrandts Auseinandersetzung Mit Der Kunst Adam Elsheimers. (Frankfurt am Main: Peter Lang, 1997) [in German]
Wright, Christopher: Rembrandt: Self-Portraits. (London: Gordon Fraser, 1982)
Wubben, Arno: Zoektocht in Hartstocht. Bezoeken aan Rembrandtschilderijen wereldwijd. (Amsterdam: Uitgeverij Boekscout, 2017) ISBN 9789402235593 [in Dutch]
Zeldin, Natalie Ann: Performing Touch in the Frick Self-Portrait (1658): An Examination of the Ruwe Manier in Late Rembrandt. (M.A. thesis, University of Texas at Austin, 2013)
Zell, Michael: Protestant Imagery and Jewish Apologetics: Rembrandt's Encounterwith Rabbi Menasseh ben Israel. (Ph.D. diss., Harvard University, 1994)
Zell, Michael: Reframing Rembrandt: Jews and the Christian Image in Seventeenth-Century Amsterdam. (Berkeley: University of California Press, 2002)
Zell, Michael; Chong, Alan (eds.): Rethinking Rembrandt. (Zwolle: Waanders Publishers, 2002)
Zink, Jörg: Was die Nacht hell macht. Weihnachten in Bildern von Rembrandt. (Eschbach im Markgräflerland: Verlag am Eschbach, 1982) [in German]
Zink, Jörg: Was die Nacht hell macht. Rembrandt malt die Weihnachtsgeschichte. (Eschbach im Markgräflerland: Verlag am Eschbach, 1999) [in German]
Zink, Jörg: Was die Nacht hell macht. Rembrandt als Maler der christlichen Botschaft. (Gütersloh: Gütersloher Verlagshaus, 2015) [in German]
Zink, Jörg: In het licht: Rembrandt, schilder van de Bijbel. [Vertaling: Bertie van Zoest & Ger Meesters]. (Utrecht: Uitgeverij Kok, 2015) [in Dutch]

