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List of concert arias, songs and canons by Wolfgang Amadeus Mozart

This is a list of concert arias, songs and canons by Wolfgang Amadeus Mozart.

Contents

Arias, canzonettas, cavatinasEdit

SopranoEdit

K1 K6 Composition, score and critical report (NMA) Librettist Date
 23   "Conservati fedele" (Score/Crit. report)
Aria for soprano and orchestra
Metastasio,
Artaserse I,1
 October 1765
 70 61c "A Berenice … Sol nascente" (Score/Crit. report)
Recitative and aria (Licenza) for soprano and orchestra
unknown  28 February 1767 or 1769
 77 73e "Misero me! … Misero pargoletto" (Score/Crit. report)
Recitative and aria for soprano and orchestra
Metastasio,
Demofoonte III, 4&5
 March 12, 1770
 78 73b "Per pietà, bell'idol mio" (Score/Crit. report)
Aria for soprano and orchestra
Metastasio,
Artaserse I,5
 1766, or Count Firmian's audition party, Milan, March 12, 1770
 79 73d "O temerario Arbace! … Per quel paterno amplesso" (Score/Crit. report)
Recitative and aria for soprano and orchestra
Metastasio,
Artaserse II,11
 1766, or Count Firmian's audition party, Milan, March 12, 1770
 deest   "Cara, se le mie pene" (Score/Crit. report)
Aria for soprano, 2 horns, violin, viola & bass
unknown  1769
 82 73o "Se ardire, e speranza" (Score/Crit. report)
Aria for soprano and orchestra
Metastasio  25 April 1770
 83 73p "Se tutti i mali miei" (Score/Crit. report)
Aria for soprano and orchestra
Metastasio  1770
 88 73c "Fra cento affanni e cento" (Score/Crit. report)
Aria for soprano and orchestra
Metastasio,
Artaserse I,2
 1770
 119 382h "Der Liebe himmlisches Gefühl" (Score/Crit. report)
Aria for soprano and orchestra (piano reduction)
This is possibly (Kunze) the aria for Gretl Marchard from K. deest
unknown  1782
 152 210a "Ridente la calma" (Score/Crit. report)
Aria (canzonetta) for voice and piano
arrangement of Josef Mysliveček's aria from Armida
Giovanni Ambrogio Migliavacca  between 1772 and 1775
 178 417e "Ah, spiegarti, oh Dio" (Score/Crit. report)
Aria for soprano and orchestra (piano reduction)
unknown  June 1783
 217   "Voi avete un cor fedele" (Score/Crit. report)
Aria for soprano and orchestra
Carlo Goldoni  26 October 1775
 272   "Ah, lo previdi! … Ah, t'invola … Deh, non varcar" (Score/Crit. report)
Recitative, aria and cavatina for soprano and orchestra
Vittorio Amedio Cigna-Santi  August 1777
 294   "Alcandro, Io confesso … Non sò d'onde viene" (Score/Crit. report)
Recitative and aria for soprano and orchestra
Metastasio
L'Olimpiade III,6
 24 February 1778
 316 300b "Popoli di Tessaglia! … Io non chiedo, eterni Dei" (Score/Crit. report)
Recitative and aria for soprano and orchestra
Ranieri de' Calzabigi  8 January 1779
 368   "Ma che vi fece, o stelle … Sperai vicino il lido" (Score/Crit. report)
Recitative and aria for soprano and orchestra
Metastasio  January 1781
 369   "Misera, dove son! … Ah! non son io che parlo" (Score/Crit. report)
Recitative and aria for soprano and orchestra
Metastasio  8 March 1781
 374   "A questo seno deh vieni … Or che il cielo a me ti rende" (Score/Crit. report)
Recitative and aria for soprano and orchestra
Giovanni de Gamerra  April 1781
 383   "Nehmt meinen Dank, ihr holden Gönner!" (Score/Crit. report)
Aria for soprano and orchestra
unknown  10 April 1782
 416   "Mia speranza adorata! … Ah, non sai qual pena" (Score/Crit. report)
Recitavo and aria (rondo) for soprano and orchestra
Gaetano Sertor  8 January 1783
 418   "Vorrei spiegarvi, oh Dio!" (Score/Crit. report)
Aria for soprano and orchestra
unknown  20 June 1783
 419   "No, che non sei capace" (Score/Crit. report)
Aria for soprano and orchestra
unknown  June 1783
 440 383h "In te spero, oh sposo amato" (Score/Crit. report)
Aria for soprano and orchestra (sketch)
Metastasio  February 1782
 486a 295a "Basta, vincesti … Ah, non lasciarmi, no" (Score/Crit. report)
Recitative and aria for soprano and orchestra
Metastasio  28 February 1778
 505   "Ch'io mi scordi di te? … Non temer, amato bene" (Score/Crit. report)
Recitative and aria (rondo) for soprano, piano obbligato and orchestra
unknown  26 December 1786
 528   "Bella mia fiamma, addio! ... Resta, oh cara!" (Score/Crit. report)
D. Michele Sarcone  3 November 1787
 538   "Ah se in ciel, benigne stelle"
Aria for soprano and orchestra
Metastasio  4 March 1788
 569   "Ohne Zwang aus eignem Triebe" (lost)
Aria for soprano
Michel-Jean Sedaine, Le roi et le fermier, tr. Johann Heinrich Faber[1]  January 1789
 577   "Al desio di chi t'adora" (Score)
Replacement aria for soprano and orchestra in The Marriage of Figaro
Lorenzo Da Ponte  1789
 578   "Alma grande e nobil core" (Score/Crit. report)
Aria for soprano and orchestra
Giuseppe Palomba  August 1789
 579   "Un moto di gioia mi sento" (Score)
Replacement aria for soprano and orchestra in The Marriage of Figaro
Lorenzo Da Ponte  1789
 580   "Schon lacht der holde Frühling" (Score/Crit. report)
Aria for soprano and orchestra
unknown  17 September 1789
 582   "Chi sà, chi sà, qual sia" (Score/Crit. report)
Aria for soprano and orchestra
Lorenzo Da Ponte  October 1789
 583   "Vado, ma dove? oh Dei!" (Score/Crit. report)
Aria for soprano and orchestra
Lorenzo Da Ponte  October 1789
   74b "Non curo l'affetto" (Score/Crit. report)
Aria for soprano and orchestra
Metastasio,
Demofoonte I,7
 early 1771

