James Laxton is an American cinematographer who is best known for his collaborations with filmmaker Barry Jenkins, specifically his work on Jenkins' 2016 film Moonlight, for which he won an Independent Spirit Award and received an Academy Award nomination.[2][3]

James Laxton
Alma materFlorida State University (BFA)
OccupationCinematographer
Years active2003–present
ParentAggie Guerard Rodgers (mother)[1]

Laxton began his career at Florida State University, where he met his frequent collaborator, Barry Jenkins. Their relationship, which started in college, has led them to work together on numerous films, including the critically acclaimed 2016 film Moonlight, which received multiple awards and nominations. After graduating from the university, Laxton entered the industry by assisting the camera department on various features and shorts. He also took on projects from directors such as David Nordstrom, David Parker, Cole Schreiber, and many others.

During his childhood, Laxton accompanied his mother to film sets, an experience that played a significant role in his decision to join the camera department. He observed the rhythm of the set, witnessing moments of total chaos followed by a single action that brought everything to a calm, only for the director to call "cut" and the frenzy to resume. These moments left a profound impact on a young James Laxton, inspiring him to consider a career in the film industry as a viable option.[4]

Feature films edit

Moonlight edit

Arguably his most critically acclaimed film was Moonlight directed by Barry Jenkins. The film takes themes of sexuality and explores them in a harsher urban environment. The cinematography of Moonlight took contemporary film-making and put a new lens on it. With a relatively low budget of 1.5 million dollars,[5] there weren't a lot of resources that were able to be spent on things like underwater camera gear for example.[6] However, challenges like these made it possible for Jenkins and Laxton to think outside the box on how they would be able to pull certain shots off. This ingenuity gives birth to the cinematic language of the film and it projects boldly with every scene.

If Beale Street Could Talk edit

After the commercial success of Moonlight, the next film for the two filmmakers would be a tragic love story between Tish Rivers played by KiKi Layne and a wood artist Alonzo 'Fonny' Hunt played by Stephan James as they meet begin to build a life together until Fonny is accused of a crime he didn't commit. From this point on, Tish is doing everything that she can in order to set her love free. With the film being based on a novel by James Baldwin, there are several instances where the cinematography feels "novel-like" to indicate the sense of losing oneself in any given scene and how intricately the characters traits and emotions intertwine with one another. "To find and fine-tune the precise visual grammar of Baldwin’s mastery Jenkins followed a process that served him so well with his previous Oscar-winner. One of the keys to Moonlight transcending the limitations of its $1.5 million budget – trading docu-realism for crafted visual poetry of the highest level".[7] The language that Jenkins and Laxton created for Moonlight creates a look well beyond the low budget and shed more light on the verite style cinematography.

Filmography edit

Short film edit

Year Title Director
2003 My Josephine Barry Jenkins
Little Brown Boy
2005 The Unseen Kind-Hearted Beast Amy Seimetz
2009 A Young Couple Barry Jenkins
2010 Eggshells for Soil Megan Boone
2012 Rest Cole Schreiber
Mission Chinese David Parker
Cole Schreiber
2013 Fête des Pets Nicholas Jasenovec
Sarah Silverman's Perfect Night Liam Lynch
2014 Lemonade War Ramin Bahrani
2015 Welcome to the Last Bookstore Chad Howitt
2016 Bernie Sanders Is the One for Me Andrew Deyoung
2019 Squarespace: Dream It Spike Jonze
2021 Reebok's Reconnect Jonas Lindstroem