Journal articles, scholarly papers, essays, and book chapters edit

Abastado P.; Chemla, D. (2007), 'Rembrandt's doctors,'. Medical Humanities 33(1): 35–37
Adams, Henry (1984), 'If Not Rembrandt, Then His Cousin?,'. The Art Bulletin 66(3): 427–441
Afek, A.; Friedman, T.; Kugel, C.; Barshack, I.; Lurie, DJ. (2009), 'Dr. Tulp's Anatomy Lesson by Rembrandt: the Third Day Hypothesis,'. Israel Medical Association Journal 11(7): 389–92
Ahmad, Iftikhar (2008), 'Art in Social Studies: Exploring the World and Ourselves with Rembrandt,'. The Journal of Aesthetic Education 42(2): 19–37
Alexander-Knotter, Mirjam (1999), 'An Ingenious Device: Rembrandt's Use of Hebrew Inscriptions,'. Studia Rosenthaliana 33(2): 131–159
Alting, M.P.; Waterbolk, T.W. (1982), 'New light on the anatomical errors in Rembrandt's Anatomy Lesson of Dr. Nicolaas Tulp,'. J Hand Surg Am. 7(6): 632–4
Baer, Ronni (2012), 'Of Cats and Dogs: Domestic Pets in Rembrandt and Dou,'. In: Een Kroniek voor Jeroen Giltaij: Kroniek van het Rembrandthuis. (Amsterdam: Rembrandthuis, 2012), pp. 63–9
Bal, Mieke (1990), 'Dis‐semination: "Rembrandt" and the navel of the text,'. LIT: Literature Interpretation Theory 2(2): 145–166. doi:10.1080/10436929008580052
Bal, Mieke; Vardoulakis, Dimitris (2011), 'An Inter-action: Rembrandt and Spinoza,'. In: Spinoza Now. Edited by Dimitris Vardoulakis. (Minneapolis: University of Minnesota Press, 2011), pp. 277–303
Baldinucci, Filippo: 'Life of Rembrandt,' from Cominciamento e Progresso dell'arte d'intagliare in rame colle vita de' piu eccellenti maestri della stessa professione. 1686, in ed. Charles Ford. Lives of Rembrandt. (London: Pallas Athene, 2007), pp. 35–48. [in Italian]
Baldwin, Robert (1984), 'Rembrandt's Visual Sources from Italy and Antiquity,'. Source: Notes in the History of Art 4(1): 22–29
Baldwin, Robert (1985), '"On earth we are beggars, as Christ himself was": The Protestant Background to Rembrandt's Imagery of Poverty, Begging, and Sickness,'. Konsthistorisk Tidskrift (LIV) 3: 122–135
Baldwin, Robert (1989), 'Rembrandt's New Testament Prints: Artistic Genius, Social Anxiety, and the Calvinist Marketed Image,'. In: Shelley Perlove (ed.), Impressions of Faith: Rembrandt's Biblical Etchings. (Dearborn: University of Michigan, 1989), pp. 24–34
Banfi, A. (1931), 'Il Rembrandt di Simmel,'. In Id., Vita dell'arte, Opere, vol. V, E. Mattioli et G. Scaramuzza (dir.), Reggio nell'Emilia, Istituto Antonio Banfi, p. 329–337. [in Italian]
Bankl, H.C.; Bankl, H. (2000), 'Dr. Nicolaas Tulp: A Critical View of Rembrandt's Anatomy Lesson,'. Wien Klin Wochenschr. 112(8): 368–71. [in German]
Barker, Mary Christine (2010), 'Transcending Tradition: Rembrandt's Death of the Virgin 1639: A Re-Vision,'. Dutch Crossing: Journal of Low Countries Studies 34(2): 138–61. doi:10.1179/030965610X12726397286205
Bauch, Kurt (1967), 'Ikonographischer Stil: Zur Frage der Inhalte in Rembrandt's Kunst,'. In: Studien zur Kunstgeschichte. (Berlin: De Grayter, 1967), pp. 123–151. [in German]
Beirne, Brian Logan (2008), 'Painted into a Corner: Rembrandt's Bankruptcy Today,'. Journal of Transnational Law & Policy 18(1): 89–107
Benesch, Otto (1956), 'Worldly and Religious Portraits in Rembrandt's Late Art,'. The Art Quarterly 19: 335–355
Benesch, Otto (1970), 'Rembrandt's Artistic Heritage: From Goya to Cézanne,'. (Collected Writings, vol. 1, New York, 1970, pp. 57–82)
Benesch, Otto (1973), 'Rembrandts Bild bei Picasso,'; in Benesch's Collected Writings, vol. 4 (London, 1973) [in German]
Benjamin, Andrew (2017), 'Reading, Seeing and the Logic of Abandonment: Rembrandt's Self-Portrait as the Apostle Paul,'. In: Antonio Cimino, George Henry van Kooten & Gert Jan van der Heiden (eds.), Saint Paul and Philosophy: The Consonance of Ancient and Modern Thought. (De Gruyter, 2017), pp. 21–46
Bergström, Ingvar (1966), 'Rembrandt's Double Portrait of Himself and Saskia at the Dresden Gallery: A Tradition Transformed,'. Nederlands Kunsthistorisch Jaarboek 17: 143–69
Białostocki, Jan (1957), 'Bellori's Caravaggio and Sandrart's Rembrandt,'. Burlington Magazine 99(653): 274–275
Białostocki, Jan (1957), 'Ikonographische Forschungen zu Rembrandts Werk,'. Münchner Jahrbuch der Bildenden Kunst 8: 195–210. [in German]
Białostocki, Jan (1966), 'Rembrand's "Terminus": To Wolfgang Stechow,'. Wallraf-Richartz-Jahrbuch 28: 49–60
Białostocki, Jan (1968), 'Rembrandt's 'Eques Polonus','. Oud Holland: Journal for Art of the Low Countries 84(2/3): 163–176. JSTOR 42712350
Białostocki, Jan (1972), 'Rembrandt and Posterity,'. Nederlands Kunsthistorisch Jaarboek 23 (1972): 131–157. JSTOR 24705655
Białostocki, Jan (1973), 'Der Sünder als tragischer Held bei Rembrandt. Bemerkungen zu neueren ikonographischen Studien über Rembrandt,'; in: von Simson, Otto Georg; Kelch, Jan (hrsg.): Neue Beiträge zur Rembrandt-Forschung. (Berlin: Mann, 1973), pp. 137–154. [in German]
Białostocki, Jan (1984), 'A New Look at Rembrandt Iconography,'. Artibus et Historiae 5(10): 9–19
Bille, Clara (1956), 'Rembrandt's Claudius Civilis at Amsterdam in 1734,'. Konsthistorisk Tidskrift 25(1–4): 25–30. doi:10.1080/00233605608603564
Binstock, Benjamin (1999), 'Rembrandt's Paint,'. RES: Anthropology and Aesthetics 36: 138–165
Binstock, Benjamin (2001), 'I've Got You under My Skin: Rembrandt, Riegl and the Will of Art History,'. In: Richard Woodfield (ed.), Framing Formalism: Riegl's Work. (Amsterdam: G&B International, 2001), pp. 219–63
Binstock, Benjamin (2001), 'The Ruins of Rembrandt,'. Dutch Crossing: Journal of Low Countries Studies 25(2): 323–341. doi:10.1080/03096564.2001.11730803
Binstock, Benjamin (2003), 'Seeing Representations; or, The Hidden Master in Rembrandt's Syndics,'. Representations 83(1): 1–37. doi:10.1525/rep.2003.83.1.1
Binstock, Benjamin (2006), 'The Birth of Rembrandt,'. In: M. Roscam Abbing (ed.), Rembrandt 2006: Essays. (Amsterdam: Foleor, 2006), pp. 267–78
Black, Peter (2018), 'Rembrandt: paragon of the etching revival,'. In: Seifert, C. T. (ed.) Rembrandt: Britain's Discovery of the Master. (Edinburgh: National Galleries Scotland, 2018), pp. 107–113
Blanc, Jan (2009), 'Rembrandt and the Historical Construction of His Conspiracy of Claudius Civilis,'. In: L. Cruz & W. Frijhoff (eds.), Myth in History, History in Myth. (Leiden, 2009), pp. 237–53
Bok, Marten Jan (2004), 'Rembrandt's Fame and Rembrandt's Failure: The Market for History Paintings in the Dutch Republic,'. In: A. Kofuku (ed.), Rembrandt and Dutch History Painting in the 17th Century. (Tokyo, 2004), pp. 159–180
Bok, Marten Jan; van der Molen, Tom (2009), 'Productivity Levels of Rembrandt and His Main Competitors in the Amsterdam Art Market,'. Jahrbuch der Berliner Museen 51. Bd., Beiheft. Rembrandt – Wissenschaft auf der Suche. Beiträge des Internationalen Symposiums Berlin – 4. und 5. November 2006: 61–68
Borowitz, Helen O. (1983), 'The Rembrandt and Monet of Marcel Proust,'. The Bulletin of the Cleveland Museum of Art 70(2): 73–95
Bourne, R.G. (2000), 'Did Rembrandt's Bathsheba really have breast cancer?,'. Aust N Z J Surg. 70(3): 231–2
Bracken, W. Worth (2011), 'So as to give birth to your own inventions, too': Rembrandt transforming Annibale,'. In: Aemulatio. Imitation, emulation and invention in Netherlandish art from 1500 to 1800. Essays in honor of Eric Jan Sluijter. (Zwolle, 2011), pp. 138–152
Bracken, W. Worth (2018), 'Rembrandt's "Lamentation over the Dead Christ" at the British Museum: A Reconsideration,'. Master Darwings 56: 149–168
Braider, Christopher (1998), 'The Fountain of Narcissus: The Invention of Subjectivity and the Pauline Ontology of Art in Caravaggio and Rembrandt,'. Comparative Literature 50(4): 286–315
Braithwaite, P.A.; Shugg, D. (1983), 'Rembrandt's Bathsheba: the dark shadow of the left breast,'. Ann R Coll Surg Engl. 65(5): 337–8
Behpoor, Bavand (2010), 'How Moghul Was Rembrandt? A Critique on a Global Laboratory of Infinite Multiplicities,'. Third Text 24(4): 501–504. doi:10.1080/09528822.2010.491389
Broomhall, Susan; Spinks, Jenny (2009), 'Finding Rembrandt? Place, History, Experience and the Individual,'. Dutch Crossing: Journal of Low Countries Studies 33(1): 6–22. doi:10.1179/155909009X422464
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Schwartz, Frederic (1989), '"The Motions of the Countenance": Rembrandt's Early Portraits and the Tronie,'. RES: Anthropology and Aesthetics 17/18: 89–116