ContraltoEdit

K1 K6 Composition, score and critical report (NMA) Librettist Date
 255   "Ombra felice! … Io ti lascio" (Score/Crit. report)
Recitative and aria (rondo) for contralto and orchestra
Giovanni de Gamerra  September 1776

TenorEdit

K1 K6 Composition, score and critical report (NMA) Librettist Date
 21 19c "Va, dal furor portata" (Score/Crit. report)
Aria for tenor and orchestra
Metastasio  1765
 36 33i "Or che il dover – Tali e cotanti sono" (Score/Crit. report)
Recitative and aria for tenor and orchestra
unknown  December 1766
 71   "Ah, più tremar non voglio" (Score/Crit. report)
Aria for tenor and orchestra (fragment)
Metastasio  1769 or 1770
 209   "Si mostra la sorte" (Score/Crit. report)
Aria for tenor and orchestra
unknown  19 May 1775
 210   "Con ossequio, con rispetto" (Score/Crit. report)
Aria for tenor and orchestra
unknown  May 1775
 256   "Clarice cara mia sposa" (Score/Crit. report)
Aria for tenor and orchestra
unknown  September 1776
 295   "Se al labbro mio non credi" (Score/Crit. report)
Aria for tenor and orchestra
Antonio Salvi  28 February 1778
 420   "Per pietà, non ricercate" (Score/Crit. report)
Aria (rondo) for tenor and orchestra
unknown  21 June 1783
 431 425b "Misero! O sogno … Aura, che intorno spiri" (Score/Crit. report)
Recitative and aria for tenor and orchestra
unknown  December 1783
 435 416b "Müßt' ich auch durch tausend Drachen" (Score/Crit. report)
Aria for tenor and orchestra
unknown  1783

BassEdit

K1 K6 Composition, score and critical report (NMA) Librettist Date
   209a "Un dente guasto e gelato" (Score/Crit. report)
Aria for bass and orchestra
unknown  1775
 432 421a "Così dunque tradisci … Aspri rimorsi atroci" (Score/Crit. report)
Aria and recitative for bass and orchestra
Metastasio  1783
 433 416c "Männer suchen stets zu naschen" (Score/Crit. report)
Aria for bass and orchestra (sketch)
unknown  1783
 512   "Alcandro, Io confesso … Non sò d'onde viene" (Score/Crit. report)
Recitative and aria for bass and orchestra
Metastasio
Olimpiade III,6
 18 or 19 March 1787
 513   "Mentre ti lascio, oh figlia" (Score/Crit. report)
Aria for bass and orchestra
Duca Sant' Angioli-Morbilli  23 March 1787
 539   "Ich möchte wohl der Kaiser sein" (Score/Crit. report)
A German war song for bass and orchestra
Johann Wilhelm Ludwig Gleim  5 March 1788
 541   "Un bacio di mano" (Score/Crit. report)
Arietta for bass and orchestra
Lorenzo Da Ponte  June 1788
 612   "Per questa bella mano" (Score/Crit. report)
Aria for bass, contrabass obbligato, and orchestra
unknown  8 March 1791
 Anh. 245 621a "Io ti lascio, oh cara, addio" (Score/Crit. report)
Aria for bass and orchestra
unknown  1788

