The Kunstkamera (Russian: Кунсткамера) or Kunstkammer (German for "Culture Room" (literally) or "Art Chamber", typically used for a "cabinet of curiosities") is a public museum located on the Universitetskaya Embankment in Saint Petersburg, facing the Winter Palace. Its collection was first opened to the public at the Summer Palace by Peter the Great in 1714, making it Russia's first museum. Enlarged by purchases from the Dutch collectors Albertus Seba and Frederik Ruysch, the museum was moved to its present location in 1727. Having expanded to nearly 2,000,000 items, it is formally organized as the Russian Academy of Science's Peter the Great Museum of Anthropology and Ethnography (Russian: Музей антропологии и этнографии имени Петра Великого Российской академии наук, Muzey antropologii i etnografii imeni Petra Velikogo Rossiyskoy akademii nauk), abbreviated in Russian as the МАЭ or МАЭ РАН.

View of the Kunstkamera across the Neva

HistoryEdit

 
Kunstkamera in 1740

As part of Peter the Great's establishment of St Petersburg as the new Russian capital, he established an imperial cabinet of curiosities dedicated to preserving "natural and human curiosities and rarities" in the manner of some of the other European courts since the 16th century. Such cabinets allowed rulers and the elite to acquire a fuller knowledge of the world and to demonstrate their control over it. Peter's personal collection was first exhibited to the public at the Summer Palace in 1714, which is used by the present museum as its founding date. Peter's main interest was in natural things (naturalia) rather than manmade ones (artificialia). A major component of the original collection was a large assortment of human and animal fetuses with various birth defects, many of which Peter had acquired in 1697 from Frederick Ruysch and Levinus Vincent. Peter encouraged research into deformities, particularly in order to debunk superstitious fear of monsters. In particular, he issued an ukase ordering malformed stillborn infants to be sent from anywhere in Russia to the imperial collection. He subsequently had them put on show in the Kunstkamera as examples of accidents of nature.[1] In 1716, he established a mineral cabinet for the Kunstkamera from a collection of 1195 samples which he had bought from the Danzig doctor Gottwald. He then expanded it with other curious or representative minerals from around Russia. (This collection was later separated to create what became the Fersman Mineralogical Museum, now in Moscow.)

The present Kunstkamera is a turreted Petrine Baroque building designed by Prussian architect Georg Johann Mattarnovy. Its foundation stone was laid in 1719 and it was fully completed in 1727. A separate building had become necessary after the purchase of large collections from the Dutch pharmacologist Albertus Seba in 1716 and the Dutch anatomist Frederik Ruysch in 1717. Examination and organization of these collections also spurred the creation of the Russian Academy of Sciences. A third acquisition came from Jacob de Wilde, a collector of gems and scientific instruments. These purchases were largely organized by Robert Erskine, Peter's chief physician, and his secretary Johann Daniel Schumacher.[2]

Museum of Anthropology and EthnographyEdit

In the 1830s, the Kunstkamera collections were dispersed to newly established imperial museums, the most important being the Peter the Great Museum of Anthropology and Ethnography, established in 1879. It has a collection approaching 2,000,000 items and has been known as the Peter the Great Museum since 1903 in order to distinguish it from the Russian Museum of Ethnography.

Originally, there were separate museums for anthropology and ethnography, but on 5 December 1878 it was decided to merge them into a single museum with Leopold Schrenk being appointed on 10 November 1879. It was not until 1887 that the museum was finally provided with its own exhibition premises attached to Kunstkamera in Tamozhennyi pereulok. On 23 September 1889, the first exhibition of the unified Museum was opened.

One of the most gruesome exhibits is the head of Willem Mons, brother of Anna Mons. In 1747 some objects were lost in a fire. The museum houses 78 watercolours by the Peruvian artist Pancho Fierro, the largest collection outside Peru. These were brought back by Schrenk following his visit there in 1854.

List of directorsEdit

See alsoEdit

NotesEdit

  1. ^ Driessen-Van het Reve, J.J. (2006) De Kunstkamera van Peter de Grote. De Hollandse inbreng, gereconstrueerd uit brieven van Albert Seba en Johann Daniel Schumacher uit de jaren 1711–1752. English summary, pp. 335–336.
  2. ^ Driessen-Van het Reve, J.J. (2006) De Kunstkamera van Peter de Grote. De Hollandse inbreng, gereconstrueerd uit brieven van Albert Seba en Johann Daniel Schumacher uit de jaren 1711–1752. English summary, pp. 337–338.
  3. ^ Kunstkamera

BibliographyEdit

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Coordinates: 59°56′30″N 30°18′16″E / 59.94167°N 30.30444°E / 59.94167; 30.30444