This article needs additional citations for verification. (March 2015) (Learn how and when to remove this template message)
John Renbourn (8 August 1944 – 26 March 2015) was an English guitarist and songwriter. He was best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973).
John Renbourn on the Custom House Square stage at New Bedford Summerfest 2005. Photo by Thom C.
|Born||8 August 1944|
Marylebone, London, England
|Died||26 March 2015 (aged 70)|
|Genres||Folk, folk baroque, folk rock|
|Instruments||Acoustic guitar, sitar|
The John Renbourn Group,
Ship of Fools
While most commonly labelled a folk musician, Renbourn's musical tastes and interests took in early music, classical music, jazz, blues and world music. His most influential album, Sir John Alot (1968), featured his take on tunes from the Medieval era.
John Renbourn studied classical guitar at school and it was during this period that he was introduced to Early Music. In the 1950s, along with many others, he was greatly influenced by the musical craze of "Skiffle" and this eventually led him to explore the work of artists such as Lead Belly, Josh White and Big Bill Broonzy.
In the 1960s, the new craze in popular music was Rhythm and Blues, also the impact of Davey Graham was being felt. In 1961, Renbourn toured the South West with Mac MacLeod and repeated the tour in 1963. On returning from the South West Renbourn and MacLeod recorded a demo tape together. Renbourn briefly played in an R&B band while studying at the Kingston College of Art in London. Although the British "Folk Revival" was underway, most folk clubs were biased towards traditional, unaccompanied folk songs, and guitar players were not always welcome. However, the Roundhouse in London had a more tolerant attitude and here, John Renbourn joined blues and gospel singer Dorris Henderson, playing backing guitar and recording two albums with her.
Possibly the best known London venue for contemporary folk music in the early 1960s was "Les Cousins" on Greek Street, Soho, which became the main meeting place for guitar players and contemporary singer-songwriters from Britain and America. Around 1963, Renbourn teamed up with guitarist Bert Jansch who had moved to London from Edinburgh, and together they developed an intricate duet style that became known as "folk baroque". Their album Bert and John is a fine example of their playing.
Renbourn released several albums on the Transatlantic label during the 1960s. Two of them, Sir John Alot and Lady and the Unicorn, sum up Renbourn's playing style and material from this period. Sir John Alot has a mixture of jazz/blues/folk playing alongside a more classical/early music style. Lady and the Unicorn is heavily influenced by Renbourn's interest in early music.
At around this time, Renbourn also started playing and recording with Jacqui McShee who sang traditional English folk songs, and with American fiddler Sue Draheim. Together with Bert Jansch, bassist Danny Thompson and drummer Terry Cox, they went on to form Pentangle. The group became successful, touring America in 1968, playing at Carnegie Hall and the Newport Folk Festival.
Renbourn went on to record more solo albums in the 1970s and 1980s. Much of the music is based on traditional material with a Celtic influence, interwoven with other styles. He also collaborated with American guitarist Stefan Grossman in the late 1970s, recording two albums with him, which at times recall his folk baroque days with Bert Jansch.
In the mid-1980s, Renbourn went back to the university to earn a degree in composition at Dartington College of Arts. Subsequently, he focused mainly on writing classical music, while still performing in folk settings. He also added acoustic guitars for the movie soundtrack Scream for Help, a studio project with his neighbour John Paul Jones.
In 1988, Renbourn briefly formed a group called Ship of Fools with Tony Roberts (flute), Maggie Boyle (lyrics, misc. instruments) and Steve Tilston (guitar). They recorded one eponymous album together. After practising by mailing tapes to each other in England, they held their first concert, comprising two sold-out shows, at Harvard's Hasty Pudding Club Theater. Regrettably, the soundboard bootleg tape was not saved due to a dispute between the concert promoter and the audio engineer.
Renbourn continued to record and tour. He toured the USA with Archie Fisher. In 2005 he toured Japan (his fifth tour of that country) with Tokio Uchida and Woody Mann. In 2006 he played at number of venues in England, including the Green Man Festival in Wales and appearances with Robin Williamson and with Jacqui McShee. In the same year, he was working on a new solo album and collaborated with Clive Carroll on the score for the film Driving Lessons, directed by Jeremy Brock.
In 2011, he released Palermo Snow, a collection of instrumental guitar solos also featuring clarinetist Dick Lee. The title track is a complex mix of classical, folk, jazz and blues. This piece is a departure, in that there is a classical core, with other styles intermixing, rather than the core style being blues, folk or jazz.
Since 2012, he had toured with Wizz Jones, playing a mixture of solo and duo material. Renbourn previously appeared on Jones's album "Lucky the Man" (2001) with other former members of Pentangle. In 2016, an album by the pair, titled Joint Control, was released.
- Brennan, Sandra. "Biography: John Renbourn". Allmusic. Retrieved 3 June 2010.
- Colin Larkin, ed. (1997). The Virgin Encyclopedia of Popular Music (Concise ed.). Virgin Books. p. 1006. ISBN 1-85227-745-9.
- Denselow, Robin. "John Renbourn and Wizz Jones: Joint Control review – delight of a folk guitar hero's final bow". The Guardian. Guardian News and Media Ltd. Retrieved 26 October 2016.
- "Guitarist Renbourn dies aged 70". Independent.ie. 21 March 2015. Retrieved 26 March 2015.
- Rebecca Ratcliffe (26 March 2015). "Guitarist and songwriter John Renbourn, founder of Pentangle, dies". The Guardian. Retrieved 27 March 2015.