Schwartz, Gary (1978), 'Rembrandt: ‘Connoisseurship’ et érudition,'. Revue de l'art 42: 100–6
Schwartz, Gary (1985), 'Rembrandt's David and Mephiboseth: a Forgotten Subject from Vondel,'. In: Tribute to Lotte Brand Philip: Art Historian and Detective. (New York: Abaris Books, 1985), pp. 166–74
Schwartz, Gary (1985), 'Rembrandt's Patrons Among the Clans of Holland,'. Dutch Crossing 9(27): 3–16. doi:10.1080/03096564.1985.11784332
Schwartz, Gary (2001), 'The Clones make the Master: Rembrandt in 1650,'. In: Horizonte: Beiträge zu Kunst und Kunstwissenschaft | Horizons: essais sur l'art et sur son histoire | orizzonti: saggi sull'arte e sulla storia dell'arte | Horizons: essays on art and art research. (Zürich: Schweizerisches Institut für Kunstwissenschaft, 2001), pp. 53–64
Schwartz, Gary (2009), 'Rembrandt's Hebrews,'. Jahrbuch der Berliner Museen 51: 33–38. [Beiheft. Rembrandt – Wissenschaft auf der Suche. Beiträge des Internationalen Symposiums Berlin – 4. und 5. November 2006]. JSTOR 25674333
Schwartz, Gary (2013), 'Rembrandt's Dürer'. (The text of a talk delivered by Gary Schwartz on 9 March 2013 at the opening of a sales exhibition of work on paper by both artists at Christopher-Clark Fine Art, 377 Geary Street, San Francisco)
Schwartz, Gary (2014), 'A Corpus of Rembrandt Paintings as a Test Case for Connoisseurship,'. In: Connoisseurship: I'oeil, la raison et I'instrument, ed. Patrick Michel. (Paris: École du Louvre, 2014), pp. 229–37
Schwartz, Gary (2014), 'The Meanings of Rembrandt,'. In: Rembrandt and the Dutch Golden Age [exh. cat.]. (Budapest: Szépmüvészeti Múzeum, 2014), pp. 36–57
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Shapiro, Barbara Stern (1986), 'Camille Pissarro, Rembrandt and the Use of Tone,'. In: Studies on Camille Pissarro, edited by Christopher Lloyd. (New York: Routledge & Kegal Paul, 1986), pp. 123–35
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Slive, Seymour (1964), 'Rembrandt's 'Self-Portrait in a Studio','. The Burlington Magazine 106(740): 482–487
Slive, Seymour (1965), 'An Unpublished Head of Christ by Rembrandt,'. The Art Bulletin 47(4): 407–417. JSTOR 3048299
Sluijter, E.J. (1999), 'Emulating Sensual Beauty: Representations of Danaë from Gossaert to Rembrandt,'. Simiolus: Netherlands Quarterly for the History of Art 27(1/2): 4–45
Sluijter, E.J. (2009), 'Rembrandt and the Rules of Art Revisited,'. Jahrbuch der Berliner Museum 51: 121–129
Sluijter, E.J. (2010), 'Rembrandt's Portrayal of the Passions and Vondel's ‘Staetveranderinge’,'. Nederlands Kunsthistorisch Jaarboek 60: 285–304
Sluijter, E.J. (2014), 'How Rembrandt surpassed the Ancients, Italians and Rubens as the Master of ‘the Passions of the Soul','. BMGN – Low Countries Historical Review 129(2): 63–89. doi:10.18352/bmgn-lchr.9541
Sluijter, E.J. (2017), 'Breenbergh and Rembrandt in Dialogue,'. JHNA: Journal of Historians of Netherlandish Art 9(1). doi:10.5092/jhna.2017.9.1.8
Smith, David R. (1982), 'Rembrandt's Early Double Portraits and the Dutch Conversation Piece,'. The Art Billetin 64(2): 259–288
Smith, David R. (1995), 'Inversion, Revolution, and the Carnivalesque in Rembrandt's "Civilis",'. RES: Anthropology and Aesthetics 27: 89–110
Smith, E.R.; du Rand, J.A. (2004), '"Preacher" Dexter Reading and Presentation. Rembrandt's, the Philosopher, in a Contemporary Age,'. Acta Patristica et Byzantina 15(1): 233–253. doi:10.1080/10226486.2004.11745744
Smith, Ralph A. (2008), 'Rembrandt, Educational Standards, and Policy,'. Arts Education Policy Review 109(5): 3–8. doi:10.3200/AEPR.109.5.3-8
Smith, Ralph A. (2008), 'Rembrandt and Learning,'. The Journal of Aesthetic Education 4(2): 101–114
Stechow, Wolfgang (1944), 'Rembrandt – Democritus,'. Art Quarterly 7: 233–238
Stechow, Wolfgang (1968), 'Some Observations on Rembrandt and Lastman,'. Oud Holland: Journal for Art of the Low Countries 84(2/3): 148–162
Steiner, Gary (2010), 'The Cultural Significance of Rembrandt's "Anatomy Lesson of Dr. Nicolaas Tulp",'. History of European Ideas 36(3): 273–279. doi:10.1016/j.histeuroideas.2010.02.004
Stone-Ferrier, Linda (1985), 'Views of Haarlem: A Reconsideration of Ruisdael and Rembrandt,'. The Art Bulletin 67(3): 417–436. doi:10.1080/00043079.1985.10788281
Stratton, Susan (1986), 'Rembrandt's Beggars: Satire and Sympathy,'. The Print Collector's Newsletter 17(3): 78–82
Stumpel, Jeroen (2000), 'A Twelfth Attempt: The Subject of Rembrandt's "History Piece" in Leiden,'. Simiolus: Netherlands Quarterly for the History of Art 28(1/2): 44–50
Sullivan, Scott A. (1980), 'Rembrandt's Self-Portrait with a Dead Bittern,'. The Art Bulletin 62(2): 236–243
Talbierska, Jolanta (2008), 'Twórczość graficzna Rembrandta van Rijn. Nowe perspektywy badawcze dzieła graficznego,' [Graphic art of Rembrandt van Rijn. New research perspectives of the graphic work]. Rocznik Historii Sztuki 33: 65–127. [in Polish]
Talley, Mansfield Kirby Jr. (1989), 'Connoisseurship and the Methodology of the Rembrandt Research Project.'. International Journal of Museum Management and Curatorship 8(2): 175–214. doi:10.1016/0260-4779(89)90022-8
Ten Kate, J.J.; Jennekens, F.G.I.; Vos-Niël, J.M.E. (2009), 'Rembrandt's 'Beggar with a Wooden Leg' and Other Comparable Prints,'. The Journal of Bone and Joint Surgery 91(2): 278–282. doi:10.1302/0301-620X.91B2.21747
Tolstoy, Helen (2017), 'Rembrandt,'. Chapter 9, in: Helen Tolstoy, Akim Volynsky: A Hidden Russian-Jewish Prophet, translated and copyedited by Simon Cook. (Boston: Brill, 2017), pp. 160–178
Tribout-Joseph, Sarah (2012), 'The Art Market in Proust: A Comparative Study of the Treatment of Rembrandt and the Salon Painter Gleyre in Proust,'. In: Proust and the Visual, edited by Nathalie Aubert, 1st ed., University of Wales Press, 2012, pp. 149–166
Tümpel, Christian (1968), 'Ikonographische Beiträge zu Rembrandt. Zur Deutung und Interpretation seiner Historien,'. Jahrbuch der Hamburger Kunstsammlungen 13: 95–126. [in German]
Tümpel, Christian (1969), 'Studien zur Ikonographie der Historien Rembrandts. Deutung und Interpretation der Bildinhalte,'. Nederlands Kunsthistorisch Jaarboek 20: 107–198. [in German]
Tümpel, Christian (1971), 'Ikonographische Beiträge zu Rembrandt. Zur Deutung und Interpretation einzelner Werke,'. Jahrbuch der Hamburger Kunstsammlungen 16: 20–38. [in German]
Tuman, Donna M. (2008), 'The Changing Face of Rembrandt: Pedagogy, Politics, and Cultural Values in American Art Education,'. The Journal of Aesthetic Education 42(2): 57–67
Valentiner, Wilhelm R. (1931), 'Rembrandt Drawings in the Havemeyer Collection,'. Metropolitan Museum Studies 3(2): 135–146
Valentiner, Wilhelm R. (1948), 'Rembrandt's Conception of Historical Portraiture,'. Art Quarterly 11(1948): 117–135
Van Breda, Jacobus (1997), 'Rembrandt Etchings on Oriental Papers: Papers in the Collection of the National Gallery of Victoria,'. Art Bulletin of Victoria 38 (1997): 25–38
Van de Waal, H. (1956), 'The iconological background of Rembrandt's Civilis,'. Konsthistorisk Tidskrift 25(1–4): 11–25. doi:10.1080/00233605608603563
Van de Wetering, Ernst; Broekhoff, Paul (1996), 'New Directions in the Rembrandt Research Project, Part I: The 1642 Self-Portrait in the Royal Collection,'. The Burlington Magazine 138(1116): 174–180
Van de Wetering, Ernst (1997), 'The Miracle of Our Age: Rembrandt through the Eyes of His Contemporaries,'. In: Albert Blankert, et al. (eds.): Rembrandt: A Genius and His Impact [Exhibition Catalogue National Gallery of Victoria]. (Zwolle: Waanders, 1997), pp. 58–68
Van de Wetering, Ernst (1999), 'The Multiple Functions of Rembrandt's Self Portraits,'. In: Rembrandt by Himself, edited by Christopher White and Quentin Buvelot. (London: National Gallery Publications, 1999), pp. 8–37
Van de Wetering, Ernst (2001), 'Delimiting Rembrandt's Autograph Oeuvre – an Insoluble Problem,'. In: The Mystery of the Young Rembrandt, edited by Ernst van de Wetering and Bernhard Schnackenburg. [Exh. cat. Kassel, Staatliche Museen Kassel, Gemäldegalerie Alte Meister, Schloss Wilhelmshöhe; Amsterdam: Museum Het Rembrandthuis]. (Wolfratshausen, 2001), pp. 58–81
