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Ladyhawke is a 1985 American medieval fantasy film directed and produced by Richard Donner and starring Matthew Broderick, Rutger Hauer, and Michelle Pfeiffer. The story is about a young thief who unwillingly gets involved with a warrior and his lady that are hunted by the Bishop of Aquila. As he comes to know about the couple's past and secret, he finds himself determined to help them overcome the Bishop's oppressions, both in arms and in the form of a demonic curse.

Ladyhawke ver1.jpg
Theatrical release poster
Directed byRichard Donner
Produced by
Screenplay by
Story byEdward Khmara
Music byAndrew Powell
CinematographyVittorio Storaro
Edited byStuart Baird
Distributed byWarner Bros.
(North America)
20th Century Fox
Release date
April 12, 1985
Running time
121 minutes
CountryUnited States
Budget$20 million
Box office$18.4 million



In medieval Europe, Phillipe Gaston, a thief known as “The Mouse”, escapes from the Bishop of Aquila’s dungeons right before execution. He is recaptured at an inn by the Bishop’s guards, led by Captain Marquet. However, the former captain, Etienne Navarre, shows up and defeats Marquet and the guards. He rides off with Phillipe while his hawk scatters other guards along the way.

That evening, Phillipe narrowly escapes from a farmer’s sneak attack when an enormous black wolf emerges and kills the farmer. A mysterious young woman appears and accompanies the wolf.

Navarre reveals his intention to kill the Bishop and asks Phillipe to help him get inside Aquila. The unwilling Phillipe gets tied up that night, but escapes by tricking the mysterious woman. However, he is soon recaptured by the Bishop’s guards.

At an ambush from the Bishop’s guards, Navarre and his hawk are each hit by a crossbow bolt, yet he manages to defeat them and saves Phillipe. The wounded Navarre makes Phillipe take the dying hawk and ride his horse to Imperius’s ruined castle for help. The hawk is sequestered in a room, but a curious Phillipe picks the lock and finds the mysterious woman inside, her chest also struck with a bolt. After tending to her wound, Imperius explains that she is Isabeau of Anjou. She and Navarre were cursed by the Bishop because she refused the Bishop’s love, and their secret vows were leaked to the Bishop by Imperius in a drunken confession. The demonic curse turns Isabeau into a hawk by day and Navarre a wolf by night so that despite being always together, they are eternally apart.

When Navarre catches up in the morning, Imperius tells him that the curse can be broken if both Navarre and Isabeau face the Bishop in the flesh on “a day without a night and a night without a day”. Navarre dismisses Imperius as an old drunk, and continues his way to Aquila intent on simply killing the Bishop. Phillipe decides to leave with Navarre and “Ladyhawke”.

After Isabeau’s perilous encounter with Cezar the wolf trapper, and Phillipe saving the transformed Navarre-wolf from certain death for falling through brittle ice, Phillipe succeeds in persuading the couple to break the curse. At night, Imperius and Isabeau smuggle the Navarre-wolf into Aquila while Phillipe dives into the sewers to get inside the cathedral.

Unable to see any divine sign on the day that he and Isabeau are to appear in the flesh together, Navarre reverts to his original plan to kill the Bishop. And he convinces Imperius to euthanize the hawk in case the cathedral bells ring, which would mean he has failed.

Phillipe infiltrates the cathedral and unlocks the doors. Navarre rides in and duels with Marquet. Amid the bout, Navarre sees a solar eclipse through a high window and realizes the curse really can be broken. He tries to get back to Imperius but fails to keep the guards from ringing the bell. Despairing that Imperius has killed Isabeau, he continues his fight and eventually kills Marquet.

As Navarre is about to kill the Bishop, Isabeau enters the cathedral and stops him. Together they face the Bishop and break the curse. The maddened Bishop tries to kill Isabeau, only to die by Navarre’s sword instead. Isabeau and Navarre finally embrace each other in joy.



Richard Donner had attempted to get the film financed for a number of years and came close to making it twice, once in England and once in Czechoslovakia. He eventually got the project up at Warners and Fox, where it was green-lit by Alan Ladd Jr. Originally, Kurt Russell was cast as the male lead alongside Michelle Pfeiffer. The role of the pickpocket was offered to Sean Penn and then Dustin Hoffman, before Donner decided to go with Matthew Broderick. Eventually, Russell pulled out during rehearsals, and Rutger Hauer was chosen to replace him.[1]


Professional ratings
Review scores
Allmusic      link

The film's score was composed by Andrew Powell and produced by Alan Parsons. Richard Donner stated that he was listening to The Alan Parsons Project (on which Powell collaborated) while scouting for locations, and became unable to separate his visual ideas from the music. Powell combined traditional orchestral music and Gregorian chants with contemporary progressive rock-infused material. It has been cited[who?] as the most memorable example of the growing trend among 1980s fantasy films of abandoning the lush orchestral scores of composers such as John Williams and James Horner in favor of a modern pop/rock sound.[2] The soundtrack album was released in 1985 and re-released with additional tracks in 1995. On February 10, 2015 a 2-disc set was released from La-La Land Records; it includes previously unreleased music and bonus tracks, and is limited to 3,000 units.[3]

Critical receptionEdit

Ladyhawke has a rating of 64% on Rotten Tomatoes, based on 22 critics' reviews.[4]

Vincent Canby in The New York Times called the film "divided against itself," and went on to say that "scenes of high adventure or of visual splendor... are spliced between other scenes with dialogue of a banality that recalls the famous Tony Curtis line, 'Yondah lies my faddah's castle.'"[5] Time Out called it "all rather facile sword-and-sorcery stuff, of course, but at times very funny... and always beautifully photographed."[6] Variety described the film as a "very likeable, very well-made fairytale... worthwhile for its extremely authentic look alone."[7]

The New York Times singled out Matthew Broderick's skill in coming "very close to transforming contemporary wisecracks – particularly, his asides to God – into a more ageless kind of comedy," and said of Michelle Pfeiffer that her "presence, both ethereal and erotic, is so vivid that even when she's represented as a hawk, she still seems to be on the screen."[5] Variety praised the casting of the lead actors, considering Pfeiffer "perfect as the enchanting beauty."[7] Time Out called Rutger Hauer "camp" and Pfeiffer "decorative."[6]

Awards and nominationsEdit

Ladyhawke was nominated for two Academy Awards, in the categories of Best Sound Editing (Robert G. Henderson) and Best Sound (Les Fresholtz, Dick Alexander, Vern Poore and Bud Alper), winning neither.[8] It won a Saturn Award for Best Fantasy Film, and was nominated in the categories of Best Actress (Michelle Pfeiffer) and Best Music (Andrew Powell).[9]

See alsoEdit


  1. ^ Tom Mankiewicz, My Life as a Mankiewicz p 260-265
  2. ^ "Ladyhawke - Soundtrack".
  3. ^ "film music - movie music- film score - Ladyhawke - Andrew Powell - Limited Edition". Retrieved 8 October 2017.
  4. ^ "Ladyhawke (1985)". Rotten Tomatoes.
  5. ^ a b Vincent Canby (April 12, 1985). "FILM: 'LADYHAWKE,' A MEDIEVAL TALE".
  6. ^ a b DPe. "Ladyhawke (1985), Review by Time Out". Archived from the original on 2008-02-01.
  7. ^ a b Variety Staff (December 31, 1984). "Ladyhawke".
  8. ^ "The 58th Academy Awards (1986) Nominees and Winners". Retrieved 2011-10-16.
  9. ^ "Ladyhawke - Awards".

External linksEdit