John McLiam (born John Williams; January 24, 1918 – April 16, 1994) was a film and television actor noted for his skill at different accents. His film appearances include My Fair Lady (1964), In Cold Blood (1967), John Frankenheimer's movie of The Iceman Cometh (1973), The Missouri Breaks (1976), and First Blood (1982). He was a guest star in numerous television series and wrote a Broadway play, The Sin of Pat Muldoon.
January 24, 1918
|Died||April 16, 1994 (aged 76)|
Los Angeles, California, U.S.
He attended St. Mary's College of California (Moraga, California). During World War II served in the United States Navy as an intelligence officer, having received a Bronze Star. After the war he worked briefly as a journalist for the San Francisco Examiner.
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He took McLiam, the Gaelic form of his real surname Williams, as a stage name.
His acting career began in Maxwell Anderson's Winterset in San Francisco in 1946. After a few roles in plays in California he moved to New York. His first Broadway role was as a guard in Maxwell Anderson's Barefoot in Athens in 1951. His other stage roles include Shaw's Saint Joan, and Tiger at the Gates, Christopher Fry's version of a Jean Giraudoux play, which ran 1959–60 on Broadway. He appeared in the original Broadway cast of One More River (1960).
He moved to California in 1960 to work in film and television. His film roles included a cockney ne'er-do-well in My Fair Lady (1964), Boss Kean in Cool Hand Luke (1967), In Cold Blood (1967) as murder victim Herbert Clutter,John acted as the. pilot, flight instructor for Aunt Bea in Season 8, "Aunt Bea's Big Moment"<Credits at the end of the show></Season 8, episode 23> Halls of Anger (1970), Woody Allen's Sleeper (1973), rancher David Braxton in The Missouri Breaks (1976), and Orval in First Blood (1982). He played Jimmy Tomorrow in John Frankenheimer's American Film Theater movie of The Iceman Cometh (1973), alongside Fredric March, Lee Marvin, Robert Ryan and Jeff Bridges.
He was John of Gaunt in William Woodman's filmed version of Shakespeare's Richard II (1982): while the casts' acting was generally judged as poor, Charles R. Forker said McLiam delivered Gaunt's most famous speech "like an operatic aria" but in general was no match for Sir John Gielgud at speaking verse.
He was cast as Walter Watson, the Olympic Club trainer of the boxer James J. Corbett (played by James Davidson) in the 1966 episode "The Fight San Francisco Never Forgot" of the syndicated television series, Death Valley Days. In the story line Watson halts a local bully and trains Corbett as his promotional rival.
In the 1979 television miniseries Freedom Road, he played Ulysses S. Grant. He appeared in several episodes of the western series The Virginian (one of which was in 1970 as Parker on "The Men From Shiloh" which was the rebranded name that year for The Virginian) and Gunsmoke, and was Doc Holliday in the pilot of Bret Maverick. He portrayed Elsworth Chisolm in two episodes of Dynasty, and the lead character's father in T.J. Hooker. He guest starred in Little House on the Prairie in 1983, and he appeared in a 1986 episode of Highway to Heaven as an angel opposite Michael Landon. He had guest roles in dozens of other television series, including The Twilight Zone and Perry Mason.
His play The Sin of Pat Muldoon, about a Roman Catholic family, ran for five performances from March 13 to 16, 1957 at the Cort Theatre on Broadway. The central character, played in that production by James Barton, is a father who renounces his faith following the death of his son and spends his savings on partying and loose women before having a heart attack. Though he attempts to resolve some of his family's problems, he dies unrepentant. Playwright and producer Maxwell Anderson, given the script to consider producing it, condemned the play as lying on well-trampled ground following Seán O'Casey's Juno and the Paycock, declaring, "I've grown weary of the whole subject. An ancient, irritable, blasphemous, dying but loveable Irishman says his last ten thousand words and goes to his own place. The hell with him."
- Dead to the World (1961) - Goody
- My Fair Lady (1964) - Harry (uncredited)
- Cool Hand Luke (1967) - Boss Kean
- In Cold Blood (1967) - Herbert Clutter
- Madigan (1968) - Dunne (uncredited)
- Riverrun (1968) - Jeffries
- The Andy Griffith Show (1968, TV Series) - Mac
- The Reivers (1969) - Van Tosch
- Halls of Anger (1970) - Boyd Wilkerson
- R. P. M. (1970) - Rev. Blauvelt
- Monte Walsh (1970) - Fightin' Joe Hooker
- Big Jake (1971) - Army Officer (uncredited)
- The Culpepper Cattle Co. (1972) - Thorton Pierce
- Showdown (1973) - F.J. Wilson
- The Iceman Cometh (1973) - Jimmy Tomorrow
- Sleeper (1973) - Dr. Agon
- The Dove (1974) - Lyle Graham
- Rafferty and the Gold Dust Twins (1975) - John Beachwood
- Bite the Bullet (1975) - Gebhardt
- Lucky Lady (1975) - Rass Huggins
- The Missouri Breaks (1976) - David Braxton
- The Food of the Gods (1976) - Mr. Skinner
- Freedom Road (1979) - President Ulysses S. Grant
- The End of August (1982) - Colonel
- First Blood (1982) - Orval Kellerman
- Voyager from the Unknown (1982) - Dr. Bernard
- Walk Like a Man (1987) - H.P. Truman
- Split Decisions (1988) - Pop McGuinn
- Oliver, Myrna (April 20, 1994). "John McLiam; Broadway, Film Character Actor". LA Times. Retrieved October 25, 2013.
- "John McLiam, 76, Film and TV Actor". New York Times. May 5, 1994. Retrieved 25 October 2013.
- Galloway, Doug (April 25, 1994). "John McLiam". Variety. 354 (12): 40.
- Anderson, Maxwell. Dramatist in America: Letters of Maxwell Anderson, 1912–1958. pp. 283–284.
- "John McLiam". AllMovie Guide. Retrieved 25 October 2013.
- Forker, Charles R (2008). Sarah Hatchuel, Nathalie Vienne-Guerrin (ed.). Shakespeare on Screen: The Henriad. Publication Univ Rouen Havre. p. 38.
- "The Fight San Francisco Never Forgot details". Internet Movie Data Base. March 17, 1966. Retrieved September 7, 2015.
- Ward, Jack (1993). Television Guest Stars: An Illustrated Career Chronicle for 678 Performers of the Sixties and Seventies. McFarland. p. 320.
- Bordman, Gerald (1996). American Theatre: A Chronicle of Comedy and Drama, 1930–1969. Oxford University Press. p. 344.