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|Born||29 September 1942|
|Genres||Jazz, jazz fusion|
|Instruments||Violin, electric violin|
|Labels||Atlantic, Columbia, Blue Note, Prestige, Philips, Epic, Koch, Polygram, J.L.P. Productions|
|Associated acts||Mahavishnu Orchestra, The Mothers of Invention, Return to Forever|
Ponty was born into a family of classical musicians in Avranches, France. His father taught violin, his mother taught piano. At sixteen, he was admitted to the Conservatoire National Supérieur de Musique de Paris, graduating two years later with the institution's highest honor, Premier Prix (first prize). He was hired by the Concerts Lamoureux in which he played for three years.
While still a member of the orchestra in Paris, Ponty picked up a side job playing clarinet (which his father had taught him) for a college jazz band, that regularly performed at local parties. It proved life-changing. A growing interest in Miles Davis and John Coltrane compelled him to take up tenor saxophone. One night after an orchestra concert, and still wearing his tuxedo, Ponty found himself at a local club with only his violin. Within four years, he was widely accepted as the leading figure in "jazz fiddle".
At that time, Ponty was leading a dual musical life: rehearsing and performing with the orchestra while also playing jazz at clubs throughout Paris. The demands of this schedule eventually brought him to a crossroads. Critic Joachim Berendt wrote that "Since Ponty, the jazz violin has been a different instrument".
Success with the violinEdit
At first, the violin proved to be a handicap; few at the time viewed the instrument as having a legitimate place in the modern jazz vocabulary. With a powerful sound that eschewed vibrato, Ponty distinguished himself with bebop phrasing and a punchy style influenced more by horn players than by anything previously tried on the violin. In 1964, at age 22, he released his debut album, Jazz Long Playing. He performed on stage in Basel, Switzerland, with string players Stuff Smith, Stéphane Grappelli, and Svend Asmussen. The performance was released as the album Violin Summit (1966).
John Lewis of the Modern Jazz Quartet invited Ponty to perform at the Monterey Jazz Festival in 1967, which led to a recording contract with the World Pacific label and the albums Electric Connection (1969) with the Gerald Wilson Big Band and Jean-Luc Ponty Experience with the George Duke Trio (1969). That year also brought Sunday Walk (1967), the first collaboration between Ponty and Niels-Henning Ørsted Pedersen.
Frank Zappa and emigration to the United StatesEdit
In 1969, Frank Zappa composed the music for Ponty's solo album King Kong: Jean-Luc Ponty Plays the Music of Frank Zappa (World Pacific, 1970). In 1972 Elton John invited Ponty to contribute to his Honky Chateau (1972) album. At the urging of Zappa and The Mothers of Invention who wanted him to join their tour, Ponty emigrated with his wife and two young daughters to the United States and made his home in Los Angeles. He continued to work on a variety of projects – including two of John McLaughlin's Mahavishnu Orchestra albums Apocalypse (1974) and Visions of the Emerald Beyond (1975) and tours until 1975, when he signed with Atlantic.
For the next decade, Ponty toured the world repeatedly and recorded 12 consecutive albums, all of which reached the Billboard jazz charts top five, selling millions of albums. His early Atlantic recordings, such as 1976's Aurora and Imaginary Voyage, established Ponty as one of the leading figures in jazz-rock. He went on to crack the Top 40 with the album Enigmatic Ocean in 1977 and Cosmic Messenger in 1978. In 1984, a video of time-lapse images was produced by Louis Schwarzberg for the song "Individual Choice" (1983).
Besides recording and touring with his own group, Ponty performed with the Pittsburgh New Music Ensemble, the Radio City Orchestra in New York, and symphony orchestras in Montreal, Toronto, Oklahoma City, and Tokyo. In the late 1980s he recorded the albums The Gift of Time (1987) and Storytelling (1989) for Columbia.
On Tchokola (Epic, 1991) Ponty combined acoustic and electric violins for the first time with polyrhythmic sounds of West Africa. He performed for two months in the U.S. and Canada with African expatriates he had met in Paris. In 1993, he returned to Atlantic with the album No Absolute Time. In 1995 he joined guitarist Al Di Meola and bassist Stanley Clarke to record an acoustic album, The Rite of Strings. This trio undertook a six-month tour of North America, South America, and Europe. He reunited his American band in 1996 for live performances following the release of a double album for Atlantic entitled Le Voyage: The Jean-Luc Ponty Anthology. One of these concerts was recorded in Detroit, Michigan on June 29, 1996, and released in October 1996 by Atlantic under the title Live at Chene Park.