Van de Wetering, Ernst (2001), 'Rembrandt's Beginnings: An Essay,'. In: Ernst van de Wetering, Bernhard Schnackenburg, et al., The Mystery of the Young Rembrandt. (Amsterdam: Museum Het Rembrandthuis, 2001), pp. 22–57
Van de Wetering, Ernst (2001), 'Thirty Years of the Rembrandt Research Project: The Tension Between Science and Connoisseurship in Authenticating Art,'. IFAR Journal 4(2): 14–26
Van de Wetering, Ernst (2005), 'Rembrandt's Self-Portraits: Problems of Authenticity and Function,'. In: Ernst van de Wetering et al., A Corpus of Rembrandt Paintings IV: The Self-Portraits. (Dordrecht: Springer, 2005), pp. 89–317
Van de Wetering, Ernst (2006), 'Rembrandt's Oil Studies: New Light on an Old Problem,'. In: Rembrandt: Quest of a Genius. (Amsterdam: Rembrandthuis; Zwolle: Waanders, 2006), pp. 179–209
Van de Wetering, Ernst (2006), 'Rembrandt as a Searching Artist,'. In: Ernst van de Wetering, et al., Rembrandt: Quest of a Genius. (Amsterdam: Museum Het Rembrandthuis, 2006), pp. 79–124
Van de Wetering, Ernst (2008), 'Connoisseurship and Rembrandt's Paintings: New Directions in the Rembrandt Research Project, Part II,'. The Burlington Magazine 150(1259): 83–90
Van de Wetering, Ernst (2008), 'The Various Functions of Rembrandt's Self-Portraits,'. In: B. Leca et al., Rembrandt: Three Faces of the Master [exhib. cat.]. (Cincinnati: Cincinnati Art Museum, 2008), pp. 51–71
Van de Wetering, Ernst (2011), 'More than one hand in paintings by Rembrandt,'. In: Ernst Van De Wetering, et al. (eds.): A Corpus of Rembrandt Paintings, Vol. V: The Small-Scale History Paintings. (Dordrecht: Springer, 2011), pp. 311–321
Van de Wetering, Ernst (2011), 'Towards a Reconstruction of Rembrandt's Art Theory,'. In: Ernst Van De Wetering, et al. (eds.): A Corpus of Rembrandt Paintings, Vol. V: The Small-Scale History Paintings. (Dordrecht: Springer, 2011), pp. 3–140
Van de Wetering, Ernst (2014), 'The Leiden Period (1624–1631). Rembrandt's research of the gronden,'. In: A Corpus of Rembrandt Paintings VI. Stichting Foundation Rembrandt Research Project, vol 6. (Dordrecht: Springer, 2014), pp. 68–117
Van Eeghen, H. (1956), 'Rembrandt's Claudius Civilis and the funeral ticket,'. Konsthistorisk Tidskrift 25(1–4): 55–57. doi:10.1080/00233605608603568
Van Emde Boas, Conrad (1971), 'Rembrandt als erotischer Künstler,'. Zeitschrift für Psychosomatische Medizin und Psychoanalyse 17(2): 187–193. JSTOR 23995679 [in German]
Van Hoogstraten, Samuel (1672), 'Inleyding tot de Hooge Schoole der Schilderkonst' (Amsterdam, 1672). Translated for the Art Humanities Primary Source Reader by Benjamin Binstock.
Van Regteren Altena, J. Q. (1967), 'The Origin of a Motif in Rembrandt's Work,'. Master Drawings 5(4): 375–378
Van Schendel, A. (1956), 'Notes on the Support of Rembrandt's 'Claudius Civilis','. Konsthistorisk Tidskrift 25(1/4): 38–42. doi:10.1080/00233605608603566
Van Straten, Roelof (1992), 'Early Works by Lievens and Rembrandt in Two Unknown Still Lifes,'. Artibus et Historiae 13(26): 121–142. JSTOR 1483435
Van Straten, Roelof (2002), 'Rembrandt's "Earliest Prints" Reconsidered,'. Artibus et Historiae 23(45): 167–177. JSTOR 1483686
Vermeulen, Ingrid R. (2009), 'Michel de Marolles's album of Rembrandt prints and the reception of Dutch art in France,'. Simiolus: Netherlands Quarterly for the History of Art 34 (3/4): 155–182
Versteegh, Matthijs (2009), 'Sociology and Science. A Short Controversy Study About Rembrandt's Painting,'. Krisis: Journal for Contemporary Philosophy 1: 46–55
Wadum, Jørgen; Rønberg, Lene Bøgh (2006), 'Two Paintings in Copenhagen Re-Attributed to Rembrandt,'. The Burlington Magazine 148(1235): 82–88
Waiboer, Adriaan E. (2013), 'Willem de Poorter: Rembrandt/Not Rembrandt Pupil,'. JHNA: Journal of Historians of Netherlandish Art 5(2). doi:10.5092/jhna.2013.5.2.12
Wasserman, Burton (1970), 'Rembrandt: A Legacy of Eloquence,'. Art Education 23(3): 19–23. doi:10.1080/00043125.1970.11653842
Weber, Gregor J. M. (2017), 'Rembrandt in Kassel: The Relativity of Eighteenth-Century Connoisseurship,'. Kyoto Studies in Art History 2: 73-82. doi:10.14989/229461
Weisz, George M.; Albury, William R. (2013), 'Rembrandt's Jewish Physician—Dr Ephraim Bueno (1599–1665): A Brief Medical History,'. Rambam Maimonides Medical Journal 4(2): e0010. doi:10.5041/RMMJ.10110
Weisz, George M.; Albury, William R. (2015), 'Diseases of Old Age in Two Paintings by Rembrandt,'. Rambam Maimonides Medical Journal 6(4): e0042. doi:10.5041/RMMJ.10227
Wertheim, David J. (2010), 'The Symbolic Meaning of a Presumed Relationship: Rembrandt and Spinoza in German Literature, 1890–1934,'. In: Martin Bollacher, Thomas Kisser und Manfred Walther (Hrsg.), Ein neuer Blick auf die Welt: Spinoza in Literatur, Kunst und Ästhetik [Schriftenreihe der Spinoza-Gesellschaft Bd. 14]. (Würzburg: Königshausen & Neumann, 2010), pp. 73–81
Westermann, Mariët (2011), 'Back to Basics: Rembrandt and the Emergence of Modern Painting,'. Perspective: la revue de l'INHA 4 (2011–12): 723–47
Weststeijn, Thijs (2005), 'Rembrandt and Rhetoric. The Concepts of affectus, enargeia and ornatus in Samuel van Hoogstraten's Judgement of His Master,'. In: The Learned Eye: Regarding art, theory and the artist's reputation, edited by Natasja van Eck, Marieke van den Doel, Gerbrand Korevaar, Anna Tummers and Thijs Weststenijn. (Amsterdam: Amsterdam University Press, 2005), pp. 111–30
Weststeijn, Thijs (2013), '"Passie, Hartstocht": Painting and Evoking Emotions in Rembrandt's Studio,'. In: Ad Fontes: Niederlandische Kunst des 17. Jahrhunderts in Quellen, edited by Claudia Fritzsche, Karin Leonhard and Gregor Weber. (Petersberg: Michael Imhof Verlag, 2013), pp. 305–30
Weststeijn, Thijs (2016), 'The Sublime and the "Beholder's Share": Junius, Rubens, Rembrandt,'. JHNA: Journal of Historians of Netherlandish Art 8(2). doi:10.5092/jhna.2016.8.2.2
White, Howard (1974), 'Rembrandt and the Human Condition,'. Interpretation: A Journal of Political Philosophy 4(1): 17–37
White, Raymond; Kirby, Jo (1994), 'Rembrandt and his Circle: Seventeenth-Century Dutch Paint Media Re-examined,'. National Gallery Technical Bulletin 15: 64–78
Wischnitzer, Rachel (1957), 'Rembrandt, Callot, and Tobias Stimmer,'. The Art Bulletin 39(3): 224–230
Wiser, Itay; Parnass, Adam J.; Rachmiel, Ronny; Westreich, Melvyn; Friedman, Tali (2016), 'Rembrandt's Ocular Pathologies,'. Ophthalmic Plastic and Reconstructive Surgery 32(4): 305–309
Wright, J. Lenore (2007), 'Reading Rembrandt: The Influence of Cartesian Dualism on Dutch Art,'. History of European Ideas 33(3): 275–291. doi:10.1016/j.histeuroideas.2006.11.012
Yanisky-Ravid, Shlomit (2017), 'Generating Rembrandt: Artificial Intelligence, Copyright, and Accountability in the 3A Era—The Human-Like Authors are Already Here—A New Model,'. Michigan State Law Review 659[2017]
Zell, Michael (2000), 'Encountering Difference: Rembrandt's Presentation in the Dark Manner,'. Art History 23(4): 496–521
Zell, Michael (2003), 'A Leisurely and Virtuous Pursuit: Amateur Artists, Rembrandt, and Landscape Representationin Seventeenth-Century Holland,'. Nederlands Kunsthistorisch Jaarboek 54: 337–373
Zell, Michael (2008), 'Eduard Kolloff and the Historiographic Romance of Rembrandt and the Jews,'. Simiolus: Netherlands Quarterly for the History of Art 28: 181–97
Zell, Michael (2011), 'Rembrandt's Gifts: A Case Study of Actor-Network-Theory,'. JHNA: Journal of Historians of Netherlandish Art 3(2). doi:10.5092/jhna.2011.3.2.2
Zielonka, Anthony (2008), Eugène Fromentin and Rembrandt's Painterly Language of Light,'. Romance Quarterly 55(3): 231–240. doi:10.3200/RQTR.55.3.231-240
Ziemba, Antoni (2008), 'Nowa wizja osobowosci i tworczosci Rembrandta: dwie wystawy roku rembrandtowskiego (i jeden obraz polski),' [A New Vision of Rembrandt's Personality and Creativity: Two Exhibitions of the Rembrandt Year (and One Polish Picture)]. Rocznik Historii Sztuki 33: 29–44. [in Polish]
Zimmerman, E. (1991), 'Rembrandt to Rembrandt: A case study of a memorable painting teacher of artistically talented 13 to 16 year‐old students,'. Roeper Review 13(2): 76–81. doi:10.1080/02783199109553315
Zlotnick, A. (1998), 'Rembrandt's self-portrait,'. The Lancet 351(9106): 915. doi:10.1016/S0140-6736(05)70337-8
Żygulski, Zdzisław (2000), 'Further Battles for the "Lisowczyk" (Polish Rider) by Rembrandt,'. Artibus et Historiae 21(41): 197–205. doi:10.2307/1483642