GroupEdit

K1 K6 Composition, score and critical report (NMA) Librettist Date
 20   "God is our refuge" (Score)
Choral for soprano, contralto, tenor, bass
Psalms 46:1  July 1765
 Anh. 024a 43a "Ach, was müssen wir erfahren!" (Score)
Duet for two sopranos (fragment)
unknown  15 October 1767
 346 439a "Luci care, luci belle" (Score)
Notturno (terzet) for two sopranos and bass
Angelo Lungi, La Pupilla  possibly 1783
 436   "Ecco quel fiero istante" (Score)
Notturno (terzet) for two sopranos and bass
Metastasio
(from La partenza)
 possibly 1783
 437   "Mi lagnerò tacendo" (Score)
Notturno (terzet) for two sopranos and bass
Metastasio
(from Siroe, II, 1)
 possibly 1783
 438   "Se lontan, ben mio, tu sei" (Score)
Notturno (terzet) for two sopranos and bass
Metastasio
(Strofe per musica)
 possibly 1783
 439   "Due pupille amabili" (Score)
Notturno (terzet) for two sopranos and bass
Giuseppe Petrosellini, L'incognita perseguitata  possibly 1783
 441   "Liebes Manndel, wo ist's Bandel?" (Score)
Terzet for soprano, tenor and bass
Vienna dialect  possibly 1783
 479   "Dite almeno, in che mancai" (Score/Crit. report)
Aria for soprano, tenor, 2 basses
unknown  5 November 1785
 480   "Mandina amabile" (Score/Crit. report)
Aria for soprano, tenor, bass, and orchestra
unknown  21 November 1785
 483   "Zerfließet heut', geliebte Brüder" (Score)
Song with 3-part male choir
Augustin Veith Edler von Schittlersberg  December 1785
 484   "Ihr unsre neuen Leiter" (Score)
Song with 3-part male choir
Augustin Veith Edler von Schittlersberg  December 1785
 434 480b "Del gran regno delle amazzone" (Score/Crit. report)
Aria for tenor, 2 basses, and orchestra
Giuseppe Petrosellini  end of 1785
 532   "Grazie agl'inganni tuoi" (Score)
Untexted sketch for a terzet for soprano, tenor and Bass
Metastasio  possibly 1787
 549   "Più non si trovano" (Score)
Canzonetta (terzet) for two sopranos and bass
Metastasio
(from Olimpiade, I, 7)
 16 July 1788
 Anh. 5 571a "Caro mio Druck und Schluck" (Score)
Quartet for soprano, two tenors and bass
Wolfgang Amadeus Mozart  beginning of 1789

