J. B. Lenoir

J. B. Lenoir (/ləˈnɔːr/ luh-NORR; March 5, 1929 – April 29, 1967)[2][3] was an American blues guitarist and singer-songwriter, active in the Chicago blues scene in the 1950s and 1960s.

J. B. Lenoir
J B Lenoir.jpg
Background information
Birth nameJ. B. Lenoir
Born(1929-03-05)March 5, 1929
Monticello, Mississippi, U.S.
DiedApril 29, 1967(1967-04-29) (aged 38)
Urbana, Illinois, U.S.
GenresChicago blues, blues
Occupation(s)Musician, singer-songwriter
InstrumentsGuitar, harmonica, vocals
Years active1950s–1967
LabelsParrot, Chess, Checker, J.O.B., USA,[1] Vee-Jay
Associated actsBig Bill Broonzy, Memphis Minnie, Big Maceo Merriweather, Muddy Waters, Sonny Boy Williamson II, Elmore James, Sunnyland Slim, J. T. Brown[1]

Life and careerEdit

Lenoir was born in Monticello, Mississippi.[1][4] His full given name was simply "J. B."; the letters were not initials.[5] Lenoir's guitar-playing father introduced him to the music of Blind Lemon Jefferson, which became a major influence.[1] During the early 1940s, Lenoir worked with the blues artists Sonny Boy Williamson II and Elmore James in New Orleans.[6] He was later influenced by Arthur Crudup and Lightnin' Hopkins.[1]

In 1949, he moved to Chicago, where Big Bill Broonzy helped introduce him to the blues community. He began to perform at local nightclubs, with musicians such as Memphis Minnie, Big Maceo Merriweather, and Muddy Waters, and became an important part of the city's blues scene.[6][7] He began recording in 1951 for J.O.B. Records and Chess Records. His recording of "Korea Blues" was licensed to and released by Chess,[8] as having been performed by J. B. and his Bayou Boys.[9] His band included the pianist Sunnyland Slim, the guitarist Leroy Foster, and the drummer Alfred Wallace.

During the 1950s Lenoir recorded for various record labels in the Chicago area, including J.O.B., Chess, Parrot, and Checker. His more successful songs included "Let's Roll," "The Mojo" (featuring saxophonist J. T. Brown) and the controversial "Eisenhower Blues," which Parrot Records forced him to re-record as "Tax Paying Blues."[8]

Lenoir was known in the 1950s for his showmanship, particularly his zebra-patterned costumes, and his high-pitched vocals. He became an influential electric guitarist and songwriter, and his penchant for social commentary distinguished him from many other bluesmen of the time.[1] His most commercially successful and enduring release was "Mamma Talk to Your Daughter," recorded for Parrot in 1954, which reached number 11 on the Billboard R&B chart and was later recorded by many other blues and rock musicians.[8] In the later 1950s, recording for Checker, he wrote several more blues standards, including "Don't Dog Your Woman" and "Don't Touch My Head!!!" (1956).[citation needed]

In 1963, he recorded for USA Records as J. B. Lenoir and his African Hunch Rhythm, having developed an interest in African percussion.[1] He was rediscovered by Willie Dixon, who recorded him playing acoustic guitar, with the drummer Fred Below, on the albums Alabama Blues and Down in Mississippi (inspired by the Civil Rights Movement and Free Speech Movement).[1] Lenoir toured Europe and performed in 1965 with the American Folk Blues Festival in the United Kingdom.[10]

Lenoir's work had overtly political content relating to racism and the Korean and Vietnam wars.[11]

J. B. Lenoir was among hundreds of artists whose material was destroyed in the 2008 Universal fire.[12]

Death and legacyEdit

Lenoir died on April 29, 1967, in Urbana, Illinois, at the age 38, of injuries he had suffered in a car crash three weeks earlier.[13] John Mayall paid tribute to the fallen bluesman with the songs "I'm Gonna Fight for You, J. B." and "The Death of J. B. Lenoir,"[14] though in both songs, Mayall mispronounces Lenoir's name as /lɛnˈwɑːr/.[2]

The 2003 documentary film The Soul of a Man, directed by Wim Wenders as the second installment of Martin Scorsese's series The Blues, explored Lenoir's career, together with those of Skip James and Blind Willie Johnson. In 2011, Lenoir was inducted into the Blues Hall of Fame.[15]

DiscographyEdit

AlbumsEdit

  • Alabama Blues (CBS, 1966)
  • J. B. Lenoir (Polydor/Crusade, 1970) (posthumous, featuring interview by John Mayall with Ella Louise Lenoir)