Literary works (e.g. poetry and fiction) edit

Balm, Alfred: The Fake Rembrandt. (2017) ISBN 9781532020995
Berg, Janet Lee: Rembrandt's Shadow. (New York, NY: Post Hill Press, 2016) ISBN 978-1682611432
Bertrand, Aloysius: Gaspard de la Nuit - Fantaisies à la manière de Rembrandt et de Callot [Gaspard of the Night - Fantasies in the Manner of Rembrandt and Callot] (1842) [in French]
Christopher, Paul: Rembrandt's Ghost [A Finn Ryan Novel, 3]. (Berkley, 2007) ISBN 978-0451221759
Connor, Alexandra: The Rembrandt Secret. (London: Quercus Publishing, 2011) ISBN 978-1849163460
Connor, Alexandra: The Other Rembrandt. (New York: SilverOak, 2011)
Cullen, Lynn: I Am Rembrandt's Daughter. (New York: Bloomsbury, 2007)
De Vries, Theun: Rembrandt. (Amsterdam, 1931)
Devereux, Kim: Rembrandt's Mirror. (London: Atlantic Books, 2015)
Johnston, Michael: Rembrandt Sings: A Tale of Forgery, Deceit, Sex And, Quite Possibly, Murder. (United Kingdom: Akanos, 2012)
Kastner, Jörg: Het blauw van Rembrandt. (Uithoorn: Karakter Uitgevers B.V., 2019) ISBN 9789045215990 [in Dutch]
Katz, Monroe: Sparring with Rembrandt. (Silverado Books, 2010) ISBN 9780981742533
Koot, Raymond (a.k.a. Typex): Rembrandt. (London: SelfMadeHero, 2013)
Lermontov, Mikhail: To the Picture of Rembrandt (poem, 1830) [in Russian]
Matton, Sylvie: Moi, la Putain de Rembrandt. (Paris: Plon, 1998) [in French]
Matton, Sylvie: Ik, Hendrickje Stoffels: Het leven van de minnares van Rembrandt. [Vertaling: Nini Wielink]. (Amsterdam: Arena, 1999) [in Dutch]
Matton, Sylvie: Rembrandt's Whore. Translated from the French by Tamsin Black. (New York: Canongate, 2003)
McEntyre, Marilyn Chandler: Drawn to the Light: Poems on Rembrandt's Religious Paintings. (Grand rapids, Michigan: Wm.B. Eerdmans Publishing, 2004)
Miano, Sarah Emily: Van Rijn. (London: Picador, 2006)
Miano, Sarah Emily: Van Rijn. Biografische roman. [Vertaling: Sjaak de Jong & Marijke Versluys]. (Amsterdam: De Bezige Bij, 2006) [in Dutch]
Moore, Steven M.: Rembrandt's Angel. (Penmore Press, 2017) ISBN 978-1946409027
Padel, Ruth: Rembrandt Would Have Loved You [Chatto Poetry]. (London: Chatto & Windus, 1998) ISBN 0701167157
Schmitt, Gladys: Rembrandt. (New York: Random House, 1961)
Siegal, Nina: The Anatomy Lesson. (New York: Doubleday, 2014)
Silva, Daniel: The Rembrandt Affair. (New York, NY: Berkley Books, 2011) ISBN 978-0451233998
Ternar, Yeshim: Rembrandt's Model. (Montreal: Véhicule Press, 1998)
Warner, Francis: Rembrandt's Mirror [Oxford Theatre Texts, 14]. (Colin Smythe Limited, 2000) ISBN 9780861404322
Weiss, David: I, Rembrandt. (New York: St. Martin's Press, 1979)
Wharton, Edith: The Rembrandt, in Crucial Instances (short story collection, 1901)
Zuckmayer, Carl: Rembrandt. Ein Film. (Frankfurt am Main: Fischer Taschenbuch Verlag, 1980) [in German]

Films edit

The Stolen Rembrandt (1914 film directed by Leo D. Maloney and J.P. McGowan)
Die Tragödie eines Großen [The Tragedy of a Great Man] (1920 film directed by Arthur Günsburg)
The Missing Rembrandt (1932 film directed by Leslie S. Hiscott)
Rembrandt (1936 film directed by Alexander Korda)
Rembrandt (1940 film)
Rembrandt (1942 film directed by Hans Steinhoff)
Rembrandt in de schuilkelder [Rembrandt in the Bunker] (1941 film directed by Gerard Rutten)
Rembrandt, schilder van de mens [Rembrandt, Painter of Man] (1957 film directed by Bert Haanstra)
Rembrandt fecit 1669 (1977 film directed by Jos Stelling)
Rembrandt (1999 film directed by Charles Matton)
Rembrandt: Fathers & Sons (1999 film directed by David Devine)
Stealing Rembrandt (2003 film directed by Jannik Johansen and Anders Thomas Jensen)
Nightwatching (2007 film directed by Peter Greenaway)
Rembrandt en ik (2011 film directed by Marleen Gorris)

