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Karen Morley (born Mildred Linton, December 12, 1909 – March 8, 2003[1]) was an American film actress.

Karen Morley
Karen Morley 2.jpg
Promotional photograph of Karen Morley in 1930s
Born
Mildred Linton

(1909-12-12)December 12, 1909
Ottumwa, Iowa, U.S.
DiedMarch 8, 2003(2003-03-08) (aged 93)
Woodland Hills, Los Angeles, California, U.S.
Alma materUCLA
OccupationActress
Years active1929–1975
Spouse(s)
Charles Vidor
(m. 1932; div. 1943)

Lloyd Gough
(m. 1943; died 1984)
Children2

Life and careerEdit

Born in Ottumwa, Iowa,[1] Morley lived there until she was 13 years old. When she moved to Hollywood, she attended Hollywood High School[2] and later graduated from UCLA.[citation needed]

After working at the Pasadena Playhouse,[2] she came to the attention of the director Clarence Brown, at a time when he had been looking for an actress to stand-in for Greta Garbo in screen tests. This led to a contract with Metro-Goldwyn-Mayer and roles in films such as Mata Hari (1931), Scarface (1932), The Phantom of Crestwood (1932), The Mask of Fu Manchu (1932), Arsene Lupin (1933), Gabriel Over the White House (1933), and Dinner at Eight (1933).

In 1934, Morley left MGM after arguments about her roles and her private life.[citation needed] Her first film after leaving the studio was Our Daily Bread (1934), directed by King Vidor. She continued to work as a freelance performer and appeared in Michael Curtiz's Black Fury, and The Littlest Rebel with Shirley Temple. Without the support of a studio, her roles became less frequent; however, she did play Mr. Collins' wife Charlotte Lucas in Pride and Prejudice (1940), which was produced by MGM. The film was critically well-received, but it did not advance her career; as a result, Morley turned her attention to stage plays.

In the early 1940s, she appeared in several plays on Broadway, including the role aas Gerda in the original production of The Walrus and The Carpenter.

Her career came to an end in 1947 when she testified before the House Un-American Activities Committee and refused to answer questions about her alleged American Communist Party membership. She maintained her political activism for the rest of her life. In 1954, she ran unsuccessfully for lieutenant governor of New York on the American Labor Party ticket.[1]

After being blacklisted in Hollywood by the studio bosses, she never rebuilt her acting career.

In the early 1970s, Karen Morley briefly resumed her acting career with guest roles in television series such as Kojak, Kung Fu, and Police Woman.

In 1993, she appeared in The Great Depression, a documentary TV series produced by Henry Hampton's Blackside Productions in association with BBC2 and WGBH. In the series, she talked about how helpless she felt as a privileged Hollywood actress in the face of all the poverty and suffering that surrounded her. She also spoke of her experience making Our Daily Bread and working for King Vidor, whom she described as a conservative who thought that people willingly should help each other without government interference.

In December 1999, at the age of 90, she appeared in Vanity Fair in an article about blacklist survivors, and she was honored at the San Francisco FIlm Festival.[3]

Personal lifeEdit

Morley was married to director Charles Vidor from 1932 until 1943.[1] They met on the set of Man About Town, in which Morley played the female lead, and Vidor was co-director. Vidor and Morley had a son, Michael Karoly, who was born in August 1933. Morley and Vidor were divorced in 1943. Later this year, she married the actor Lloyd Gough. They had one child together. They were married until Gough's death in 1984.[citation needed]

DeathEdit

Morley lived in Santa Monica, California during her later years. She died of pneumonia at the age of 93 in Woodland Hills, California, and was survived by two grandsons, a great-grandson, and a great-granddaughter.[3]

Partial filmographyEdit

ReferencesEdit

  1. ^ a b c d Lentz, Harris M., III (2004). Obituaries in the Performing Arts, 2003: Film, Television, Radio, Theatre, Dance, Music, Cartoons and Pop Culture. McFarland. p. 280. ISBN 9780786452088. Retrieved July 25, 2018.
  2. ^ a b Scheuer, Philip K. (December 11, 1932). "Karen Morley's Honesty Makes Her 'Black Sheep'". The Los Angeles Times. California, Los Angeles. p. 48. Retrieved July 25, 2018 – via Newspapers.com.  
  3. ^ a b Bergan, Ronald (April 21, 2003). "Obituary: Karen Morley" – via www.theguardian.com.

External linksEdit