Feature film edit

Year Title Director Notes
2008 Medicine for Melancholy Barry Jenkins
2010 The Violent Kind The Butcher Brothers
The Myth of the American Sleepover David Robert Mitchell
Karma Adivi Sesh
2010 The Last Buffalo Hunt Lee Anne Schmitt
Sawdust City David Nordstrom
2012 California Solo Marshall Lewy
For a Good Time, Call... Jamie Travis
Leave Me Like You Found Me Adele Romanski
The Murder of Hi Good Lee Lynch
2013 Bad Milo Jacob Vaughan
The Moment Jane Weinstock
Dealin' with Idiots Jeff Garlin
Adult World Scott Coffey
Tradition Is a Temple:
The Modern Masters of New Orleans
Darren Hoffman
2014 Camp X-Ray Peter Sattler
Tusk Kevin Smith
2016 Yoga Hosers
Holidays Nicholas McCarthy Segment – "Easter", also with Bridger Nielson and Shaheen Seth
The Black Jacket Ryan Simon
Moonlight Barry Jenkins
Youth Brett Marty
2017 Anything Timothy McNeil
2018 If Beale Street Could Talk Barry Jenkins
2024 Mufasa: The Lion King Filming

Television edit

Year Title Director Notes
2011 Futurestates Barry Jenkins 1 episode – Remigration
2013 You and Your Fucking Coffee Henry Phillips 2 episodes
2014 Rubberhead Dean Fleischer-Camp TV movie (segment – "Knickers")
2016 Garfunkel and Oates:
Trying to Be Special
Jeremy Konner
Riki Lindhome
TV movie
2018 Here and Now Alan Ball Episode: "Eleven Eleven"
2019 Black Monday Evan Goldberg
Seth Rogen
Episode: "365"
2021 The Underground Railroad Barry Jenkins Miniseries

Awards and nominations edit

Year Title Awards/Nominations
2008 Medicine for Melancholy Nominated – Independent Spirit Award for Best Cinematography
2016 Moonlight Independent Spirit Award for Best Cinematography
Los Angeles Film Critics Association Award for Best Cinematography
New York Film Critics Circle Award for Best Cinematography
San Francisco Film Critics Circle Award for Best Cinematography[8]
Nominated – Academy Award for Best Cinematography
Nominated – ASC Award for Outstanding Cinematography
Nominated – Chicago Film Critics Association Award for Best Cinematography
Nominated – Critics' Choice Movie Award for Best Cinematography
Nominated – San Diego Film Critics Society Award for Best Cinematography
Nominated – St. Louis Gateway Film Critics Award for Best Cinematography
Nominated – Washington D.C. Area Film Critics Award for Best Cinematography
2018 If Beale Street Could Talk Nominated – Washington D.C. Area Film Critics Award for Best Cinematography

References edit

  1. ^ "Producer's Corner: Adele Romanski — The Myth of the American Sleepover by Serena Donadoni". Women and Hollywood. July 25, 2011. Retrieved April 10, 2022.
  2. ^ "A One-Camera Show: DP James Laxton on Moonlight". filmmakermagazine.com. 18 November 2016.
  3. ^ Pressberg, Matt (24 January 2017). "Oscar Nominee Reactions: Meryl Streep Sends GIF, Jeff Bridges Says 'Woo Hoo!'". www.thewrap.com. The Wrap. Retrieved 27 January 2017.
  4. ^ Friedman, Illya. "James Laxton, ASC on Best Picture winner Moonlight and If Beale Street Could Talk: working with Barry Jenkins and Kevin Smith, his early career and influences." The Cinematography Podcast, Hot Rod Cameras/Spotify, 01-08-2020, https://open.spotify.com/episode/4IM2SrtOAFpblygqBx6Kke.
  5. ^ Moonlight, retrieved 2020-04-12
  6. ^ "James Laxton, ASC on Best Picture winner Moonlight and If Beale Street Could Talk: working with Barry Jenkins and Kevin Smith, his early career and influences". Google Podcasts. The Cinematography Podcast. Retrieved 2020-04-12.
  7. ^ O'Falt, Chris (2019-01-09). "If James Baldwin Made Films: How DP James Laxton Translated the Bold Imagery of 'Beale Street'". IndieWire. Retrieved 2020-04-12.
  8. ^ "Huppert, 'Moonlight,' 'La La Land' Honored by NYFCC and LAFCA". Backstage.com. Retrieved 2017-01-27.

External links edit