In 1997, Ponty reunited his group of Western and African musicians to pursue the fusion music he had begun to explore in 1991. They toured for three years from the Hawaiian Islands to Poland and in North America and Europe. Ponty performed duet with bassist Miroslav Vitous in December 1999. In January 2000, he participated in Lalo Schifrin's recording Esperanto. In June 2001 he performed duets with Russian violinist Vadim Repin and at the Film Music Festival in Poland with American jazz violinist Regina Carter.
In August 2001, Ponty released his album Life Enigma on his label (J.L.P. Productions), a return to his concept from the 1970s with modern production. He played all the instruments on some tracks and was joined by band members for others. He gave a concert with his band in his native town of Avranches in the French province of Normandie on 21 September 2001. He was honored during a ceremony at City Hall. He then embarked on a tour in the U.S. in October and November 2001. In May 2001, he recorded a concert with the same musicians at the opera house in Dresden, Germany. This recording was released in July 2002 on Live at Semper Opera. In January 2003, he toured India for the first time, seven shows in six major cities for the Global Music Festival organized by Indian violinist L. Subramaniam. He and bassist Guy Nsangué Akwa performed with Subramaniam's band and drummer Billy Cobham who was a guest on that tour. In 2004 the DVD Jean-Luc Ponty in Concert was released. It contained a concert with his band filmed in Warsaw in 1999. The band toured in 2004 in France, Germany, Austria, Hungary, and Lithuania (and in Mumbai, India, in their first concert as a complete ensemble).
Ponty performed on a reunion tour with Stanley Clarke and Al Di Meola from June to October 2004 in the U.S. and Canada. In 2005, he toured with Trio! with Stanley Clarke and Béla Fleck. In 2006, he reunited Jean Luc Ponty & His Band and toured in the U.S., Chile, Venezuela, Western and Eastern Europe, Russia, The Middle East and India; they recorded a studio album called The Atacama Experience (2007) with guitarists Allan Holdsworth and Philip Catherine. In April 2012, Ponty performed in an acoustic trio with Clarke and guitarist Bireli Lagrene for the second set of a concert at the Chatelet Theatre in Paris to celebrate five decades in music. The first set featured Ponty with a string orchestra. In 2014, Ponty recorded a jazz album entitled D-Stringz with Clarke and Lagrene. In September 2014, Ponty formed the Anderson Ponty Band with Jon Anderson, lead singer of Yes. After the release of the album Better Late Than Never (2015) they toured in the U.S. and Canada.
Ponty has been an avid user of five-string electric violins (with a low C string) since 1978. He sometimes uses a six-string electric violin called the Violectra, with both the low C and low F strings (not to be confused with the "violectra" he played from the late 1960s to the mid-1980s that had the usual four strings but tuned an octave lower). He combined violin with MIDI, distortion boxes, phase shifters, and wah-wah pedals. This resulted in his signature, almost synthesizer-like sound.
Work with Return to ForeverEdit
In 2011, Ponty was invited by bandleader/keyboardist Chick Corea to join the group Return to Forever for a series of concerts throughout the year. The group is labeled 'Return to Forever IV', as it is the fourth incarnation of the group. Ponty had first recorded with Corea on his 1976 solo album My Spanish Heart.
- Jazz Long Playing (Philips, 1964)
- Sunday Walk (SABA, 1967)
- Violin Summit with Stuff Smith, Stephane Grappelli, Svend Asmussen(SABA, 1967)
- More Than Meets the Ear (World Pacific, 1968)
- Electric Connection (World Pacific, 1969)
- Jean-Luc Ponty Experience with the George Duke Trio (World Pacific, 1969)
- King Kong: Jean-Luc Ponty Plays the Music of Frank Zappa (World Pacific, 1970)
- New Violin Summit with Don "Sugar Cane" Harris, Michal Urbaniak (MPS/BASF, 1971)
- Live at Montreux 72 (Pierre Cardin, 1972)
- Open Strings (MPS/BASF, 1972)