Documentaries edit

Rembrandt: A Self-Portrait (1954 documentary film by Morrie Roizman)
Rembrandt: The Public Eye and the Private Gaze (Simon Schama, BBC, 1992)
Simon Schama's Power of Art: Rembrandt (2006 BBC documentary film series by Simon Schama)
Rembrandt's J'Accuse (2008 documentary film by Peter Greenaway)
Schama on Rembrandt: Masterpieces of the Late Years (2014 documentary film by Simon Schama)
Rembrandt: From the National Gallery, London and Rijksmuseum, Amsterdam (2014 documentary film by Kat Mansoor)

Lectures and conferences edit

Rembrandt – Wissenschaft auf der Suche [Rembrandt – The Quest of Scholarship]. Beiträge des Internationalen Symposiums Berlin: 4. und 5. November 2006
Learning and Teaching with Rembrandt: Cross-Disciplinary Approaches to the Master Etcher [Symposium]. (Herbert F. Johnson Museum of Art, Cornell University, 28 October 2017)
Rembrandt et nous, André Malraux (Stockholm: National Museum of Stockholm, 1956) [in French]
Le visage dans l'œuvre gravé de Rembrandt, Claude-Jean Darmon, Académie des beaux-arts, conférence prononcée le 17 avril 2013 [in French]
Walter W. S. Cook Annual Lecture: Hercules Segers and Rembrandt, the Eccentric and the Traditionalist, Nadine Orenstein (New York University Institute of Fine Arts, 26 April 2017)

Visual arts edit

Rembrandtplein
Kantor, Tadeusz: Lekcja anatomii wedle Rembrandta [The Anatomy Lesson according to Rembrandt]. (Galerii Foksal, Warszawa, 1969)

References edit

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- Solman, Paul (21 June 2004). "Rembrandt's Journey". PBS.org. Retrieved 19 August 2019. Paul Solman (2004): "[Rembrandt] The most famous brand name in western art. In America alone it graces toothpaste, bracelet charms, restaurant and bars, counter-tops and of course the town of Rembrandt, Iowa just halfway around the world from the Rembrandt Hotel in Bangkok, Thailand. Funny thing is Rembrandt might have been quite pleased with such widespread notoriety."
- Crawford, Amy (12 December 2006). "An Interview with Stephanie Dickey, author of "Rembrandt at 400"". Smithsonian Magazine. Retrieved 19 August 2019. Rembrandt scholar Stephanie Dickey (2006): "One thing that really surprises me is the extent to which Rembrandt exists as a phenomenon in pop culture. You have this musical group call the Rembrandts, who wrote the theme song to Friends—"I'll Be There For You." There are Rembrandt restaurants, Rembrandt hotels, art supplies and other things that are more obvious. But then there's Rembrandt toothpaste. Why on Earth would somebody name a toothpaste after this artist who's known for his really dark tonalities? It doesn't make a lot of sense. But I think it's because his name has become synonymous with quality. It's even a verb—there's a term in underworld slang, 'to be Rembrandted,' which means to be framed for a crime. And people in the cinema world use it to mean pictorial effects that are overdone. He's just everywhere, and people who don't know anything, who wouldn't recognize a Rembrandt painting if they tripped over it, you say the name Rembrandt and they already know that this is a great artist. He's become a synonym for greatness."
- Valiunas, Algis (25 December 2006). "Looking at Rembrandt". The Weekly Standard. Retrieved 19 August 2019. Algis Valiunas (2006): "Alongside Leonardo and Michelangelo, Rembrandt is one of the three most famous artists ever, with whom the public is on a first-name basis; and the name Rembrandt has lent the cachet of greatness and the grace of familiarity to sell everything from kitchen countertops to whitening toothpaste to fancy hotels in Bangkok and Knightsbridge."
^
- Rodin, Auguste: Art: Conversations with Paul Gsell. Translated from the French by Jacques de Caso and Patricia B. Sanders. (Berkeley, CA: University of California Press, 1984), p. 85. Originally published as Auguste Rodin, L'Art: Entretiens réunis par Paul Gsell (Paris: Bernard Grasset, 1911). When a critic referred to Auguste Rodin's busts in the same vein as Rembrandt's portraits, the French sculptor responded: “Compare me with Rembrandt? What sacrilege! With Rembrandt, the colossus of Art! What are you thinking of, my friend! We should prostrate ourselves before Rembrandt and never compare anyone with him!” [Original in French: “Me comparer à Rembrandt, quel sacrilège! À Rembrandt, le colosse de l'Art! Y pensez-vous, mon ami! Rembrandt, prosternons-nous et ne mettons jamais personne à côté de lui!”]
- Golahny, Amy (2001), 'The Use and Misuse of Rembrandt: An Overview of Popular Reception,'. Dutch Crossing: Journal of Low Countries Studies 25(2): 305–322
- Cecil B. De Mille Foundation. "The Legacy of Cecil B. DeMille". Cecil B. De Mille Foundation (cecilbdemille.com). Retrieved 1 November 2018. In The Film Daily's biographical sketches of directors (July 1, 1928), DeMille was already being credited with "the first developments in lighting and photography." While shooting The Warrens of Virginia (1915), DeMille had experimented with lighting instruments borrowed from a Los Angeles opera house. When business partner Sam Goldwyn saw a scene in which only half an actor's face was illuminated, he feared the exhibitors would pay only half the price for the picture. DeMille remonstrated that it was Rembrandt lighting. "Sam's reply was jubilant with relief," recalled DeMille. "For Rembrandt lighting the exhibitors would pay double!"
- Rivette, Kevin G.; Kline, David: Rembrandts in the Attic: Unlocking the Hidden Value of Patents. (Boston: Harvard Business School Press, 1999)
- Sax, Joseph L.: Playing Darts with a Rembrandt: Public and Private Rights in Cultural Treasures. (Ann Arbor: University of Michigan Press, 1999) ISBN 0-472-11044-6
- Laszlo, Andrew; Quicke, Andrew: Every Frame a Rembrandt: Art and Practice of Cinematography. (Boston: Focal Press, 2000)
- Amore, Anthony; Mashberg, Tom: Stealing Rembrandts: The Untold Stories of Notorious Art Heists. (New York: Palgrave Macmillan, 2012) ISBN 9780230108530
- Bush, George W.: Portraits of Courage: A Commander in Chief's Tribute to America's Warriors. (New York: Crown Publishers, 2017) ISBN 9780804189767, p. 12. In George W. Bush's own words, "I told Laura and our artist friend Pam Nelson that I might like to take up painting. They were surprised – I had been an art-agnostic all my life. Laura said, “You ought to try it.” It seemed like she was slightly skeptical. Pam suggested I hire her friend Gail Norfleet, a notable and talented Dallas artist, as my instructor. Several days later, Gail came over to the house and asked me what my objectives were. “Gail, there's a Rembrandt trapped in this body,” I told her. “Your job is to liberate him.”"
^ ^a ^b Slive, Seymour: Rembrandt and his Critics, 1630–1730. (The Hague: Martinus Nijhoff, 1953)
^ ^a ^b Franits, Wayne (ed.): The Ashgate Research Companion to Dutch Art of the Seventeenth Century. (Burlington, VT: Ashgate, 2016)
^ Negri, Antonio: The Savage Anomaly: The Power of Spinoza's Metaphysics and Politics. (Minneapolis: University of Minnesota Press, 1991). Translated from the Italian by Michael Hardt. Originally published as L'anomalia selvaggia. Saggio su potere e potenza in Baruch Spinoza (Milano: Feltrinelli, 1981). Antonio Negri (1981): "Kolakowski, as we will see, has clearly depicted the religious life and the forms of community constructed by the cultured strata of the Dutch bourgeoisie. Spinoza lives in this world, with a vast network of simple and sociable friendships and correspondences. But for certain determinate strata of the bourgeoisie the sweetness of the cultured and sedate life is accompanied, without any contradiction, by an association with a capitalist power ('potestas'), expressed in very mature terms. This is the condition of a Dutch bourgeois man. We could say the same thing for the other genius of that age, Rembrandt van Rijn. On his canvases the power of light is concentrated with intensity on the figures of a bourgeois world in terrific expansion. It is a prosaic but very powerful society, which makes poetry without knowing it because it has the force to do so."
^ Nadler, Steven: Rembrandt's Jews. (Chicago: University of Chicago Press, 2003)
^ Schrader, Stephanie; et al. (eds.): Rembrandt and the Inspiration of India. (Los Angeles, CA: J. Paul Getty Museum, 2018)
^ Scallen, Catherine B. (2009), 'The Global Rembrandt,'. In: Crossing Cultures: Conflict, Migration and Convergence: The Proceedings of the 32nd International Congress in the History of Art, edited by Jaynie Anderson. (Carlton: Miegunyah Press, 2009), pp. 263–267
^ Chung, Jina: Rembrandt Redefined: Making the “Global Artist” in Seventeenth-Century Amsterdam. (MA thesis, University of Texas at Austin, 2011)
^ Dickey, Stephanie: Rembrandt and his Circle: Insights and Discoveries. (Amsterdam: Amsterdam University Press, 2017)
^ McQueen, Alison: The Rise of the Cult of Rembrandt: Reinventing an Old Master in Nineteenth-Century France. (Amsterdam: Amsterdam University Press, 2003)
^ Scallen, Catherine B.: Rembrandt, Reputation, and the Practice of Connoisseurship. (Amsterdam: Amsterdam University Press, 2004)
^ Royalton-Kisch, Martin (2012). "The Drawings of Rembrandt: a revision of Otto Benesch's catalogue raisonné". Retrieved 10 May 2021.