SinglesEdit

  • "My Baby Told Me" / "Korea Blues" (Chess 78, 1950)
  • "Deep in Debt Blues" / "Carrie Lee" (Chess 78, 1950)
  • "Let's Roll" / "People Are Meddling (In Our Affairs)" (J.O.B. 78, 1952)
  • "The Mountain" / "How Much More" (J.O.B., 1952)
  • "The Mojo" / "How Can I Leave" (J.O.B., 1953)
  • "I'll Die Tryin'" / "I Want My Baby" (J.O.B., 1953)
  • "Play A Little While" / "Louise" (J.O.B., 1954)
  • "I'm In Korea" / "Eisenhower Blues" (later pressings had "Tax Paying Blues" as the B-side) (Parrot, 1954)
  • "Mamma Talk To Your Daughter" / "Man Watch Your Woman" (Parrot, 1954)
  • "Mama Your Daughter Is Going To Miss Me" / "What Have I Done" (Parrot, 1955)
  • "Fine Girls" / "I Lost My Baby" (Parrot, 1955)
  • "Let Me Die With The One I Love" / "If I Give My Love To You?" (Checker, 1956)
  • "Don't Touch My Head!!!" / "I've Been Down So Long" (Checker, 1957)
  • "What About Your Daughter?" / "Five Years" (Checker, 1957)
  • "Daddy Talk To Your Son" / "She Don't Know" (Checker, 1958)
  • "Back Door" / "Lou Ella" (Shad, 1959)
  • "Oh Baby" / "Do What I Say" (Vee-Jay, 1960)
  • "I Sing Um The Way I Feel" / "I Feel So Good" (USA, 1963)
  • "Mojo Boogie" / "I Don't Care What Nobody Say" (Blue Horizon, 1966)

Compilation albumsEdit

  • Alabama Blues: Rare and Intimate Recordings
  • Chess Masters (Chess double LP, 1984)
  • The Parrot Sessions, 1954–55 (Relic LP, 1989)[16]

ReferencesEdit

  1. ^ a b c d e f g h Bill Dahl. "J. B. Lenoir". AllMusic. Retrieved November 11, 2011.
  2. ^ a b "J. B. Lenoir". Mississippi Blues Trail. Mississippi Blues Commission. Retrieved November 1, 2021. J. B. Lenoir (pronounced and sometimes misspelled "Lenore") was a distinctive blues artist, in both his high-pitched singing style and the candid political critiques in many of his song lyrics.
  3. ^ Colin Larkin, ed. (1992). The Guinness Encyclopedia of Popular Music (First ed.). Guinness Publishing. pp. 1461/2. ISBN 0-85112-939-0.
  4. ^ Eagle, Bob; LeBlanc, Eric S. (2013). Blues – A Regional Experience. Santa Barbara: Praeger Publishers. p. 118. ISBN 978-0313344237.
  5. ^ Broven, John (1971). "J. B. Lenoir". In Ledbitter, Mike (ed.). Nothing But the Blues: An Illustrated Documentary. London: Hanover Books. p. 35.
  6. ^ a b "Blues Online© J. B. Lenoir". Physics.lunet.edu. Archived from the original on November 29, 2012. Retrieved March 10, 2013.
  7. ^ "J. B. Lenoir @ All About Jazz". All About Jazz. Archived from the original on June 19, 2012. Retrieved March 10, 2013.
  8. ^ a b c Williamson, Nigel (2007). Rough Guide to the Blues. ISBN 1-84353-519-X.
  9. ^ "J. B. Lenoir Discography". Wirz.de. Retrieved March 10, 2013.
  10. ^ Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books. pp. 133–134. ISBN 1-85868-255-X.
  11. ^ Vietnam Blues: The Complete L&R Recording – J. B. Lenoir | Songs, Reviews, Credits, Awards. AllMusic. Retrieved on June 25, 2014.
  12. ^ Rosen, Jody (June 25, 2019). "Here Are Hundreds More Artists Whose Tapes Were Destroyed in the UMG Fire". The New York Times. Retrieved June 28, 2019.
  13. ^ Doc Rock. "The 1960s". The Dead Rock Stars Club. Retrieved March 10, 2013.
  14. ^ "John Mayall – The Death of J. B. Lenoir Lyrics". Metrolyrics. Retrieved March 10, 2013.
  15. ^ "2011 Blues Hall of Fame Inductees". Blues.org. Archived from the original on August 22, 2009. Retrieved March 10, 2013.
  16. ^ "Illustrated J. B. Lenoir Discography". Wirz.de. Retrieved October 24, 2020.

External linksEdit