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Jules Carpentier (30 August 1851 – 30 June 1921) was a French engineer and inventor.
|Died||30 June 1921 (aged 69)|
Jules Carpentier was a student at the French École polytechnique. He bought the Ruhmkorff workshops in Paris when Heinrich Daniel Ruhmkorff died and made it a successful business for building electrical and magnetical devices. From 1890, he started to build photographic and cinematographic cameras. He is the designer of the submarine periscope, and worked at the adjustment of trichromic process of colour photography.
He died in 1921 in a car accident in Joigny, France.
Jules Carpentier was one of the first manufacturers of various models of Galvanometer that had been designed by Marcel Deprez and Arsène d'Arsonval. In addition, Carpentier developed with other people like Eleuthère Mascart, Pellat, Broca, André Blondel, Abraham, Louis Le Chatelier and Callender a series of derivatives of Galvanometer to measure and record intensity, potential tensions and other amounts derived from them. The French engineer and inventor has also contributed to various electrical measurements and the establishment of the necessary rules. Furthermore, for nearly half a century, many electrical measuring instruments took the "Carpentier" mark.
Jules Carpentier took care of the settings of the french engineer Emile Baudot's telegraph system of Posts and Telecommunications. Some devices regulators, translators and printers completed the system thanks to his work and his main collaborators. Thousands of installations "Baudot" were guided workshops to equip Jules Carpentier telegraph networks in France and many foreign countries.
After the invention of the telegraph and the first tests of Marconi, Gustave Ferrie, then captain of Engineering at the service of military telegraph, was commissioned by the Minister of War, Freycinet, to continue to experience more and do more studies to implementation in France of a material that would make a first class military importance. To achieve these successes, Gustave Ferrie sought collaboration as fabricant Carpentier. They studied about building new bases induction coils and mercury switches specially designed for the TSF, and soon established a complete electrical equipment for production of radio waves for downloads powerful capacitors by the age.
Jules Carpentier, always in collaboration with Gustave Ferrie, also created the wave meter, frequency meter, Ammeter and Ohmmeter special heat for the introduction of the measurement and calculation of the various organs of the TSF. In 1921, the appearance of light with three electrodes of the American DeForest came to revolutionize the technique of TSF and Carpentier was in charge of introducing the results of electrical measuring instruments and radio when his death suddenly stopped the course of their work.
Jules Carpentier worked closely with Charles Cros in a process he had invented in 1869 by color photography. In 1885, informed the Academy of Sciences of project definition, classification and annotation color.
Carpentier approaches the construction of a photographic apparatus in 1890, creating a photographic camera in hand, the "photo-mate" repeatedly shrink to 12 plates. This instrument allowed taking views around the eye pointing to an objective arranged next to that recorded images. It was a small portable device, so Jules Carpentier create new models of amplifiers autofocus for enlargement. The "photo-mate" was a huge commercial success and made several models.
Between late 1894 and early 1895 designed the Louis Lumière Film and Jules Carpentier was responsible for its construction. It was an ingenious combination of light and camera, projector and "truka". To achieve progress intermittently he used a hook mechanism which allowed the film to stop perfectly. The time was still two thirds of the total was between one and the next frame while the shutter, a sector of a circular rotating disk, letting light for 1/25 of a second. After the premiere public screening held at the Salon Indien del Grand Café on 28 December 1895, was carried out immediately making the first 200 Cinematography demanded by the Lumière brothers. To perform this device, Carpentier was deposited in March 1896 a patent for a "mechanism Maltese cross with five branches," and at the end of the month of March, also provided for an "apparatus for photographing animated scenes" of filmic bars called Phototrope.
In 1897, Jules Carpentier made a special Cinematograph projection that was built in two models: Model A, for moving the films Lumière to perforations (Round claws) and Model B for films to Edison perforations (flat claws). In total, 700 to 800 Lumière Cinematograph factories were built by Carpentier. In 1909, Jules Carpentier workshops, in collaboration with the Lumière brothers, also launched a 35mm camera called "Cinématolabe" but achieved very little success in a market that was already dominated by productions from Pathé and Gaumont.
During 1900, the Department of Shipbuilding asked the help of Jules Carpentier to make periscopes for submarines. This was to provide a "vision tube" under water, "the walrus" in maritime engineering projects in Cherbourg. In 1906, the number of periscopes made by him in service exceeded 80. He also devised trench periscopes that were widely used during the First World War.
- Harold M. Merklinger (1996). "Scheimpflug's Patent" (PDF).
Scheimpflug himself disclaimed inventing the rule that now bears his name. The Scheimpflug Principle (or rule or condition) provides guidance on how a camera lens and/or back should be tilted when focusing upon a plane that is not parallel to the film. This short article is intended to provide a little historical background and technical information about Scheimpflug and his patent. If Scheimpflug did not invent this rule, who did? Scheimpflug cites only one reference, and that is to the British Patent of Monsieur Jules Carpentier of Paris. In 1901 Carpentier had patented an enlarger for correcting converging verticals. Carpentier made this claim: "I have investigated the law which governs the correlation between the inclination of the plane of the negative and that of the sensitized surface to that of the optical axis of the lens...and I find that the relationship is this:—If the two planes are sufficiently prolonged they must intersect in the plane perpendicular to the said axis and passing through the optical center of the lens.