[1] 
Solman, Paul (21 June 2004). "Rembrandt's Journey". PBS.org. Retrieved 19 August 2019. Paul Solman (2004): "[Rembrandt] The most famous brand name in western art. In America alone it graces toothpaste, bracelet charms, restaurant and bars, counter-tops and of course the town of Rembrandt, Iowa just halfway around the world from the Rembrandt Hotel in Bangkok, Thailand. Funny thing is Rembrandt might have been quite pleased with such widespread notoriety."

Crawford, Amy (12 December 2006). "An Interview with Stephanie Dickey, author of "Rembrandt at 400"". Smithsonian Magazine. Retrieved 19 August 2019. Rembrandt scholar Stephanie Dickey (2006): "One thing that really surprises me is the extent to which Rembrandt exists as a phenomenon in pop culture. You have this musical group call the Rembrandts, who wrote the theme song to Friends—"I'll Be There For You." There are Rembrandt restaurants, Rembrandt hotels, art supplies and other things that are more obvious. But then there's Rembrandt toothpaste. Why on Earth would somebody name a toothpaste after this artist who's known for his really dark tonalities? It doesn't make a lot of sense. But I think it's because his name has become synonymous with quality. It's even a verb—there's a term in underworld slang, 'to be Rembrandted,' which means to be framed for a crime. And people in the cinema world use it to mean pictorial effects that are overdone. He's just everywhere, and people who don't know anything, who wouldn't recognize a Rembrandt painting if they tripped over it, you say the name Rembrandt and they already know that this is a great artist. He's become a synonym for greatness."

Valiunas, Algis (25 December 2006). "Looking at Rembrandt". The Weekly Standard. Retrieved 19 August 2019. Algis Valiunas (2006): "Alongside Leonardo and Michelangelo, Rembrandt is one of the three most famous artists ever, with whom the public is on a first-name basis; and the name Rembrandt has lent the cachet of greatness and the grace of familiarity to sell everything from kitchen countertops to whitening toothpaste to fancy hotels in Bangkok and Knightsbridge."

[2] Solman, Paul (21 June 2004). "Rembrandt's Journey". PBS.org. Retrieved 19 August 2019. Paul Solman (2004): "[Rembrandt] The most famous brand name in western art. In America alone it graces toothpaste, bracelet charms, restaurant and bars, counter-tops and of course the town of Rembrandt, Iowa just halfway around the world from the Rembrandt Hotel in Bangkok, Thailand. Funny thing is Rembrandt might have been quite pleased with such widespread notoriety."

[3] Crawford, Amy (12 December 2006). "An Interview with Stephanie Dickey, author of "Rembrandt at 400"". Smithsonian Magazine. Retrieved 19 August 2019. Rembrandt scholar Stephanie Dickey (2006): "One thing that really surprises me is the extent to which Rembrandt exists as a phenomenon in pop culture. You have this musical group call the Rembrandts, who wrote the theme song to Friends—"I'll Be There For You." There are Rembrandt restaurants, Rembrandt hotels, art supplies and other things that are more obvious. But then there's Rembrandt toothpaste. Why on Earth would somebody name a toothpaste after this artist who's known for his really dark tonalities? It doesn't make a lot of sense. But I think it's because his name has become synonymous with quality. It's even a verb—there's a term in underworld slang, 'to be Rembrandted,' which means to be framed for a crime. And people in the cinema world use it to mean pictorial effects that are overdone. He's just everywhere, and people who don't know anything, who wouldn't recognize a Rembrandt painting if they tripped over it, you say the name Rembrandt and they already know that this is a great artist. He's become a synonym for greatness."

[4] Valiunas, Algis (25 December 2006). "Looking at Rembrandt". The Weekly Standard. Retrieved 19 August 2019. Algis Valiunas (2006): "Alongside Leonardo and Michelangelo, Rembrandt is one of the three most famous artists ever, with whom the public is on a first-name basis; and the name Rembrandt has lent the cachet of greatness and the grace of familiarity to sell everything from kitchen countertops to whitening toothpaste to fancy hotels in Bangkok and Knightsbridge."

[2] 
Rodin, Auguste: Art: Conversations with Paul Gsell. Translated from the French by Jacques de Caso and Patricia B. Sanders. (Berkeley, CA: University of California Press, 1984), p. 85. Originally published as Auguste Rodin, L'Art: Entretiens réunis par Paul Gsell (Paris: Bernard Grasset, 1911). When a critic referred to Auguste Rodin's busts in the same vein as Rembrandt's portraits, the French sculptor responded: “Compare me with Rembrandt? What sacrilege! With Rembrandt, the colossus of Art! What are you thinking of, my friend! We should prostrate ourselves before Rembrandt and never compare anyone with him!” [Original in French: “Me comparer à Rembrandt, quel sacrilège! À Rembrandt, le colosse de l'Art! Y pensez-vous, mon ami! Rembrandt, prosternons-nous et ne mettons jamais personne à côté de lui!”]

Golahny, Amy (2001), 'The Use and Misuse of Rembrandt: An Overview of Popular Reception,'. Dutch Crossing: Journal of Low Countries Studies 25(2): 305–322

Cecil B. De Mille Foundation. "The Legacy of Cecil B. DeMille". Cecil B. De Mille Foundation (cecilbdemille.com). Retrieved 1 November 2018. In The Film Daily's biographical sketches of directors (July 1, 1928), DeMille was already being credited with "the first developments in lighting and photography." While shooting The Warrens of Virginia (1915), DeMille had experimented with lighting instruments borrowed from a Los Angeles opera house. When business partner Sam Goldwyn saw a scene in which only half an actor's face was illuminated, he feared the exhibitors would pay only half the price for the picture. DeMille remonstrated that it was Rembrandt lighting. "Sam's reply was jubilant with relief," recalled DeMille. "For Rembrandt lighting the exhibitors would pay double!"

