Lennart Nilsson (24 August 1922 – 28 January 2017) was a Swedish photographer and scientist. He was noted for his photographs of human embryos and other medical subjects once considered unphotographable, and more generally for his extreme macro photography. He was also considered to be among Sweden’s first modern photojournalists.
Lennart Nilsson in Stockholm, March 2014
Lars Olof Lennart Nilsson
24 August 1922
|Died||28 January 2017(aged 94)|
|The Saga of Life (1982) The Miracle of Life (1983)|
|Movement||Life, Illustrated, Picture Post|
|Awards||Picture of the Year, National Press Photographers Association (1965). Photographer of the Year (1965). The Swedish Academy Nordic Authors’ Prize. The first Hasselblad Foundation International Award in Photography (in 1980). The Royal Swedish Academy of Engineering Sciences’ Big Gold Medal in 1989. ICP The Infinity Awards, Master of Photography (1992). Royal Photographic Society's Progress Medal (1993). World Press Photo, Science & Technology stories (1996). The 12th presentation of the Swedish government’s Illis Quorum (2002). Emmy awards in 1982 and 1996. Among others.|
Lennart Nilsson was born in Strängnäs, Sweden. His father and uncle were both photographers. His father gave him his first camera at age twelve. When he was around fifteen, he saw a documentary about Louis Pasteur that made him interested in microscopy. Within a few years, Nilsson had acquired a microscope and was making microphotographs of insects.
He began his professional career in the mid-1940s as a freelance photographer, working frequently for the publisher Åhlen & Åkerlund of Stockholm. One of his earliest assignments was covering the liberation of Norway in 1945 during World War II. Some of his early photo essays, notably A Midwife in Lapland (1945), Polar Bear Hunting in Spitzbergen (1947), and Fishermen at the Congo River (1948), brought him international attention after publication in Life, Illustrated, Picture Post, and elsewhere.
In 1954, eighty-seven of his portraits of famous Swedes were published in the book Sweden in Profile. His 1955 book, Reportage, featured a selection of his early work. In 1963 his photoessay about the Swedish Salvation Army appeared in several magazines and in his book Hallelujah.
In the mid-1950s he began experimenting with new photographic techniques to make extreme close-up photographs. These advances, combined with very thin endoscopes that became available in the mid-1960s, enabled him to make groundbreaking photographs of living human blood vessels and body cavities. He achieved international fame in 1965, when his photographs of the beginning of human life appeared on the cover and on sixteen pages of Life magazine. They were also published in Stern, Paris Match, The Sunday Times, and elsewhere. The photographs made up a part of the book A Child is Born (1965); images from the book were reproduced in the April 30, 1965 edition of Life, which sold eight million copies in the first four days after publication. Some of the photographs from it were later included on both Voyager spacecraft.
In an interview published by PBS, Nilsson explained how he obtained photographs of living fetuses during medical procedures including laparoscopy and amniocentesis and discussed how he was able to light the inside of the mother's womb. Describing a shoot that took place during a surgical procedure in Göteborg, he stated, "The fetus was moving, not really sucking its thumb, but it was moving and you could see everything—heartbeats and umbilical cord and so on. It was extremely beautiful, really beautiful!" Nilsson also acknowledged obtaining human embryos from women's clinics in Sweden. The University of Cambridge claims that "Nilsson actually photographed abortus material... working with dead embryos allowed Nilsson to experiment with lighting, background and positions, such as placing the thumb into the fetus’ mouth. But the origin of the pictures was rarely mentioned, even by anti abortion activists, who in the 1970s appropriated these icons."  However, Nilsson himself has offered additional explanations for the sources of his photographs in other interviews, stating that he at times used embryos that had been miscarried due to extra-uterine or ectopic pregnancies.
In 1969 he began using a scanning electron microscope on a Life assignment to depict the body’s functions. He is generally credited with taking the first images of the human immunodeficiency virus, and in 2003, he took the first image of the SARS virus.
Around 1970 he joined the staff of the Karolinska Institutet. Nilsson was also involved in the creation of documentaries, including: The Saga of Life (1982); The Miracle of Life (1982); Odossey of Life (1996) and Life's Greatest Mericle (2001).
Nilsson died on 28 January 2017.
Awards and honorsEdit
Nilsson became a member of the Swedish Society of Medicine in 1969, received an honorary doctorate in medicine from Karolinska Institute in 1976, an Honorary Doctor of Philosophy from the Technische Universität Braunschweig in Germany in 2002, and an Honorary Doctor of Philosophy from Linköping University in Sweden in 2003. He won the Swedish Academy Nordic Authors' Prize, the first Hasselblad Foundation International Award in Photography (in 1980), the Royal Swedish Academy of Engineering Sciences' Big Gold Medal in 1989, and in 2002 received the 12th presentation of the Swedish government's Illis Quorum. His documentaries won Emmy awards in 1983 and 1996. He was award the Royal Photographic Society's Progress medal in 1993 'in recognition of any invention, research, publication or other contribution which has resulted in an important advance in the scientific or technological development of photography.'
Since 1998, the Lennart Nilsson Award has been presented annually during the Karolinska Institute's installation ceremony. It is given in recognition of extraordinary photography of science and is sponsored by the Lennart Nilsson Foundation.
- 1959 Myror (Ants)
- 1959 Liv i hav (Life in the Ocean)
- 1963 Halleluja, en bok om frälsningsarmén (Hallelujah, a book about the Salvation Army)
- 1965, 1976, 1990, 2003 Ett barn blir till (A Child is Born)
- 1973 Se människan (Behold Man)
- 1975 Så blev du till (How You were Made)
- 1982 Vårt inre i närbild (Abbreviated version of Behold Man)
- 1984 Nära naturen. En upptäcktsfärd i naturens mikrokosmos (Close to Nature: An Exploration in Nature's Microcosm)
- 1986 I mammas mage (Being Born)
- 1993 Vi ska få ett syskon (We are Getting a Sibling)
- 2002 Hans livs bilder (Images of His Life)
- 2006 Life
- "Världsberömde fotografen Lennart Nilsson död".
- Khaleeli, Homa (1 October 2009). "The story of life". The Guardian. ISSN 0261-3077. Retrieved 2019-11-18 – via www.theguardian.com.
- Jansen, Charlotte (18 November 2019). "Foetus 18 Weeks: the greatest photograph of the 20th century?". The Guardian. ISSN 0261-3077. Retrieved 2019-11-18 – via www.theguardian.com.
- "See the First Photo That Let People See Life Before Birth". 100 Photographs: The Most Influential Images of All Time. Retrieved 2019-11-18.
- Goldscheider, Eric (10 August 2003). "Fetal positions". Boston Globe. Retrieved 2 October 2009.
- "NOVA Online/Odyssey of Life/Behind the Lens: Interview with Lennart Nilsson". www.pbs.org. Retrieved 2017-02-07.
- As documented in Making Visible Embryos: http://www.hps.cam.ac.uk/visibleembryos/s7_4.html
- Roberts, Sam (1 February 2017). "Lennart Nilsson, Photographer Who Unveiled the Invisible, Dies at 94". The New York Times. ISSN 0362-4331. Retrieved 2019-11-18 – via NYTimes.com.
- http://www.rps.org/about/awards/history-and-recipients/progress-medal Accessed 30 January 2017.