SongsEdit

K1 K6 Composition, score and critical report (NMA) Librettist Date
 53 47e "An die Freude" (Score/Crit. report)
Freude, Königin der Weisen
Possibly (Einstein) the aria for the daughter of Joseph Wolf from K. deest
Johann Peter Uz (1720–1796)  November 1768
 147 125g "Wie unglücklich bin ich nit" (Score/Crit. report) unknown  1772
 148 125h "Lobgesang auf die feierliche Johannisloge" (Score/Crit. report)
O heiliges Band der Freundschaft treuer Brüder
Ludwig Friedrich Lenz (1717–1780)  1772
 307 284d "Oiseaux, si tous les ans" (Score/Crit. report) Antoine Houdart Ferrand (1678–1719)  30 October 1777
 308 295b "Dans un bois solitaire" (Score/Crit. report) Antoine Houdar de la Motte (1672–1731)  between 30 October 1777 and 13/14 March 1778
 343 336c "Zwei deutsche Kirchenlieder" (Score/Crit. report)
O Gotteslamm, Als aus Ägypten Israel
unknown  Spring 1787
 349 367a "Die Zufriedenheit" (Score/Crit. report)
Was frag' ich viel nach Geld und Gut
Johann Martin Miller (1750–1814)  between 8 November 1780 and mid-March 1781
 351 367b "Komm, liebe Zither, komm" (Score/Crit. report) unknown  between 8 November 1780 and mid-March 1781
 390 340c "Ich würd' auf meinem Pfad" (Score/Crit. report) Johann Timotheus Hermes (1738–1821)  between August 1781 and May 1782
 391 340b "Sei du mein Trost" (Score/Crit. report) Johann Timotheus Hermes (1738–1821)  between August 1781 and May 1782
 392 340a "Verdankt sei es dem Glanz der Großen" (Score/Crit. report) Johann Timotheus Hermes (1738–1821)  between August 1781 and May 1782
 Anh. 25 386d "Bardengesang auf Gibraltar" (Score/Crit. report)
O Calpe! Dir donnert's am Fusse (sketch)
Michael Denis (1729–1800)  end of December 1782
 468   "Lied zur Gesellenreise" (Score/Crit. report)
Die ihr einem neuen Grad
Joseph Franz von Ratschky (1757–1810)  26 March 1785
 472   "Der Zauberer" (Score/Crit. report)
Ihr Mädchen, flieht Damöten [Damoetas] ja!
Christian Felix Weiße (1726–1804)  7 May 1785
 473   "Die Zufriedenheit" (Score/Crit. report)
Wie sanft, wie ruhig
Christian Felix Weiße (1726–1804)  7 May 1785
 474   "Die betrogene Welt" (Score/Crit. report)
Der reiche Tor
Christian Felix Weiße (1726–1804)  7 May 1785
 476   "Das Veilchen" (Score/Crit. report)
Ein Veilchen auf der Wiese stand
Johann Wolfgang von Goethe  8 June 1785
 506   "Lied der Freiheit" (Score/Crit. report)
Wer unter eines Mädchens Hand
Aloys Blumauer (1755–1798)  end of 1785
 Anh. 26 475a "Einsam bin ich, meine Liebe" (Score/Crit. report)
fragment
Johann Martin Miller (1750–1814)[2]  possibly 1785
 517   "Die Alte" (Score/Crit. report)
Ein bißchen aus der Nase
Friedrich von Hagedorn (1708–1754)  18 May 1787
 518   "Die Verschweigung" (Score/Crit. report)
Sobald Damötas Chloen sieht
Christian Felix Weiße (1726–1804)  20 May 1787
 519   "Das Lied der Trennung" (Score/Crit. report)
Die Engel Gottes weinen
Klamer Eberhard Karl Schmidt (1746–1824)  23 May 1787
 520   "Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte" (Score/Crit. report)
Erzeugt von heißer Phantasie
Gabriele von Baumberg (1766–1839)  26 May 1787
 523   "Abendempfindung"[3] (Score/Crit. report)
Abend ist's, die Sonne ist verschwunden
unknown  24 June 1787
 524   "An Chloe" (Score/Crit. report)
Wenn die Lieb’ aus deinen blauen, hellen, offnen Augen sieht
Johann Georg Jacobi (1740–1814)  24 June 1787
 529   "Des kleinen Friedrichs Geburtstag" (Score/Crit. report)
Es war einmal, ihr Leute
Johann Eberhard Friedrich Schall (1742–1790),
last verse by Joachim Heinrich Campe (1746–1818)
 6 November 1787
 530   "Das Traumbild" (Score/Crit. report)
Wo bist du, Bild
Ludwig Christoph Heinrich Hölty (1748–1776)  6 November 1787
 531   "Die kleine Spinnerin" (Score/Crit. report)
Was spinnst du?
unknown  11 December 1787
 552   "Lied beim Auszug in das Feld" (Score/Crit. report)
Dem hohen Kaiserworte treu
unknown  11 August 1788
 596   "Sehnsucht nach dem Frühling" (Score/Crit. report)
Komm, lieber Mai, und mache
Christian Adolph Overbeck (1755–1821)  14 January 1791
 597   "Der Frühling" (Score/Crit. report)
Erwacht zum neuen Leben
Christoph Christian Sturm (1740–1786)  14 January 1791
 598   "Das Kinderspiel" (Score/Crit. report)
Wir Kinder, wir schmecken der Freuden recht viel!
Christian Adolph Overbeck (1755–1821)  14 January 1791