Rivette, Kevin G.; Kline, David: Rembrandts in the Attic: Unlocking the Hidden Value of Patents. (Boston: Harvard Business School Press, 1999)

Sax, Joseph L.: Playing Darts with a Rembrandt: Public and Private Rights in Cultural Treasures. (Ann Arbor: University of Michigan Press, 1999) ISBN 0-472-11044-6

Laszlo, Andrew; Quicke, Andrew: Every Frame a Rembrandt: Art and Practice of Cinematography. (Boston: Focal Press, 2000)

Amore, Anthony; Mashberg, Tom: Stealing Rembrandts: The Untold Stories of Notorious Art Heists. (New York: Palgrave Macmillan, 2012) ISBN 9780230108530

Bush, George W.: Portraits of Courage: A Commander in Chief's Tribute to America's Warriors. (New York: Crown Publishers, 2017) ISBN 9780804189767, p. 12. In George W. Bush's own words, "I told Laura and our artist friend Pam Nelson that I might like to take up painting. They were surprised – I had been an art-agnostic all my life. Laura said, “You ought to try it.” It seemed like she was slightly skeptical. Pam suggested I hire her friend Gail Norfleet, a notable and talented Dallas artist, as my instructor. Several days later, Gail came over to the house and asked me what my objectives were. “Gail, there's a Rembrandt trapped in this body,” I told her. “Your job is to liberate him.”"

[6] Rodin, Auguste: Art: Conversations with Paul Gsell. Translated from the French by Jacques de Caso and Patricia B. Sanders. (Berkeley, CA: University of California Press, 1984), p. 85. Originally published as Auguste Rodin, L'Art: Entretiens réunis par Paul Gsell (Paris: Bernard Grasset, 1911). When a critic referred to Auguste Rodin's busts in the same vein as Rembrandt's portraits, the French sculptor responded: “Compare me with Rembrandt? What sacrilege! With Rembrandt, the colossus of Art! What are you thinking of, my friend! We should prostrate ourselves before Rembrandt and never compare anyone with him!” [Original in French: “Me comparer à Rembrandt, quel sacrilège! À Rembrandt, le colosse de l'Art! Y pensez-vous, mon ami! Rembrandt, prosternons-nous et ne mettons jamais personne à côté de lui!”]

[7] Golahny, Amy (2001), 'The Use and Misuse of Rembrandt: An Overview of Popular Reception,'. Dutch Crossing: Journal of Low Countries Studies 25(2): 305–322

[8] Cecil B. De Mille Foundation. "The Legacy of Cecil B. DeMille". Cecil B. De Mille Foundation (cecilbdemille.com). Retrieved 1 November 2018. In The Film Daily's biographical sketches of directors (July 1, 1928), DeMille was already being credited with "the first developments in lighting and photography." While shooting The Warrens of Virginia (1915), DeMille had experimented with lighting instruments borrowed from a Los Angeles opera house. When business partner Sam Goldwyn saw a scene in which only half an actor's face was illuminated, he feared the exhibitors would pay only half the price for the picture. DeMille remonstrated that it was Rembrandt lighting. "Sam's reply was jubilant with relief," recalled DeMille. "For Rembrandt lighting the exhibitors would pay double!"

[9] Rivette, Kevin G.; Kline, David: Rembrandts in the Attic: Unlocking the Hidden Value of Patents. (Boston: Harvard Business School Press, 1999)

[10] Sax, Joseph L.: Playing Darts with a Rembrandt: Public and Private Rights in Cultural Treasures. (Ann Arbor: University of Michigan Press, 1999) ISBN 0-472-11044-6

[11] Laszlo, Andrew; Quicke, Andrew: Every Frame a Rembrandt: Art and Practice of Cinematography. (Boston: Focal Press, 2000)

[12] Amore, Anthony; Mashberg, Tom: Stealing Rembrandts: The Untold Stories of Notorious Art Heists. (New York: Palgrave Macmillan, 2012) ISBN 9780230108530

[13] Bush, George W.: Portraits of Courage: A Commander in Chief's Tribute to America's Warriors. (New York: Crown Publishers, 2017) ISBN 9780804189767, p. 12. In George W. Bush's own words, "I told Laura and our artist friend Pam Nelson that I might like to take up painting. They were surprised – I had been an art-agnostic all my life. Laura said, “You ought to try it.” It seemed like she was slightly skeptical. Pam suggested I hire her friend Gail Norfleet, a notable and talented Dallas artist, as my instructor. Several days later, Gail came over to the house and asked me what my objectives were. “Gail, there's a Rembrandt trapped in this body,” I told her. “Your job is to liberate him.”"

[Slive-3] Slive, Seymour: Rembrandt and his Critics, 1630–1730. (The Hague: Martinus Nijhoff, 1953)

[FranitsAshgate2016-4] Franits, Wayne (ed.): The Ashgate Research Companion to Dutch Art of the Seventeenth Century. (Burlington, VT: Ashgate, 2016)

[5] Negri, Antonio: The Savage Anomaly: The Power of Spinoza's Metaphysics and Politics. (Minneapolis: University of Minnesota Press, 1991). Translated from the Italian by Michael Hardt. Originally published as L'anomalia selvaggia. Saggio su potere e potenza in Baruch Spinoza (Milano: Feltrinelli, 1981). Antonio Negri (1981): "Kolakowski, as we will see, has clearly depicted the religious life and the forms of community constructed by the cultured strata of the Dutch bourgeoisie. Spinoza lives in this world, with a vast network of simple and sociable friendships and correspondences. But for certain determinate strata of the bourgeoisie the sweetness of the cultured and sedate life is accompanied, without any contradiction, by an association with a capitalist power ('potestas'), expressed in very mature terms. This is the condition of a Dutch bourgeois man. We could say the same thing for the other genius of that age, Rembrandt van Rijn. On his canvases the power of light is concentrated with intensity on the figures of a bourgeois world in terrific expansion. It is a prosaic but very powerful society, which makes poetry without knowing it because it has the force to do so."

[6] Nadler, Steven: Rembrandt's Jews. (Chicago: University of Chicago Press, 2003)

[7] Schrader, Stephanie; et al. (eds.): Rembrandt and the Inspiration of India. (Los Angeles, CA: J. Paul Getty Museum, 2018)

[8] Scallen, Catherine B. (2009), 'The Global Rembrandt,'. In: Crossing Cultures: Conflict, Migration and Convergence: The Proceedings of the 32nd International Congress in the History of Art, edited by Jaynie Anderson. (Carlton: Miegunyah Press, 2009), pp. 263–267

[9] Chung, Jina: Rembrandt Redefined: Making the “Global Artist” in Seventeenth-Century Amsterdam. (MA thesis, University of Texas at Austin, 2011)

[10] Dickey, Stephanie: Rembrandt and his Circle: Insights and Discoveries. (Amsterdam: Amsterdam University Press, 2017)

[11] McQueen, Alison: The Rise of the Cult of Rembrandt: Reinventing an Old Master in Nineteenth-Century France. (Amsterdam: Amsterdam University Press, 2003)

[12] Scallen, Catherine B.: Rembrandt, Reputation, and the Practice of Connoisseurship. (Amsterdam: Amsterdam University Press, 2004)

[13] Royalton-Kisch, Martin (2012). "The Drawings of Rembrandt: a revision of Otto Benesch's catalogue raisonné". Retrieved 10 May 2021.

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