- Ponty/Grappelli with Stephane Grappelli (America, 1973)
- Upon the Wings of Music (Atlantic, 1975)
- Jean-Luc Ponty (Liberty/EMI, 1976)
- Aurora (Atlantic, 1976)
- Cantaloupe Island (Blue Note, 1976)
- Imaginary Voyage (Atlantic, 1976)
- Jean-Luc Ponty Meets Giorgio Gaslini (Pausa, 1976)
- Enigmatic Ocean (Atlantic, 1977)
- Live at Donte's (Blue Note, 1978)
- Cosmic Messenger (Atlantic, 1978)
- A Taste for Passion (Atlantic, 1979)
- Live (Atlantic, 1979)
- Heartstring/Jean-Luc Ponty: Live with Earl Klugh (AFRTS 1979)
- Civilized Evil (Atlantic, 1980)
- As Trio with Daniel Humair, Eddy Louiss (All Life, 1980)
- Mystical Adventures (Atlantic, 1982)
- Individual Choice (Atlantic, 1983)
- Open Mind (Atlantic, 1984)
- Fables (Atlantic, 1985)
- The Gift of Time (Columbia, 1987)
- Storytelling (Columbia, 1989)
- Puss in Boots with Tracey Ullman (Rabbit Ears, 1991)
- Tchokola (Epic, 1991)
- Volume 1 with Daniel Humair, Eddy Louiss (Dreyfus, 1991)
- Volume 2 (Dreyfus, 1991) with Daniel Humair, Eddy Louiss
- No Absolute Time (Atlantic, 1993)
- The Rite of Strings with Stanley Clarke, Al Di Meola (Gai Saber 1995)
- Live at Chene Park (Atlantic, 1996)
- Life Enigma (J.L.P., 2001)
- Live at Semper Opera (Le Chant Du Monde, 2002)
- Jean-Luc Ponty in Concert (Le Chant Du Monde, 2003)
- The Atacama Experience (Koch, 2007)
- D-Stringz with Stanley Clarke, Bireli Lagrene (Impulse!, 2015)
- Better Late Than Never with Jon Anderson (Ear Music, 2015)
With Chick Corea
- My Spanish Heart (Polydor, 1976)
- Chick Corea (Polydor, 1987)
- Music Forever & Beyond (GRP, 1996)
- Forever (Concord, 2011)
With Mahavishnu Orchestra
- Apocalypse (Columbia, 1974)
- Visions of the Emerald Beyond (Columbia, 1975)
- The Mahavishnu Orchestra & John McLaughlin (Amiga, 1979)
With Frank Zappa
- Hot Rats (Bizarre/Reprise, 1969)
- The Mothers, Over-Nite Sensation (Discreet, 1973)
- Apostrophe (Discreet, 1974)
- Shut Up 'n Play Yer Guitar (Barking Pumpkin, 1981)
- You Can't Do That On Stage Anymore Vol. 6 (Rykodisc, 1992)
- The Lost Episodes (Rykodisc, 1996)
- One Shot Deal (2008)
- Road Tapes, Venue 2 (Vaulternative, 2013)
- The Crux Of The Biscuit (Zappa Records, 2016)
- Jon Anderson, 1000 Hands: Chapter One (Opio Media, 2019)
- Sam Bush, Laps in Seven (Sugar Hill, 2006)
- Michel Colombier, Wings (A&M 1971)
- Wolfgang Dauner, Free Action (SABA, 1967)
- George Duke, Night After Night (Elektra, 1989)
- Serge Gainsbourg, Histoire De Melody Nelson (Light in the Attic, 2009)
- George Gruntz, Barock Sex & Jazz-Sechs (Electrola, 1966)
- George Gruntz, Noon in Tunisia (SABA, 1967)
- Andre Hodeir, Anna Livia Plurabelle (Philips, 1966)
- Elton John, Honky Chateau (UNI, 1972)
- Jeff Lorber, Hacienda (Heads Up, 2013)
- Clara Ponty, Mirror of Truth (Eden, 2005)
- Clara Ponty, Into the Light (Le Chant Du Monde, 2010)
- Return to Forever, The Mothership Returns (Eagle 2012)
- Lalo Schifrin, Esperanto (Aleph, 2000)
- Alan Sorrenti, Aria (Harvest, 1972)
- Gerald Wilson, Eternal Equinox (World Pacific, 1969)
- 1999: L. Subramaniam: Violin from the Heart (Directed by Jean Henri Meunier; includes a scene with Ponty and L. Subramaniam performing together)
- "Jean-Luc Ponty | Biography & History". AllMusic. Retrieved 31 July 2021.
- "Official website". Ponty.com. Retrieved 18 April 2018.
- Berendt, Joachim-Ernst (1976). The Jazz Book. Paladin. p. 301. ISBN 978-0586082607.
- Colin Larkin, ed. (1992). The Guinness Who's Who of Jazz (First ed.). Guinness Publishing. pp. 324/5. ISBN 0-85112-580-8.
|Wikimedia Commons has media related to Jean-Luc Ponty.|
- Ponty.com – Official website
- Jean-Luc Ponty video interview at AllAboutJazz.com
- "In Conversation with Jean-Luc Ponty" at Jazz.com by Thierry Quénum on 6 September 2008
- 2010 interview with Jean-Luc Ponty at Prog-Sphere.com by Nikola Savić on 28 September 2010
- Jean-Luc Ponty biography, discography and album reviews, credits & releases at AllMusic
- Jean-Luc Ponty discography, album releases & credits at Discogs.com
- Jean-Luc Ponty biography, discography, album credits & user reviews at ProgArchives.com
- Jean-Luc Ponty albums to be listened as stream on Spotify