CanonsEdit

K1 K6 Composition, score and critical report (NMA) Librettist Date
 89 73k "Kyrie in G" (Score)
Kyrie a cinque con diversi canoni
liturgical text  May 1770
 89a II 73r "Four Riddle Canons" (Score)
Sit trium series una: Incipe Menalios for 3 voices;
Ter ternis canite vocibus: Cantate Domino for 9 voices;
Canon ad duodecimam: Confitebor tibi Domine for 3 voices;
Canon. Ter voce ciemus: Thebana bella for 6 voices
unknown  Summer 1770
 89a 73i "Canon for 4 instruments" (Score)  April 1770
 228 515b "Ach! zu kurz" (Score)
Double canon for 4 voices
unknown  before 24 June 1787
 229 382a "Sie ist dahin" (Score)
Canon for 3 voices
Ludwig Heinrich Christoph Hölty (1748–1776)  1782
 230 382b "Selig, selig" (Score)
Canon for 2 voices
Ludwig Heinrich Christoph Hölty (1748–1776)  1782
 231 382c "Leck mich im Arsch" / "Lasst uns froh sein") (Score)
Canon for 6 voices
probably WA Mozart himself  1782
 232 509a "Lieber Freistädtler, lieber Gaulimauli" (Score)
Canon for 4 voices
probably WA Mozart himself  after 4 June 1787
 233 382d "Leck mir den Arsch fein recht schön sauber" (Score)
/ "Nichts labt mich mehr als Wein" – Canon for 3 voices
probably WA Mozart himself  1782
 234 382e "Bei der Hitz im Sommer eß ich" (Score)
/ "Essen, Trinken" – Canon for 3 voices
probably WA Mozart himself  1782
 347 382f "Wo der perlende Wein im Glase blinkt" (Score)
Canon for 6 voices
unknown  1782
 348 382g "V'amo di core" (Score)
Quadruple canon for 12 voices (3 choirs)
unknown  1782
 deest   1. "Canon for 6" (sketch) (Score)  1781/82 or later
 deest   2. "Canon for 4" (sketch) (Score)  1781/82 or later
 deest   3. "Canon for 4" (sketch) (Score)  1781/82 or later
 deest   4. "Canon for 4" (sketch) (Score)  end of 1785/1786
 507   "Heiterkeit und leichtes Blut" (Score)
Canon for 3 voices
 after 3 June 1786
 508   "Auf das Wohl aller Freunde" (Score)
Canon for 3 voices (sopranos)
unknown  after 3 June 1786
   508a 2 canons for 3 sopranos / 14 Interval canons (Score)
Canons for various voices (sketches)
 after 3 June 1786
 deest   6. "Canon for 3" (sketch) (Score)  after 3 June 1786
 deest   7. "Canon for 2" (sketch) (Score)  after 3 June 1786
 deest   "Canon for 4" (Score)  Summer 1786
 553   "Alleluia" (Score)
Canon for 4 voices
liturgical text  2 September 1788
 554   "Ave Maria" (Score)
Canon for 3 voices
liturgical text  2 September 1788
 555   "Lacrimoso son'io" (Score)
Canon for 4 voices
liturgical text  2 September 1788
 556   "Grechtelt's enk" (Score)
Canon for 4 voices
unknown  2 September 1788
 557   "Nascoso è il mio sol" (Score)
Canon for 4 voices
unknown  2 September 1788
 558   "Gehn wir im Prater, gehn wir in d'Hetz" (Score)
Canon for 4 voices
unknown  2 September 1788
 559   "Difficile lectu mihi mars" (Score)
Canon for 3 voices
probably WA Mozart himself  2 September 1788
 560a 559a "O du eselhafter Peierl" (Score)
Canon for 3 voices
probably WA Mozart himself  between 1785 and 1787
 560b 560 "O du eselhafter Martin (Jakob)" (Score)
Canon for 4 voices
probably WA Mozart himself  2 September 1788
 deest   9. "Canon for 4" (sketch) (Score)  1787 or 1788
 deest   10. "Canon for 4" (sketch) (Score)  1787 or 1788
 deest   11. "Canon for 4" (sketch) (Score)  1787 or 1788
 561   "Bona nox! bist a rechta Ox" (Score)
Canon for 4 voices
WA Mozart  2 September 1788
 562   "Caro bell' idol mio" (Score)
Canon for 4 voices
unknown  2 September 1788
   562a "Canon for 4" (Score)  unknown
   562c "Canon for 4 Instruments" (Score)
Canon for 2 violins, viola, bass
 unknown
   616b "Canonical Study for 4" (Score)  Summer 1787

See alsoEdit

ReferencesEdit

  1. ^ Dexter Edge, "Mozart's Reception in Vienna, 1787–91" pp. 66–117 in Wolfgang Amadè Mozart: Essays on His Life and Music, ed. Stanley Sadie, Oxford University Press, 1996. p. 86, note 65; ISBN 978-0-19-816443-2
  2. ^ Miller, Johann Martin (1783). Gedichte. Ulm: Johann Konrad Wohler. p. 190. 
  3. ^ http://www.bl.uk/eblj/2006articles/pdf/article9.pdf